Since Gou is my first foray into the Higurashi saga, I’m as confused as Satoko for much of the cold open, which consists of a Hanyuu-like woman saying various things and Satoko responding with lots of “Huh?”s and “What?”s. Bottom line: Satoko is being given the power to live through loops—whether she understands what that means or not—and told that if she lives through enough of them, her wish may one day come true.
Satoko wakes up back in June of 1983, and decides to shrug off the last five years as one long, awful dream. When she sees Lil’ Rika, she can’t help but run into her arms and start tearing up, she’s so happy they’re back where they belong. It’s only when events in the forest with Takano and Tomitake unfold precisely how they did before that Satoko starts to realize it wasn’t a dream, and she’s in a loop.
As such, one day a year and change later, Rika approaches her for a favor and they go to the bookstore to buy a study guide. This time, Satoko voices her hesitancy to join Rika at St. Lucia, but Rika makes it clear if Satoko doesn’t want to share in her new life-to-be, she’ll simply study on her own. Satoko caves and buys a guide, pleasing Rika.
Since she can’t convince Rika not to try to enroll at St. Lucia, she shifts her strategy to making it impossible for Rika to study enough to actually get in. She does this through various not-so-subtle means, such as physically placing herself between Rika and Chie-sensei, and even getting Rena and Keiichi to guilt-trip Rika into playing games with them.
It’s clear from the get-go this strategy would fail, for the same reason Wile E. Coyote’s schemes never pan out: because like the Road Runner, like Rika’s will, is the ocean: Fight against the waves and you’ll only get beaten up, or worse. Despite both Rika and Satoko being exhausted from club, Rika still gets up in the middle of the night to study. Satoko asks Rika if they can talk.
It’s here when I hoped Satoko would tell Rika precisely what’s happened to her, and how because of that she knows for a certainty how awful attending St. Lucia’s would be for her. Instead, she allows Rika to frame her concerns as rhetorical rather than empirical. Considering Rika is doing this because she’s lived through so many loops in Hinamizawa, you’d think she’d have been receptive if Satoko told her she’s now going through the same damn thing!
Instead, Rika hears what Satoko is saying, acknowledges them as legitimate concerns, but then promises to help Satoko should she struggle at St. Lucia’s. Whether due to Satoko’s love for and trust in her best friend, and/or belief that saying what she’s said to Rika will change the course of events for the better, Satoko takes her at her word.
Never let it be said Higurashi doesn’t possess brutally black comedic timing when it wants to, because just moments after Rika’s promise to Satoko, we fast forward five years and the two of them are right back where they were in the first loop: on opposite sides of the school wall, and on completely opposite social levels.
While the first time around, Satoko could forgive Rika for their drifting apart, but this time is different: Satoko was as explicit as she dared to be in telling Rika her concerns about St. Lucia beforehand. More importantly, Rika made an explicit promise, which Satoko believes she has broken. In Satoko’s view, her suffering in this loop isn’t the unfortunate consequence of miscommunication, it’s betrayal, pure and simple.
This time when Satoko confronts Rika, she calls her out for the “dirty liar” she is, only for Rika to counter her by saying when her grades start to slip, she did indeed keep her promise by offering a helping hand. It was Satoko who slapped that hand away. When Satoko says she didn’t want to be looked down upon, Rika says Satoko’s the one who put herself below her.
Satoko had hoped for a better answer from Rika than placing all the blame at her feet, but she doesn’t get it, so she has no further use of this loop. Embracing Rika tightly, Satoko makes a promise of her own: she won’t let Rika deceive her “next time”. With a dramatic flourish, she says “Good tidings to you, my treacherous Rika”, then snaps her finger. This brings the giant chandelier plummeting down on them, killing them both in a spray of blood, gore, and glass.
Goddamn, Satoko got the hang of this loop thing pretty quickly, didn’t she?! At least, I hope she did, and realized a promise from Rika isn’t enough, nor are further half-measures to keep her from entering St. Lucia. Instead, Satoko needs to take a hard look at either not joining Rika and parting ways, or telling her what’s really going on, and hoping she’ll believe her.