Karakai Jouzu no Takagi-san – 05

Takagi and Nishikata’s delicate dance continues, as Takagi slyly inserts herself in nearly every aspect of Nishikata’s life. Knowing her teasing has caused him no shortage of distractions, she feels obligated to tutor him in math.

At first, she sits opposite Nishikata, reading a regular book and not studying herself. But when she notices he answered a question wrong, that’s her opening to sit much closer to him and help him through the equations.

Of course, while she taught him something he didn’t know, she didn’t teach him what’s actually on the test. Can’t be doing all the work for him!

The next day, Nishikata manages to pass with a 59, while Takagi is praised by the teacher but tells Nishikata she got less than a perfect 100. Then she suggests they engage in yet another game: whoever guesses closest to each others’ scores wins.

Nishikata has no poker face Takagi can’t read, so she easily narrows down his score to within three. She acts sincerely surprised when he guesses 92, but he doesn’t trust her face, and decides on 97 instead.

In the end, he was right with 92 the first time, while she was going to guess 59 but decided to give herself a three-point handicap. She gave Nishikata a shot, even though she didn’t have to, and both end up staring at each other quite a lot, which she clearly doesn’t mind.

In another skit outside of school, Takagi “coincidentally” bumps into Nishikata leaving a bookstore after  clandestinely purchase the shoujo manga 100% Unrequited Love. Takagi spotted him buying it, but again gives him a chance to tell her the truth. Naturally, he fails, but he also admits he lied, and begs her not to tell anyone.

Takagi decides she’ll give him a secret of hers, so they’ll both have secrets. She then tells Nishikata, flat out, that she likes him. Big move, Takagi! Nishikata turns beet red, much to her delight, right before she pulls back. Because he lied to her, she lied to him; she says she doesn’t like him.

Of course, that is the true lie; Nishikata just doesn’t know it, even though he has all the evidence in the world to confirm it sitting right in front of him.

Not satisfied with getting away with confessing in his ear or teaching him math, when Takagi is stuck under a shrine in the rain, she decides to claim his clothes as well. Specifically, she changes out of her wet school shirt and into his gym shirt. Later, he puts on her gym shirt, and notes how doing so feels kinda ‘dirty.’

Having swapped shirts and scents, Takagi proposes another game—guessing whether the rain will end by 5—and wins yet again. What she wins is Nishikata’s obedience, and even if he wants to hurry home so as not to miss his anime, he wisely seems poised to obey and follow her rather than run off. TV or nice girl…not really a tough choice.

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Karakai Jouzu no Takagi-san – 04

This week  the happy little world of Nishikata and Takagi is invaded, as the secondary characters begin to notice the two are together an awful lot beyond class. Take the first segment, in which Nishikata has to clean the science room because he’s so loud.

Takagi joins him, not to help clean, or because she feels guilty, or even to tease him more. Rather, she wants to “enjoy their youth”, the way another couple is clearly doing when they spot Nishikata and Takagi on the way to the rooftop. For Takagi, enjoyng her youth means spending as much time as she can with Nishikata.

Clearly Nishikata doesn’t mind hanging out with Takagi that badly, even if she does tease him a lot. Indeed, he seems to savor the challenge of fighting against such a formidable opponent, and never lets the discouragement of virtually never winning against her get to him for very long.

While on the way home, Nishikata challenges Takagi to a high-bar kickover, something he’s only just recently mastered. Takagi agrees to do it, but only if he looks the other way, as she’s wearing a skirt. The first time they both do one, but he doesn’t know whether she cheated, so the next time, he peeks.

When he does, he learns not only that Takagi is doing proper kickovers, but is wearing gym shorts under her skirt. But even if she made him look away despite that, he’s honorable enough to admit defeat because he peeked, even if she calls him a pervert.

Nishikata often shows he’s a good lad, but his desire to best Takagi sometimes leads to unnecessary deceit. When he comes in with an apparent cold, Takagi immediately presumes it’s because he stayed up all night watching 100% Unrequited Love anime.

Nishikata intends to make Takagi blush by telling her she’s “cute”, but ends up too embarrassed to say something meant to embarrass her. He’s so thrown off he claims to not have a cold after all!

While Takagi still believes he has a cold (which he actually does), she seems frustrated she can’t tease him as usual lest she make him cough, so when he later insists he’s fine (after watching how damn cute she is when sitting quietly), she just starts teasing him even harder to make up for lost time!

Finally, Nishikata and Takagi are spotted by the three girls. Yukari assumes they’re a couple and decides to tail them to confirm it. Takagi being a particularly observant person (and the trio not being that stealthy), she and Nishikata take a quick turn around a corner and then hide, throwing the girls off the trail and causing them to give up.

In the process, Nishikata and Takagi have to squeeze together very close—closer than under the umbrella last week—and Nishikata is understandably flustered, but when asked if he would have preferred a different tactic, he drops the matter.

Takagi then immediately sets off on the race to the shrine they proposed. Nishikata cries ‘false start’, but honestly, the only thing he can and should do in such a situation is chase after Takagi…which he does.

 

Karakai Jouzu no Takagi-san – 03

When Takagi spots Nishikata and suggests they walk home together, Nishikata offers her some of his drink, thinking she won’t go for an “indirect kiss.” Of course, she’s fine with it; it’s Nishikata who wigs out at the prospect.

Nishikata then makes a fluke shot with the empty can in the garbage can and gets all cocky when Takagi misses. Turns out her miss was a trap; her next shot goes right in, then interrupts his shot by saying she’ll give him her first kiss if he makes it. He misses.

The next day Nishikata estimates he was teased fifteen times by Takagi, so when he hears form a sports figure on the TV that he trains ten times harder when he loses, he begins doing pushups. At school, he’s all sore, and Takagi takes advantage by poking his arm.

Nishikata keeps up the training, despite the fact Takagi teases him more and more with each passing day. However Takagi later admits that she’s starting to notice the effects of the training, saying he “looks pretty good;” while she may be sincere, she’s also trying to make him blush, and she succeeds.

Finaly, on a rainy afternoon Takagi forgets her umbrella, so asks Nishikata if he can share. He tries to scare her with a frog, but it doesn’t faze her in the least, and when she notices his wet shoulder, she scoots closer to him, causing his heart to race even more in such an awkward situation.

In all three segments, Takagi is both testing and expanding the limits of contact with Nishikata, all while inducing the priceless reactions she lives for. It gets to the point where she tries to get Nishikata to say “I love you” in both Japanese and English.

He bristles as expected, but some day, perhaps a couple years from now, he might not think all this attention from and contact with Takagi to be so torturous.

Karakai Jouzu no Takagi-san – 02

Nothing new to report, but that’s a good thing: Master Teaser Takagi-san continues bringing the warmth, charm, and sweetness. It does so with a trio of new situations, starting with calligraphy class, in which Takagi and Nishikata agree to write “what they want from one another.”

Nishikata, believing this an opportunity to get Takagi to stop teasing him, first writes”restraint”, but she writes “status quo.” When he writes “kindness”, Takagi suddenly seems really kind, even though she didn’t see what he wrote.

Finally, he decides not to dance around it anymore, and simply writes “Don’t tease me,” then backs it up with direct spoken words as well. Takagi really enjoys teasing him, but she says she’ll “try her best” not to.

Of course, she wrote her calligraphy before making that promise: “You have ink on your face,” and she put it there while acting kind! Mind you, she kinda cheated by writing what was on him instead of what she wanted from him. Alas, Nishikata is too embarrassed to point that out.

After a brief interlude in which the three girls in Takagi and Nishikata’s class struggle to change to their short-sleeved uniforms on the same day, it’s back to the cute couple who have eyes only for one another, who are in English Translation class. (Hey! A school anime that actually depicts students in class most of the time! AMAZING!)

Nishikata finally gets a relatively clever idea: it’s June 18th, and Takagi is student #18, so he tries to distract her so that when the teacher calls on her, she’ll be unprepared. The plan seems to succeed at first, with Takagi even betraying a half-moment of flustered-ness we’ve come to expect of Nishikata. But when called upon, she knows exactly what line to read.

Noticing Nishikata looking at her, Takagi turns the tables by saying she’s “always thinking” about Nishikata, and the teacher decides to add the month and the day to select Student #24…Nishikata. And yet, for all her teasing, you get the feeling she’s being honest about thinking about Nishikata a lot, just as he thinks about her.

Teasing Nishikata is Takagi’s way of expressing her interest in him, it’s just that he’s so wound up in the cycle of teasing, he either overlooks the underlying affection or suspects it as another layer of teasing. And it’s often both!

That inability to ever interpret Takagi correctly rears its head in the final segment, “Pool.” Nishikata can’t swim due to a bandaged hand, and to his shock, Takagi is also sitting it out. She correctly guesses that his hand was injured when he tried to pet a stray cat, so she asks him to guess why she’s not swimming.

When she holds her stomach, he remembers a classmate saying girls on their period don’t swim and experience abdominal pain. But he doesn’t want to say that, because it’s generally considered rude. Searching for another reason, he remembers another sage classmate telling him small-chested girls are self-conscious about their chest size.

This time, we get visualizations of how Nishikata thinks the interactions with Takagi will go after giving each answer. When he also remembers that periods are nothing to be ashamed of, he finally guesses that, which is wrong…and rude, says an apparently offended Takagi.

However, she immediately laughs afterwards, then slowly removes her shirt and shorts in front of Nishikata to reveal her school swimsuit. Turns out she only stayed out of the pool so she could tease Takagi. She says hopefully next time they’ll be able to swim together. Takagi is dubious as always, but I don’t doubt Takagi’s sincerity in the slightest. So till then, Nishikata, avoid stray cats!

Kekkai Sensen & Beyond – 06

After sustaining a head injury when Zapp punts him into a bad guy, Leo has the same dream he always has: Michella sacrificing her sight and legs for his sake while he stands around doing nothing. We’re reminded of the prime reason Leo is in Hellsalem’s Lot: to cure her.

He shows Dr. Estevez his eyes, but neither she nor Director Grana have ever heard of a case of them being removed. It’s not a medical procedure; more a termination of a contract, which won’t come without considerable cost. Leo laments that he feels as powerless to save Michella as he was the day he arrived. Klaus told him there’s always light, but he can’t see it.

Then the magic, intensity, and downright insanity of simply living in the HSL, not to mention being affiliated with Libra, eventually restokes his hope of saving his sister, thus becoming the “turtle knight” who protects the princess in Michella’s drawings.

How specifically does he get inspired? A lockout!

While Steven is hacking computer systems to stop criminals from bringing down earthshaking beings who rain destruction upon the city, an old foe believed to have been incarcerated surfaces, and all of Libra goes out to deal with it, when only Steven was needed.

Only Anila remains at Libra HQ, and a single crane fly who had infiltrated the interior soon turns into a massive swarm, and one of them evolves into a humanoid of increasing intelligence and power. He sets Defcon 2, turning Libra into an impregnable fortress, with the bulk of Libra’s members trapped outside.

Klaus calls Yurian, a Ghostbuster-looking “locksmith” to override the lockout, but it will be slow going. Meanwhile, the team can’t prevent Chain, entering HQ in her usual way, from getting blasted by the building’s defense systems.

She’s fine, and even caught a glance at the bugs, whose leader becomes more and more sophisticated in speech as he talks to Klaus over the phone, basically saying he’s borrowing HQ until he becomes a god.

The delay of Bugman’s evolution could spell the end of the city, as a particularly large Earthshaker begins to descend, adding far greater stakes to the emergency than simply being locked out of a house when the oven was left on.

However, Klaus doesn’t panic; he turns to his training and his ability, has Yurian open the tiniest of holes in the defense system, and climbs the tower with blood pitons, using Leo’s eyes to discern when to avoid the security grid. Demonstrating he’s not quite ready for godhood, the Bugman idiotically goes outside to see what’s up and gets blood-lanced.

Steve tracks down the hackers controlling the Earthshaker and take them out before it touches the ground, saving tens of thousands. And thus, having watched Klaus not giving up while riding on his back, Leo resolves not to despair or give up on saving Michella. After all, you never know what this city will throw at you.

Classroom of the Elite – 07

As soon as it was clear this was not only a pool episode, but an underlying operation by the guys to peep on the girls in their changing room (immediately), I sat back and settled in for what I imagined would be a pleasant but lightweight episode, “7” stamp in my hand, ready to strike.

But hidden among all the usual pool episode fanservice cliches and peeping scheme antics, this episode turned out to be something I didn’t know it was until the end, and felt silly for not realizing it. At the same time, it ever-so-gently nudged a character towards a slightly more normal human high school life.

If this episode were a sandwich, the insides would be pretty monotonous, while the bread, particularly the bottom slice, would be where the true action is. Yet the middle part—let’s call it egg salad for the purposes of this metaphor—was nevertheless crucial in setting up the twist at the end.

Clues are everywhere as to what kind of phone conversation went on between Horikita and Ayanokouji that led to her joining him, the three bad apples (including Sudo), Ichinose, Kushida, and Sakura at a lovely Summer day at the pool, rather than her usual day composed solely of study, eating, and sleeping.

‘Leisure” and “friends” are a waste of time and energy for Horikita, so what is she doing here? Nah. Merely humoring Ayano and the others? Worried he and Kushida (or Sakura, or Ichinose) will get too close if she’s not there? Nope.

Once the ridiculously overwrought and over-dramatic peeping scheme is in dire jeopardy, and Ayano asks Horikita to climb the highest diving board and deliver a stirring speech that gets the nod from her Class D colleagues but rankles the other classes, it should be clear she’s not in on the peeping scheme either…and neither is Ayanokouji.

Rather, Ayano, AKA Argos-4, served as a double agent, knowing the other guys would go through with the scheme even if he protested or failed to participate; better to let them think he’s on their side and let them fail all on their own. But the consequences of failure would spread to all of Class D, so Ayano appealed to Horikita’s pride and desire to reach Class A, and help him neutralize one more obstacle to that goal.

She does, swiping all of the SD cards from the cameras set up in the changing room, and thus while the guys’ scheme failed, Ayano’s succeeds. Getting to see Horikita in a bikini, and having her hang out with people who would be her friends if she just let them, is pretty much just a bonus for Ayano. He dunks Horikita, but when reaching out to pull her out, she pulls him in with her…as “payback” (Sakura also tries and fails—quite hilariously—to join in the fun).

Back home and in her usual routine, Horikita gets a text from Ayano: a photo of him and her with the others at the pool; a memory of a fun time. Horikita collapses on the bed, maintaining that being alone is “easier”, but does she truly want everything to be easy? Doesn’t a challenge make one’s results more satisfying?

Classroom of the Elite let its hair down a little this week, but it deserves kudos for taking the tired pool episode and peeping scheme premises and adapting them to the specific thrust of the show: Horikita and Ayano keeping Class D above water as part of the greater goal to get promoted to Class A. It also allowed Horikita to loosen up ever so slightly, while perpetuating the complex relationship between her and the still very mysterious Ayano. A win on all fronts.

Prison School – 12 (Fin)

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I am sad that there is no more Prison School to watch, but it couldn’t have delivered a better finale, one that many an anime should look to for reference when it comes to delivering the goods, with interest in the ninth hour and satisfying on virtually every level, but not giving its wronged but not entirely innocent lads too easy a final result. No one is innocent by the end of Prison School. But that’s okay!

We begin the end with the “enhanced interrogation tactics” Meiko employs on Anzu (i.e., sitting on her face), just as Shingo and the guys figure out that it’s Anzu helping them by helping Chiyo. It’s good to know they know Kiyoshi isn’t the only one sticking his neck out for them (though that’s not to say he isn’t).

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Kiyoshi would be having the time of his life kissing a cute, well-bred girl after-hours in the corrections office…if Hana was a girl he liked, and if Hana liked him. That’s obviously not the case. Instead, as he realizes, Hana’s kiss is a very rigid and uncertain one; as if she’s as out of her element as he is.

They are both of them complacent in appropriating sexual behavior for reasons other than mutual stimulation (though that’s a side effect): Hana wants to exact perfect justice; while Kiyoshi, knowing Hana’s weakness whenever things have gotten too far, performs a “Flight of Shimazu” in Hana’s mouth, breaking through her dental defenses with his tongue, meeting hers, and engaging in furious combat until she’s defeated.

Thanks to her height and the design of the office window, Chiyo is thankfully spared the sight of this spectacle, and only sees the top of Kiyoshi hunched over (this is, to the end, a show where every inch and second matters). She’s also kept from walking in on them when Kiyoshi cries out “Not yet!” but that also wakes Hana up, who sends Kiyoshi back to his cell for lights out, despite still being very out of it.

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Mari and Meiko are satisfied the boys are indeed locked away in bed, and no longer up to anything, apparently resigned to their fate. But that’s exactly what Kiyoshi and Gakuto want them to think, and the next morning, the tables turn: they discover Joe is posing as Gakuto, while Chiyo is poising as Joe.

The real Gakuto makes quite the entrance, donning only his underwear (not wishing to sully the lovely Chiyo’s gym clothes), just in time for him and Kiyoshi to explain how they made a three-way switch when Hana let them use the bathroom.

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While Gakuto was free, he made full use of the time to restore and extract the DTO files, which he produces in the form of a thumb drive he was keeping hidden up his ass for safekeeping. I knew when he came in in his underwear this would be the case, but I wasn’t prepared for the super-serious yet also super-hilarious manly exchange between him and the chairman, and how the latter has no qualms about touching the drive. After looking over the files, he’s satisfied the Underground StuCo indeed set traps to get them expelled.

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When Hana realizes she’s the one who allowed Kiyoshi to unlock the door, she rushes at him with murderous intent. I must say, it has been an absolute joy listening to Hanazawa Kana play all the myriad sides of Midorikawa Hana, alongside Ohara Sayaka and Itou Shizuka as Mari and Meiko, respectively.

And it’s Mari who shields Kiyoshi from Hana’s punch taking responsibility for everything she put both her subordinates and the boys through. This final gesture suggests even she knows the gig is well and truly up. Though she believed it was for a good reason, she broke the rules, and lost.

But most importantly, Mari failed to see the boys as anything but scum. That unyielding prejudice was her undoing. Yes, the boys were guilty of peeping (God, that seems like eons ago), but they more than paid their debt to the school for that crime. Mari tried to ride her exclusionary agenda too far, and got burned.

There’s also the fact that she kept digital records of DTO rather than deal exclusively in burnable paper documents. She would have probably been victorious had Gakuto had no evidence to stick up his ass. But it wouldn’t have been a moral victory, no matter what Mari told herself later, and her relationship with Chiyo would have taken an even stronger hit.

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But she didn’t win; the boys did; the Chairman declares their time served and grants them their freedom. The sight of them in regular high school uniforms is a glorious sight for sore eyes, as is the extremely happy ending all the guys get, from Kiyoshi being fed by Chiyo, to Andre finding a group of girls who love his size, ears, and punchability; to Shingo and Anzu picking their courtship up where they left off; to Joe playing with his ants. Heck, even Gakuto reaches for the same 3K book as a very comely young lady who wears her hair in Chinese buns.

More importantly, rather than peep on the girls form afar, the lads (other than Joe) are engaging the girls; treating them not as objects to be admired and leered over from afar, but as fellow human beings to interact with on equal terms. It could be argued their incarceration actually improved them as men; they certainly appreciate their freedom.

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But not everything is peaches and sunshine at Hachimitsu. This is a show about reversals, and the most devastating one is saved for last, when a particularly wrathful redhead whom I assume is the regular StuCo president (as opposed to underground) comes to the Chairman (with her own agenda) and demands justice be doled out for Mari, Meiko and Hana. Wanting to avoid the specter of nepotism, the Chairman acquiesces.

That means throwing them in the very jail they once ran. And you know what? It doesn’t feel right. I don’t need the girls to get their “just desserts” in this manner. A direct turnabout like this wasn’t necessary, and it only feels bitter in my mouth—as I’m sure it does to Kiyoshi and the others—and as I’m sure it was meant to. After all, they know exactly what it’s like in there, and wouldn’t wish it on anyone…even those who originally put them there.

In all honesty, I wouldn’t mind a second season that explores further the relationships of Anzu+Shingo, or Gakuto+3K girl, or the Chiyo-Kiyoshi-Hana triangle (if that’s indeed a thing), or the possibility of Mari changing her mind about men, or Meiko growing a spine in the aftermath of her leader’s fall.

I’d also love to watch Kiyoshi, the other guys, and the girls who’ve befriended them (3K girl is one of the redhead’s lieutenants) work together to try to free their three former antagonists. Because no student should serve time in a prison in school. Normal detention and suspension should suffice!

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Prison School – 11

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It’s cruch time for the inmates, and Gakuto quickly devises a fresh challenge for the Vice President—butt-wrestling—only to find Mari has replaced her, not due to doubt over Meiko’s loyalty or competence, but simply because she suspects the boys have caught on to her pattern of behavior and are planning to exploit her once more…which is exactly what is going on.

Their latest greatest plan thus foiled before it could get off the ground, it falls to Kiyoshi to use Meiko’s replacement Hana to regain access to the office. When he mentions the grudge Hana holds against him (without going into the tawdry details), they protest what could end up a very painful, bloody path, but he sees it as an opportunity to do right by the lads he wronged. They forgave him, but he hasn’t forgiven himself.

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As I suspected, Kiyoshi makes use of Chiyo’s message exchange to gain outside help, and while Chiyo is caught, it’s by Anzu, who shares her desire to get the boys un-expelled. The girls of the Underground StuCo may be the source of all their suffering, but girls also happen to be instrumental to their salvation.

When Gakuto’s quick thinking gets him and Kiyoshi in the office, then ends up alone with Hana, he’s expects the worst for his “eryngii” when she pulls out a pair of shears. Alas, Hana is no butcher, nor is she criminally insane; she merely uses the shears to cut the top off a bottle for him to pee in. Her plan for revenge remains the same; it has not escalated.

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But once Kiyoshi quickly removes his pants, then boxers, he realizes Hana is no less embarrassed by the intimacy of the situation than he is, so he steels himself and tries to win the emotional battle. When Hana realizes what’s happening, she too steels herself, removing her leggings and shimapan and turning the tables. Considering all the messed-up stuff these two have been through—largely through no fault of their own—this is par for the course.

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Kiyoshi doesn’t give up, however, and manages to unlock the door that must be unlocked for the larger plan to succeed. Then she kicks him for being too close, and he catches a glimpse of her “precious area”, which he calls her “medusa”, and then “turns to stone.” Yikes, that’s a lot of double entendres!

Just when Hana is about to pee on him, they’re startled by the commotion when Meiko captures a girl outside the prison. Everyone is dejected that Chiyo has been caught until Shingo recongizes the voice of Anzu, selflessly serving as Chiyo’s decoy and getting captured for the good of the mission.

Kiyoshi gets another accidental peek, and when he explains himself with those entendres, including the use of the term “medusa”, he causes Hana to start bawling. Why did he give it a name? Why does the first person to see her have to be him? Why did it have to turn out this way?

Kiyoshi offers his apologies, and offers to let her hit him as much as she wants…and she does. But hitting him won’t make them even. Instead, in keeping with her eye-for-an-eye sense of justice, she takes from him something he’ll never get back: his first kiss with a girl.

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Almost delirious with the justice she’s doled out, Hana gets Kiyoshi to admit he likes Mari’s little sister, and for that reason, Hana is resolved to do everything to him he doesn’t want her to do, no matter how embarrassing it might be. So as Chiyo sneaks around outside, fighting for Kiyoshi’s sake, Hana continues to purposefully make out with him.

Even if Chiyo doesn’t catch them in the act (something Kiyoshi could probably explain anyway), Kiyoshi won’t forget this evening in the prison office. The thing is, neither will Hana. I can’t believe this encounter won’t stay with her, and that she feels absolutely nothing genuine from it.

Amidst all the totally weird and wrong interactions they’ve had, there’s also been a sliver of chemistry and mutual attraction…it’s just a matter of neither knowing what the heck to do with such things.

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Prison School – 10

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What is that I see in Vice President Shiraki’s eyes, as she files Mari’s nails and then half-heartedly agrees that the school will be better off without the boys? Could it be a tinge of fondness for the five lads; a reverse-Stockholm syndrome, if you will? I don’t know, but I suspect her feelings are conflicted, at the very least. After all, if the boys are gone, who will be left to punish? Girls?

The council would certainly have some punitive measures in place for the likes of Chiyo, if they knew she was sneaking messages to Kiyoshi in his meals. By the way, why haven’t the two of them been doing this all along?

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In any case, the message she gets back is not from someone with any hope left, but someone saying goodbye and take care. The boys’ spirits are all but broken, and Gakuto is downright nuts, even faking out his buds with an absurd idea of sneaking themselves out with the meals like Chiyo’s note, and ordering fried grasshoppers for his “last meal” (a last meal that, by the way, seems to me like Meiko’s idea).

Meanwhile, Mari makes sure her father understands how things are going to go down, and to be ready to affix his seal on the necessary paperwork when the time comes. While it can be easy to deride Mari for exerting so much power while, at the end of the day, being beholden to daddy, it’s also a thankless position considering her dad’s abject inability to avoid exposing her to his latin butt fetish. He even kept the “mousepad” (a tremendous prop) while forgetting that glass is reflective.

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I don’t know if it was the taste of the grasshoppers or what, but Gakuto suddenly comes out of his psychosis, to the point he doesn’t remember ordering grasshoppers and rejects the dish outright. And yet, Meiko not only took that ridiculous order without batting an eye, she personally caught and fried the grasshoppers especially for Gakuto. This just isn’t someone in a big hurry to get rid of the guys. She’s someone who takes great pride in taking care of them, even so close to the end.

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And then there’s Prison School’s wild card, Hana, haunted by the feeling she’s forgotten something very important and impactful; something “that can’t be undone.” It’s only when the conditions of her last encounter with Kiyoshi are replicated that a switch flips in her head, and like Meiko, she doesn’t want the guys gone, but for a very different reason (so she can kill Kiyoshi, then herself).

But not so fast—just as a backlit Mari is smugly looking down on the boys as Meiko marches them up to the chairman’s office, the chairman is on his way down those same steps. Kiyoshi gave Meiko an appeal to give to him, but she tore it up. So what then, happened?

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Simple: the “appeal” was planted knowing Meiko would probably trash it. And that very obvious appeal would distract her from the fact Kiyoshi wrote the real appeal on his withdrawal form. And not just any appeal: a personal message to the chairman than he knows about his “buried treasure” out beyond the school walls. Once the chairman is in the prison, Kiyoshi quickly dismisses the notion that he intends to blackmail him; it was only to get him in the room.

Before he can consider postponing their expulsion to give them time to collect evidence of council malfeasance, the chairman has a very frank question: whether they prefer boobs or butts. Kiyoshi remembers the material he saw him with, and quickly states butts. But that’s not enough: the chairman wants to know why Butts.

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He makes a small origami sphinx out of Kiyoshi’s appeal just as Gakuto likens his riddle to that of the sphinx, about what has varying numbers of legs at different times (and the answer to which is “man”). As Meiko is eavesdropping, Hana tries to attack, but realizing the threat to the council a stabbed inmate would represent, she quickly neutralizes the Hana threat.

When Kiyoshi spots two round shapes from the window, he thinks it’s a butt at first, but it’s actually Meiko’s bust, the sight of which provides the spark to a response that will satisfy the chairman (who won’t hear any patronizing George Mallory-esque “because it’s there” BS). Boobs, Kiyoshi muses, only came about when mankind started standing upright, and no longer had the butts of those in front of them in their faces. Boobs are only a “pale imitation” of butts; butts are the original, accept no subsitutes.

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The discussion transcends its inherent dumbness with the pure seriousness and gravitas of its presentation, like so many other situations in Prison School (never before has shitting oneself in a computer lab seemed so goddamn noble before). As Kiyoshi get more and more worked up; as his idea takes a life of its own; he almost seems to become an “ass man” before our eyes in spite of his previous preference for the top bits. Performance or no, it’s more than enough to convince the chairman to give them one more day.

This outrages Mari, but the chairman, perhaps empowered by what he just witnessed, kindly points out to his daughter that he’s the boss, and he’s decided to postpone the expulsion one more day, and if she has a problem, tough. Like Chiyo, Anzu, and Meiko, he’d rather the male students not go, and wants to believe they can find a way out of their predicament.

Hana, meanwhile, is now a loose cannon consumed with a desire for revenge, even at (or perhaps especially) at the cost of her own life. She could represent Mari’s nuclear option, or contrarily, Kiyoshi and the others’ salvation. But like the lads, I’ll take that tiny strand of light as a sign things could still work out.

But guys, seriously: there’s no wet t-shirt contest. Meiko was just teasing!

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Prison School – 09

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One nice little insidious part of Prison School I appreciate is that it’s not above exposing its high school characters’ ignorance. Neither Shingo nor Anzu knew what Grapes of Wrath was about, assuming it’s some B-movie about giant rampaging grapes or something.

This week no one but Gakuto knows who Sun Tzu is, and assume he’s some telecom guy. But he’s not: he’s a general whose strategic and tactical ouevre will aide the newly-united lads’ last-gasp effort to overturn their expulsion: they must use the mighty Vice President Shiraki Meiko’s strength against her.

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They attempt to do this by appealing to her confidence in her own strength and conditioning, and the arrogance that comes with it. Meiko doesn’t just have an open shirt, she’s an open book, and the countless times she’s demonstrated her strength, either through punishment or intense calisthenics, they know she won’t be able to resist proving naysayers wrong. So they loudly arm wrestle, one of them mentions her by name as being the strongest in the school, and another expresses doubt, because she’s a gurrrrrl. That’s all that’s needed to provoke Meiko.

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Gakuto goes up against her first, and from the prison physique he’s developed, we think he might have a chance, but nope, he goes down in a second. It’s up to the other four to keep her busy for at least ten minutes while Gakuto steals her keys, sneaks into the office, downloads file restoration software, and recovers incriminating DTO emails that will expose the council of sabotaging the boys. If they can publicize that material, they can sway the school, and more importantly the director, into cancelling their expulsion.

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But even with four guys, ten minutes is a lot to ask. Kiyoshi succumbs to her nip-slip far too quickly, Shingo is all talk, and the emaciated Joe gets flung across the room like a dry rubber band, which was one of if not the funniest sight gag of the episode. The only one left is Andre, who must hold up for upwards of seven minutes. 

And while he’s really big, and strong from to the need to lug his weight around all day every day, Meiko probably doesn’t need 100% of her strength to beat him quickly as well…were it not for something completely oblivious to Andre, but which drives Meiko absolutely cuckoo: a very long hair protruding from his nipple.

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This is when things get a little…weird. In a brilliant reversal, Meiko is the one utterly mesmerized by someone else’s nipples. So much so, she begins to daydream of a single tree swaying in the desert, first on a clear day, then during a tornado (when Andre’s breath whips the hair around further). It’s a distraction within the larger distraction of the arm wrestling contest: and it creates a stalemate that is only overcome when she realizes she should just close her eyes, and enough of her spit from yelling excites Tinyface to the point he can’t hold out any longer, and loses.

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It’s a good thing Andre cries out, too, because it gives Gakuto the signal that he’d better get back to the cell, which he does, just in time, holding keys he can innocently say dropped out of Meiko’s jacket while she was wrestling. She takes the keys and departs without suspecting a thing.

If only anything came of the whole enterprise! Yes, despite having time to download and install the restoration software, in the end Gakuto didn’t have any time left to locate the incriminating files, to say nothing of distributing them. His momentary freedom was hard won, and a series of small miracles in and of itself, but it wasn’t enough.

And so, the guys become consigned to their fate, having given it their all. Expulsion is all but certain now, unless they can come up with any other ideas. Sun Tzu didn’t work out, but maybe they can glean a fresh strategem from the telecommunications gentleman’s biography!

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Ore Monogatari!! – 07

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When two heavies in judo outfits confront Takeo while he’s on a pleasant stroll with his adorable GIRLFRIEND, I’m not concerned, because a.) two guys aren’t nearly enough against Takeo, and b.) they’re clearly there to ask him for help. Takeo says yes before he even finds out what they want: for him to join the team, replacing their injured captain.

Agreeing to commit to judo for a month is all well and good…but it will seriously eat into his Yamato time. Like a good boyfriend, he defers to her wishes. Like a good girlfriend, she tells him it’s fine by her. She’s legitimately glad he’s helping the team…not to mention she really wants to see him fight!

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The training is grueling—for the other judo team members, as Takeo tosses them about like ragdolls!—but that training is punctuated with texts of encouragement from Yamato, which he responds to with similar enthusiasm. It’s all very cute, especially when Yamato not only waits for Takeo outside his place with gourmet onigiri (“I can make other things!”), but confesses that she sneaked a look at his sparring—and loved every minute of it.

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There’s a slight chink in the mood when, after spotting a groper warning on a lamppost, Takeo brusquely tells Yamato she shouldn’t come by like this anymore. A chastened Yamato goes to Suna with a double shipment of scones, worried Takeo “doesn’t like her anymore”, but Suna sets her straight, assuring her it’s just another misunderstanding, and counseling her not to get so hung up on little things.

Yamato can hardly help it though, now that she knows what it’s like to be in love—mentioning the rush she gets from the bottom of her heart at the sight or thought of him. It’s a feeling she never wants to lose. She loves him so much, she creeps herself out, and even sees him in the stars, which would creep Suna out if a.) he wasn’t such an understanding and tolerant guy, and b.) he didn’t start seeing him in the stars too!

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Not that Takeo is any less crazy about Yamato. After a hard day of training, he just wants to hear her voice, so texts her and gets an immediate phone call from her. Suddenly on the spot, she starts by introducing herself and then improvising, but she gives him exactly what he wants: her voice.

On the day of the big match that will put Takeo’s school over their rival by one game in the historic series, Yamato (and Suna, for that matter) is hilariously dwarfed by all the huge bodies, but small as she is, her presence is crucial to Takeo’s success.

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When his old grade school buddy Tsuyoshi (who is about the same size as him, surprisingly) sees Yamato, he believes he’s already won, since Takeo has started “wasting his time” on romance. But he couldn’t be more wrong. Takeo may not know exactly what strength is, but Yamato’s presence increases his focus and his resolve to do his absolute best. He’s there first and foremost for her, not the judo team or glory. He wants to put in as much love and effort into his judo as she’s put into her cooking.

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After a spirited bout that excites everyone, not just Yamato, Takeo manages to throw Tsuyoshi down and win the match, putting his school over the top, 3-2. Afterwards, Takeo thanks a Yamato who is already close to passing out from excitement, taking her hands into his and making it plain that he won because she was there cheering for him.

Then the two of them and Suna drop some acid and look up at the sky and spot more constellations…of themselves! And Suna! And a macaron! (Seriously, Yamato would do well on Food Wars…) Takeo was crazy strong before he met Yamato, but now that she’s in his heart, and he in hers, he’s become even stronger. And I’ll tellya what else is crazy strong: this frikkin’ show.

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Witch Craft Works – 04

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Takamiya Honoka’s innate magical power is so great that when he’s in Kagari’s proximity, she’s virtually invincible. This begs the question: why hadn’t Honoka ever been attacked while Kagari wasn’t around? They’re close, but they’re hardly inseparable. This episode answers that question, both for us and the Tanpopo-led Tower Witches who make another ill-fated attempt to attack Honoka: someone else is protecting him. Namely, his little sister Kasumi (a very sharp, indignant performance by Kayano Ai).

In hindsight, we should’ve known Kasumi would step out of the shadows and margins of the frame and have a bigger presence, but we didn’t think it would be this fast or this big. Frankly, we liked the idea of keeping her in stealth-stalker mode for a few more episodes, but the whole reason she was doing that turns out to be because Kagari was stepping on her toes by hanging out with Honoka on a weekend. Kasumi is a jealous, possessive imouto who is resolved to protect her brother, who while slightly taller is far weaker in the magical tactics department.

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Faced with the intolerable prospect of more of her precious time with her beloved brother being sapped away by the Princess, Kasumi takes action, subjecting Honoka to a tense bathroom interrogation, then (successfully) guilt-tripping him by mentioning she’s being picked on by the masses at school upset with his closeness to said Princess. But when Tanpopo’s crew distract Kagari, it’s up to Kasumi to save Honoka, arriving atop a gargantuan stuffed bear. Tanpopo counters with a giant rabbit, and a huge, silly fight ensues, resulting in much destruction of property, but ultimately not as fun as last week’s broom ride.

Yet again, the baddies look like hapless fools, with two exceptions: Chronoire, low on mana after her first encounter with the “King and Queen”, smartly uses Tanpopo’s crew as pawns to keep the pressure on, and later collects all 30-odd Tower witches in town for a powwow. All the while, Tanpopo’s crew’s boss, Medusa, has escaped from SuperMax confinement, meaning we could soon see an “if you want something done right, do it yourself” scenario. Still, after their impressive displays of power and collective devotion to Honoka, we don’t expect Kagari or Kasumi to shrink in the face of whatever evil threats are converging.

7_very_goodRating:7 (Very Good)