Those who run No.6 show just how evil they can be as they plow through the western district, indiscriminately killing and destroying. Nezumi begins enacting the plan to save Safu / bring No. 6 down, including luring a No. 6 official with Dogkeeper for info, then getting captured and sent to the correctional facility where Safu is. They and the others who survived and surrendered may soon wish they’d been killed back in town, from the looks of it.
Just in case you didn’t know: No. 6 is a bad, bad place run by bad, bad people. They massacre people outside the walls, scoop up whoever survived, then dump them into a big black void like garbagemen dumping trash into a landfill. It’s bleak, and it’s a scale of evil we haven’t yet seen, but here it is, with Nezumi and Shion right in the middle of it. I’d ask how they’re going to survive what seemed like a fall of, conservatively, several hundred feet, but oh well.
Between Rikiga’s side job as a pimp, dogkeeper’s ambiguous gender, Shion’s “serious” dreams for the perfect happy ending we know we’re not going to get, Safu waking up and attacking the lab techs, and the aforementioned dumping into a big cubist prison, it would seem like the buildup is just about complete. Which is good, because there are only two episodes left to wrap up all this loveliness. Oh yeah, Nezumi also sings, but I felt like it would have been more impactful without the reverb and accompaniment.
The hall is rented. The orchestra engaged. It’s now time to see if Sion and Nezumi can dance. This week is an overture to the big prison infiltration and Safu rescuing – if Safu is still alive by the time they get there. Men in medical masks keep talking about how excellent her “synch rate” is and how many elites died to get this result. She needs to get out of that tube, pronto.
Nezumi apparently thinks Safu can wait a bit longer…at least with their current level of information and preparedness. He leads Sion down a canyon and into a massive cathedralic cavern full of blue water like the kind Safu’s suspended in. It’s a colony for No. 6 exiles, led by a scientist who, along with Karan, helped build No. 6 (I didn’t catch his name). Like Sion, he survived being host to a parasite bee, and was rewarded with the same white hair and pink scars.
He proves to be a font of information, telling him the song Nezumi, Sion and Safu can hear is in fact the voice of Elyurias, a god-like being who watches over the world and only talks to those who listen. The song turns blue water amber (we don’t know why yet). He also reveal’s Nezumi’s past: he’s the last survivor of a tribe of “forest people” slaughtered by No. 6 with fire. His scars are from burns. He hands a Computer Chip Full ‘O’ Answers to Sion for later perusal and sends them on their way. Rikiga and Dogkeeper are waiting for them when they return home, ready to lay out a plan to save Safu.
Ah, now this is more like it! Instead of characters, relationships and motivations all essentially milling around in a holding pattern as they seem to have done the past couple episodes, Shion finally has a reason to do something, Nezumi finally takes up a position, and, with four episodes left, we may be starting to see sunshine at the end of the pseudo-utopian corridor.
As I’ve said, I really like Safu. She’s pretty, she’s very bright, and she’s very forward and to-the-point where sex is concerned. Unfortunately, last week she was captured by DHS right when she was about to go after Shion. While bright, she underestimated the level of surveillance in No.6, as Shion’s mom’s house was bugged. Safu only has one brief scene this week, but that’s all we need to see that she’s in peril and in dire need of rescue. Whenever you wake up naked and suspended in liquid-filled glass tube in a lab, things are not going well (Just ask Bill Clinton).
Nezumi keeps the knowledge that Safu is imprisoned from Shion, at least initially. But despite his outward mocking and loathing of the white-haired mother hen, he starts scheming behind his back to save Safu himself, using the dogkeeper’s prison connections. I love his interaction with the dogkeeper here: we’ve never known why the two hate each other so much they’d wish each other dead, but they seem to have reached a truce here. Meanwhile, Shion finds out anyway, when he find’s Safu’s coat in a thrift store of all places. So he’s off to save her…alone.
After exchanging a “goodnight kiss” (on the lips?) that’s really a goodbye kiss, Shion is off. But Nezumi follows, and the two exchange punches, thankfully no more kisses, and Nezumi finally voices exactly what Shion means to him, going all the way back to when he saw him screaming from his balcony in a rainstorm. Shion is his savior, the reason he draws breath today. These two clearly have feelings for each other, and they have for a long time. But Safu still needs saving. They’ll save her together.
Shion starts reacting unfavorably to his strange dark bruises, and Nezumi must operate to remove a pupa. In the process, Shion’s hair changes color and he gets strange pink strips all around his face and body. His friend aged rapidly before dying from the bee, but Shion survives, thanks to Nezumi, who saves his life for the second time.
Now Shion must come to grips with his new reality: he’s outside No.6, looking in. He can’t have the same mentality he had before. Nezumi doesn’t like the city one bit, and will gladly laugh heartily as it burns to the ground. Furthermore, he threatens Shion not to go crawling back there, or they’ll be enemies. While Nezumi has every right to be bitter considering how he was treated, Shion can’t quite be okay with him wishing for the city where his mom and friends live meeting a horrific fate.
In the meantime, we meet another resident of the real world, the “dogkeeper.” She politely stands by in amusement while Shion lays out his plan to warn the city about the killer parasitic bees. But his plan is full of holes. He won’t be warmly recieved if he goes back, especially looking the way he does. Heck, he may have blown it with Safu, too, what with his exile and new, punkish look.