Mahouka Koukou no Rettousei – 02

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Vice President Hattori is neither grateful nor impressed with Tatsuya’s neat little bit of diplomacy, but Tatsuya earned the gratitude of two other Blooms, as well as the attention of Disciplinary Committee Chairman Watanabe Mari. By the end of this episode, both the positive and negative ramifications would play in his favor.

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When President Saegusa Mayumi offers Miyuki a spot on the student council, its another opportunity for Miyuki to demonstrate her fierce and unwavering loyalty to her brother by begging them to somehow bring him aboard too. But they can’t, because he’s a Course 2 student. That’s when Mari comes in, offering him a position on the disciplinary committee. When he hears of this, Hattori bristles, believing a lowly weed would be in over his head.

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One thing I’m enjoying about how consistently the characters’ traits are portrayed; whether it’s Tatsuya’s calmness, Miyuki’s loyalty, Saegusa’s amity, Mari’s open-mindedness…or Hattori’s haughty assholishness. He’s the kind of snobbish creep you love to hate, and while he’s outnumbered this week, he still brings the hate strong and fast, spitting on weeds like Course 2 and glibly accusing Miyuki of nepotism.

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Miyuki knows aspects of her bro neither we nor Hattori know, that the established practical tests couldn’t detect (hence his low scores), and which Mari caught a tantalizing glimpse of. So if Miyuki says he’ll win against anyone, she may well be speaking the truth, unclouded by affection. This is confirmed when Hattori is soundly beaten in a simulated battle.

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Hattori may be a powerful magician capable of acing the same practical tests where Tatsuya struggled, but in an actual fight, he put himself at a disadvantage by assuming Tatsuya would simply go down exactly as he envisioned in his head, ignorant to his skills. Now Tatsuya will be the first weed with the power to discipline blooms. The times are changing, but I don’t see Hattori and his ilk blithely falling in line.

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Kill la Kill – 22

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While watching an episode of anime, we typically don’t give much thought to what rating we should assign until it’s almost over. There are exceptions to this, obviously: sometimes something can happen in the last moment that can kick a 6 up to an 8, or vice versa. But most of the time, we don’t settle on a number until the credits are done rolling.

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So after a bloodied Ryuko puts Senketsu back on; duels with Harime while explaining the differences between them; slices her arms off, forcing a hasty retreat; the Elite Four-plus-one extract both human and life fiber assets to strengthen their arsenal; Satsuki agrees to be punched by Ryuko, but the Elite Four take the punches for her; and Satsuki admits her mistakes and apologizes(dazzilingly); the two make up and decide to join forces at sunset; and Mrs. Mankanshoku and Soroi whip up croquettes and tea for everyone…

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…We thought we had ourselves a pretty awesome episode in the bag: a solid 9 to be sure. More to the point, we though the episode was going to end with that feast. I mean, all that we mentioned up there…that’s a lot of stuff; surely an episode’s worth, right? And that’s the super-abridged version of what we’d watched up to that point. So, it was superior episode. Only one problem: it wasn’t even close to over. We were only fifteen minutes in.

 

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We’ve never been that off with an ending. That’s the power of Kill la Kill in its home stretch: it’s covering so much ground so quickly and so deftly, it seems to bend time itself. Each episode surges things forward, but each stands alone as a cinematic achievement. After everyone tucked in to supper, everything there after felt like bonus anime, even though it wasn’t. As soon as the dishes are washed and put away, it’s Operation Starto.

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Satsuki finally lets us all in on Ragyo’s ultimate plan: to clothe the entire world in life fiber fabric. It’s how the aliens reproduce: find a world, stimulate its population to evolve into an energy source, than cover it, use the energy to explode, and spread the “seeds” all over the cosmos; rinse, repeat. For all its ridiculous trappings, the plan is surprisingly elegant; the life fibers aren’t evil; they’re just higher on the food chain. But mankind still has plenty of teeth.

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Satsuki puts Mikisugi in command of the Elite Four to take out the transmitter at Honnouji that Ragyo needs to activate Covers worldwide, while the sisters—Ryuko in Senketsu (who feels more warm and comfy than ever now that it has Mako and Satsuki’s blood in it), Satsuki in Neo-Junketsu (no longer evil and imbued with Ryuko’s blood and Senketsu’s fibers), intend to intercept their mom and the Original Life Fiber. With even Mako breaking out her two-star uni to fight, it’s all hands on deck, and when the credits finally rolled, we wished we were still just fifteen minutes in. Instead, we only have about forty-eight left.


Rating: 10

RABUJOI World Heritage List

Kill la Kill – 21

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This show’s propensity to ratchet the intensity to dizzying elevations and then keep it up there for weeks is unparalleled this season; nothing else comes remotely close. This whole episode was a case in point: it never takes its foot off the gas for a minute, and yet there’s somehow ample fuel to spare. In the case of the stakes involved and the dwindling options of the good guys, it may just have been the most stressful yet exhilarating episode yet, and we could tear our eyes away any more then Junketsu could be easily torn from Ryuko’s body.

Frankly, after watching Ryuko’s wild ride, we started to wonder if it would have been preferable if Anakin Skywalker’s transformation into Darth Vader was strictly a matter of the suit making him evil. That’s certainly what goes on here: Ryuko’s rage and self-loathing give Junketsu the opening it needs to wear her completely (that and Ragyo and Nui made sure it was altered to her unique and exacting biology). What’s more, Junketsu continues to mess with Ryuko’s mind as it wears her, lifting the weights of her lifelong emotional burdens and just making her feel better than she ever has.

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However, as Satsuki neatly puts it, it’s only the bliss of slavery, and Ryuko is one more human (or at least half-human) brought under the heel of the Life Fibers, who are mobilizing for world conquest now that Revocs has achieved 100% market share. Wearing Senketsu despite being unable to communicate directly, Satsuki puts up a hell of a fight, especially when you consider she’s been hanging by her fingernails without food or water for untold days. The battle is everything we had hoped for; moreso, since Satsuki isn’t simply dueling with Ryuko out of her own pride and honor.

That’s because she never intended to defeat Ryuko with Senketsu alone. Ever the well-prepared big sister playing a game of chess, she reveals herself as nothing but bait to lure Ryuko into the right spot at the right time so the Elite Four can maneuver her into a position of vulnerability. The gambit fails, but it’s one hell of a good try. Satsuki creates one last opening, through which Senketsu and Mako slip into Ryuko’s consciousness—don’t sweat the metaphysical details.

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Once in there, Ryuko’s about to get married to Junketsu once and for all, but Mako bursts in, Hollywood style. With her there in color and the dreamworld in monochrome, confined to a small frame within the frame tangled with life fibers, it feels far more like a prison than a paradise. When Mako tells Ryuko to go ahead and kill her, and with a casual flick of her scissor, Ryuko appears to do just that, for a moment our hearts sank. Puppet slave or no, there’d be no coming back for Ryuko if that happened.

As it happens, the act merely ejects Mako and Senketsu out of there. It’s only when Nui gets that same scissor through her sternum that we learn they were successful in cutting the strings after all. And yet again, a conflict that could have carried many an excellent show to the end is essentially resolved when the old Ryuko emerges from the tatters of Junketsu. This show is moving way to fast for the Evil Ryuko to be the final plot. There’s still a world to save from the Life Fibers, after all. Maybe at last the new-found sisters will work together side-by-side.


Rating: 10

RABUJOI World Heritage List

Stray Observations:

  • Needless to say, this episode is your usual Kill la Kill Klinik of imaginative angles, expressions, body-positions, explosions, and giant floating letters.
  • Mako’s performance art-like “explanations” (always beginning with “Hallelujah!”) have been a comic standby for one time, but they’re employed well here and have yet to get old.
  • They’ve had inferior resources for a while now, but you’ve gotta rally behind the tenacity and teamwork of the Elite Four (plus Shirou).
  • The explanation for why Senketsu is “skimpier” than Junketsu is the same reason Nudist beach don’t wear clothes: less surface contact with the skin means the human wearer is less likely to fear enslavement. MAKES SENSE TO US.
  • Call us crazy, but we’re starting to feel some sympathy for Harime Nui’s plight. While she’s a similar hybrid being to Ryuko, she’s unable to synch with any clothing. In the same vein, for her whole life she’s been a servant of Ragyo, unable to synch with anyone else, or with a normal life, for that matter. If the show intends to redeem rather than destroy her, it’s a transformation we’d be interested in seeing. Ragyo is probably a lost cause, however.
  • If you han’t noticed by now…Yes, we are no longer rating this showIt is rating us.

Nobunaga the Fool – 07

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The twin shocks of the serious wounding of Himiko (who seems to be alive for the time being, if barely) and the news that Nobukatsu has been killed shake Nobu out of his pity party. Now, whether his advisors like it or not, he’s their last hope at surviving the coming onslaught against Takeda. However, Nobu doesn’t immediately lash out in rage. After hearing his counselors debate the next step, he makes the decision to meet with Shingen and ask him face to face if he sent the assassins.

All the while, Mitsu sits there, concealing the knowledge that it was he who killed Nobukatsu, clearing the way for Nobu to take unchallenged leadership of the clan. The episode begins with Mitsu remembering the day his father committed seppuku, and it’s possible that Mitsu will one day have to do the same, but as long as his life serves Nobunaga, he doesn’t really matter how it ends. Jeanne, meanwhile, has decided to stay by Nobu’s side for the time being, accompanying him to Takeda’s main camp.

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The bawdy encounter between Nobu Lord Shingen is a pleasure to watch, with Nobu satisfied Shingen is telling the truth that he did not send assassins, and Shingen impressed at Nobu’s cajones for even showing up. To Jeanne’s dismay, however, their cordial talk turns into a duel, not because of any slight enacted upon the other, but for the simple fact that neither can sully their reputation by avoiding a fight with the other. They want to fight each other, as do Shingen’s men. A fight is what they get, and a glorious one, at that.

It’s hella fun to watch these two dyed-in-the-wool warriors whaling on each other in their regalia-infused war armors, reveling in every moment of it. It is here where Shingen is revealed as an honorable foe, one who will abide by the laws of the duel, keep his men on the sidelines, fight Nobu one-on-one, and admit defeat and the loss of his two regalia (fire and wind) when Nobu bests him. Caesar proves far less principled, stabbing his business partner Shingen in the back and snatching the wind regalia, and then framing Nobu for the act, enraging Takeda’s army. Nobu still comes away with the fire regalia, but a Roman thorn remains in his side.

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Rating: 8 
(Great)

Nisekoi – 07

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Nisekoi isn’t done introducing major characters. This week we met Tsugumi Seishirou, who transfers to Raku and Chitoge’s class and whom everyone assumes is a very pretty boy. Seishirou puts out a lot of different vibes to Raku: at first he’s weary of his gangster connections, then gets the feeling he’s a normal, friendly guy. Then Seishirou gets Raku to say he’d die for Chitoge, then pulls a gun on him – so he can do just that!

Even after learning Seishirou Claude’s top hitman from Chitoge, and that he’s been preparing his body and mind to protect Chitoge for ten years, Raku has no choice but to accept an duel. Seishirou opens up a massive arsenal on him, but Raku manages to evade the attacks long enough to fire his own ammunition: the knowledge that Chitoge isn’t the kind of girl who’d sit by and be protected by someone. He also gets Seishirou to follow him out a third-floor window into a pool. With Seishirou out cold, the battle is Raku’s, but he’s too considerate to leave his soaked opponent outside to catch a cold.

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That’s when he undresses him in a locker room and discovers that he’s a she, and they’re forced to hide in a locker standing very close to each other while Chitoge and their classmates search for them. In there, Seishirou admits defeat, and starts to cry about not being worthy of protecting Chitoge herself, despite abandoning being a girl for that end. Raku then flatters her by saying she’s cute, something she’s apparently never heard from anyone before. At that point, Chitoge discovers them, but the armor is cracked: Raku was nice to Seishirou, and she definitely seems to like getting complimented by him.

Seishirou’s seiyu Komatsu Mikako delivers a layered and diverse performance, showing Seishirou’s many moods, sides and mistaken genders with subtle changes in her voice. There’s also the fact that she knows about the promise Chitoge made to a boy (not her) ten years ago, but suspects she forgot about it, adding further credence to the theory Raku was that boy. In any case, Seishirou looks like a good addition to the cast, someone we can see competing against Raku for Chitoge’s attention, while also gradually falling for Raku himself, further complicating Nisekoi’s love polygon.

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Rating: 8 
(Great)

Kyoukai no Kanata – 07

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Inami Sakura remains in town, and transfers to Mirai’s class. Of evenings she defeats low-level youmu, charging her scythe in preparation to fight Mirai, but grows exhausted from its power and is rescued by Akihito, who takes her to his apartment. Mirai shows up and catches a glimpse of Sakura before she flees. Later the two duel in a sewer pipe. Sakura is no match for Mirai, and is nearly devoured by her own weapon, but Mirai saves her and talks her down. Fujima Miroku, the one who originally gave Sakura the scythe, retrieves its from the sewers. Izumi and Mitsuki observe the start of “the calm.”

You can be the most badass spirit hunter around, but what’s that compared to being a great cook? We kid; we truly enjoyed this episode—enough to award it a 9—but it was very different from last week’s 9. Whether it’s a playful loopy standalone romp or a serious character drama culminating in an earned catharsis, Kyoukai no Kanata it is capable of making any story a compelling one. This week was the dramatic kind, in which welcome resolution comes to the impasse between Mirai and her would-be nemesis Sakura, sister of the friend Mirai “murdered,” climaxing in a cool close-quarters sewer pipe fight. And the episode doesn’t forget how Mirai’s outlook evolved after defeating the hollow shadow.

Not letting guilt and regret consume and define her anymore, Mirai recognizes a similar misapplication of energies in Sakura’s. She knows from experience that Sakura is walking down a one-way road with no solace at its end. As much or more than she thirsts for vengeance, Sakura hates being so unsuited for the work at which Yui—and Mirai—so excelled, and of being unable to carry her sister’s mantle, something she never should have felt she had to do (but was encouraged by Fujima, lending her that scythe). Mirai is able to pull Sakura from falling into the shadowy abyss, for which she’s thankful, and onto a new path of peace, forgiveness, and self-acceptance. We like the change, and it will be interesting to see what the show does with Sakura going forward.

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Rating: 9 (Superior)

Stray Observations:

  • Even in a very straight-laced episode, there was still room for the ol’ “Girl #1 visits when Girl #2 is already there” scenario at Akihito’s place…not to mention that aside with Hiromi’s idol CDs being replaced by Yaoi
  • There, Sakura criticizes Akihitos cooking (likely because she’s a better cook)…though she still scarfs down every bit of her omelette.
  • Were we the only ones who thought the scythe’s vicious tangle of “feelers” resembled Mirai’s beloved udon?
  • Fujima Miroku has been a shifty one since his abrupt intro, so we’re not surprised he was the one who gave Sakura that scythe. Was he just performing an experiment, or did he want Mirai taken out? 
  • That “calm” looks pretty dicey, if beautiful.

Kill la Kill – 03

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Ryuuko learns that Mikisugi was her father’s assistant, who received a letter from him instructing him to give his daughter Senketsu in the event of his death. Suspecting Satsuki as her father’s murderer, Ryuuko vows to beat the answers she wants out of her. Enraged that Ryuuko “beat her” to donning a Kamui, Satsuki breaks into her manor’s inner sanctum and puts on her kamui Junketsu. The next day the two spar, and Satsuki easily overpowers her, but when Ryuuko realizes her modesty is holding Senketsu, she “gets naked”, treating him like her skin, and the battle balances out. Ryuuko promises to “crush” Satsuki’s ambitions, and Satsuki accepts the challenge. She’ll duel Ryuuko again if she defeats her entire school.

As good as they were, the chaotic, kaleidoscopic visuals of the first two episodes were merely warming up compared to the mayhem of this week. The brilliance of this series and others its creators have wrought is that there is literally never a dull moment. Even scenes that would be mundane in other series – walking down a hall, getting an infodump from a faculty member, getting ready for bed, everything is done with the utmost panache and playfulness, while the powering-up and battle scenes are even more insane. If we were to whip out some engine metaphors, your average anime is the steady clatter of a diesel truck; Kill la Kill is the unhinged scream of a 21,000 RPM F1 engine.

It’s just as nuts – i.e., creative – with its concepts, like the whole idea of “life fibers”, and the way in which Satsuki is experimenting to create stronger uniforms. Take Ryuuko’s main conflict this week: not lack of confidence or spirit, but a lack of immodesty. We thought it would be a running gag that her face would always be beet red while fighting in her sleazy kamui. But it turns out her embarrassment was preventing her from fully contracting with Senketsu. Mikisugi’s advances on her actually serve to desensitize her to that kind of behavior: guy and girl alike are going to gawk at her; she has to learn to deal with it. Ironically, she learns this from her adversary Satsuki, who doesn’t feel the slightest hint of shame, despite showing slightly more skin than Ryuuko.

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Rating: 9 (Superior)

Kill la Kill – 01

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At Honnouji Academy, the student council committee chairs don “goku uniforms” that bestow upon them supernatural powers. Their president Kiryuin Satsuki rules the school like a king. When Matoi Ryuuko transfers to Honnouji, she immediately confronts Satsuki – a grievous offense – and is beaten to a pulp by Boxing Club Captain Fukuroda Takaharu. Ryuuko escapes to the ruin of her house where her father was killed. She falls deep below the city, where a crazed uniform pops out of the garbage and forces her to wear him. When the council uses Ryuuko’s friend Mankanshoku Mako as a hostage, Ryuuko comes to her rescue, using the power of her new uniform to handily defeat Fukuroda.

An omnipresent thread in the work of director Imaishi Hiroyuki’s work has been comically over-the-top action at a hyper-sonic pace. Whether establishing a location, introducing a character, or landing a blow, everything is taken up to 11, and sometimes 12. If something has to be labeled, it’s done in huge blocky red letters. If anything has to be said, it’s usually yelled. This episode was the polar opposite of the relative stillness and calm of Coppelion, and not just because its city is inhabited (and what an awesome, insane-looking city it is). Where Coppelion strives for realism, Kill la Kill, is, in its most heated moments, pure abstract impressionism.

Suffice it to say, this was a hell of a lot of fun to watch unfurl. The personalities are kept quite simple: the imperious Satsuki, the defiant, plucky Ryuuko, the air-headed Mako. Most importantly, while the episode had some dark themes and serious moments, it knew when not to take itself too seriously, and is therefore infused with moments of bawdy comedy. It’s a potent stimulant of a show that knows exactly how absurd it is and runs with it, taking it as far as it can. Ryuuki is painfully aware of how incredibly revealing her new (apparently sentient) uniform is too, but that doesn’t stop her from doing what needs to be done.

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Rating: 8 
(Great)

Stray Observations:

  • The goku uniforms are ranked on a scale from zero stars (powerless) to three (world-bending strength). Interestingly Satsuki’s uniform has no visible stars. Doubtless it has a personality like Ryuuko’s.
  • Satsuki has a whole council of committee chairs in every shape and size. We’re sure we’ll watch Matoi go up against them one by one in future outings. Meanwhile, all she has friends-wise are the Mankanshoku siblings.
  • Satsuki’s oxymoronic slogan is similar to the famous one in Orwell’s 1984: “War is peace. Freedom is slavery. Ignorance is strength.”
  • We loved the sound a very rigid Mako made when Ryuuko set her down after untying her.

Inu to Hasami wa Tsukaiyou – 05

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Madoka blames Akiyama for driving her brother crazy, leading to his death. She snatches the dog and jumps out the window. Natsuno meets her in a park, and they have a duel, which Natsuno wins. After the battle they become cordial. Kazuhito then figures out that Hiiragi was responsible for perpetuating the slasher rumors, in order to break Akiyama’s slump. Natsuno hears all of this and chastises Hiiragi, warning her to stay out of affairs. Hiiragi later admits she dealt with the real slasher before Natsuno’s investigation began.

Even had this been an exceptional episode, we still wouldn’t have kept watching InuHasa. Any way you slice it, fifteen shows is too many, and we’re much more interested in the other Gonzo series (Kimi no Iru Machi), so this will be the last InuHasa episode we review. It goes out on a decidedly low note, filled with awful dialogue, random twists, and its centerpiece is an escalating battle full of cheesy cliches that even the characters admit is completely pointless. It also featured way too much of the loathsome, one-note masochist Hiiragi Suzuna, who frankly gives masochists a bad name.

There remain elements of a potentially interesting story: how Kazuhito ended up in a dog’s body; if and how he’ll be able to escape it, for instance. But at this juncture we just don’t see the profit in continuing to wait for the series to get around to telling that story to our satisfaction. Akiyama Shinobu says she believes in her readers and would do anything for them, but there’s nothing she can do for us. If the writers of this series gave a crap about their audience or their product, they would have put more care into these last few episodes. So we’ll put just as little care in our final assessment of InuHasa:

It’s a dog.


Rating: 3 (Bad) (Dropped)

Sword Art Online – 10

Kirito loses to Heathcliff in a duel and must join the Knights of the Blood Oath. His first training mission is to clear a dungeon on the 55th floor with Godfrey and Kuradeel, who apologizes for his past behavior. When they stop for lunch, Godfrey and Kirito drink water laced with paralysis poison. Kuradeel is a former member of Laughing Coffin, a criminal guild. He brutally murders Godfrey, then turns on Kirito. When his HP goes critical, Asuna swoops in to save him, and Kirito saves her when she lets her guard down, killing Kuradeel. They spend the night together and agree to fall back from the front lines for a while and get married.

In something like Bleach or Naruto, a battle between a protagonist and a powerful foe or rival can potentially take up dozens of episodes, but here on SAO, it’s literally over in the first five minutes. Kirito loses (in what’s a quick but awesome exchange of sword blows in a Roman-style colosseum), and must join Asuna’s guild. This makes sense; the stakes weren’t that high. All it meant was if he lost, Kirito would have to confront his fear of association stemming from the Moonlit Black Cats and losing Sachi. He tells Asuna this and they share a heartfelt embrace. She tells him not to worry, because she’ll protect him – and we believe it, not just because Asuna is a proven badass, and far stronger than the Cats; but because she actually proves it not too much later on.

It can be said all it takes for evil to succeed is for good to not see evil’s treachery coming. Indeed, both Kirito and Asuna’s inherent goodness and mercy almost get them killed. A good job is done initially showing Kuradeel as genuinely contrite and willing to move on, but when he shows his true despicable colors, he inadvertently serves as the catalyst for advancing the Kirito X Asuna initiative. For this, we forgive his overacting. Watching her in All Business Mode taking out Kuradeel is awesome to watch, and credit where it’s due: Kirito gives Asuna a kiss when she most needs it, and when his intentions couldn’t be conveyed any more powerfully.

She seems to overestimate the level of those intentions when she suddenly kills the lights and cyber-strips in front of him, ready to go all the way. It looks like we’ll get the second straight episode in which the guy turns down a half-naked girl’s advances, but they do indeed sleep together. (We initially thought he didn’t, but on second viewing, he did. Thanks for keeping us on our toes, readers!) This is illustrated in a very subtle sex-cut, going from an Asuna power punch to…er, a lamp…to Kirito waking a content-looking Asuna up post-coitus.

Having shared her bed, he’s now ready to wed her…and settle down for some time in a lower level. Considering they were both almost murdered by a fellow guild member, Heathcliff shouldn’t have a problem with that. We’re glad their relationship has progressed so quickly, and with more than a cour left, there’s plenty of time to test them. We can’t help but think how awesome it would be if they beat the game, wake up, and meet in the real world…amarite? but unlike Kirito and Asuna, let’s take this one step at a time!


Rating: 9 (Superior)

Accel World – 05

Haru’s duel with Cyan Pile starts badly, as Silver Crow quickly loses an arm and a foot, negating his speed advantage. Taku knows about Haru linking with Chiyu, and is tired of competing with him for her affections, and wants to defeat Haru to prove his usefulness to the Blue Legion. He Spiral Gravity Drives Haru deep underground, where Haru finds Kuroyukihime. Silver Crow is repaired and spreads wings, and flies Taku high into the sky, but doesn’t defeat him, as he wants him as his ally. Kuroyukihime arrives and reveals her true Black Lotus form to everyone. In the real world, Haru visits her in the hospital, where she prepares to tell him her real name.

This episode paints Taku as an underhanded, calculating, coward, who has used his accelerating abilities to get ahead at school and in life. He was glad when Chiyu chose him, the “practical” choice, but he’d admit that he knows Chiyu also likes Haru, and not just as a friend. Haru may have snooped around Chiyu’s files too, but that’s because it was possible she was Cyan Pile. So Haru is always in the right this week, and even though there’s a point when his avatar is literally bowing before Taku, in the end, he’s the one in control. In true Haru fashion, he chooses to forgive his friend, despite the fact he’s been a colossal jerk.

We see Haru and Taku’s relationship as similar to Shuu and Yahiro’s in Guilty Crown; they’d always had their differences, but they’re friends and they always work them out. Only here, there’s a girl between them, even though Haru seems to be in good standing with Kuroyukihime, who is magically unscathed despite getting punted by a car last week. With her identity revealed to the other linkers, and her legion Nego Nebulus (silly name) mobilized, it seems she’ll be commanding both Haru and Taku in future virtual campaigns.


Rating: 6 (Good)

Accel World – 01 & 02

Chubby, uncool, cowardly Arita Haruyuki is constantly bullied, and retreats to the Neuro-link to get away from reality. He meets Kuroyukihime, an upperclassman with a game called “Brain Buster” that lets them enter the “accelerated world,” which slows a second down to nearly 17 minutes. The cost of such power is for him to fight in duels with other Burst Linkers. Winning nets ten points, losing costs ten, and accelerating costs one. Initially unsure of his duel avatar, Silver Crow, he manages to outwit and defeat his first opponent. Hime is impressed, but his other friend Chiyu is suspicious of her.

Accel World begins with a two-parter that throws us right into the somewhat pitiful life of a very pitiful young man who is at least three feet shorter than everyone else and drawn more crudely. We can only infer that he is a dwarf. But he’s not a confident dwarf, oh no. This kid is about as pathetic as you can get. Even in The Future, bullies make him spend all his virtual lunch money on sweets for them, else his face find their fists. In the global network, this Haru kid is has a little cartoon pig avatar, perhaps reflecting his low opinion of himself.

All this changes when a young lady named Hime frees him of his oppressors and gives him a chance to become something more, if only in the virtual world. We won’t lie; there’s a lot of explaining and exposition, but this double episode manages to cover it all relatively deftly. Like Haru, we’re still wrapping our heads around this new game and all its intricacies, and there are plenty of them. Meanwhile, back in the real world, he may be small and plump and totally lacking in spine, but he has at least two girls looking out for him in Hime and Chiyu. Their rivalry, and his progression through Brain Buster, will likely shape the episodes to come. It’s a very zany, imaginative series with some nice fight animations, so we’ll stick with it for now.


Rating: 6 (Good)

Kamisama Dolls 13

Kukuri, singing the song it sung when Kyohei was its seki, saves Hibino and Kyohei and destroys Magatsuhi. Mahiru flees. While unconscious, Kyohei dreams of the past with Aki, Mahiru, and Senou. After he found Aki with a dead Senou, he threatened to kill him with Kukuri, lashing out at anyone who interfered, but without trying, Utao took control of Kukuri from him. He wakes up proclaiming Hibino is his, and Hibino just happened to be by his side. On the roof of the hospital, they kiss, and Hibino tells him not to worry about involving her in his troubles. Utao can no longer move Kukuri. Aki pays him Kyohei a visit, telling him he’s headed to the village, where he and the Elder Hyuga will reawaken the giant monster he defeated in the past. Kyohei takes the challenge.

Oh, wait, what? A second season is forthcoming? Well, ya’know what, that’s okay with me. After all I’ve invested in this excellent cast, I’d hate for it to end so abruptly. Once Magatsuhi was dealt with and everyone was out of danger, this became a much more laid-back, relaxed episode, almost as if it were winding down in preparation for hibernation (I’m unsure whether it will continue airing during the Fall season, or if it won’t be back until next year). That’s fine though. Cliffhangers aren’t mandatory by any means.

For all the trials ahead for our man Kyohei, and despite the fact Mahiru’s kakashi was wasted and Utao lost control of hers, this was also a surprisingly upbeat episode. Kyohei and Aki’s final scene together was awesome; these two can never escape the fact that they’re brothers, any more than they can escape Kurakami. This wasn’t the time for a final duel with tons of shouting; that’s yet to come. And Kyohei and Hibino finally lockin’ lips, with Hibino making the first move? Well, better late than never!


Rating: 3.5