Chio-chan no Tsuugakuro – 02 – Born to Run

I’m glad there’s an anime that shares the irreverence and absurdity of Hinamatsuri to dig into this Summer. Miyamo Chio is an ideal lens through which to provide all kinds of social commentary, while her insistence she is “below average” in society couldn’t be more wrong.

Consider when she comes afoul of a bike gang member fresh off a ride. She and a salaryman (a grunt she incorrectly pegs for a section chief) must slide through the narrow space between the bike and the wall, and she gets burned by the exhaust. The biker takes offense, grabs Chio by the scruff…and gets knocked out by a lucky Chio elbow.

Chio appeals to her better self by attempting to move the bike out of the way lest others get burned, but ends up knocking it over. Feeling she’s toast either way, she decides to draw from her badass video game world and talk a hell of good game.

Standing over the bike imperiously like it’s trash, “Bloody Butterfly” urges the biker to give up the life, lest she cease “going easy” on him. And he gives in! He only asks that she accompany him on one last ride, which ends up being a schoool run; Chio manages to sufficiently disguise herself from her peers.

As MEH as Chio might consider herself, her actions with the biker were anything but. But while she can fake being a badass, there’s no denying she and her friend Manana have zero romantic experience; though there is an absurd impressiveness to Chio’s diagram of the ideal below-average high school life, which happens to match up perfectly with a diagram of the tastiest part of the tuna!

Chio and Manana scornfully watch couples walk past them left and right, but they become enamored with Hosokawa and the basketball captain as they dart into an alley. Expecting “sexy times” to be afoot, they are surprised to learn the guy only sought a safe place to ask Hosokawa out. She respectfully declines (she’s focusing on running) and they continue being friends like nothing happened.

Chio and Manana are all caught spying, but pretend to be making out while hiding their faces until the other couple leaves. Thus the two love noobs come millimeters from sharing their first kiss…with each other.

The next day, Chio finds Manana already with Hosokawa, both waiting for her. Suddenly Chio finds herself in the perfect society of three, picturing herself as King, Manana as pauper, and Hosokawa as butler. Only Manana only used Chio as a stepping stone to climb the social ladder with Hosokawa. In any relationship between two people on a lower rung, the temptation will always be there for such stone-stepping.

Of course, Manana promptly recieves her comeuppance when she learns Hosokawa will friendily chat up anyone, including a “company president” she met while on a run, and has been informally coaching ever since. She and the old dude leave Manana in the dust, just feet from where she left Chio in the dust.

Chio and Manana may know jack about romance, but they can be keen observers of human behavior. To whit, they realize well before the kind, pure Hosokawa that the old guy obviously exaggerated his importance due to being flustered by a cute girl suddenly approaching him with running advice.

They’re right—they guy is just a grunt and lied about everything—except his love of running. And that’s why Hosokawa immediately forgives him; after all, even she sometimes acts like she’s not feeling well at meets. What’s important is the run. With that, the quartet frolick all the way to school, so joyfully that their joyless teacher can’t bear to stop them…though he does wonder who the hell the old guy is!

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Chio-chan no Tsuugakuro – 01 (First Impressions) – It’s All in the Journey

Sometimes Miyamo Chio is late for school. Sometimes she’s early. The reasons for either are many: staying up late playing video games, for instance. The point is, while on her route to school, something always happens.

That could be something small, like a closed road, that then turns into something much bigger, like a rooftop adventure with old man toothpaste spit, stepping on a rich guy’s alligator suitcase, or walking boldly out of a love hotel parking garage.

Miyamo Chio is, on the outside, a fairly average, unassuming high school girl who doesn’t like standing out. But inside is a seething cauldron of emotions that conspire to create a far more over-the-top dramatic event than one would think. She even has an assassin alter-ego based on her video game chracter.

Be it one, two, or more trips per episode, Chio-Chan no Tsuugakuro isn’t about school. It’s about getting to school, and everything that happens while attempting to do so. And thanks to some diverse and vibrant voice work from Oozora Naomi and nicely animated bursts of action, the journey is probably more fun than the destination anyway.

91 Days – 12 (Fin)

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With Avilio’s grand revenge plan all but complete (but for Nero), this final episode is not a lot more than an extended epilogue in which the remainder of the Vanettis are wiped out, Avilio is captured by Nero, and the two kind of dance around each other until Nero finally does what he needs to do.

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I’ll be honest: I’ve never been fully emotionally invested in any of the characters, even Avilio, and was never all that big a fan of Nero, so watching all of the underlings, whom I often couldn’t tell apart from each other, was a bit of a bore. Not to mention the tommy guns in this show were way too reliable (not a serious criticism, just sayin’).

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I’ve also expected for a while now that Avilio would eventually end up succeeding but feeling utterly unfulfilled, in the same way Vincent was when he killed the Lagusas seven years ago, so the campfire confrontation isn’t all that impactful. These are two people who have been set up from the start to be unhappy and alone, and they’ve done too much to each other for there to be any outcome but one or both of them ending up dead.

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The bottom line: any and all hope this show had was wiped out back when Avilio killed Corteo, believing that last shedding of his humanity would be worth it, but it wasn’t. Avilio and Nero have a pleasant final road trip to the seaside, but only Nero gets back in the car and drives away, and we have no reason to believe he’ll be alive long with the new Don Strega and the long arm of the Galassias after him.

As their two pairs of footsteps are washed away by the waves, the lesson of 91 Days is clear: if you’re going to kill a family in a mafia coup, make sure you get all that family’s members. Nero can blame Avilio all he likes, but it was his nervousness/mercy that kept Angelo alive, leading to a life spent—wasted—planning only revenge.

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91 Days – 11

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Avilio’s time in Chicago was productive; he was able to strike a deal with the Galassias – just not the one Nero thought. Don Galassia takes a shine to Avilio, as the capable inside man who could help him get rid of the Vanettis.

But it’s also painfully evident that killing Corteo took a bigger chunk of Avilio’s soul than most of the killings. He’s barely keeping it together, catching glimpses of Corteo’s ghost off in the distance.

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The stage for the final act of Avilio’s revenge couldn’t be more appropriate: the grand opening of Vincent’s opera house in Lawless. One gets the feeling like Vincent is willing himself to stay alive just to get to this evening. Little does he know Avilio has been looking forward to the evening just as much, if not more.

Avilio, Ganzo, Don Galassia and his nephew Strega all know the game plan, but things don’t go according to that plan, as Del Toro takes longer to bring down and Barbero gets wise to Avilio’s treachery.

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It matters not, as Ganzo is able to free Avilio, killing Barbero in the process, and give Avilio a free path to Vincent and Don Galassia’s royal box, even as Nero is running off to stop a potential sniper all the way on the other side of the theater.

Avilio manages to do worse than simply kill Vincent: he kills Don Galassia, which is a death sentence to the entire Vanetti family. Strega takes out Ganzo, leaving Strega, Avilio, Nero…and not many others still alive.

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Avilio is pretty happy with how things worked out, as he sits in an alley as sirens blare. The Vanettis have lost everything, just as he did the night his family was taken. But the cost is high, and his decision to kill Don Galassia made him an enemy of Strega, who finds him in the alley. Is he there to thank Avilio for getting his uncle out of the way for him, or to kill him for it?

While the animation continues to be a serious liability, the overall experience this week was some thrilling and heart-wrenching mob drama. Avilio did most of what he set out to do, but he’s even more of a wreck than when he first got that letter. All of this, like Vincent’s murder of his family, might end up being for nothing.

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