Re: Zero – 50 (S2 Fin) – Number One Knight

The only thing standing between Subaru & Co. and winning the day is one of the Three Great Mabeasts, the Great Rabbit, who surround the Graveyard just as Subaru returns from the mansion with a newly-revitalized Beatrice. What with the weakness of her contractor (Subie) and the length of time since her last real battle (400+ years), Beako deems she has just the right handicap to make the fight interesting.

With that, she unleashes El Minya—a shower of pink crystal shards that obliterate bunnies on contact. They keep coming, but her contractor, Subaru maintains hand contact and uses El Minya as well until the Rabbits, not being truly infinite, reach their maximum number. Subie then builds a crystal paddock to restrain them, which Emilia traces and reinforces with her ice magic, rising them off the ground.

Having been given sufficient time to prepare it, Beako finishes the Rabbit off with Al Shamac, transporting it in its entirety to an isolated space—like the forbidden library—from which it will never be able to return. A great psychological weight lifts from everyone—and myself!—when they realize that the battle is over, and they won.

Just when Beako is hoping for a little more enthusiastic celebration, she gets more than she bargained for when Subie lifts her up and spins her around in elation. Beako and Roswaal pay their respects to Echidna, their mother and teacher. Beako realizes for the first time that the Roswaal before her is the Roswaal she knew—the product of soul transcription, Echidna’s dream was realized.

Given some time to themselves outside the graveyard during a gorgeous sunrise, Emilia bashfully, adorably broaches the topic of “the baby in her belly!” It’s a phrase that nearly causes Subie to jump out of his shoes, but is only the result of some god-level trolling on Puck’s part, who convinced Lia that a mere kiss like the one she shared with Subie is enough to create life!

What follows is a “purification ritual” at the chapel, in which everyone in the main circle Roswaal wronged is given a much deserved slap or slug to the face. Ram, who is recovering quickly thanks to Beako, doesn’t stop them, as not even she can deny he’s made mistakes—one of them never being aware how much she loves him until now.

Emilia and Subaru knows they need Roswaal’s power for the Royal Selection and Battles to Come, but what’s stopping him from turning on them again? He removes his shirt to show just that: an oath sealed by a curse, which he received after losing to Subaru (on whose chest it would have appeared had he lost). Gar and Petra object anyway, but defer to everyone else, while Lia is sufficiently satisfied upon hearing a simple “I’m sorry” from the margrave.

A little time passes, but not much. With Roswaal’s mansion in ruins, the house of Annerose Miload, of a Mathers branch family, serves as the venue for the knighting of one Natsuki Subaru by one Emilia. Before the ceremony, Roswaal informs Subaru that he still intends to bring Echidna back, blood, breath, and soul.

Because he lacks the Tome of Wisdom, and the pain of losing what may be lost in his quest to revive teacher might surely cause him to Burn Everything Down, he instead vows to keep a close eye on Subaru and the path he walks. Like Roswaal, Subaru has lost so much, but every time he picks up the pieces, refusing to lose anything, bearing every wound those initial losses create.

After some flowery dialogue, the deed is done; Subaru officially becomes Sir Subaru. Subaru marks the occasion by telling Emilia how sexy and cute she looks in her be-knighting outfit, and in another sign of how much stronger she’s become, Lia laughs it off and sticks out her tongue rather than crumbling before praise. More importantly, Subaru now dons world-appropriate clothes that match Emilia’s white-and-purple theme.

As the well-earned party rages indoors, Subaru goes out onto the balcony for some quiet contemplation, and Emilia soon joins him, accurately accusing him of being drunk…on himself and the atmosphere, not booze. Emilia tells him there’s something she wants to talk to him about, and asks him to come to her room later to do so, employing a pinky swear to seal their agreement.

Subaru assures her no matter what she needs to say, he’ll never become “disenchanted” with her. After all, she just made him her Number One Knight! Emilia compliments Subaru’s sweet face, and remarks that the scene they’re beholding just might be her “ideal”, and she’ll never forget it. It was at this point I was convinced a shoe or two would drop, pulling the rug from everyone’s feet and plunging the celebratory mood into some fresh devilry as White Fox often does.

But it didn’t! The fact Rem never woke up aside, this was a totally happy ending, not leaving us with any cliffhanger we’d have to stew with for an unknown duration until a third season arrived to sate our hunger anew. And I’m very happy about that, and where everyone stands at this stopping point.

The gorgeous way the episode fades to white as Subaru and Emilia dance a waltz while surrounded by friends and allies—that’s pretty much my ideal too! Emilia finally got the character-building arc she deserved, and cemented her role as Best Girl. The Royal Selection, Rem’s reawakening, and dealing with the Sin Archbishops can wait. For now, Let’s party!

Re: Zero – 48 – Crunch Time

“Love Me Down to My Blood and Guts” almost feels like a finale. At the very least, it feels like the start of the climax of a epic blockbuster film. Every stop is pulled out and not a single moment of its 29+ minutes is wasted. You get a little bit of everything, starting with a well-balanced combination of badass action and lighthearted comedy.

Every wound Garfiel gives Elsa is instantly healed, but he doesn’t consider his fight futile, because he’s not necessarily fighting to beat her. He’s fighting to support his “Boss” Subaru, and no matter how many times Elsa heals and charges, he’ll keep meeting her steel with his.

That’s where we get a couple of impeccably-timed jokes, first with Garfiel boasting that the mabeasts will be no sweat for Boss, followed by the mabeasts being too much for Boss to handle. Subie also strikes out when he tries to demonstrate his real-world knowledge of dust fires, only to need to be bailed out by Otto and Petra igniting the beast with oil.

Those fires defeat the main mabeast but also beging to envelop the mansion. Subaru entrusts Rem and Petra to Otto while he runs into the flames to rescue Beako, whether she wants to go or not.

While the flames rage at the mansion, Emilia’s part of the episode serves as a calming, centering breath. Sure, she watched a number of unpleasant futures, but they come as a jumbled rush of voices and images, ultimately collectively blunting their individual discouraging effects.

There’s also the fact that they’re only “possible” futures, as Minerva tells her after the third trial ends. That means none of them are absolutely the real future, which means Emilia and those she loves will be able to avert disaster if and when it rears its ugly head.

Minerva appears to meet with Emilia in Bliss because Echidna was still “mad” at Lia for how the other two trials went, particularly the second. Perhaps Echidna really would have preferred to greedily feed off Emilia’s despair, but after reckoning with her past in the first trial, the witch’s prediction the other two would be a cakewalk turned out to be accurate.

Minerva is decidedly unwrathful in her interactions with Emilia. In fact, she treats her a lot like Mother Fortuna treated her, with tenderness and love, embracing her when Emilia turns back to see her. I suppose Minerva knew her mother, and maybe even knew Emilia as a baby, which is why she’s so aunt-like here?

In any case, Emilia has passed all three trials, and gains access to a tomb where the intricate barrier spell emanates from the deceased Echidna’s chest. With a cute little “Hi-yah!” Emilia deactivates the barrier and exits the graveyard, only to be welcomed by a raging winter storm.

Elsa and Garfiel are still going at it in the midst of the spreading flames when Maylie bursts through the outer wall with her giant hippo. Frederica isn’t far behind, turning the duel into a battle between sibling duos. After some trash talk the four get down to business, in a fury of bloody, kick-ass combat.

Frederica takes on all of Maylie’s other mabeasts, then Garfiel starts getting serious by transforming into his beast mode, ripping half of Elsa’s face off then not only going toe-to-toe with the hippo, but twisting and ripping it’s damn head off. Unlike the hippo, even Gar’s most vicious attacks fail to faze Elsa.

It’s at this point Garfiel realizes he’s dealing with a vampire. Elsa takes a few moments to tell the story of where she came from, and how she suffered to get to this kind of existence. When she was caught and stripped by an shop owner while stealing off starvation, Elsa reached for a shard of glass and opened the man’s belly.

Elsa, who’d previously only known the cold bleakness of her homeland, was both soothed and excited by the warmth of blood and innards, and never looked back. She tells Garfiel all of this because she finds him so precious and endearing. When he says there’s already a girl he likes, she clarifies that she only has business with his insides, and her love for him will begin after she kills him.

It’s a stirring final monologue for a baddie who has been around since Subaru first arrived, and distinguished by the utter inability to kill her. However, thanks to an assist by Frederica using Maylie to distract her, Gar gets in close and bites Elsa in the neck. Elsa bites him back, but he gives as good as he gets.

Before Elsa’s wound heals (or perhaps it won’t heal because of where he bit her), Gar lifts up the giant headless hippo and throws it on top of her. In her final moments, she recalls the very first thrill of disemboweling someone, then exclaims “What a thrill” in sheer ecstasy before being crushed with an ugly crunch. Hard cut to the title card and that oh-so fitting title, “Love Me Down to My Blood and Guts”.

At this point we’ve reached the 21-minute mark, which is when most other anime are rolling credits. Re:Zero keeps it going with an entire extra act, which is perhaps the most visually stunning and emotionally affecting in an episode that’s already full of those.

It deals with Ram and Puck fighting Roswaal, a battle that moves outside to protect Ryuzu Meyer’s crystal. Roswaal stirs shit by confessing to messing with Puck’s contract with Emilia when she was depressed after her fight with Subaru, essentially kicking her while she’s down in hopes Subie would scoop her up and do everything for her.

Roswaal admits to always looking back on the past, and with fondness, deeming all the wonderful things that ever happened to be in the past, and all that exists now is a phony standing atop a pile of corpses. Puck name-drops Beatrice, provoking him into launching fire attack.

Roswaal is disappointed in Ram’s weak outing thus far; as he wanted her to exact justice for her brethren and find happiness by defeating him. That’s when Ram drops a bombshell on him: he never properly realized her true intention: that she really was a demon, and not someone who was in love with Roswaal.

It’s a confession she delivers while both of her eyes exposed, a trademark of the demon maid sisters. When Roswaal asks her what of keeping her promise to her brethren, Ram simply says she’s prioritizing her own feelings over those of the dead. Puck, energized by Ram’s confession, grows to mammoth size (though maintaining his cute appearance) and seals Roswaal in a giant ring of ice, through which he can spot multiple Rams flitting back and forth.

Roswaal begins destroying the ice walls and the giant ice crystal attacks Puck rains down on him, but in the process he ends up with one of the crystals directly behind him. It shatters on its own and out comes the real Ram, snatching the gospel Echidna gave him, while suffering a horrific wound. Calling it “the root of all evil”, she drops the book in the fire, destroying it.

She wears a smile as she says “Now, at last…” before being hit by Roswaal’s retaliatory flames, which cause a huge explosion that consumes them both. Then the credits roll, and for me at least, the process of starting to breathe again commenced. As it has demonstrated many times in its previous forty-seven episodes, when Re:Zero decides to go big and epic, it does not disappoint.


RABUJOI
WORLD
HERITAGE
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Re: Zero – 47 – Seeing the Job Through

There’s action on all fronts, such that we don’t even check in on Ram and Puck’s fight with Roswaal. What we do see is that for once, an opponent—in this case Gar—is giving Elsa a challenge, even blocking her razor-sharp blades with his pearly whites! Gar’s confidence is buoyed both by his reunion with his big sister (who is free to retrieve the sleeping Rem) and “Boss” Subaru’s heroic example.

Gar and Fred give Subie the time he needs to at least try to make a case for Beako to come with him. She remains weighed down by the pain of 400 years of solitude; a “pure white life” due to the blank pages of the tome her mother gave to her. But it’s because she’s kept her promise for that long that she’s not about to break it now, even if it means her death.

Subie feels the opposite: four centuries is long enough, especially when nobody’s even sure Beako was given the right book! He’d rather she break the promise to keep her alive. Negotiations break down when Beatrice asks with all earnestness if Subaru can be “that person” for her. He says no way, and she ejects him from her library, where he encounters Otto and Petra, cornered by Mabeasts.

Meili (or Maylie if you prefer) is indeed on the scene, riding a giant “Rock Piggie” or Hippo. After grabbing Subie, Otto, and Petra (with Rem on her back) getting them out of the mansion, Frederica vows to hold Maylie off while Subaru and Otto get Rem and Petra to safety.

Unlike last time she fought, Fred’s not prepared to die so soon after meeting seeing her brother again, so she promises Petra she’ll take care not to let herself get killed. Unfortunately, Subaru and Otto have another obstacle: the Guiltylowe, who is immune to the mabeast ward. With both Tinzel siblings occupied, can these two lads handle this boss? To be continued.

The episode makes a clean break from the events at the mansion and returns to Emilia tackling the second trial. I appreciated this as Subie’s side of the story already has a lot of moving parts and cutting back and forth between him and Emilia would have added needless complexity and hampered the flow of both.

Instead, we stick with Emilia to the end of the episode, bearing witness to the entirety of her second trial. While she confronted her past in the first trial, the second is all about an “unthinkable”, i.e. alternate present (or at least near-present, as Emilia still seems slightly younger than her true present form). But the bottom line is this: she’s grown into a lovely young lady under the continued care of Mother Fortuna, who is still alive.

On an absolutely perfect day, an alive and non-crazed Betelgeuse comes calling, and the three set out for a picnic by the lake. Fortuna is dressed up for the occasion and Geuse cannot help but compliment her, which only makes her embarrassed and self-conscious. On their way to the lake, they pass by three other inhabitants of Elior, for whom Fortuna, Lia, and Geuse look like a tight-knit family.

Emilia uses the picnic to bring up the prospect of no longer beating around the bush and making their little family unit an official thing. While Geuse is worried that rumors about him and Fortuna could affect her very important job, but Lia believes it’s too late to worry about others’ opinions, and in any case those opinions are wholly positive, so why not become a family?

Saying she has something in her eye and having said what she wanted to say, Emilia leaves “the rest” to the two “young kids”, tearfully saying “I love you both” as she walks away. She climbs a hill that overlooks the idyllic scene, and is soon joined by Archi. He agrees the two make a good match and Fortuna should “give more thought to her own happiness.”

But, Emilia remarks, clutching Fortuna’s hairpiece that is now in her hair. this world doesn’t exist anymore. Archi confirms it is the unthinkable present, and asks her if she wants to live there in happiness. But Emilia has already committed to the real world outside of this. She’s done being hidden and protected, and wants to be an admirable person, listing off everyone dead and alive who were also admirable in how they helped and indeed are still doing so as she speaks.

Archi turns into a thoroughly disgusted Echidna, but it was she who said that the other two trials would be a piece of cake after how Emilia acquitted herself in the first. And so it was! She was never seriously tempted to remain in a dream world that she knew could never truly be. Rather, she was simply grateful for the opportunity to see her family once more.

To complete the trial, she leaps off the bluff and straight into the water, briefly catching a glimpse of her face and noting that she looks less like Fortuna than she thought. From the depths of the lake, Emilia emerges from the Graveyard, and is surprised to find the village refugees are all there to greet her and celebrate her latest victory.

It’s not just the villagers, either: Ryuzu has come with all of the beast people from the Sanctuary. While some of them still don’t 100% trust her, they’ve seen how hard Garfiel worked, and they’re willing to stand and bear witness to her efforts. Just one more trial to go, which will doubtless be focused on the future, or the possible versions thereof. Emilia promises they’ll all have a nice talk once she’s come through the final trial in one piece.

Rating: 4/5 Stars

Re: Zero – 45 – Weakness vs. Strength

This week stretched my patience for looking back by providing yet another flashback within a flashback, namely the time a suffering young Roswaal met Echida, who literally sucked his excess mana out of his mouth with a French kiss.

Roswaal, Beatrice, and Ryuzu Meyer all reside in what would become the Sanctuary. Their primary foe is yet another new character in Hector, the “Devil of Melancholy”, who shares the present-day Roswaal’s harlequin-like appearance and bizarre speech patterns.

As with Geuse and Fortuna in Emilia’s flashback, Roswaal and Echidna can only buy as much time as they can for Ryuzu to become the last-ditch catalyst for the core of the Sanctuary’s barrier.

Beatrice escorts her to the core without fully understanding that Ryuzu means to sacrifice her waking self, and suggests they use her ability to run away. But Ryuzu is done running, is happy with the life she’s lived with everyone, and is resolved to preserve the Sanctuary for everyone else.

This flashback amounts to more exposition, providing further context for the present confrontation between Subaru and Roswaal. It’s just regrettable to immediately follow up Emilia’s flashback-, tearful goodbye-, and exposition-heavy trial with an episode like this, which lacks any kind of forward momentum in favor of continuing to look back.

Roswaal is unwilling to surrender to buy into Subaru’s way of doing things, as he is still counting on Emilia to be overcome by her inherent weakness, while Subaru believes in her gradually-awakening strength. He tries to provoke Garfiel by questioning his love for his family, but Garf went through his own trial and is done with being weak.

Some yelling ensues, Roswaal and Subie admit they’re very much alike except in their beliefs and preferred methods, and essentially part ways all but saying “may the best man win.” Emilia, fresh off her completed first trial, emerges from the Graveyard where Ram is there to greet her. As its title “Beginning of the Sanctuary and Beginning of the End” indicates, this was very much a transitional episode, and it showed.

Re: Zero – 44 – Prediction of a Happy Future

Lil’ Lia is all alone when Pandora approaches her. With Kugimiya Rie’s soft, sweet yet oddly menacing voice, Pandora begins the mind games, thanking Lia for bringing the key to her at the opportune time. When Lia says she knows of no such key, Pandora goes straight to threatening to “turn over” the forest looking for it. Then Lia says she’ll be the key, and it appears in her hands, though only she can see it.

For all intents and purposes, Lia herself is the key—she always was—and protected as such by being kept in isolation away from the seal she unlocks. But unlike the inanimate object with which she shares a purpose, she’s a key that made a promise to Mother Fortuna. This is when Pandora tells her she must make a choice: keep the promise and invite conflict, or break the promise and resolve “all this” harmoniously.

Pandora makes it clear that should Lia decide to keep her promise, she has a promise of her own: to open the seal by any means necessary. As if rewarding Lia for standing firm, Fortuna returns to her side, thanking her for keeping her promise. I may have faked myself out in believing Fortuna was killed by Pandora off-screen, and that she’s Lia’s biological mom.

She’s neither, and Lia is again referred to as “the Witch’s Daughter”, implying her birth mom is one of the witches. That’s not answered, but suffice it to say Fortuna doesn’t possess the ability to kill Pandora and make it stick; as a witch, Every time she’s struck down, Pandora can resurrect her body instantly, calling into question whether she’s even physically there.

Her witch’s tricks also victimize poor Geuse, who arrives in the nick of time with plans to help Fortuna. It’s important to note that he hasn’t “changed sides” here; his bloodshot eyes simply cause him to see Fortuna as Pandora and Lia as Fortuna, so when he uses his newly acquired Unseen Hands, it is Fortuna who receives the full brunt of the attack, which proves fatal.

As Pandora assures Geuse that his “love was not wrong”, and nor was offering up his soul to save the one he loved. In her last breaths, Fortuna expresses regret for not being able to keep her promise to her sister-in-law, saying she’ll never forgive her. Lia forgives Fortuna in her mother’s place.

Fortuna isn’t dead for five seconds before Pandora says Lia is no longer bound by promises made to a dead woman. Not the most tactful witch, is she?! Lia removes her flower hairclips and replaces them with one of Fortuna’s, which resembles a snowflake. She then interrupts Pandora with a simple “Die”, exploding her with a giant snowflake.

Again and again Lia’s ice magic destroys Pandora’s body in the blink of an eye, and again and again Pandora returns a blink later, telling Lia it’s pointless to continue. As Lia gets more and more upset, her ice magic gets out of control, covering Fortuna, an emotionally wrecked Geuse, everyone in the village, and all of Elinor Forest.

Lia herself becomes encased in ice, and Pandora accepts that she’ll have to wait a bit longer to unlock the seal, but it will happen. Before taking her leave, she touches Lia’s face, removing all memories of their encounter and knowledge of her existence, telling her to “fill the emptiness” however she likes.

Before her breakthrough with Subaru, learning all of this may have broken Emilia, but she accepts everything she’s seen without complaint, or protest, or emotional breakdown. Because she’s able to part with her greatest regret and accepted her past self, she’s completed the first trial, just as Subaru did.

While she regrets she wasn’t strong enough to do more, Emilia is pleased to learn she never broke her promise to her mother to obey Fortuna. She never yielded to Pandora and even forced her to withdraw. She now has her gaze focused on the future, one in which the permafrost is lifted from Elinor and her friends awaken from their deep slumber so they can yell at her.

When (not “if”) that happens, she vows to keep apologizing until they forgive her, so they can all live in the world her mother, Fortuna, and Geuse loved. Echidna can rail against her all she wants about delusions, pushiness, insolence, egotism, selfishness, and hypocrisy, but she can’t deny the effectiveness of Emilia using her mother’s sacrifice as an “excuse” for her resolve, to see that the future she dreams of come true.

Echidna parts ways with Emilia, telling her that while two trials remain, because she’s now “fighting back” they shouldn’t be much of a challenge. Was that a backhanded compliment from someone who claims to despise Lia? I believe it was! With that, Emilia wakes up within the graveyard, still festooned with Subaru’s well wishes. As her eyes fill with tears, Emilia apologizes to her mother, and prepares for the second trial.

Meanwhile, Bilma and Ram help take Shima somewhere where she can rest, now that she’s successfully told Subaru the true purpose of the Sanctuary. Armed with this knowledge, he, Otto, and Garfiel pay another visit to Roswaal, who is again in full makeup and costume; his “war paint”, so to speak. Subie’s glad to see him taking their battle seriously, but brings Otto to point out that the Margrave’s carefully set up game board is already falling apart.

Roswaal doesn’t recognize Otto, because the prophesy in the gospel makes no mention of him. While this irks Otto, it’s actually good, because it meant he could act freely without the bounds of destiny licking at his heels. It was entirely thanks to Otto that Subaru was able to find the backbone he needed for this battle. Subaru and Otto virtually break the fourth wall in musing about a male character playing that role rather than the love interest.

Subaru has brought Otto, as well as the “tamed” Garfiel, to show Roswaal that the writing is on the wall—and he’s not talking about his encouraging messages he left for Emilia. With Roswaal’s game board quickly falling into ruin, Subaru has come to ask for his surrender. He probably won’t get it so easily, but like Pandora asking Emilia to unlock the seal for her, he had to ask!

Re: Zero – 43 – Run Lia Run

From last week’s cliffhanger with Regulus we take a brief detour to a weakening Ryuzu Shima tell Subaru & Co. a tale about her progenitor, Ryuzu Meyer, who lived in the Sanctuary before it was a Sanctuary. There, she met Echidna, Witch of Greed, and her daughter, a young Beatrice.

Meyer endured Beako’s unyielding haughtiness and the two went on to have “quite a heartwarming friendship”. Meyer also met a generations-young Roswaal, whose eyes were the same color back then. Getting down to brass tacks, Shima says the former Sanctuary “collapsed”, and then the true reason for the Sanctuary’s existence came about.

Just when Shima’s story is getting good, we shift back to Emilia’s trial. Considering the trial isn’t even done introducing people, I would’ve probably preferred to pick up where we left off, since Shima’s story and Lia’s past don’t really connect (at least not yet). New to the stage and flanking Regulus is the Witch of Vanity, Pandora, who—surprise, surprise—resembles Echidna, Satella, and Emilia.

Pandora wants the seal, so the Witch’s Cult can “fulfill its long-cherished desire.” Regulus seems to be her muscle, but as always has his own agenda and is an exhausting stickler for “authority” and “permission”. As Fortuna runs off with Lia, Geuse stands his ground and whips out the Witch Factor he was holding onto for just such an occasion.

Apologizing to someone named Flugel-sama, he presses the factor to his heart and undergoes a painful transformation. Pandora grants him the title of Sloth, Geuse uses Unseen Hands to fight Regulus (and puts extra emphasis on “desu!” For the first time).

The resulting stalemate enables Emilia and Echidna to shift to young Lia’s perspective. Fortuna gets her as far away from the fight as she can before entrusting Archi to her care, but not before giving her a loving, tearful goodbye, insisting she loves her like a daughter. Indeed, present-day Lia comes to believe Fortuna is her “real” mother after all, though it’s still not crystal clear if she means biological.

Archi carries a weeping Lia, aiming to leave the forest as Fortuna commanded, but he’s tripped up by the Black Serpent, a plague-bearing mabeast. The wound quickly spreads across his leg, which he amputates and freezes, but the spread doesn’t stop, it only slows. With what time he has left he orders Lia to head to the field of flowers and keep running straight and forward.

Fortuna reunites with Geuse, and the two have a very lovey-dovey moment that tests Regulus’ already virtually non-existent patience for being ignored. When Pandora gently asks him to remain calm, he turns her into a bloody mist.

She returns without a scratch moments later, drives Regulus into the ground, and then uses her ability to rewrite reality itself.  The purpose for Regulus entering the forest has been achieved, so she returns him to his mansion, which also undoes all the wounds he inflicted on Geuse. It’s as if he was never there!

Considering that there’s nothing stopping the witch from turning that terrifying, reality-altering power onto Geuse and Fortuna, their chances feel so much more hopeless against her than Regulus, and yet they won’t run. Protecting Emilia and the Seal is everything, and if they have to die, they’ll die together. Of course, as we know, only Geuse ends up living to encounter the likes of Natsuki Subaru—albeit in a profoundly twisted form.

As for Lil’ Lia, left to her own devices, all the thoughts about everyone hating her and not wanting her around flow back, and she soon becomes lost. This despite the fact that Fortuna, Geuse, and Archi never stopped telling her how loved she is or how good a girl she is. She believes the only way to fix things is to give the pretty witch what she wants: the key. The lesser spirits guide her to the Seal.

When she arrives, Pandora is already there, which indicates not only that Fortuna and Geuse didn’t last long, but that Emilia is the key to the Seal (duh). Moreover, Pandora was expecting Emilia to come to the Seal. The shit has officially hit the fan in this trial…but it’s not over yet.

Re: Zero – 42 – Memory Spring

Echidna accompanies Emilia into her recently unsealed memories, ever ready for stinging vitriol (she really is notably more hostile to Emilia than Subaru…but that would be Envy, not Greed!). After a literally cold open in which a naked young Emilia first meets Puck, Emilia and Echidna begin the journey in earlier, warmer, happier, and distinctly more fairy tale-ish times. Lil’ Lia, we find, is often cooped up in the “Princess Room” within a tree, but is otherwise lovingly cared for by Mother Fortuna (Tomatsu Haruka).

Fortuna is not her actual mother but her aunt; her brother’s younger sister. One day, while particularly bored, a lesser spirit—Lia actually refers to it as a “fairy”—leads her to a loose stone in the room. Takahashi Rie does a masterful job making her sound not just like a higher-pitched Emilia, but adopting the speech patterns and weird little sounds of an actual little kid. No one does that better than Kuno Misaki, but Takahashi is pretty damn good here.

The space behind the stone leads out of the tree, and the spring Lia revels in being able to stretch her legs. It’s while she’s sneaking around the margins of the elf village that we non LN readers receive the first genuine shock of this flashback: our boy Petelgeuse Romanee-Conti, back then a humble bishop, not only looked normal, but seemed like a pretty nice guy!

“Geuse” and Fortuna go back decades, and you can sense that long history in their effortless chemistry and gentle flirtation. Whether of the Witch’s Cult or some other order, Geuse and a group acolytes apparently make regular visits to the village in Elior Forest, both to deliver supplies and so Geuse can receive confirmation from Fortuna that “the seal is intact.”

Lil’ Lia knows she’s not supposed to be out and about, so even after the fairies help clean her up a little, she spills blue ink on her outfit to hide the dirt and grass stains. If Fortuna doesn’t buy it, she doesn’t tell Lia, instead hugging her and telling her she missed her even in the brief time they were apart. Lia, even back then someone quick to comfort others, places her little hand on Fortuna’s head.

While this is a helpful introduction to the places and players of the past, this initial stirng of memories isn’t yet enough for present-day Emilia. Fortuna and Geuse mentioned a seal, so Lia needs to keep soaking up these memories. They include the elf Archi giving Lia some nuts to snack on, and another visit from Geuse, who inadvertently flirts more with Fortuna. They really do make a cute couple.

Geuse also mentions that affairs outside the forest are “dubious at the moment”, so it’s more vital than ever the seal remain intact. He mentions Emilia, but also “the two of them”—her mother and father, perhaps. Emilia and Echidna follow Lil’ Lia to the famous seal itself, an ornate black door in a glade carpeted with snow all year long. Lia pushes the door, but it won’t budge…which is probably for the best at that point!

Outside, Subie cries about Gar having seen his supportive etchings for Emilia before she did, but both Gar and Otto tell him to buck up. As they wait outside the Graveyard for Lia to return, Ram comes by to tell Subie that Ryuzu Shima wants to talk to him about “a subject that is unavoidable if you wish to liberate the sanctuary”. Wait, Lia passing the trial won’t be enough to do that? What am I saying; of course it won’t be…

Back in the flashback, Lil’ Lia is sneaking around the woods when she’s spotted by Geuse, who I thought was about to say something that would reveal that he’s actually evil, but nothing ever comes of that. Instead, he acts more “Geuseian” (at least as we know him) than he had to that point when he spots Lia and realizes who she is.

His face contorts just a bit as he sheds tears of joy for being granted “salvation like never before.” Is this because of Lia’s resemblance to more than one Witch of his cult, his regard for Lia’s importance to the seal, or both? In any case, Lil’ Lia learns from him that people can cry out of happiness too, and because she’s such a good girl, she gives him a hug and strokes his head, telling him it will be okay.

It’s at this point Echidna tells Emilia she’s quickly approaching the end of the “warm-up round” and the beginning of the part of the trial that utterly broke her before. While Emilia knows Subaru wouldn’t think any less of her for depending on him, and she’s scared of what’s to come, she won’t cower any longer.

She’s going to take this as far as she can. Rather than voice her esteem for Emilia’s determination, Echidna tells her she’ll “find satisfaction” in her “suffering”. Looking every bit like a dreamlike fairy tale for its entire runtime, the warm pastoral greens of the beginning shift to a cooler, moodier, more foreboding purples and blues.

Emilia insists that Fortuna and Geuse play chase with her. Geuse is out of breath, so Fortuna snatches her up and imparts in her the importance of making and keeping promises. Emilia then summons her fairy friends, which identifies her as a future spirit user. Geuse tells her they’ll be her strength when no one is by her side, but Fortuna would just as soon not think about such scenarios, promising she’ll always be there for Lia.

When Geuse accidentally lets slip something about Lia’s parents (mentioning the days they were “well”, implying they aren’t well now), Fortuna has Lia run back home to the Princess Room…but before she can go, someone approaches, wearing a fancy white cloak. He gets pissy and verbose about Fortuna asking who he is before introducing herself, but he eventually tells her.

He’s an Archbishop of the Witch’s Cult, representing Greed: Regulus Corneas. This marks his second appearance in the anime, but his first since he attacked Rem and Crusch’s wagon back in this season’s first episode. As Echidna warned, the tough portion of this stroll down memory lane has arrived in earnest.

Re: Zero – 41 – The Purrfect Loser

Years ago, Garfiel attempted and failed the trial, and smashed his head against a column, causing the scar he wears to this day. He is the final obstacle to Emilia continuing her trial, and has come to the Graveyard to smash the entrance, isolating the Sanctuary forever.

Only Emilia and Subaru stand in Gar’s way, and it’s the former who makes a barrier of herself before him. She has lived in fear all her life until today, and knows the pain of being separated from a parent. All this time, Gar has maintained that he and his sister were obstacles to his mother’s happiness, which is why she abandoned them. But then the memory surfaces…of Gar finding his mother’s carriage, wrecked by a landslide.

She wasn’t even able to reach the outside world that lured her, that was to be the place where she’d find happiness, away from him. Gar has washed his hands of the outside, and will stand, as a wall in and of himself, to protect everyone else in the sanctuary who feel, like him, that things changing won’t make them happy. Nothing will ever get better, so you might as well stay frozen in place.

Having heard and been unmoved by either Emilia or Subaru, Gar transforms into Beast Mode and charges them. Subaru uses Shamac to halt time so he can stab Gar with the crystal Frederica gave him, which seems to be imbued with some of Puck’s spirit. This transforms him back into a man, but it hasn’t sapped Gar’s will to fight.

Subie stands firm and takes a vicious shot to the face, but he’s able to counterattack with a supernatural punch from the Sloth Witch Factor within his body, which he inherited from Betelgeuse and learned about from Echidna.

Gar is down, but not yet out. The knockout blow is delivered by someone who owed Gar such a blow: Subaru’s ever-dutiful earth dragon, Patrasche. Her charge finally gets the job done. Even if Gar hasn’t been proven wrong, he can no longer fight. Both he and Subie pass out in short order.

When Subie wakes up, it’s once again in Emilia’s lap. He thanks her, punches then shakes hands with Otto for his help and for being alright, and of course thanks Patrasche for her loyalty and love. Ram allows Gar to lay in her lap, but only until he wakes up and barely a second more.

Rem proceeds to give him the third degree, telling him to fight with an empty head next time and to stop yammering on in front of “the woman he loves” and accept his loss, and move forward. She then urges him to take the trial one more time, in order to confront and accept the past.

The Graveyard transports him back to that golden-lit day his mother left him and Fred in Ryuzu’s care. She kisses her infant son right on the place where he would create an ugly scar years later. Then his mother says something he didn’t remember: “I promise I’ll bring your father back.” That means not only did she not leave them to find her happiness, but she always intended to return, and with his dad.

The memory fades away until it’s just him and young Fred, who asks him straight up what he wants to do. He answers that he wants to do what he’s expected to do, by all of the people who need him. With his past confronted and resolved, he leaves the trial exchanging sharp toothy smiles with his little big sister.

Just as Emilia emerged from the graveyard a new and stronger person last week, the young man who would stop her and anyone from completing the trial emerges in much the same manner. He can’t claim he gained much that can be seen, but he did gain vital closure, and can even thank Subaru for being the one to give him the push he needed.

It’s then when Subie learns Gar is not only younger than him, but at fourteen is just an eighth grader…which actually explains a lot! With no further obstructions, Emilia can re-enter the graveyard and continue the trial with a full head of steam. Some of that steam is produced when she asks Subie if they can talk about the kiss they shared when all this is over.

Subie states that would be happy to, and is delighted by Emilia’s confidence, betting another date with her that she’ll prevail this time. When Emilia enters the inner chamber, she finds out what Subaru was doing when he abandoned her bedside that night: etching words of cheer and encouragement with Puck on the chamber walls.

Once Emilia is in the trial, she’s immediately met in the forest by Echidna, who unloads with a string of biting insults that would certainly cause distress to the Emilia of yore. But this Emilia is made of sterner stuff.

Taking a page out of Subie’s book on theatricality, she points dramatically up into the air, then directly at the Witch of Greed,  and introduces herself as Emilia, the Frozen Witch, born in Elinor Forest. She won’t give in to the “malice of a fellow witch”, and further warns that she too is “quite an insufferable woman, after all!”

Accompanied by a defiant orchestral score to match the occasion, this was a pitch-perfect way to end the episode and begin the trial of Emilia’s life. While I still can’t quite rule out things going badly for her and Subaru from this point on, I also never thought we’d see Emilia and Subaru kiss, or Garfield both thanking and apologizing to Subaru. But we’re in uncharted Re:Zero territory, and we have a brand-spankin’ new old president, so I’m in a hopeful mood!

Re: Zero – 38 – The Starting Line of Resolve

Just as Subaru is dealing with Echidna’s apparent heel turn, along with the antics of all the other whimsical witches, Satella shuffles back into his presence, forever enrobed in black miasma, loving him and wanting him to love her. But for the first time, Satty has more to say about love, specifically begging him to love himself more.

Subie isn’t about to be lectured by a bunch of witches. The way he does things and saves those he loves is his business, and if he has to keep suffering and dying, so be it, as long as he doesn’t lose anyone else like he lost Ram. He’s had so much of his fill of these witches he decides to peace out by biting his tongue and bleeding out.

But when it comes down to it, he doesn’t want to die, or even be hurt. Minerva can sense this, and so heals him with a headbutt. The witches share the sentiment that Subaru is someone worth keeping alive and watching, and so he acknowledges that each one of them has helped him in some form or another.

Heck, if not for Satella, he wouldn’t have Return by Death, his only means thus far of doing anything in this world. Yet when Echidna holds out her hand for Subaru to take, promising him she’ll take him to whatever future he desires, he rejects it. If he’s going to find his value to others beyond his continued death, he feels he must look for it himself.

Before parting, he does take the hand of the most unexpected witch: Satella’s, promising he’ll endeavor to love himself a little more, and also that one day he’ll honor her wish to return and “kill” her.


Of c0urse, even if Subie is proceeding without direct witch assistance, he’s still going to need allies. He awakens outside for once; Otto tells him Patrasche entered the graveyard to retrieve him. When Subaru asks why, Otto mocks his denseness; clearly, it’s because Patrache loves him and cares about him. And despite his tsundere reaction, Otto clearly feels the same way.

But while Subaru has loving friends in Otto and Patrache, he’ll find no such affection from Roswaal, beyond his role as the margrave’s avatar of hope. He insists on Subaru following his recommendations to put Emilia first and everyone else second; Roswall sees Subie as a tool to save only one and no one else. Doing everything for Emilia’s sake, to him, means ignoring everything she wants.

That said, Roswaal believes Subie has yet to find his resolve, and indeed is only barely on the starting line on the road to that resolve. So he forces the issue, copping to having ordered the assassins at the mansion. By creating a situation where even someone with Return by Death can only be in one place at one time, he’s forcing Subie to make a choice: Emilia, or the others.

And I thought Echidna was bad! She’s only true to her nature as a witch of greed; Roswaal is, and fully admits to being, completely insane, and has been so ever since he first saw the witch’s eyes. But to him, insanity is a requisite, not a liability, to achieving his goals, and he wants Subie to be just like him.

Subaru runs out, determined not to be anything like him, but the shock of learning he’s been set up in this way by Roswaal for just that purpose sends him into another uncontrollable fit of despair, running through the forest until he trips and takes a tumble, then repeating over and over what he should do, and coming up blank.

When in such a state, there’s nothing for it but for someone to pull him out, and Otto happily takes up that mantle by punching Subaru in the face. Subtle it ain’t, but it was what Subie needed, when it was needed. Otto scolds him for continuing to put up a brave face right up until he’s on the edge of madness-by-despair.

Hopefully Subaru has gotten the hint that yes, doggone it, people like him, and with our without the witches’ help or Roswaal’s hindrance, they’ll find out what to do together. Unfortunately, we won’t find out what until part two in January 2021, when hopefully things will be looking up a bit in our own world!

Re: Zero – 37 – Seven’s a Crowd

Returning by Death to the graveyard and Emilia, Subaru is more determined than ever to save her and the people of the sanctuary and mansion, even at the cost of his life. But upon returning and begging Echidna for an audience, he starts to experience what a voice much like his own voice calls “unthinkable presents”: visions of the worlds after he’d died and Returned by Death. Worlds that kept going without him.

Again and again, he witnesses what he’s indeed never considered: that in those worlds he leaves, those he leaves behind still suffer his loss, and he certainly feels both the crush of those deaths now compounded by his guilt over causing further pain to those he loves. Then again, this could be the second trial, and not true reality.

Those experiences flash by faster and faster, giving us not only a glimpse of how Emilia, Beatrice and Ram (among others) react to his demise, but serving as a kind of mini-montage of all the times he’s died period, starting from the very beginning. Then, all of a sudden, we hear a familiar voice…of Rem. Rem is there to comfort Subaru and urge him to basically lay down, rest, and let her shoulder his burdens.

Once the shock and elation of reuniting with a conscious Rem wears off, Subaru realizes this isn’t Rem. Rem may love and dote upon him, but at the same time, no one is stricter when it comes to him overcoming the pain and standing back up on his own two feet…Starting Over from Zero and such!

Turns out it’s not Rem after all, but a very flustered Carmilla, Witch of Lust, sent to the graveyard by Echidna to keep his mind from being totally worn away by the trial, an illusion that drew upon his memories. The trial, to, Subaru, would seem to present a series of failures, almost mocking his efforts as pointless.

However, Echidna assures him that he is where he is now due to everything he’s seen, done, and experience, good and bad. It mattered. None of it was a waste. To that end, since he’s here now, she wishes to enter into a formal contract with him, forming a bond between their souls that will enable her to help him when it’s needed, and will grant her the ability to Return by Death with him.

It’s hard to see her sudden dropping of this proposal to be the sum product of a deliberate and calculated effort on her part to butter him up and come across as a reasonable, even benevolent ally. To make her promise to help him achieve the future he wants—not to mention use her body, mind, and soul however he likes—appealing.

When the other witches (including Sekhmet, Witch of Sloth, who constantly yawns!) appear up one by one to warn Subaru not to take the deal—there’s too much fine print Echidna isn’t telling him—she launches into a passionate monologue describing in detail all of the ways she’ll help him, declaring it, essentially, a “vow of love.”

But as with Carmilla as Fake Rem, the vow feels hollow and performative to Subaru. Echidna may indeed be a kind, gentle, naïve maiden, but she’s also a witch, and the Witch of Greed, no less. It is her greed that primarily drives her wish to contract with him, as it would “contribute greatly” to the satisfaction of her curiosity. But that assumes she can ever be satisfied.

By the time miasma is coming off Echida and her face has become more demon-like, Subaru finally asks her what he wanted to from the moment he returned: Does she know Beatrice? Yes. Does she know “that person” whom Beatrice has waited? No. In fact, Echidna always intended, and has been waiting all these 400 years, to see whether Beatrice would choose “that person” herself.

Basically, Echidna is pointing out that she gave Beatrice a raw, cruel deal before asking Subaru to trust her enough to give her a “taste” of everything he is, was, and will be. And Subaru isn’t having it. He declines her offer, and while Echidna looks disappointed and even miffed, she probably doesn’t think her fight for Subaru and his Return by Death is over just because he refused once.

Still, before we see fully how she’ll deal with that refusal, the seventh witch, Satella, makes her appearance, just in time for the second season’s first cour finale next week. I’m hoping she has a bit more to say to Subie than “I love you”!

Re: Zero – 35 – Trust the Process

As Subaru races to the mansion to try to head off Satella, Garfiel informs them that he’s only alive thanks to Ram’s wind. It blasted him up into the sky while Ram, Roswaal, and Ryuzu, Otto, and everyone else were swallowed up by the shadow. If it wasn’t obvious to him before, it is now: this loop is toast.

Satella, who says only “I love you” and “Love me”, swallows Subaru up, and he sees flashes of the memories of her past victims. He then uses Petra’s hanky, which turns into a blade, to stab and kill himself so he can Return by Death. And after all this time, the RbD sound still gives me goosebumps.

Shit has hit the fan in the past and will again, but this episode is a rare instance of Re:Zero giving Subaru a goddamn break for a change; at least a break relative to the usual torture. He wakes up with Emilia by his side, and she hugs him when he starts to cry, happy to see this side of him. She’s not even discouraged by her latest trial failure!

Garfiel remains neutral in this loop as well, so conditions are perfect for Subaru to start gathering information with which to determine the best course of action to help Emilia and prevent anyone from being killed, either in the Sanctuary or the Mansion. He starts by using the memories from Satella’s shadow to find a secret location that turns out to be where the original Ryuzu—Ryuzu Meyer—is held in stasis.

Thanks to Echidna’s fluid-spiked tea, Ryuzu Bilma identifies Subaru an Apostle of Greed, and must obey his commands under their contract. All he wants for now is information, which she is happy to provide. Both the Sanctuary and Ryuzu Meyer were created by Echidna as part of an elaborate experiment to achieve immortality.

Subaru posits that Echidna chummy with him because like her, he’s immortal, after a fashion. He learns that all the Ryuzu clones are basically pure mana, but Meyer was never a sufficient vessel for Echidna’s soul. He also learns that Garfiel once attempted the trial himself, and “Bilma” is the current Ryuzu’s way of claiming individuality, along with her tea-drinking hobby.

Subaru then gets to have a lovely moonlit chat with Emilia, in which he assures her she’s gonna be fine and will get the job done. She’s ever grateful for all the courage he’s been able to awaken in her. It could well be that unless Subaru says these encouraging things to her, she’ll ultimately become discouraged by her trial failures. Instead, it’s as if he’s buffing her up for success.

After a friendship-acknowledging chat with Otto, Subaru goes to sleep. The next morning, he leaves a note and heads off to the mansion to get a better handle on what’s going on and how to stop the carnage he’s witnessed. Once again, his exit is blocked by Garfiel, but when Garfiel learns Subie is merely testing him, vows to uncover all the secrets and learn all that he can learn, Garfiel grudgingly lets him pass.

What compels Garfiel to step aside is the look in Subie’s eyes as he says, with absolute conviction: “I know hell. I’ve seen it many times.”

After the credits, Subie arrives at Roswaal Mansion with Patrasche, and has Frederica and Petra take Rem and head to safety so he can conduct his business in the mansion without fear of collateral losses.

Then Subaru enters the library, where a surprisingly cooperative Beatrice seems aware that this time, Subie has come for the right reasons, seeking the right things. By doing so, he’ll be bringing an “end to the end of the end”— setting Beako free in the process. I half-wanted her to say when he entered, with a knowing glint in her eye: “Shall we begin?”

Re: Zero – 34 – Down the Great Rabbit Hole

For being the Witch of Greed, Echidna sure is helpful and informative! It’s her opinion that there is no limit to how many times Subaru can use Return by Death, as it is limited only by the Witch of Envy’s presently-limited delusion.

Envy wants him to “redo destiny” without mistakes, but doesn’t count, say, what happened to Rem as a mistake. Neither Rem or anyone else are taken into account. Subaru alone is responsible for who is or isn’t lost when the next “save point” is established.

The more immediate concern is, of course, that horde of voracious rabbits, which Echidna identifies as the Great Rabbit. Like the White Whale and Black Serpent, these Three Great Mabeasts were created by Daphne, Witch of Gluttony, over 400 years ago. The Rabbit can only be killed by killing all of its constituent parts simultaneously.

When Subaru requests more info on the Great Rabbit, Echidna arranges for him to meet Daphne one-on-one; such is her ability as the vessel of the souls of all the dead witches. Instead, the childlike Witch of Pride Typhon pops out first, ripping off Subie’s arm and shattering him to bits before the earnest, self-conscious Witch of Wrath Minerva saves him.

After that, Daphne finally appears, bound and chained within a coffin. After questioning why Subaru would destroy the Great Rabbit without first understanding the infinite gluttony that powers it, she offers a useful hint about how to at least get the rabbit where you want it: it is drawn to great sources of mana, like a powerful magic user.

As Subaru exhibits signs he could soon wake up, he beseeches Echidna to tell him how to return to her should he require more of her wisdom. She tells him the conditions for joining her tea party are tougher the more times he’s admitted, but like the last two times, if he needs her, he’ll find a way to get to her, either through the tea party or in the trial itself.

As for the trial: Echidna is losing her patience and interest in Emilia, and is all but convinced the half-elf candidate will never “break out of her shell”, i.e. properly confront her past. Right now she’s much more confident in Subie’s ability to pass. After Echidna receiving payment in the form of the sentiments within the handkerchief Petra gave him, Subie returns to the tomb, his memories of the Witch of Greed fully intact.

The only problem is, Emilia is nowhere to be found. When Subie goes outside, he faces a giant shadow slowly engulfing his surroundings, and Witch of Envy Satella makes her appearance. She draws close to Subie declaring “I love you” over and over and over again.

I’m sure there’s some truth to that, considering the ability she game him. At the same time, as Subie himself is gradually covered in her cloak of darkness, it sure doesn’t look like he should be sticking around, and certainly isn’t going to get anything useful out of her other that “I love you”.

It’s Garfiel (of all people) to the rescue, splitting Subie and Satella up, grabbing Subie and leaping to a (slightly) safer place. There, the two observe Satella not following them, but headed to the barrier. It dawns on Subie: she’s headed for Roswaal’s mansion, and to Frederica, Petra, and the comatose Rem.

Determined not to let Satella “get away with anything else”, Subie no doubt is preparing to chase after her—though I wonder whether Garfiel will be okay with that. After the credits, we see Roswaal in bed about sink under the shadow, and grabs a book (a gospel?) in grim preparation to accompany Subaru in “hell”.

Watching Subaru and Echidna interact is always fascinating, while it was fun to meet three more colorful quirky witches. Interesting too that they’re portrayed as characters with whom Subaru can converse and reason; Satella is much more of an implacable force of nature.

As for the Great Rabbit, I’m sure it can be defeated just as the White Whale was defeated. However, I agree with Daphne: one lone human won’t be enough to do it, which means Subie will have to flex his alliance-building muscles.

Re: Zero – 33 – The Witch of Greed

Otto and Ram are ready to get Subaru the out of the Sanctuary, but he’s not ready to run quite yet. He meets with Roswaal for some straight answers, and actually gets them, though who knows he can trust the guy. Roswall assures Subie that Beatrice is not a witch cultist, and that the “gospel” she spoke of is the Gospel: one of only two Tomes of Wisdom in existence, not a Witch’s Gospel.

When asked how he can get Beako to help him, Ros says the same thing Ram told him earlier: “Roswaal said to ask the question”, and once that question is asked, answer in the affirmative. Bound by a contract, she will then ally with him. Subie’s last question is whether Roswall is really an ally, to which he says he’s an ally to “all of you”. Hmm…we’ll see!

While Subaru no doubt gained crucial information with which to move forward, he also tanked any chances of this loop being salvaged. That’s because he took so much time with Roswaal that Garfiel tracks them down and orders Subie back into confinement.

When he refuses, Otto and Ram cover his escape on Patrasche, and the townsfolk of Arlam light the path out with lanterns. Alas, Garfiel makes a full beast transformation into a half-Tiger, half-Behemoth, and kills Otto and several villagers. Patrasche finally grabs Subie and throws him at the barrier and the blue crystal glows…

Subaru wakes up in the dungeon, but the door is unlocked. He finds that snow has fallen, so my first through was something happened with Puck. But no one is around, and I mean no one: no Garfiel, Ram, Roswaal, Emilia, or villagers to be found. It’s like everyone suddenly up and left.

So Subaru leaves too, out into the snow without a coat or anything to defend himself. The landscape is so serene, you just knew something horrible was about to befall our young protagonist…I just didn’t know just how horrible it would be. Getting slowly torn apart and devoured by thousands of white demon rabbits? Pretty bad!

Cue that iconic choral stab that indicates Return by Death, and Subaru is right back in the ruin beside Emilia, who notably doesn’t seem to be having as fitful a sleep as we’ve seen in other returns. Frustrated, Subaru smacks his forehead against the stone floor until it bleeds, and Echidna’s voice declares he’s once again “earned the qualification” to join her tea party in Bliss.

Thanks to the Sloth Witch Factor-affecting tea he drank last time, Subaru is once again able to keep his shit together in Echidna’s presence. Subaru makes an appeal to Echidna: next time he leaves this place, he doesn’t want to forget her. He draws so close and is so emphatic, Echidna can’t help but betray her bashful side, and is inclined to acquiesce to his request.

That’s when it dawns on Subaru: this tea party must be happening right after her last one. That she doesn’t consider this strange in the slightest means she knows why and how he’s back a second time. When she asks him to clearly state what that “how” is, he’s understandably weary, considering what’s happened to him every time he’s tried to explain it to others.

But this time, in this place, and to Echidna, Witch of Greed, he’s able to literally shout it from the hilltops: he’s been returning by death. Shocked beyond reason that he was able to finally say it out loud, he repeats it again and again, still waiting for the claw-like hand to clutch his heart and squeeze—but it doesn’t happen. At long last, Subaru is able to tell someone what’s really happening to him.

This is because the Witch of Greed wants to know everything in this world. But while she’s known about Return by Death and has been watching him this whole time, there’s yet more she wants to learn from him, like how he felt while going through all the trials he’s endured and burdens he’s carried. Well, she may want to get comfortable and brew more tea—with or without “fluids”—this could take a while!