Fruits Basket – 10 – A Ripple on the Water

It’s the day before Valentine’s Day, when Yuki appears to only have one admirer’s chocolate in his locker, but only because every previous admirer (and there were many) tossed the chocolate that was in there into the trash. Kyou is also a lot more on edge, and Tooru wonders why…until Kagura shows up at the school gates and it suddenly makes perfect sense.

When Kyou rejects Kagura’s request for a date (mistaking it for a request), Kagura suggests they have a double date with Yuki and Tooru. Yuki is ready to veto the idea, but Tooru is so excited he can’t say no. Then Kagura and Shigure both make remarks about him and Yuki getting along a lot better and runs away, not wanting to hear that. When Tooru tracks him down, she tells him it’s okay for him to hate Yuki…but she plainly doesn’t get why, and still hopes she can wipe away both lads’ anxiety and pain the way they did for her.

Kyou, Kagura, Yuki and Tooru all go on the double date (to an anime film of all things!) and it all goes swimmingly, but more interesting is when Shigure visits the main house to deliver Tooru’s chocolate to the other Souma members she’s met, and ends up talking with Hatori. What about? It’s hard to say; as Yuki says, Shigure’s a particularly hard-to-pin-down kinda guy, especially where goals and motives are concerned.

One thing’s for sure: he’s in league with Akito, and while Hatori believes he and Akito using Tooru as a pawn for some self-serving purpose, he’ll neither help nor hinder his efforts, but simply remain neutral. Shigure, for his part, laments potentially having to hurt Tooru at some point in the future, but whatever “dream,” “affection,” or “fervor” he’s after, it’s apparently more important than not hurting her.

From episode start to finish, and even with some glimpses of flashbacks, Shigure remains a stubborn riddle wrapped in a mystery inside an enigma. His long-suffering young editor Mitsuru (who is about to take a box cutter to her wrist when Tooru first meets her) just wants the guy to meet his damn deadlines, but just as there’s no figuring out a guy like Shigure, there’s no rushing him either.

I’m definitely intrigued by this gradual increase in the rumblings that Shigure is Up To Something, which is effective because it doesn’t come out of left field. We always knew it wasn’t mere altruism that led Shigure into allowing an outsider in Tooru to live in his home, any more than he harbored two exiles from the main house in Yuki and Kyou simply because he’s a cool uncle. I also suspect things may not go exactly the way he plans.

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Ao-chan Can’t Study! – 06 – WE HAVE THE MEATS

With Ao’s father having an apparent bout of writer’s block, Ao accompanies his managing editor Yabe Souichirou to a festival full of meat and boobs…for data gathering. There, Ao encounters Miyabi (despite her slight bust size) and Takumi, both of whom are working at the event.

Thus, Ao worries that the two are a couple. Miyabi, ever the opportunist, sees Yabe for what he is: a much better catch than Takumi. Still, as she considers Ao and Yabe to be a thing, she is content with Takumi.

Yabe and Ao are both a little off when it comes to interpreting things, which means Ao lets her dad-inspired dirty imagination run away with itself regarding Takumi and Miyabi. In reality, Takumi isn’t interested in Miyabi at all.

Once he’s on his break, he seeks Ao out, both because he wants to clear up any misunderstanding about himself and Miyabi, and because, frankly, he’s jealous of Yabe being so close and familiar with Ao. Whether it’s prudent for him to literally sweep Ao off her feet away from Yabe so he can get some time to talk with her…is another matter.

Still, once he and Ao are alone, he makes it clear he only cares about her, and is running out of patience. He must feel she’s strung him along long enough; if she’s interested, she should communicate that. If she’s not, she should say so and give him the opportunity to move on, whether it’s with Miyabi or anyone else.

As far as Takumi is concerned, there’s no one he’s particularly interested in other than Ao. Ao feels likewise…the two just have to find some way to end up on the same wavelength. Unfortunately, considering we’re only halfway into this story, I suspect more bumps in the road to follow.

Gekkan Shoujo Nozaki-kun – 05

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Nozaki gives his apartment a thorough cleaning for his extremely curt editor, Miyamae. Chiyo doesn’t think the editor likes Nozaki at all, but Nozaki is totally in love with the guy for the punctual and straightforward nature of their communication. We learn why Nozaki feels this way in an episode that explores the mangaka-editor relationship, which can be a treacherous sea.

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Nozaki has been scarred by his previous editor, Maeno (whose name means “previous”): who always suggested and took credit for obvious ideas Nozaki had either already come up with, or ones he hates. After a subtly manipulative, self-important boob like Maeno, Miyamae seems pretty darn “cool and mature”, as Nozaki describes him.

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Nozaki is also troubled by the fact his neighbor and fellow mangaka—the beautiful college student Miyako Yukari—is still suffering under the affable boot heel of Maeno, who forces her to put random tanukis in everything she draws, regardless of genre (her apartment is also full of the things). The website set up ostensibly for artists’ benefit is full of posts of him describing what he’s wearing or abusing Miyako’s manuscript.

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Miyako should get mad—indeed, when Maeno shows up unannounced and teases Nozaki, Nozaki very nearly hulks up—but she doesn’t. Such is the insufferable, inscrutable power of Maeno, something Nozaki is very glad to be (mostly) rid of. From there, Nozaki receives criticism from Miyamae that he isn’t revealing enough of Mamiko’s emotions to the reader. Believing the only way to understand Mamiko is to become Mamiko, Nozaki decides to do just that.

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The results are unsurprisingly hilarious, though not as over-the-top as you’d think. He makes a bunch of bentos to give to friends to try to capture Mamiko’s feelings, but ends up conjuring a somewhat sinister Mamiko. He also tries to understand what it’s like to have girls for enemies. In an inspired choice, he does this by speeding Kashima around on a hand cart; her hordes of worshipers in hot pursuit.

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The chase sequence is a hilarious peace of physical comedy, and the little moment the “spurned” Kashima has with Hori afterward is pretty cute as well. Ultimately all of Nozaki’s research only leads to an even more confusing, unrealistic version of Mamiko that further frustrates Miyamae. Even so, it was neat to watch the creative process in action.

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Inu to Hasami wa Tsukaiyou – 03

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Harumi meets Natsuno’s masochistic editor, Hiiragi Suzuna, and learns that despite all the writing she’s been doing, Harumi has been in a slump since he was murdered. Suzuna also mentions a slasher going around the neighborhood, and Natsuno decides to investigate. They determine that every victim has been in possession of a Akiyama Shinobu book. Natsuno and Harumi bump into rival author/idol Akizuki Maxi, who mocks Natsuno’s bust. When the pet store owner’s afro is cut, Natsuno spots the culprit and chases after him, while Harumi falls for a trap and ends up back in his apartment, the captive of his own little sister, Madoka.

Ugh…when we heard of a new Gonzo series that wasn’t a Last Exile spinoff coming, this isn’t exactly what we had in mind. After a promising introduction, this episode was a huge step down from the previous two. Compared to most of the other series this season, the clumsy, animation is starting to wear thin, as is the random S&M crap and boob envy weaved into the plot, none of which is remotely funny. We realize there’s a human in that dog body, we just aren’t fans of animal abuse, no matter how silly and ridiculous the circumstances, and are finding it hard to understand Natsuno’s intense hostility towards the person who saved her damn life.

As for her editor Suzuna and her rival Maxi…well, they both come off as patently stupid, banal characters with no substance or nuance whatsoever. Harumi’s sister Madoka is slightly better, but that’s not saying much. She apparently liked her brother very much before he died, but is now aware that he’s a dog and has kidnapped him for some reason, again begging the question of why everyone feels the need to tie him up. With thirteen other series to keep track of, we have little time for inconsistent, half-baked nonsense. We’ll give it one more episode to change our minds…otherwise, it’s Dropsville.

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Rating: 4
 (Fair)