Noragami Aragoto – 13 (Fin)

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Noragami Aragoto doesn’t pick up right when Ebisu is about to be blasted by a pacification ring; instead, it skips to Yato escorting a young man to the Olive Tavern. It doesn’t take long to realize the boy is the reincarnated Ebisu, which means the adult Ebisu he knew and befriended in the underworld was executed.

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Yato is clearly sick about this whole situation, and Yukine and Hiyori stay on the periphery pondering what they should do as he himself wonders how he can change; how he can cease being a heartless war god now that he has a heart, and follow Ebisu’s example of working to protect and save people, and becoming a god people want to remember and have faith in for things other than contract killing.

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By the end, Yato, perhaps without knowing it, changed Ebisu. Once, he had no qualms about dying over and over, because his shrine maidens would always tell him he’d reincarnate every time without fail, and so should never fear death. In fact, due to his lives’ work, Ebisu kinda had to die a bunch of times in order to make progress researching phantoms and acquiring the locution brush. Needing to break eggs to make an omelette, so to speak.

But by the time that last ring blasted him, Ebisu didn’t want to die and be reborn again. He wanted to live and stay in the world as he was. It was, in fact, his dying wish, and the reason Yato is so beside himself; Ebisu, who told him he’d make a great god who could make people happy, managed to change himself at the end from what he always was.

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Now that Ebisu is back, but with close to no specific memories of his past self, it falls to his overseer to raise him back up into a useful member of god-society. And if that overseer has his way, this Ebisu will never see or touch the locution brush again. Yet when Bishamon and the other gods who assisted him hear of his noble ventures for the first time, they don’t necessarily agree that Ebisu should be stopped; in fact, it wouldn’t be what the past Ebisu or Ebisus wanted: for his reincarnations to carry on his work until he makes a breakthrough.

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Back freeloading at Kofuku and Daikoku’s, a restless Yato takes Yukino to a secluded lake, where he asks his exemplar, heart firmly on sleeve, to help him change: from a god of war and calamity to a god of fortune and happiness; the god Ebisu saw in him.

Hiiro appears on queue to dissuade Yato, dismiss Yukine, and drag her brother back to their father to be “praised”; thus continuing the same cycle of death and soft smiles that’s been going on for centuries. She also points out that the plan to use Ebisu as a scapegoat to allay suspicion from their father, who also works with phantoms, worked like a charm.

But no more. With Yukine beside him for strength, Yato overcomes all the warm memories of him and his sister, and does what is necessary to truly change: release her as his regalia for good. When he does so, Hiiro’s smile changes to one of shock, disbelief, and even despair. But that’s not surprising: Hiiro has never changed, and may never change. It does, however, make me wonder if she could change, once enough centuries have passed.

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Now officially free of Hiiro, Yato turns to Yukine to be his guide on his new path to becoming a less calamitous god, something he has no idea how to do since he’s “only good at killing.” But he’s wrong, and Yukine tells him there’s very little he needs to do that he hasn’t been doing already.

Really, getting rid of the temptation of Hiiro and his dark past was the most important step. He already makes people happy, like Yukine and Hiyori, who has faith that together Yato and Yukine can slay disaster before it strikes. And no, she doesn’t ask to have her tail fixed, nor does Yato offer it. She seems content with being the way she is for now.

The happy ending is only marred by the revelation that Fujisaki, the handsome young man who got along so well with Hiyori, is, in fact, Yato’s father. He joins his classmate, who cannot see the large retinue of phantoms by his side, along with Hiiro. Maybe she’s not going to change anytime soon after all.

As for his dad, it doesn’t look like he’s given up on bringing Yato back into the fold. No doubt many of the disasters thrown Yato’s way will be of his father and sisters’ making. He must be ever-vigilant. But as Kofuku says, with Yukine and Hiyori by his side, he’ll be fine.

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Noragami Aragoto – 12

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The drastic measure Ebisu ominously suggests turns out to be a variant of a soul call, which is basically ‘Yeah, just YELL HIS NAME REALLY LOUDLY down the vent’, and Yato will come back. I know, it’s a little more spiritually involved than that, but I was still amused by how simple the approach turned out to be…or rather would have been, had Hiyori actually known Yato’s real name.

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She summons back a confused Bishamon without any trouble, but Yato dosn’t come no matter how hard she calls it. That casts doubt on the fact Yato is his name at all, which hurts Yukine deeply if true. Nonetheless, as Bishamon and Ebisu fight off the Heavens’ Punishers who have come to take Ebisu away, and Kofuku keeps the vent open, Hiyori keeps calling.

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She keeps calling Yato not just because she desperately wants him back, but because she doesn’t want it to be true that he kept his name from her; not after she saw how happy and tearful he became when he saw it carved on the shrine she made for him. They’ve come too goddamn far for him to still be hiding basic stuff like his name…right?!

But then, Hiyori concentrates on the structure of Yato as she carved it, and focusing on two  crossed strokes forming a kind of offset plus, and calls out a different name: Yaboku, which does the trick. Yato apparates right on top of Hiyori, but she’s so happy he’s back she overlooks the closeness. Nay, in situations like this (and when Yukine underwent ablution), this is when the family comes in for a big warm hug.

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So hurrah!, Yato is back safe and sound. But notsofast; there’s still those Heavens’ Punishers to deal with, what with their biker gang name and Mortal Kombat-esque dragon regalia Kiun, which they summon when their arrows fail to pierce Ebisu and Bishamons defenses.

To deal with Kiun, Bishamon puts faith in her exemplar Kazuma to work his blessed vessel magic to power up her whip Kinuha, and he doesn’t disappoint in asserting his dominance, in a nice bit of visual trickery, Kazuma reaches out to the lightning dragon high in the sky, and suddenly grabs it as if it were tiny and within reach.

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Yukine isn’t quite ready to forgive Yato for hiding his name, going into the underworld, and getting beaten up without telling him or Hiyori anything. Still, the Heavens’ Punishers have a lot of tricks up their sleeve, and contingency plans for their contingency plans, so it has to wait. Or rather, the making-up has to happen immediately, as Yato requires Sekki at full power to repel the nuke-like projectile launched from the Punishers’ Purification Ring.

Sekki does just that, and with authority, and Ebisu, who after being reamed by Yato, actually wants to keep living, is appreciative. He’s appreciative of all his fellow gods’ efforts, as well as their regalia and human. But it may not be enough against the forces of the heavens. Another ring appears beneath his feet, and before the credits roll, Ebisu is swallowed up by white light.

Will it be blocked again? If so, by whom; Yato? Bishamon? A god who has yet to appear in this battle? If not, will it be the end of Ebisu? How will the gang deal with the loss of the one person they all worked together so hard to keep alive? Heck, I can answer that last one: They’ll feel like shit! So here’s hoping something—a miracle, perhaps—happens to prevent that. Because you know what? I like Ebisu.

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Noragami Aragoto – 11

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Of all the things to go down once Hiyori and Yukine arrived at the entrance to the underworld, I did not expect for Yato’s mercy to bite him in the ass, but that’s almost what happens, as Kugaha tries to capture Hiyori and kill Yukine. Kugaha tries to weaken Yato’s newly-minted exemplar by bringing up Hiiro and the fact he went to the underworld with her instead of him.

This works, but only briefly, as Hiyori grabs Yukine and counteracts Kugaha’s negative words by telling him how much Yato means to him, and to have faith in him. Yukine manages to fire off a borderline that shatters Kugaha’s and slams him against a tree, and well…that’s the last we see of him!

Then again, perhaps his being there wasn’t a mere coincidence: if he’s to be believed, Kugaha seems to have been keeping track of Yato’s movements and actions all along, and while Yukine is able to neutralize him here, I’m sure he’ll still want to confront Yato.

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Of course, after this week that may not be such a good idea, because his former master Bishamon ultimately decides to go all-in on rescuing Yato. Before that, we see Yato’s in a bad way, falling back into those damned caverns. As Hiiro tenderly treats his foot, Yato starts to lose hope, matching Hiiro’s sentiment that this being the end for them isn’t so bad if they’re together.

It’s clear Hiiro is far more than a temptress to the “dark side” for Yato. They were, and remain, family. But he shakes off thoughts of giving up; not while Yukine and Hiyori are still up there.

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Hiyori and Yukine bump into Bishamon and Kazuma (she’s also wearing Aiha as armor and another regalia as a whip; prepped for battle), Kofuku and Daikoku arrive, and options are weighed. Hiyori absolutely can’t go into the vent (which quickly closes anyway), while Yukine can’t go without disguising himself as someone else’s regalia, in effect becoming a Nora.

Bishamon makes the decision for him: she’s going to go down with Kazuma, Aiha, and the other girl, and save Yato herself. Kofuku opens a fresh vent and down they go.

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She’s not just doing it for Yukine and Hiyori’s sake, but because she owes Yato. She actually owes him twice over, first when her Ma clan of regalias almost killed her, and again when dealing with Kugaha. She admits she hated Yato in order to move forward, and you could even call that a third debt. Regardless, she intends to repay them, which means saving Yato from Izanami here.

Even Bishamon and some of her top regalia struggle against the mighty Izanami, but they’re not trying to defeat her, just grab Yato and escape, so they have a chance. Of course, they’ll also need a way out, but Kofuku’s vents keep closing too fast. Enter Ebisu, who comes to and says there’s a way to open a gate to the underworld, but it will require someone from the Near Shore…namely Hiyori.

That’s pretty foreboding, but you know what? In keeping with the theme of having faith, be it Yukine in Yato or Yato in Yukine and Hiyori, I’ll have faith she’ll be alright, and things will work out fine.

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Noragami Aragoto – 10

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Answers to our questions last week come quickly. Will that kiss really work? No, it didn’t; Hiyori doesn’t seem to have any interest in Fujisaki. Will Hiyori become even more troubled by her inability to remember? Yes, most definitely. She rubs at her lips until they’re red, and she walks around with a cloud over her head. Will someone be able to jog her memory before it’s too late? Thankfully, yes, albeit accidentally.

When Yukine first approaches her, she can’t see him, which is bad, but his voice and his smell bring all the memories of him and Yato rushing back. Simply beside herself with relief, Hiyori embraces Yukine tight enough and long enough to make his nose bleed. Who can blame her? She never wants to come close to losing him or Yato again.

She was in a kind of hell, one she’d experienced before, but was so sure—arrogantly so, she believes in hindsight—she’d never experience it again. Now she knows: she’s not immune to forgetting; she must be vigilant in remembering. But first thing’s first: Find Yato.

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Down in the underworld, Izanami has caught up with the fleeing Yato and Ebisu, and sends legions of naked blue beldams to drag the men back to her so she can play with them for all eternity. Hiiro acts independently by shoving one of Ebisu’s regalia into the beldams to distract them and save her master and Ebisu, who are all she cares about.

But when Yato learns Ebisu retrieved the ablution brush not for his own selfish reasons, but for the sake of protecting humanity by controlling phantoms, it changes Yato’s entire perspective of his charge—and mine as well.

With Bishamon and Kofuku also still away, Yukine joins forces with their exemplars Kazuma and Daikoku to seek out Yato. They ask Tsuyu—who isn’t a regalia but the spirit of a plum tree who serves Tenjin—to speak to the trees, and she finds one that saw two men matching the description of Yato and Ebisu entering the underworld. Hiyori hears this too; now she knows where to go.

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Meanwhile, in Takamagahara, the six other gods of fortune along with Bishamon are being held captive by High Sentinal Oshi, who tells them that by “interrogating” several of Ebisu’s regalia (many of whom turned out to be Noras), they’ve determined he’s the conjurer they’re looking for, and will seek to execute him for his crimes.

That doesn’t play so well for Okuninushi, who shows the adamant, haughty Oshi one of his more terrifying forms. But before any god or sentinal blood is shed, Kazuma arrives with Kuraha, restrains Oshi, and frees Bishamon, who make a beeline to the underworld to retrieve Yato and Ebisu.

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Even though Yato is still missing, Hiyori is clearly in far higher spirits now that she’s remembered him and Yukine. Yukine remains weary, mostly because he doesn’t want Hiyori to get involved in anything hazardous. Her scrape with the whole Bishamon business was a close enough shave for him. But Hiyori tells him she needs to find Yato and hear his story face-to-face, so Yukine agrees to let her accompany him.

It doesn’t really matter who shows up to the underworld first, as long as someone gets there fast; Izanami and her harem is proving too much for Yato and Ebisu, and all the exits are sealed with powerful-looking magic. Ebisu remembers his childhood—a childhood he’s had often because he dies and reincarnates so much. He’s a popular, well-known god with many shrines and books and oral histories about him. So if someone has to stay down there with Izanami and die, it should be him.

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Yato disputes that logic, much to the chagrin of Hiiro. Now that he can see Ebisu’s formidable will, which causes him to press forward in his purpose no matter how many times he dies, and he wants to be a god worthy of that kind of respect; worthy of Hiyori. This is how great and immortal gods are forged, he believes; not by simply going with the flow and doing whatever his father and Hiiro tell him to do.

This time he makes his stand, and convinces Ebisu to use the brush to punch a vent into the very fabric of the underworld with phantoms. Suddenly, something that was a big no-no in past episodes is crucial to their survival; the ramifications can be dealt with later.

Even though Yato gets snagged by Izanuma and pulled back down into the abyss, with a huge host of gods, regalia, and Hiyori about to descend on the underworld in quick succession, his number is far from up…especially if Ebisu, who escaped, tells the others of Yato’s selflessness.

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Noragami Aragoto – 09

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Because Yato is in a charitable mood and possibly harbors guilt for the things he did with her, he goes along with Hiiro’s idea to go into the underworld to rescue a conjurer, despite the fact he could very easily get trapped down there by it’s queen, Izanami. When that conjurer turns out to be Ebisu (who is absent for the latest colloquy, correctly suspected, and for whom an arrest warrant is issued), suddenly Yato’s personal dilemma is intertwined with the overarching threat of Ebisu.

For a supposed Big Bad, it’s surprising how casual Yato and Ebisu are when they meet. Perhaps it’s because Yato trusts a far more famous god, or because hasn’t always been the most scrupulous fellow himself (as his continued entanglement with Nora attests) but he doesn’t really protest Ebisu’s use of Masked Ones as “phantom regalias”. In fact, we get a lot of Ebisu’s silly, eccentric side, rather than any goofy evil face-twisting. It’s a nice change of pace; I like it.

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While Yato, Hiiro, and Ebisu tread deeper into the underworld, Hiyori is snagged by her high school friend into a triple date at Amagi Brilliant Park some Capybara-themed park. Notably, Tenjin stops Tomone (curious about where Yato went off to) from getting Hiyori’s attention in the street; it’s been established Tenjin wants Hiyori to stop hanging out with gods an regalias and live a normal living high school girl’s life.

Now it looks like that might be happening. We don’t know her friends that well, but their meeting up and pairing off at the park is very well done. It’s amusing to see the girl who arranged everything ended up pairing up with a different guy, leaving the handsome, well-spoken Fujisaki (who caught her from falling last week) to Hiyori, and the two have instant chemistry, courteously apologizing to each other for putting one another out.

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When Yato and Ebisu encounter Izanami, everything seems arranged to keep them by her side. She takes the form of people they care about—a very forward Hiyori, in Yato’s case—and she constantly offers food, drink, friendship; all of which will keep them stuck in the underworld as her “friend” forever. Hiiro actually does Yato a solid by protecting him from “Hiyori’s” kiss; let it be said that Yato and Hiiro really do make a good team; it’s just that being in that team puts serious strain on Yato’s newer relationships in the living world.

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Yukine, for his part, has very little to do this week, but he continues to train and become stronger in body and mind under Kazuma’s wing. Kazuma notes that Yukine is also trying to remain strong for Yato’s sake, even though he’s worried about him.

He should be, it would seem: when Izanami says she’ll only give them the brush if one of them stays behind, Ebisu picks Yato to stay with the logic that he’s the more famous god with a lot more at stake. Obviously, Yato takes exception to this—he has as much a right to exist as Ebisu, regardless of his past—so they fight.

But it all turns out to be an elaborate distraction. When Ebisu “beats” Yato by snatching Hiiro from him (she once served him as well, taking the form of a pistol), Izanami celebrates the fact Yato will be her friend. But then Ebisu uses his little masked phantom bat to snatch the brush, and he and Yato high-tail it together as Izanami fumes.

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As they flee, Yato thinks only of getting back to the near shore and to Yukine and Hiyori, whom he cares for so much. Surely this is the end of his dealings with Hiiro, right? He’ll pop back at an awkward time during the date and Hiyori will be embarassed but relieved and happy at the same time, right? Right?

Well…no. As the date progresses, Hiyori continually remembers someone who’s name and face she can’t place, and it starts to eat at her, until it’s clear to her date Fujisaki that something is very wrong. But Fujisaki reads her demeanor as something that can be remedied by taking her hand and kissing her in front of the hugely-romantic fireworks parade.

His instinct isn’t wrong, nor could he possibly be aware that by being kind and charming and comforting to Hiyori all but snaps the thread connecting her to Yato. Who was the one she wanted to take to the park so badly? Wait…she’s at the park with someone now. Does it matter? 

This is what Tenjin – and Hiiro – wanted. Will that kiss really work, or will Hiyori become even more troubled by her inability to remember? Will someone be able to jog her memory before it’s too late?

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Noragami Aragoto – 08

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As a fully committed Ebisu creates more masked ones, Yato continues to bask in the elation of finally having a real shrine to call his own, along with all the honors and privileges that come with it, from official registration to a plot of land and admittance to Takamagahara. He also wastes no time lavishing an excessive amount of attention on Hiyori, who probably didn’t realize when she made it how big a deal a little shrine could be for a god who had never had one.

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That importance is driven home when Hiyori encounters Manabu at school (the bullied kid who appeared in last season’s episode 8), but he only thanks her, he doesn’t remember anyone named Yato. Gods are created from the wishes of humans. No wishes, no gods. Meanwhile, Yukine takes advantage of his new resident status to look up Kazuma and beg him to help him become a better exemplar to Yato.

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Because as annoying as Yato has been, Yukine and Hiyori both are glad to see him so happy. He’s so happy, he doesn’t even know what to do, because as he says while drunk in a rare glimpse into his deep past, his “father” told him he’d never need a shrine. This is because Yato is a god of calamity. His clients would never be long-lasting, but due to human nature, there would always be clients for his kind of services.

With his blessed vessel and shrine and Hiyori, Yato wants to leave that past behind and hold tight to these new gifts, and even arranges to release Nora AKA Hiiro, believing he no longer needs her, and since she has many other masters, she doesn’t need him either. But Hiiro reminds Yato that he made her a Nora, then sics her phantom dogs on him to demonstrate how much he needs her to continue existing.

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From there, Nora pulls him off the wagon altogether and back into the life they used to lead, with her as the sharp sword of not-always-righteous retribution. Yato sinks back into the rut all too easily, like a drug he thought he kicked. Because as long as he’s fulfilling the dark assignments of the damned, he continues to exist. It was instilled in him long ago that he needed Nora for that.

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In this way, a full month passes during which neither Yukine nor Hiyori see or hear from Yato. Hiyori goes to Tenjin asking if he’s seen him, and Tenjin reiterates his concern that she’s gotten caught up in too much god stuff and needs to spend more time enjoying her adolescence. Almost on cue, as she’s worrying about whether Yato’s continued absense will cause her to eventually forget him, she trips on a flight of stairs and a strapping young lad catches her.

And as Ebisu recovers from a bad reaction to his latest masked creation and Bishamon and Okuninushi are apparently ambushed in a parking garage, Yato is off in some house with Nora, playing out the same old destructive patterns. Only thoughts of Hiyori bring him out of his complacent trance and he demands he be allowed to leave. The door opens, Nora appeals to their “father”, who gives them one more job before letting him go: rescuing a conjurer from the underworld.

Something tells me neither Nora nor this father figure are anyone Yato can trust, but at the same time, they were and continue to be a part of him, and his perceived obligation to them isn’t something easily cast aside, no matter how much progress he’s made reforming himself. Even for a god, old habits die hard.

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Noragami Aragoto – 07

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To the delight of Kofuku, Yato, Yukine and Hiyori return to the near shore safely and triumphant. To the amazement of Tenjin and Tomone, Yukine has become a blessed vessel. But now it’s time to pay the piper: Tenjin only let Yato go to Takamagahara if he agreed to sever ties with Hiyori.

Fortunately, he didn’t give a hard deadline for doing so, and Hiyori herself (who should get a say, after all) wants to be with Yato and Yukine longer, even if it’s dangerous, as it certainly was when she got captured by Kugaha. She also passes her exam and advances to high school. So both Yukine and Hiyori got promoted!

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Back in Takamagahara, there’s a meeting of major gods (called a colloquy) who give Bishamon the third degree, but ultimately let her go, telling her to keep an eye on Masked Ones and attempt to discover the god who is creating them. Afterwards, she bumps into Okuninushi and the other Seven Gods of Fortune; all but one, Ebisu, who is on the Near Shore offering to buy Yukine from Yato.

Now, you know, and I know, that even if he jokes around, Yato would never make this deal. Sure, he wants money, but not like this. But what about Yukine? Ebisu offers to pay him handsomely as well; he even offers to “rent” him from Yato as a Nora. And let’s face it, if he does every job for five yen, it will be centuries before Yato saves up enough to build his shrine.

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Yukine is also momentarily seduced by all those Benjamins Fukuzawas, which Ebisu leaves with Yato, but once they get a new job stopping a phantom-infected thief from ripping off an old lady through bank fraud, he gradually loses his taste for the cash money.

It’s also a matter of him being told he’s an exemplar now, having an even deeper bond with his master, and uniquely charged with protecting him. Daikoku (who is Kofuku’s exemplar) instills this responsibility in him.

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He also figures he’s dead; and shouldn’t put his needs ahead of others’. A well-paying job with Ebisu might be nice, but Ebisu is not Yato, the god who inspired Yukine to put his name on the line for him, making him a blessed vessel in the first place.

When the phantom is too small to cut in its present form, Yukine decides to use Ebisu’s cash as bait to spur its growth, sensing it’s a phantom that’s drawn to money. And once it’s big enough to cut, it’s no problem for Yukine to expel his vast defilement. But all the cash goes back to Ebisu, leaving Yato with his bottle of 5-yen coins and his dream of a shrine deferred once more.

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It’s on this point that Hiyori comes to the rescue, remembering her brother has some building materials. When she visits Kofuku’s shrine to find a depressed Yato curled up in bed not eating, she cheers him up to the point of tears with a miniature shrine. No matter how much money Yato makes, what he really wanted was not to build his own shrine, but have a shrine built for him, which Hiyori does.

And it may be small (and adorable!), but it makes a big impact on Yato, who is speechless in his joy and gratitude. Really cool and sweet gesture by Hiyori. Most importantly, now that he has a physical shrine that is all his own, he’s that much less likely to be forgotten by her or other humans, paving first stones on the path to fixing her “Insta-snooze.”

As for Ebisu…yup, he’s the rumored god creating the Masked Ones, which makes Yato and Yukine’s united choice to refuse his offer automatically the right one. Since he’s a powerful god of fortune (as opposed to the nora-regalia Kugaha), he’s a far more challenging opponent—but dealing with him isn’t just Yato’s mission. It’s also Bishamon’s. Could we get the much-anticipated teaming up of these two, so soon after her grudge has been cleared up?

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K – 04

Shiro’s friend Mishima forwards him the video of his alleged crime, which took place December 7th at 23:45. With Kuroh short on patience, Shiro attempts to scrape together an alibi, first by asking Kukuri, who was confessed to by Mishima from the clock tower; the student council, which was engaged in operations; and the newspaper club, which took pictures but none of him. At the faculty lounge Shiro secures gate records that indicate he never left the island, but Kukuri mentions he often sneaks out, avoiding such systems.

Kuroh is about to kill him, but the sight of him shielding Neko stays his hand once more, as does Kukuri remembering Shiro was with her less than an hour after the crime, satisfying Kuroh. Shiro goes home, finds bloody clothes in his closet, and has flashes of the murder of Totsuka Tatara he may have committed after all. Yata and Kumamoto pay a visit to Shiro’s school, while SCEPTER 4 has also gotten a fix on him.

Having someone try to kill you every day is exhausting.

When he delivers lines like this, there’s something so wholesome and aw-shucks pure about Shiro that you want to believe he’s innocent of killing Totsuka Tatara and becoming the most wanted man in Tokyo. He also isn’t about to let Neko die protecting him, and stands in front of her in a gesture of honor that just happens to move Kuroh. This whole episode Shiro is desperately struggling to find an alibi, because he too cannot believe he did the deed – only to have the evidence stare him in the face in the end.

Could it have been planted? Certainly. Those garbage robots can certainly be programmed to collect as well as deposit anything. And there’s something fishy about Shiro’s flashback being just the video footage from Tatara’s point of view. Shouldn’t he be remembering what happened from his own perspective? This episode stuck with the Othello Duo (Shiro & Kuro), Neko and Kukuri, and did a bang-up job telling a twisting and undulating story and keeping things moving. But the other factions outside the island are primed to strike. Kuroh may have been appeased, he’s just the first of many deadly hurdles.


Rating: 7 (Very Good)

Tokyo Trip Journal 7

10 June, Heisei 22 (Thurs)

This morning heralded in a clear, warm, sunny, and absolutely perfect day to visit Tokyo’s waterfront district, a reclaimed “Inner Harbor/Harbor East”-like area known as Odaiba. The ruby Uedo. line took me form Shinjuku to Shiodome, and then I only needed to hop on the Yurikamome monorail to take me across the part of Tokyo Bay to Odaiba. As I write this I am enjoying a Georgia Iced Latter (a Coca-Cola product) with the Rainbow Bridge across the bay from me, Tokyo Tower and Roppongi Hills visible behind it in the distance, the eccentric Fuji TV Building at my back, and, oddly enough, a third-scale but otherwise exact replica of the Statue of Liberty to the right.

Odaiba is also home to Toyota Mega Web, the largest Toyota auto salon in the country, but less stylish than the one in Ikebukuro. It is also home to a gallery of automotive history, containing some real gems I had not had a good look at in the flesh before (E-Type, De Lorean, Isetta, Spider, Mustang, Biarritz, etc., along with some notable specimens from Toyota’s storied racing history. At least at the hour I was there, I was apparently the only one interested. From Aomi I dashed to the next station to get an up-close look at Tokyo Big Sight, described as either an upside-down version of the Pyramid building from Blade Runner, or your average convention center flipped upside down and suspended on stilts. It is an insane piece of architecture, very sci-fi. Btw, each monorail station has a unique color and pattern decoration derived from Japanese art and design history. What significance this holds alludes me at this time, but its still neat, and I appreciate the attention to detail, as always.

After sightseeing in Odaiba, I finished the Yurikamome monorail loop to get my 800 yen’s worth, ending at Toyosu station on the Yurakucho line, which conveniently connected to Sakuradamon, on the side of the Imperial Palace grounds I hadn’t been to yet. First I took a quick look at the National Diet building, a handsome structure combining elements of Japanese and Art Deco architecture.

The gardens and plazas surrounding the palace moat were gorgeous and impeccably tended. I wondered what life was like up there on the raised stone ramparts, and whether the Emporer ever walked along its perimeter, gazing out onto the modern city beyond his moat. I had to wonder, because you cannot see much; the main gate was firmly closed and under heavy guard, and the one of the only good views in, while picturesque, still didn’t allow visual access to the palace residences themselves. No biggie though, it was cool just to get as close as I did.

Hungry, i went east to the modern city to find a place for lunch. I found one in “Banri”, another no-nonsense value-for-money place, where I stuffed myself on a miso-like stew with cured pork, mushrooms, bok choy, bamboo shoots and scallions, with excellent pork fried rice on the side. Portions at these restaurants tend to be huge, and people typically eat quite fast. I take my time cleaning my plate, again so as not to offend. Ometachi station was right next door, so I took the now very familiar red Marunouchi line to Shinjuku, where I decided to satisfy my curiosity regarding the “Toto Super Space” on the 27th floor of the Shinjuku L-Tower. The fixtures on display were quite slick…and expensive.

After a brief rest in my room and a shower, I head somewhere I haven’t been before – Ebisu – on the Hibiya line. Ebisu is apparently a diner’s haven; as soon as I emerged from the station I was assaulted by hundreds of places to eat. Choosing where to eat when there are so many good choices can be excrutiating, but I bit the bullet and chose somewhere. I’d eaten Japanese-style food essentially every night I was here, so I decided to switch it up and try out an Italian place called Palermo. They made a mean Margherita pizza.