Kyousougiga – 10 (Fin)

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Koto and Myoue travel to the celestial plane and meet their grandfather, God, who tells them they’ll be the ones to replace Inari, who will then disappear. Not liking the sound of that Koto and Myoue leave the plane and travel through a time continuum until she finds Inari and Lady Koto and busts in with her hammer. As she beats up Inari for being selfish, Myoue restores Lady Koto. God agrees that the thirteenth plane will be allowed to exist, while Inari will not disappear and remain with his family.

Just as it always announced at the start of every episode (or in this case, at the end), Kyousougiga was a story of love, life, and rebirth; with the latter two being possible because of the first, a love that started with a rabbit that became a beautiful woman. Inari states that before her, he merely wandered the world aimlessly, separate from it. Lady Koto and their children became his real world, and the start of his real life. He went on to make a common mistake family heads often make, out of stubbornness and obligation: to arrange the future in which his offspring would live; a future that didn’t include him, as he’d pass his duties to them.

Armed with the wherewithal to challenge his unilateral decisions was Koto. Just as she wanted to spend a little more time with Myoue before carrying out his death wish, Koto loved her father too much to let him quietly disappear. This results in climactic celestial family squabble, and ultimately, a happy ending for all. Inari meant the transfer of his heart and soul to be his final act of love to his children, but the only love Koto wanted was to experience the love of her family all in one piece, including him, sharing sunsets, meals, and other good times.

For all its whimsical extravagance of its fantastical setting, Kyousougiga always remained true to its staunchly human, immanently relatable themes of love and family. It was a story that left us as warm and fuzzy as, well, a rabbit.

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Rating: 8 
(Great)
Final Cumulative Rating: 8.400
MyAnimeList Score 
(as of 12/22/13): 8.08

Kyousougiga – 06

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Yakushimaru isn’t happy about being revived and adopted by Myoue and Koto (of the “monster temple”) and tries to kill himself again, to no avail. Gradually he gets accustomed to his new life and even starts to enjoy himself, as the family grows to five with Kurama and Yase. In the present, Koto confirms that Lady Koto is her mother. During the Mirrored City’s festival, Kurama and Yase bring Koto before the Council of Three against Myoue’s wishes. Kurama takes A and Un hostage and make Koto fight the robot Bishamaru, as the three siblings fight each other. Bishamaru’s mouth opens to reveal a portal to another dimension through which Koto falls, floating through space before being found by Lady Koto.

The more we learn of Yakushimaru’s past, the more it seems like he was the unwitting victim of a mad scientist, or rather mad priest. His rightful fate—the same fate as his original family—was torn from him, and a new, far more complicated fate assigned to him. That Myoue’s act was more one of selfishness than mercy. Perhaps it wouldn’t have been right to allow Yakushimaru to die, but making it so he can’t die ever? Keeping him from joining his family in the afterlife? Locking him in a world where more and more he and his siblings get on each others nerves as their methods for reaching their goals conflict? Yakushimaru didn’t sign up for any of this.

But he’s stuck. Kurama and Yase are in no hurry to die, and are done waiting for Myoue and Lady Koto to return. After sizing her up, they’ve determined that their ‘sister’ Koto and her magic hammer are the key to locating and reuniting with their parents. As Koto says, this all happens very fast, and there’s a striking contrast between the playful bliss of the siblings’ past and their over-the-top sparring in the present. Myoue’s beads, Yase’s brawn, and Kurama’s tech smash into each other in a brilliant amplification of rough-housing. They’ve remained children in their dream-world, and now they need a time-out and a scolding, so it’s fortunate Koto finds their mother after all.

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Rating: 9 (Superior)

Stray Observations:

  • Now all that past pomegranate imagery makes sense: Myoue drew a magic one and Lady Koto fed it to Yakushimaru to revive him.
  • The rabbit, frong, and monkey drawings are taken straight from the real Choujuugiga scroll in Kouzanji.
  • Nice touch: A and Un are stuck in a Nintendo game.
  • There have been times in this show when we thought the background score was a little to loud or schmaltzy, but it worked perfectly this week, including return of the techno battle music from the Yase-centered OVA.

Kyousougiga – 03

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Koto visits the Kurama temple, lending Shouko her hammer, Aratama, and meeting with Shouko’s assistant Fushimi and the Chief Priest Kurama. In a flashback, Yakushimaru meets the siblings his father created for the first time. Kurama excels at his studies, calligraphy, and woodworking, and his father creates the Mirrored World so Kurama and Yase can visit the capital. Shouko loses her PSP, in a retelling of the second OVA. Meanwhile, Kurama is hopeful the arrival of Koto could lead to the fulfillment of his dream: to see the outside world.

This series is taking events from the earlier OVAs and adding material around them that augments and refines the overall story. It blends events in the present with Koto to events of the distant past with the three siblings, this time from Kurama’s perspective in both timelines. He was clearly designed to be a model older brother; when his siblings sobbed when their parents were suddenly gone, he took up the dual mantles of family head and watchful guardian of the town. He keeps Myoue and Yase in the loop, but he runs things.

Kurama sees Koto, the first-ever visitor to the Mirrored City, as his possible key to the outside world. He envied his brother’s actual humanity; and envies Koto’s as well. He’s pretty much achieved all he can in the Mirrored City; and yearns to leave the drawing and return to the real world he only had the slightest glimpse of as a child. That could have untold ramifications for both worlds, but we really can’t see Kurama as a villain executing a grand evil scheme here. He has just as much right to follow his dreams as Myoue, Yase, or Koto.

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Rating: 8 
(Great)

Kyousougiga – 02

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This episode documents the young Koto’s life prior to entering the Mirrored Kyoto and becoming the ward of Myoue. Abandoned at a very young age, she was taken in and trained by Inari (AKA “The Fox”), and despite early complaints by his peers, she proves to have a great deal of talent. When Koto suddenly appears in the Mirrored Kyoto with her two familiars, A and Un, the Council of Three (the siblings Kurama, Myoue, and Yase), they debate whether she is related to them, or could actually be the reincarnation of their mother, who shares her name and eyes.

It’s just a fact of anime that whenever there are two characters with identical eye color (in an anime where not all characters have the same eye color, that is), it almost always means they’re related. So it’s no coincidence that lil’ Koto has the same red eyes as the departed Lady Koto or Myoue Shounin, just like it’s no coincidence that Inari also has the same color eyes. The narrator in the very first moments of the episode is also quite clear: “This is the story of one family’s love and rebirth.” Meaning Inari and Koto could well be Shounin and Lady Koto, reborn.

Mind you, the episode doesn’t come right out and confirm anything one way or the other, while the dream-like sequences of Koto and Inari in the secret room with the drawings of Mirror Kyoto and Koto the rabbit don’t make things much clearer. But whether she’s Myoue/Kurama/Yase’s mother or sister, she’s definitely a member of their family. Her appearance represents a sea change, both in their lives and in the world they preside over. The first major change since their parents left. We’ll see how each of them end up dealing with it.

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Rating: 8 
(Great)

Kyousougiga – 01

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In ancient times, monk Myoue Shounin leaves Kyoto to resid in the mountains of Takao. What he draws can come to life, including a black rabbit named Koto who falls in love with him. Koto makes a deal with a Buddha who gives her human form. She and Shounin have a family made up of Kurama, a drawing, Yakushimaru, a human, and Yase, a demon. This strange family garners derision from the town, so they move into the drawing of Kyoto, “the Mirrored City”.

They live there for hundreds of years, until Koto starts to dream of the world’s end, a warning to return her human form she borrowed from the buddha. She and Shounin depart for parts unknown, leaving their three children. Fast-forward to the present day, when Myoue Yakushimaru has replaced his father as Takao monk. The sky fills with unusual lightning, which he thinks could be a sign of Shounin returning, but it turns out to be a girl named Koto from a parallel dimension, looking for her guardian.

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This stylish, engrossing, inventive series has been teasing us with small tastes since December of 2011, but has finally gotten a run of ten episodes in which to expand its already dense and tantalizing story. We’ve been licking our chops for some time, and this first non-recap episode takes us all the way back to the beginning with Myoue’s father. It’s a charming, romantic tale that turns bittersweet when Koto, the rabbit who became a lady, then a wife and mother, has to leave that ideal life. There’s an alarming abruptness to going from happy family to three kids on their own, but Mirror-Kyoto is devoid of war or suffering, so the kids fare fine.

Once we’re in the age of cell phones and video surveillance (this episode covers a formidable length of time), the three now run the city like their parents once did, in the configuration we’re familiar with from the OVAs. Then, out of the blue, a girl who vaguely resembles their father suddenly makes a big, Terminator-style entrance, flanked by twin demon brothers, brandishing a big hammer, hunting a black rabbit we know to be Myoue’s mom’s original form. Just as suddenly as he lost his parents, Myoue gains a family.

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Rating: 9 (Superior)

Kyousogiga – 03

One of Douji Yase’s animal-like youkai records video of a special day in the world on the other side of the looking glass: a day when unwanted or unneeded…stuff is relased into the air, where it drifts away towards a train station which will take it further away still. One of these objects is a stuffed animal a mother wants her daughter to let go, but she won’t, and floats off with it. Koto, A and Un fly up to grab her, and it isn’t long before Shouko and her suited legion also assist; finally Shouko shoots the plushie, and the girl and Koto fall back down to earth. Also among the objects that shouldn’t have flown away: Douji Yase’s favorite teacup.

This really captured the grandeur and whimsy of the strange world Koto is now at home in (the awesome soundtrack really helps sell it). There’s a very fable-like vibe to it, and it’s also very much the opposite of how the real world operates. Our waste falls to the earth, both due to gravity and due to the nature of municipal sanitation and decomposition. We as a modern society toss out a lot that may still be useful to others, but is wasted anyway, due to convenience. Still, it would be great if, once a year, all the unnecessary clutter that had accumulated that year could be released into the sky, to find its own way…somewhere else.


Rating: 9 (Superior)

Kyousogiga – 02

We got so hung up with Fall series that Kyousogiga almost slipped through the cracks. Well, with one episode left to air, we’re taking the opportunity to catch up on this excellent ONA.

In this piece, Shouko, the geek who runs Kurama Temple, has lost her PSP. She suspects she lost it when she was tackled post-lunch by Koto/A/Un. She deploys legions of well-dressed henchmen to leave no stone unturned. They spot a PSP in the talons of a bird, but after a sustained pursuit and much discharging of firearms, when they catch the bird, the PSP is not hers. Eventually it’s found by a man named Fushimi, who simply searched for its GPS signal. The tracking device is a must for Shouko, who is very active and has a tendency to lose things.

Like a rich dessert, this episodelet was dense, compact, and full of complex flavors surrounding a very simple concept: losing something important along one’s daily travels. In Shouko’s case, having her PSP is a matter of utmost importance, and she is also fortunate to have virtually unlimited resources at her disposal for whatever petty purpose she chooses. We liked her brief, outwardly pleasant, inwardly tense chat with Douji Yase, as well as her knee-jerk reaction to remembering she was jostled by Koto:  destroying her house and holding her at gunpoint.


Rating: 8 (Great)