Sora yori mo Tooi Basho – 08

The girls are understandably excited to be shoving off for their great life-changing expedition, but not a one of them, even Shirase, really gave much thought to how life would be aboard an icebreaker at sea.

Of course, none of them have any experience being on ships period, so that’s to be expected. And at first, things don’t seem that bad: sure, they’re four to a room, and they’re almost immediately put to work peeling potatoes and the like, but it’s not that bad!

Then the crew is invited to go topside for exercise, and the girls learn just how much toughening they’ll need to function aboard ship. Between the drudgery below and the training above, wasting even small amounts of time (and they waste a lot in the bath) is like digging a hole of lost time from which they’ll never return.

As if settling into an efficient routine in which not a moment in the day is wasted (or night, as they need good sleep to be ready for the day) wasn’t enough on their plate, their anti-seasickness medicine wears off, and once they’re on the high seas, that becomes a devastating problem for the entire quartet.

Okay, I told myself, now they’re going to start to feel the challenge they set for themselves when they agreed to do this. And they do, the poor wretches…they do. They lie in bed, unable to sleep, unable to keep down the food they have to try to keep down, dealing with the unceasing rolling of the ship as they sail further south, where there’s nothing stopping the currents.

This is all great stuff, both pre- and post-seasickness. It never feels like the girls are being tortured, because the whole time they’re enduring all these problems, the rest of the crew, far more experienced as they are, seem completely unaffected by the changing conditions. They are a constant reminder that while it may be tough now, given enough time and perseverance, the girls will get through this.

Heck, when the ship starts hitting some really serious waves, Gin shows her “old salt” side, like the captains of the age of sail, standing on the deck of their ships, fighting with the ocean as if it were an opponent in the boxing ring. She’s ready to take some licks, but she’s not going to be counted out.

Similar sentiments come to Shirase as the four lie in their bunks, miserable and exhausted. Gin and the crew may seem like a “different kind of organism” as Yuzu puts it, but all the girls can do is their best; they have no choice. Mari corrects them: they did have a choice, and it was to do exactly what they’re doing. (Hinata seems inspired by Mari’s words, but in truth she just has to use the toilet).

Before heading back to their bunks, the four open a hatch to take a look outside…which seemed like an extraordinarly bad and reckless thing to do considering how little experience they have being on the deck of a ship during such severe conditions. But they all manage to hold on, and even revel at getting pummeled by the waves crashing over them.

The experience changes them for the better; the next day when things calm down they have their sea legs and are full of energy. A big part of the transition is a matter of one’s state of mind; one’s attitude. Mari knows that no matter how tough or harrowing things might seem in the moment, she knows they’ll all look back on these times as some of the most fun and exciting of their lives.

And things are only going to get more exciting, and harrowing, and possibly miserable and painful and terrifying, as icebergs start coming into view on the horizon. This episode does something truly clever: depict how hard it is to adjust to life on a boat, all the while implying that a boat is nothing compared to Antarctica.

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Sora yori mo Tooi Basho – 07

The girls’ fantastic journey to Antarctica is feeling closer and realer than ever now that they’re in Fremantle, not just looking at the Penguin Manju but boarding her, getting settled into their four-person berth (where there will be fights, LOL) and touring its gigantic-ness.

But the girls are just as united in their suspicion that something…odd is going on on the ship as they are in their awe at being aboard her. There’s a lot of negative press about the expedition not having a chance of actually getting to Antarctica, let alone accomplish anything.

When Kanae will only vaguely tell them that their crew is “determined” to “see the sky”,  the girls take matters into their own hands and stealthily follow the adults around while wearing masks. What they hear and observe confirms their worries that what they thought would be an ironclad operation is threadbare and held together with a lot of hope and not much cash or manpower.

What can the girls do but have faith everything will work out? Perhaps the discovery of the glow-in-the-dark stars on the underside of a bunk is a good omen; the other girls give Shirase that bunk, assuming her mom must’ve painted them.

Walking the deck at night, Shirase runs into Gin, who fills in most of the blanks related to the hardships they’ve encountered, as well as the ill-fated previous trip when they lost Shirase’s mom in the unforgiving cold. Gin says despite their scrappy underdog status, most of the original team has returned in spite of everything.

Gin speaks with such confidence and conviction that she manages to convince the other girls (who were listening off to the side). And on the eve of their departure, Kanae introduces the girls to the rest of the crew (and indicates that they are not legal, repeat, they are not legal) and gives them a chance to introduce themselves.

There, after having failed in front of Hinata’s camera so many times, Shirase gets a pat on the back from Hinata, steps forward, and delivers the most charismatic intro of the four, pledging her commitment to “do catchy, witty, sensational reporting” (we’ll see) and opening the “treasure box” of Antarctica with her own two hands.

The crowd is pumped—all that beer probably helps!—but I think having the older members seeing such passion in a high schooler, particularly the daughter of one of their founders, can’t be anything but inspiring as they prepare to shove off. It isn’t just Shirase; everyone on that boat is out to prove the doubters and the haters wrong. They’re like the Philadelphia Eagles. And they’re going to freakin’ Antarctica.

Sora yori mo Tooi Basho – 06

With Megumi’s breakup of Mari duly rejected, the quartet endures the harsh stare of a customs official and heads to Singapore by A380, where they’ll spend a few days before the next flight to Fremantle.

I enjoyed the fact it was Shirase’s first fight (Mari’s too, I believe), and how the flight scenes accurately portrayed the intermittent fun, wonder, and boredom of a long flight. I also liked the girls’ culture shock of seeing so much more English everywhere and shamelessly tourist-ing out (Merlion! Merlion!).

Mari’s more sensitive side comes out when she waxes poetic about how amazing it is that people go on with their lives in far-off places they’ve never seen—and it is amazing!—but the fun and excitement of the trip hits a major snag when Hinata’s passport comes up missing.

Everything had been going so well for Shirase, and when the prospect of delaying their flight to accommodate the time required for Hinata to get a new passport from the Japanese embassy, she’s quietly but dreadfully worried that her chance to finally follow her mother might slip away.

That night, Yuzuki must deal with Mari the Bed-Sprawling Monster, who evokes murderous thoughts in her bedmate, but Yuzu actually has it easy compared to the other pair of Hinata and Shirase. Both are stubborn in their respective views: Shirase doesn’t want to leave anyone behind, despite her initial bristling at the prospect of a delay.

While flattered, Hinata says being “shown consideration” is disconcerting; it’s partly the reason she left high school. She understands it’s part of normal relationships, but she’s been burned by such consideration in the past and can’t not look upon it with suspicion. She doesn’t wish to bear the guilt of having inconvenienced everyone else.

Shirase goes to sleep abruptly, clearly done with debating the particulars of interpersonal behaviors, and the next morning we learn why: she had to get up before Hinata, turn off her alarm clock, and leave her at the hotel while she and the others go to the airport to get new tickets, against Hinata’s apparent wishes.

When Yuzuki says they can’t change their tickets on such short notice, it would seem the conflict between Hinata and Shirase is moot. However, while the two may both regard themselves as unusually stubborn individuals, Shirase has the edge in cash, plopping down her beloved Mwillion Yen to get everyone Business Class two days later.

When Hinata protests further, Shirase lets her have it with both barrels: This isn’t just about Hinata; it’s about Shirase not wanting to be the kind of shallow friend who just ditches another when they’re slightly inconvenienced, or doesn’t worry when she’s told not to worry, and doesn’t want to be a coward who gives up so easily. “I remain stubborn…because I’m right!”

The speech moves Hinata to tears, and she yields. But not long after she spent the sum total of her hard-earned Antarctica savings on expensive new tickets, Shirase spots Hinata’s passport in her purse; Hinata was tying her shoe and must’ve forgotten she handed it to Shirase, but Shirase forgot she had it.

Thanks to Yuzuki’s uncanny innate method of detecting when one of her comrades is hiding something, it isn’t long until Shirase’s little secret is exposed, but thankfully, the tickets could be cancelled and Shirase’s savings returned. Yuzuki and Mari punish Hinata and Shirase for their collective tomfoolery by insisting they try Durian fruit (which I for one find too foul-smelling to bring anywhere near my mouth).

When Mari befriended Hinata, a part of me was worried we’d lose some of the excellent dynamic between Mari and Shirase, or that Shirase might be marginalized in some way. But those worries have long since been allayed, as the dynamic between Hinata and Shirase is just as compelling, due in no small part to the wonderful script and the abundant talents of Mmes. Hanazawa et Iguchi.