Deca-Dence – 04 – Changing the World That Is Yourself

Natsume happens to be thrust into her first battle by no fault of her own, but there’s no way she’s just going to stand around and watch. She borrows some tank gear and runs into the thick of it. Even when a Gadoll impales one of her fellow fighters and blood splatters everywhere, she heads towards the danger. Like a soldier. This is your place and time, a voice must be saying in her head. Don’t let it go to waste.

Natsume darts around the battlefield with aplomb, Taking every single stitch of training from Kaburagi and making full use of her brand-new arm cannon. She’s too busy to be afraid to die; she can die when the battle’s over; when her time is up, something she’s always known is something she can’t control, only maintain.

She really shows something out there, such that the other Tanker fighters and their illustrious leader Kurenai takes notice. When Natsume tells her she’s not technically “in” the Power because she’s a “bug”, Kurenai laughs off the self-deprication. If Natsume’s a bug, her two lieutenants are boogers.

Kurenai warmly welcomes Natsume to join the Power and her unit if she so wishes, and of course Natsume very much wishes, being sure to thank her boss, without whom she wouldn’t be there. Kaburagi, who is just trying to keep Pipe out of sight, gets accosted by Kurenai, who remembers “Kabu-san” when he was on the front lines and has a huge crush on him.

Natsume would seem to have joined the fight at an auspicious time, when the largest battle in Deca-Dence history is about to take place. Gear scouts have discovered the main Gadoll nest, and Kurenai’s Tanker squad is being given the toughest and most important job. They’re to defeat “Gadoll alpha”, a monster creating a cloud of fog across the nest. With the fog gone, the Gears will be able to easily mop up.

While touted in-game as the ultimate epic final battle that, when won, will finally enable humanity to live in peace, back at Solid Quake Kaburagi learns from a friend that the arc will result in a crushing defeat for Deca-Dence and massive losses. Those tragic developments will pave the way for the return of “legendary heroes” to save Deca-Dence in its hour of need.

One of those heroes is Kaburagi himself, who is being pulled out of his chip-collecting retirement as a result of rave reviews of his unplanned return to the battlefield back in the first episode. When Kaburagi told Natsume to “make sure not to die”, he was telling her to be careful. But now, if she participates in the battle she’ll die for sure. And since she’s human, she won’t come back.

Natsume meets Mindy, Mundy and Mendy, triplets who are, other than her, the youngest members of Kurenai’s unit. She makes a bad first impression when Mindy tries to shake Natsume’s artificial right hand and it accidentally transforms into a spear launcher.

Mindy is livid, warning Natsume that going into battle with a weapon you haven’t mastered is no different than begging for death (her siblings think she was too harsh.) Back in her neck of the woods, Natsume sees her friend Fei, who has decided to wash her hands of Natsume. Like Mindy, Fei sees Natsume’s disability as a disqualifying attribute. If she tries to be a soldier, she’ll just die.

Having had those encounters, you can imagine Natsume is decidedly not in the mood to have someone else tell her she can’t do what she wants to do, and is pleasantly surprised when Kaburagi knocks on her door for a change. She offers him milk (no doubt a rare delicacy), but he’s come to warn her not to join the battle tomorrow.

While we know full well Kaburagi is dissuading her for the right reason (she may well be ready, but the battle is literally rigged), Natsume assumes he’s once again joined the ranks of the naysayers. He can’t tell her the truth about why he knows, because that would be opening a whole other can of worms. So Kaburagi goes full “bad guy” and breaks her Tank. She may live to hate him, but she’ll live, and that’s what matters.

The spilled milk and oxyone pooling together on the floor was a really cool and effective symbol for the split worlds of Kaburagi and Natsume, as well as their oil-and-water difference of positions.

Natsume approaches Kurenai to tell her she’s sitting the battle out. Kurenai is understanding, but wants Natsume to be sure it’s what she wants. When asked why she fights, Kurenai states worthiness of Kaburagi  to be one reason, but also because living her days aimlessly in a cramped dirty metal box just isn’t for her.

As she skulks home, Natsume remembers feeling the same way as Kurenai, even as an adorable little kid. Her father would show her amazing sights of the outside world, and told her they’d be able to visit them when peace was achieved. She came to believe she’d be the hero to end the war, but after she lost her arm, and got told all the things she couldn’t do, that belief waned.

As Natsume tells Kurenai after changing her mind and declaring she’ll join them after all, she doesn’t like the way she is right now, and wants to change it. She wants to change into the fighter and the hero her younger self dreamed of being. She just needs to borrow some money to replace her tank! And then, of course, not die.

But hell, even if Natsume knew and believed everything Kaburagi knew—about cyborgs usurping humanity as the dominant species on earth, about how every aspect of her and every human’s life is manipulated by a corporation—she may well still decide to fight. This week’s episode made it clear this is her story, and her choice. And if she existed outside the system as a “bug” this long, not even Kabu-san knows how far she’s capable of defying that system.

Tada-kun wa Koi wo Shinai – 07 – If You Give Up, Then That’s That

Nyanko Big, Pillar of the Tada family since the loss of its mom and dad, is missing. Mitsuyoshi’s little sister Yui takes center stage in the search for him, riffing off of her favorite manga that chronicle the cases of Hercule Poirot’s half-Japanese granddaughter…which doesn’t sound like a half-bad anime!

Everyone joins in the search, even Sir Charles, who was the one who saw him last with his “girlfriend” (a raggedy foxtail toy). During the search, Yui is happy to be partnered with Yamashita Dog, on whom she’s been maintaining a crush. (Hinako and Hajime sit this one out).

When we first see Charles reacting to something earlier on, and Yui’s gramps mentions how pets “take a trip” when their “time has come”, the episode is trying to tint the proceedings with foreboding, but while the thought briefly occurred to me they might kill off the cat, that thought didn’t last due to the search’s lighthearted tone.

Sure enough, they find Nyanko attempting to woo the disinterested Cherry, who happens to be the pet of “Chia-nee”, a lovely woman who knows Yamashita and pats him on the head as he coos. The joy of finding her cat is replaced by the revelation the guy she likes likes someone else, and says as much later when they’re enjoying celebratory festival snacks.

Teresa knows something’s up, and when asked what’s up, Yui cannot hide her tears of frustration, asking Teresa if falling in love with someone is always so painful. Like Nyanko Big, Yui is meowing up the wrong awning, but Charles later confides in Nyanko that he senses he may be doing the same with Teresa.

That aside, Teresa is the one who once told him “if you give up, then that’s that!”, when he tried to give up looking for his cherished gold bracelet (perhaps given to him by Teresa). She didn’t give up, ended up finding it, and he still wears it to this day. He, in turn, won’t give up, and neither will Nyanko and Yui.

As for Mitsuyoshi? Well, once again he’s a non-factor, only managing a momentary awkward meeting of eyes with Teresa. You can’t give up something you haven’t started, and with only five episodes left, he’s running out of time to do so.

Rakudai Kishi no Cavalry – 02

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It’s nice to see how well Stella and Ikki are already getting along even before their first day of school; it’s a testament to the equity and fairness with which they each treat each other. They’re both on first-name terms without any reservations, and Stella makes a habit of bringing up things like the possibility of indirect kisses as a big deal, but never once denies that she doesn’t mind such things, when sharing Ikki’s sports drink. She also insists on running the full 20km a day that he runs, which speaks to her competitiveness.

But this, like Asterisk War is still a harem, which means there will be plenty of competition for Ikki’s attention. The first to glom onto him is Kusakabe Kagami, who means to run the school newspaper and saw him fight. Whether you’re a boy or a girl, people dig ability, and it’s clear Ikki has skills, even if there’s no surefire way to evaluate it. Still, the way the six school reps will be chosen works in his favor: rather than assess people by their stats, everyone will be fighting for those spots.

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Kagami essentially fades into the background, however, when a petite silver-haired girl everyone calls “Lorelei” beckons to Ikki. As we gleaned from the cold open, she’s his little sister Shizuku, and the only member of his family who she believes really loves him. Because of that, on top of her sheltered, upper-crust upbringing, to her, that means she needs to show Ikki enough love to make up for all the family members who show none.

To Shizuku, that means French-kissing him in front of Stella and half the school. Now, this is some standard brocon incest ikkiness? On the surface, sure, but it’s nicely mitigated by two factors: Shizuku’s aforementioned strange upbringing, and the fact no one else, including Ikki, is okay with his sister Frenching him.

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Then a catfight breaks out between Shizuku and Stella, who draw their devices, but they get in trouble with the director and must clean all 27 of the school’s girls’ restrooms, which they do while exchanging insults about one another’s breast size and body type.

It’s petty, but it’s conflict born out of mutual misunderstanding. Shizuku doesn’t yet know the full extent of Stella’s bond with Ikki, and Stella doesn’t yet know why Shizuku is acting so possessive.

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That changes quick when Shizuku mentions that the rest of the Kurogane family has always treated Ikki like he didn’t exist, and she hates them for it. Stella, concerned and eager to learn more about her roommate (and master, a promise she hasn’t forgotten), wastes no time asking Ikki about it, and he’s very open about it: due to his lack of verifiable talent, he was shunned as the family’s black sheep. The ostracization was so bad, he once ran away from home into the brutal cold.

He was saved from death by his grandfather Ryouma—a samurai so famous even Stella knows the name—who told him to harness his frustration with being called the weakest or the worst; make that weakness a strength, and never give up or stop working to prove everyone wrong. Ikki then started to train alone—something Stella also did when she was younger. Thus Stella’s understanding of Ikki deepens, as does her affection.

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Those affections lead her to make a move on Ikki for the second week in a row, entirely on a whim while cooking. Her excuse is that a good servant must fulfill a master’s wishes before he even asks, but really, she liked what she saw and felt last week, and wants more. Ikki is understandably a bit on-edge about the whole thing—Stella is a knockout in her pink bikini (her concession to modesty and not letting things get too far too fast)—but lets Stella do what she wants to do, and tells her what she wants to hear.

A nice detail: when the newspaper girl Kagami put Ikki’s arm against her chest, Stella noticed, and so brings it up here, because it looked like Ikki liked it…and Stella wants Ikki to like when she does it. I loved the honesty and equity of this romantic encounter: both Stella and Ikki are getting something they want out of it…right up until Stella loses her top, which she didn’t want to happen. Scream; Slap; Womp-Womp.

Lastly, we come to the show’s ED, with all the girls in Ikki’s prospective harem lounging around nude in a bed of roses with their weapons, to the welcome eclectic tunes of ALI PROJECT.

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