HaruChika – 03

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Haruta and Chika’s lame love triangle continues to be an ongoing problem with HaruChika. If it were a classmate they both loved, male or female, that would be one thing; the fact their object of affection is a teacher all but eliminates the possibility of anything actually going anywhere. It doesn’t help that said teacher is a walking snooze-fest. I simply ain’t buying what either the show or its two title leads are selling.

But hey, at least that triangle is only a peripheral element of the story. This week, the show once again focuses on a new character, Sei Maren, who doesn’t get off to a stirring start with an opening line like “Where is the step I should take to move forward?” Whoa there, Proust.

He also has a whole built-in story, with a Life Box he opens sometimes to stoke his angst! Haru, Chika, and Miyoko encounter him in drama club, looking lost (and not at all good at drama, as the leader Nagoe admits frankly).

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So this Sei guy has a personal problem, and people are worried about him (particularly Miyoko, randomly). So what does Haruta do? Write a play that will “make everyone happy.” Only Nagoe rips it up, and the drama club and brass band get into a little exchange of unfriendly words, resulting in a challenge that will be settled on the stage.

The subsequent dramatic “exit game”, in which Haru, Chika, and Miyoko square off against Nagoe, Sei, and their star actress Yaeko (who does a fair impression of Princess Mononoke), is actually the niftiest part of the episode. It has all six “actors” essentially straddling two different worlds, gradually adding to the complexity of their setting and situation in order to get one of their opponents’ actors to exit stage right.

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Of course, it ain’t perfect. Haruta shows yet another skill he’s good at – acting and improvisation, as well as being nigh telepathic about Sei’s personal concerns, not helping his annoying Gary Stu status. Many of his lines in the exit game are a little too on the nose, to the point of being cruel to Sei. But more than what he knows and probably shouldn’t, it’s just deeply troubling how meddling this guy is!

He’s such a busybody, interfering in others’ lives and being as coy and dramatic about it as he can, in this case literally. They also somehow stole Sei’s Life Box from the closet in his room! WTF? (Note: I don’t want to hear a rational explanation for this; it’s just silly.) And Sei’s feelings about abandonment are far too easily quelled by Haruta and Nagoe’s intrusive charade.

As for Miyoko’s apparent feelings for the guy, well, she must see something I don’t, which is to say she sees…something, period.

Haruta also didn’t have to keep Chika in the dark…but of course he did, because he’s a jerk! So when Chika kicks him and sends him careening to the earth, it’s highly satisfying. I LOL’d. It’s like she’s kicking the little twerp not just for her own sake, or for Sei’s, but for all of us.

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Ai Tenchi Muyo! – 15

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As the festival continues, Tenchi continues to find himself the center of attention, as if it’s all been planned or something… >_> … <_< …First, Gooriki makes a return, though this time he’s tame enough to hold an egg without breaking it (cue Victory Fanfare!) Tenchi is initially spooked, and instinctively holds Momo tight once again. What is going on with him?

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When Beni spots Tenchi, she allows him to cut in (the ridiculously long) line to arm-wrestle with her, no doubt remembering when he stopped her blow like it wasn’t no thang. Frankly, I would have loved to see him beat her, but Ryouko doesn’t allow it, and she wrestles with Beni instead. They nearly rends the earth asunder, but end up in a draw.

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Ryouko tossed Tenchi aside, and he landed in Gooriki’s eggs. Gooriki then threw Tenchi even further aside, and he lands in a coffin, which turns out to be on the trap door of a stage where Hachiko is performing as the prince. The script says she’s to kiss the person in the coffin, and her fellow actors egg her on to do so, though she refrains from doing so in this episode. Lots of simple but neat little cause-and-effects and callbacks going on this time.

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Gekkan Shoujo Nozaki-kun – 03

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This week introduces us to two more characters who appear from the OP rainbow heretofore unknown to us: the short-statured drama club president Hori Masayuki, and the dashing, statuesque, academically and athletically gifted “Prince of the School”, Kashima Yuu.

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Interestingly, Chiyo assumes both of them to be the opposite gender, getting angry at Mikorin for “cheating” on the guy in Nozaki’s shoujo manga with this Prince, who turns out to be a girl, and worried about Nozaki spending late nights with the mystery background artist, who turns out to be a guy.

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With six of seven listed main characters now introduced, rankings are inevitable, and sadly it’s been a game of diminishing returns. We like the pair of Chiyo and Nozaki the best, followed by Mikoto and Yuzuki, and finally Kashima and Hori. And we like Kashima considerably more than Hori. Hori’s a bit of a dick!

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Maybe he’s a great actor trapped in the wrong body, and he’s got that chip on his shoulder. He certainly likes Kashima far more than he lets on and genuinely wants her to shine on the stage (which she does). But what’s with all the physical abuse? None of the instances where Hori hit Kashima were what I’d call abhorrent…but they weren’t that funny, either.

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Let’s just call them..awkward, shall we? If she’d hit him back once or twice, maybe it wouldn’t have rubbed me the wrong way, but it’s very one-sided and repetitive: she pisses him off, he draws blood. Too often Kashima came across as a big dumb lovable punching bag for Hori’s frustrations, which overshadowed her more positive qualities and sapped some but not all of the comedy.

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