Taimadou Gakuen 35 Shiken Shoutai – 11

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Takeru is categorical with Kiseki: He’s not going to kill her. And if someday he’s forced to, it will be the day he dies too. One might think Kiseki would prefer if her brother lives on with the life she never got to live, but Takeru’s a stubborn mutha. He may also be a fool; but I also have a sister, and I don’t think I’d feel any differently than he does, so I’m a fool too.

His words are enough of a comfort that Kiseki promises she’ll try to hold out longer, but it isn’t long until the siblings are cornered by Kirigaya and Yoshimizu, who is now apparently his relic eater. Then their duel is interrupted by Kurogane and Director Ootori, who retain custody of Kiseki and put Takeru in solitary to cool his jets.

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While Takeru and Kiseki were enjoying normal life, some very big things were going down. The war between Inquisition and Valhalla goes into full swing, with the latter eager to capture Kiseki (whom they regard as one of their own—a “harbinger of chaos”—and they’re not entirely wrong), and the former setting up several decoys to misdirect them. In this whole big peripheral chess game, Takeru is but a pawn, but Kiseki is the King. But I will say, while there have been Preston and Zane episodes, this one is definitely up my alley: packed with action.

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Of course, all that action wouldn’t be worth much if it didn’t have something compelling to back it up, and when we see Takeru’s flashback, which he dreams while in solitary, we get that something. Not long after learning Kiseki was his sister and a powerful immortal demon, she killed the rest of their family and household. But his father didn’t order him to kill his sister. Instead he offered him the choice: kill her, or protect her. That’s what Takeru chose to do—in fact, it’s all he could do—and he’s stuck to his guns ever since.

When he wakes up, he hears Ootori in the adjacent cell, apologizing for getting him in this situation (even though he’s eager to thank her, not blame her). She wants to share his burden the way he pledged to bear have of hers. Why? Well, because he changed her life, and changed her. Without him, she wouldn’t have the “peaceful life” she has now; she’d still be consumed by revenge. It’s no confession of love, but one of intense admiration, gratitude, and hard-earned fondness. Ueda Reina knocks it out of the park here.

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The two lament more can’t be done, but then they’re broken out and given the opportunity to do just that, thanks to some help from their friends. While Takeru promised to share the future or ongoing burdens of Usagi, Mari, and Suginami, the fact of the matter is, thanks to his past deeds, they’re pretty set at the moment, and have no qualms about inverting the deal without delay.

One aspect I like about this team’s chemstry and how far they’ve come is that they know Takeru so well, they’re shocked when he doesn’t tell them he doesn’t want to involve them out of concern for their safety. Mari and Usagi immediately start suspecting something went on with him and Ootori in solitary to change his standard tune. Which is kinda true, but not in the way they’re imagining; the way that makes Ootori blush.

When Valhalla troops attack Kiseki’s transport, Kurogane and Kirigaya fight them off. Then a Valhalla leader, Orochi, shows up, and Kurogane orders Kirigaya to clear out. We don’t see their fight, but the buildup to it, whether we end up seeing it next week or not, was very well done. The music direction remains exemplary, as the scene practically hums with the potential power of the two fighters, expressed not with overly bombastic orchestra, but a relatively low-key electronic track that nonetheless emanates gravitas.

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Then Kirigaya’s face contorts, as he’s sick of transporting one of the “heretics” he hates so much and wants to exact revenge upon, and he opens up the back and prepares to kill Kiseki. Of course, Takeru arrives in the Nick of Time to stop him, but even with Ootori and Usagi backing him up, he and Kiseki aren’t out of the woods. Kiseki herself is starting to involuntarily overflow, and at the worst posssible time, the cavalier, flamboyant Haunted shows up (who is, at least, less boring than Kirigaya).

Announcing he’s here to bring Kiseki back to Valhalla with him, for her own good, impaling Takeru on multiple thorns only accelerates her overflow. If Takeru isn’t dead (and I doubt he is), he’s certainly out of commission for the time being, leaving the rest of the 35th to deal with Haunted (assuming Kurogane gets his money’s worth with Orochi and is delayed).

By being taken out here and now, Takeru has placed his burdens completely on the shoulders of his friends and comrades. But they won’t shrink from their duty. This should be quite a finale.

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Taimadou Gakuen 35 Shiken Shoutai – 10

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This week we finally meet Kusanagi’s little sister, and she’s Akira. with Chaika’s voice. Things start to look very wrong right from the get-go, as Takeru has to swear half his life away just to get to a fake glass partition to see her (it’s actually a large video screen).

Kiseki looks stunted, tired, and is wearing what looks like a straightjacket in the antiseptic but very dark facility. Indeed, what could have been a lame “little sister is in love with her brother” episode takes a dark turn indeed, making last week’s beach episode (which I did get around to watching) well-timed.

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It wouldn’t be an Akira tribute without a Kaneda Slide, which Ootori has the honor of doing during a nighttime motorcycle chase with some low-level artifact-smuggling baddies. It’s good to see the platoon, no longer beset by personal matters among its members, working at full strength again, and doing a more than competent job.

Still, the one guy who hasn’t faced major personal conflict yet is Takeru, and that changes this week with the intro of his Sis, who Ootori isn’t even aware he’s seen yet but suggest he does, as she notices he looks unrested and troubled.

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And anyone would be that if their cute little sister had as much mana as Kiseki, along with “Overflow Syndrome”, a condition that demands she be locked away and killed over and over so that her cells don’t envelop the entire world. I’m not sure I care for Sougetsu’s cavalier demeanor while describing the situation, but then again perhaps someone such as him charged with protecting the world needs to maintain a certain sense of humor to avoid being consumed, if not by Kiseki, than by despair.

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His methods don’t seem to be working particularly well, however, because the next time Kiseki resurrects, she goes berserk and breaks out of the supermax facility. Takeru encounters her in a dark alley, where she absoluely slaughtered (off-camera) another perp he was chasing while on another mission with the 35th.

Faced with his sister out in the open, and knowing the threat she presents, Takeru’s first reaction is to keep Ootori and the others back, even drawing his sword on them to make certain they come no closer. But Ootori assures him that while she knows he’s suffering, they’re not his enemy. They take Kiseki to a safe house together.

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There, Suginami tells the others what Kiseki is, and they decide what do do with her: give her back to the Inquisition. But not before she gets to go on a date with her brother. Now, this was just a shameless opportunity to exploit Kiseki’s adorable character design by having the girls dress her up in various outfits (thankfully the one they settle on is decent). But there’s also a profound sadness to it, especially what happens later, because this is the first and only time she’s gotten to interact with anyone other than Takeru in anything resembling a normal human way.

And while out with her brother, Kiseki repeats the request he didn’t hear the last time, because his time was up and he was ordered to leave her. “—- me,” she said, but I can’t read anime lips so good, so I didn’t know the rest, and even suspected the show would get cute again and be “kiss me.” But she asks him to kill her. To release her from her wretched cycle of dead, rebirth, and the appalling solitary confinement and restraint in between, and to release the world from the existential threat she presents.

It seems like an equatable arrangement for all, except for one problem: Kiseki is Takeru’s little sister. He loves her, and he’s never once considered killing her, no matter how dangerous or miserable she was.  I predict he’ll react to her request with disgust…even if part of him knows there may be no other way.

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