The structure of the Irodoku finale is simple: Everyone says their goodbyes before Hitomi heads off back to her proper time. Shou (“I loved…your photos”), Chigusa (“Uhh…Smile more, I guess?”), Kurumi (“Don’t make me cry!”), Asagi (“I don’t care, I’m crying!”), and Kohaku (“See you in 60 years!”) each get their turn as the star sand matures, but when it’s time for Yuito, both he and Hitomi hesitate to say everything the want to say, despite the fact this may be the last time they see each other.
Turns out Hitomi, or rather Hitomi’s unconscious magic, isn’t going to be satisfied with their sedate, half-assed goodbyes. The magical device starts to malfunction, and Hitomi is swallowed up into another full-dive illusion. Only Yuito jumps into the stream and ends up in the same place. He rushes about looking and finally finds her, devoid of color, and they embrace.
They thank each other for having such profound effects on each other’s lives before confessing their love to each other, saying all the things left unsaid before. Yuito was all but done drawing before she showed up, and Hitomi couldn’t see colors. Both had shut themselves into dark, gray corners, but now the walls of those corners have shattered and given way to brilliant colors.
But as I predicted, love is the answer here. Saying she loves Yuito and hearing that he loves her back is enough to restore color to her world; this time, permanently. In the moments before she’s sent back to the future, she can see everyone and the town in color for the first time.
Kohaku privately remarks that it wasn’t her time magic that sent Hitomi back; it was Hitomi’s own unconscious magic simply wearing off. Shortly after Hitomi disappears, Kohaku gets a text from “Kohaku Level 77” in the year 2078: Hitomi has returned safe and sound.
Her life-changing journey thus at an end, Hitomi finds herself on the same hill where she left her granny, and they embrace tearfully. Kohaku (she insists Hitomi call her that rather than “Granny” since they became such good friends in the past) then presents Hitomi with a time capsule containing all the photos they took together.
It was probably already there, buried in the yard, before Hitomi left; Kohaku always knew she’d become a great enough mage to send Hitomi back. She’s just glad her action led to Hitomi finding happiness. Finally, she shows Kohaku the children’s book she read as a child—the only thing she saw in color. Turns out, it was written by Aoi Yuito.
After leaving flowers at her mother’s grave, Hitomi, brimming with the confidence her time in the past awakened, reconnects with her friends with school and starts an all-new Magic Photography Arts Club. As for where the 70ish-year-old Yuito and the others are…the show does not disclose that, nor does Hitomi seem in a hurry to seek them out.
That seems strange, since one would’ve thought Kohaku would have kept in touch with one if not all of them, and one would think that due to advances in technology people would live longer than they do in 2018. Alas, this finale wasn’t about Hitomi reconnecting with her friends from the past (other than Kohaku), nor her rather uninspiring romance with Yuito.
It was about Hitomi leaving that dark corner where she shut herself off, embracing all of the new colors in her world, and resuming her life in her time. She got what she needed in the past. Now it’s time to build a new happy future for herself.—MagicalChurlSukui