Chio-chan no Tsuugakuro – 05 – When You Gotta Go…

Both of the two stories that unfold in this week’s episode are focused, polished, and consistently hilarious. Chio faces a dilemma we’ve all faced: having to pee really bad. She fortunately finds a bathroom, but doesn’t realize until after she’s gone in and relieved herself that she went in the Men’s bathroom, near a busy bus stop to boot.

As we’ve learned, Chio is far more proactive, resourceful, and athletic than a below-average high school girl would be, but that’s what makes her so imminently watchable. We’re there with her as she susses out the best way to escape, finally making use of “mysterious bright-colored balls” that one would never find in the ladies’ room (because they’re for urinals).

One of those balls excites the nearby cat, who starts playing with it in the street. Two girls in miniskirts lean over to watch the cat, and two older men lean over to watch the two girls in miniskirts, giving Chio the opening she needs. It’s a brilliant tactic that almost goes terribly wrong when Chio’s momentarily stuck in the window, but manages to get out.

She even explains away her sudden and surprising appearance to the two men and girls by pretending the cat is her pet “George”, who clearly has no idea who she is and runs off again, allowing her to follow and extricate herself from the situation as everyone shrugs it off as a girl really liking cats…which a lot of people do!

The next episode begins from the perspective of Shinozuka Momo, member of the Disciplinary Committee and deep admirer of its faculty advisor Gotou-sensei. In an effort to be “useful” to him, she takes it upon herself to discover what student(s) from their distinguished academy have been chronically misbehaving in the vicinity of the campus.

This leads to her tailing Chio and Manana, who at first appear to be carrying themselves with “calm and grace”…until Chio pulls a long root out of a flower bed and whips Manana in the bum, setting off a good old-fashioned plant duel. The mortified Momo continues shadowing the two girls, and watches as Chio climbs a wall to see if she can beat Manana up a hill.

She can’t, and Manana rubs it in by denying Chio water, instigating another grappling match. Momo can’t hold her tongue anymore, and orders the two girls to stop hanging out, as they’re terrible influences on each other, going on to describe “true friends.” That leads Manana to correctly assert that Momo…has no friends. Poor Momo!

They make a deal where if they can prove their friends, Momo won’t record or report what she’s seen today. And boy, do they ever prove it, performing a thoroughly embarrassing (and long un-practiced) dance of friendship they devised back in grade school. It moves Momo to unironic tears, and the girls get off scot-free.

In fact, Momo asks them for advice on how to get closer to someone they immediately infer to be Gotou-sensei. As we know, Manana isn’t the person to ask about such things as she has no relationship experienced, but Momo doesn’t know that! As a result, next time she’s with Gotou, Momo acts mysterious and attempts to keep her blondie rival in check…with mixed results. That closes the book on a pair of very strong stories.

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Aho Girl – 04

Beneath the twin tails and great skin of Hanabatake Yoshiko lurks an eldritch abomination of idiocy, and woe betide the poor doomed souls all who enter her orbit, for they are irrevocably corrupted (except for A-kun, who merely has to endure her).

Among the condemned is Nozomi, whom the boys try in vain to keep from Yoshiko’s dumb clutches at a department store hero show. While horrendously idiotic, Yoshiko can appear or sound cool in isolated moments, so Nozomi’s descent continues.

Yoshiko’s corrosive idiocy also rubs off on a teacher at school who is simply trying to get her to understand the fundamentals of reading comprehension. But because, like all female educators in anime, their teacher is 28 and single, Yoshiko instinctively pulls on that thread of shame and loneliness, until by the end the teacher doubts everything she’s ever known…and begs A-kun of all people to “teach her about love.”

On the eve of A-kun’s birthday, Yoshiko plans to sneak into his room in the night to “find out what he wants.” She drags an unwilling Sayaka along, and the Fuuki Iinchou accompanies them because she wants a picture of A-kun sleeping.

The resulting antics between Yoshiko and Iinchou result in an ornery Ruri getting knocked out by an errant blow by Iinchou meant for Yoshiko, and everyone gets in trouble…not with A-kun, but with Sayaka, who wonder what the heck everyone is thinking.

There’s also a brief thread in which Kurosaki (Bleach reference?) repeatedly describes himself as one of “Sis’s soldiers”, before eventually becoming A-kun’s “tool”/”dog”…when all he wanted to be was his friend. The connecting thread with all of these stories? No good can come of associating with the likes of Yoshiko.

Aho Girl – 03

It’s a jam-packed Aho Girl with another not one or two or three but four separate stories, starting with a different opening in which the Disciplinary Committee President (DCP) slowly pans into the shot from the right leering at A-kun, until Yoshiko slowly pans in from the left.

From there, Yoshiko’s mom meets Sayaka, and is immediately suspicious she’ll steal A-kun from her daughter (and by extension, her). Thus she uses two pairs of handcuffs (she normally uses on her husband) and tries to get Sayaka to show them her panties, which will determine what kind of girl she is.

When A-kun threatens violence on Yoshiko and her mom, Sayaka surrenders, and when she finally reveals her panties to the women, they’re so white and pure Mom tells A-kun he’s free to be friends with her: she’s no threat.

Part Deux is another “kids in the playground” segment, with Yoshiko wanting to play and the kids preferring if she just studies, since she needs to get a job at some point. I will never tire of their mature, pragmatic banter.

Then a big white dog shows up—a huge white dog—and Yoshiko protects the little ‘uns…by attempting to ride him. There’s a poetry to her being dragged across the dirt telling the jaded kids to “hold fast to their dreams” as she holds fast to the dog, eventually ending up holding him in the air with her legs.

It’s a stray dog, so naturally Yoshiko intends to keep him, so she can keep riding him, and to the kids’ surprise, she seems to have trained him. The girl even calls Yoshiko “kinda amazing”, which immediately concerns her friends.

Following the dog rodeo, Yoshiko suddenly sounds a lot more bright and sophisticated when talking about her one true love of bananas. Her interest piqued by a bold upstart domestic banana farmer, Satou-san, and the taste is so good she bowls’ over backwards, revealing her panties once more.

The sophistocation quickly fades away when she proposes to run to Satou’s farm to meet him, and Sayaka must tag along…to the tune of 100km. Stopping to buy a drink, Sayaka very unwisely sends Yoshiko into a store that sells far more than just drinks, and the phrase “a fool and her money are soon parted” is elegantly yet devastatingly illustrated. The ugly, dull, expensive, yet not not adorable town mascots of “Middle of Nowhere” were a nice touch.

They finally reach the farm, and Yoshiko draws Satou into a perhaps not appropriate hug for an old man who is a complete stranger. Still, Yoshiko seems convinced she knows the man’s soul intimately after tasting his exquisite banana (that sounds wrong but it’s factually accurate). Then it’s up to Sayaka to get on all fours and beg for train fare home. I can’t blame her for not wanting to sprint another 100km home.

In Numero Quatro things get a little frisky and a little dark, as Yoshiko, seeing A-kun is down from not scoring a full 100 on any of his tests (say what you will about her, she’s good at nice round zeros), and decides to cheer him up…the same way her mom cheers her dad up some nights. Oh dear…

Yoshiko is truly an idiot, but she pays attention when she wants to, and was clearly taking very precise visual notes, judging from the attention to detail in which she handcuffs A-kun, talks to him like he’s a baby with an insufferably cutesy tone while stripping. A-kun is not, for a single moment, turned on by the display, and indeed, looks like he’d rather be anywhere else in the world. I’m sure Yoshiko’s mom would be sad to see him that way!

His sister, on the other hand, manages to walk in just after he’d gotten on his feet and delivered a tremendous knock-out drop kick to Yoshiko, and in the very moment he’s lifting her skirt with his teeth to fetch the key from her panties. Poor Ruri! On the one hand, she shouldn’t have to see that. On the other, well…Yoshiko really shouldn’t have to ever see her parents’ foreplay.

Aho Girl – 02

This week Aho Girl continued to deliver strong comedy bang for the buck, relying on a single, central premise (Yoshiko is an idiot) but applying that idiocy in a diverse array of unexpected ways.

First Yoshiko wanders off and plays with children, who think she’s cool until A-kun arrives to burst their bubble. It’s an act where Yoshiko exhibits her rare glimmers of brilliance (both in building a boss sand castle and lamenting that the kids’ hopes were already “lost and broken by modern society”, her failed swing attack makes deft use of both slapstick and observational comedy.

In another little dig at modern society, Yoshiko gradually convinces a rough-looking delinquent to stop pawing Sayaka and play with her, a “fellow idiot” instead, believing she sees him for what he really is: a sensitive, misunderstood young man just trying to make it in the world.

Turns out A-kun’s sister Ruri is also capable of scoring zeros on tests, but not for lack of studying, for which his high-scoring brother can’t hide his shame, and leads Ruri to tell him she hates him and latch onto Sayaka instead, who worries about the girl’s future.

Finally, A-kun has an admirer, and it’s the disciplinary committee president, who despite her button-down, strict manner, is concealing all manner of lewd and lascivious thoughts, especially when A-kun invites her (quite innocently) to search him (for contraband), which she takes to mean violate her regulations. She ends up banging her head on a locker trying to jump him, but promises “it isn’t over”.

Majimoji Rurumo – 09

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As little side stories in the main narrative between Rurumo and Kouta, the show delved into the worlds of side characters: namely, Sumiko, Harulily, and this week, Shimomura Masako of the Disciplinary Committee. A less precise comedy would have mocked Masako’s secret passion for otaku, but MMR treats it earnestly, as Masako is not only passionate, but hardworking and driven. When she speaks loftily of the joy of completing a costume and striking a pose, its a sense of accomplishment any creative person can relate to.

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When her otakuness is first revealed in an earlier episode, it seems mostly there for gags, as cosplay is a part of Japanese culture in which real witches would be mistaken for fellow members. And indeed, Masako has no idea Rurumo’s an real witch. But it isn’t because she doesn’t believe her, it’s that she assumes anything Rurumo says on such topics is merely roleplay. And because she admires Rurumo’s “devotion” to “full-time cosplay”, it’s not something she’d ever question.

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In that same vein, Rurumo simply isn’t the person who’d think there’d be anything wrong about telling her peers about Masako’s passion, even though Masako treats it as yet another betrayal by a friend who was too good to be true. Rurumo sets her straight, but not consciously, simply by continuing to be a decent person who likes Masako and admires the work she does and the infectious enthusiasm she radiates. Thus a new friendship is borne. I’ll also note, the Sone Miku OP leading into a montage that ends with the song on the radio…that was a really slick sequence.

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The first half of the episode built up a lot of goodwill, so the second half, devoted to boobs and bras, went down a little easier. But full of boobs and bras it may be, the segment still stays true to its characters. When the strap of Ruru’s 170 year old “chestpiece” snaps, she has to go braless, and her well-documented bashfulness kicks in when she’s near Kouta. But because we know Kouta’s a stand-up guy when the chips are down, he reads her strange behavior as a sign something’s wrong, and only wants to help.

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Rurumo may be slow to learn things, but she’s no slouch when it comes to utilizing available resources—or at least crashing into them. Rurumo asks Masako to make her a bra, and Masako admits it’s not really her specialty, but she talks to a few people on the subject and they talk to other people and all of a sudden seemingly every girl in school is on the case, which of course makes her even more self-conscious. When Rurumo shows everyone what she’s looking for, they show her theirs, indicating there’s another, better, more personal way to keep the twins at bay, big or small.

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MMR lays the oppai on thick, but the discussion is all very practical and realistic, and even leads to a rift between the amply bestowed and the…ahem…less amply bestowed. They all go shopping with Rurumo, escorted by the buxom Officer Ruri, and Kouta tags along, but not because he’s being a perv, but because he’s still worried Rurumo isn’t well (Considering she recently marathoned three days’ worth of anime sans sleep, it isn’t a ridiculous notion!). So even when she dons her frilly new pink bra under her clothes, Kouta reacts not with arousal, but relief she “recovered” from her unspecified malady.

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Majimoji Rurumo – 04

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Just as I was complimenting MMR’s compact cast, this episode introduces three new characters, the girls of the disciplinary committee. It’s not as bad as all that, though; two of the three are little more than background, while the third, Inoue Sumiko, turns out to be a lot more interesting than the cliched imperious school busybody constantly adjusting her glasses.

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Don’t get me wrong: she is bossy and domineering, at school at least (though I didn’t notice an excessive amount of glasses-straightening); quite possibly to the point of overstepping her official bounds with regards to confiscating and destroying contraband ero literature, of which Kouta is known school-wide as a prolific wheeler and dealer. But here’s the thing: she’s not being a heel simply for being a heel’s sake—this is personal for her.

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Drawn far more straight, sturdy, and angular than the girls regarded as “hotties” in previous episodes, it’s made clear by several trips into Sumiko’s head that she harbors a deep resentment towards her peers, who never regarded her as a girl. None of the boys would even flip her skirt—once a source of pride, now fuel for her high school angst. But there was one boy who did flip her skirt, and isn’t shy about regarding her for being her: and that boy was Kouta.

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That’s right: in school they’re arch-nemeses, but in the real world their mothers are friends. They go way back. It would seem they live close by. If their families were more traditional, they may even have been betrothed to be wed by now. It occurs that were Rurumo not in Kouta’s picture, Sumiko would be the primary female interest in his life. Kouta’s tawdry rep precludes them appearing to get along in school, but they seem to get along just fine on the outside.

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By “getting along” I mean Kouta can earnestly compliment Sumiko’s cute clothes when she delivers cake to his house; she can put on Rurumo’s pair of “Glasses of Misfortune” and cling to him when rats appear (it was frogs for Rurumo), and then he can chase her down the street during which she gets drenched by various water sources. She may call him a pervert, but he’s her pervert. As for Sumiko herself, she was a pleasant surprise.

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Stray Observations:

  • Rurumo got the short shrift this week…and was almost done in by frogs!
  • Chiro can transform into a human girl. Not sure why, but it was the first time in 25 years that she did it, and she did seem to revel in it. Could come in handy later.
  • Again Kouta uses his magic selflessly…or at least semi-selflessly, as he can’t bear to have to report back to his buds that all of their accumulated treasures were cast into the incinerator.
  • I kinda want Kouta to ask Sumiko out (or vice versa).

Mahouka Koukou no Rettousei – 06

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Now this is more like it! If last week was slow and talky, even by Mahouka standards, the payoff it set the stage for here made it mostly worth it. Yes, this show still veers more towards “tell” than “show”, but the we got a lot more “show” this week that made the “tell” more palatable, as Tatsuya, Miyuki, Erika, and Leo work as a team to fight off the terrorists, infiltrate the library, and utterly foil their plot.

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About that plot: Mibu joined the cause and agreed to assist in it because she thought they were making a stand against magic discrimination. But in the end, she was merely being used by Blanche, which only wanted the magical secrets the library contained. Even her personal sense of long-suffering oppression was a delusion based on a misunderstanding: she believed Watanabe had snubbed her, but refusing to spar with her was meant as a compliment to her sword skills.

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This episode gave everyone in the core group something to do (except Mizuki), showing off their unique skills while they’re at it, and proving that Tatsuya isn’t the only one by far getting a short shrift because of their Course 2 status. Miyuki uses her magic for something other than punishing her brother for once, and Erika has a nice heated swordfight with Mibu. Mibu’s good—good enough to make Erika “play for keeps”—but she’s not good enough for that form of Erika, a “daughter of Shiba”.

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With Mibu on the mend in the infirmary and the misunderstanding with Watanabe cleared up, there’s nothing left but for Mibu to have a good cry in Tatsuya’s arms. She knows she was wrong, owns up to it, and is encouraged to move forward, knowing know she was always her own worst enemy. But that’s not all we get: Tatsuya proposes a counterattack against Blanche. Miyuki, Erika, and Leo are going with, along with Juumonji and Kirihara. It’s a strong-looking group, and I look forward to watching them in action once again.

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Mahouka Koukou no Rettousei – 05

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I may be a bit buzzed from a rehearsal dinner earlier this evening, but damn, that was one talky episode! I know this series runs 26 episodes, but I feel like episodes like this aren’t the best way of going about setting up conflicts.

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Mibu’s anti-discrimination faction finally makes their move, and Tatsuya’s relationship with Mibu pays dividends, as negotiations supersede violence, but the forum itself is a snooze-fest, with President Saegusa doing the lion’s share of the debating. There’s a lot of talking about stuff and not much of anything else.

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Even Hana-Kana can’t do much with the material she’s given, and all of the characters fall victim to the plot—a Course 2 uprising aided by Blanche and its associated groups. The school erupts into chaos quite suddenly, but we’re too bored by all the discussion to be that affected by it.

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I’m frankly rearing for some action after all this blabbing, something this episode frankly didn’t provide. I’m not saying every episode has to be a full-scale magic battle, but throw me a bone here. With the Shiba siblings headed towards the action, it looks like the next episode might wet my whistle.

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Mahouka Koukou no Rettousei – 04

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Tatsuya’s actions in the Kendo Club fracas have already earned him a reputation within the school, and when he meets with Mibu Sayaka, rumors swirl about the two. But Tatsuya is far more interested in other rumors, such as those surrounding an element at Magic High being influenced by Blanche, an anti-magic terrorist organization.

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When Mibu clarifies that she wants him to join the coalition of anti-magic clubs being organized, it’s as if he’s being courted by the other side. While Tatsuya himself is a victim of the systemic discrimination that led to the the Blooms and Weeds (which not doubt mirrors a similar rift in society outside school), he remains noncommittal, but will be watching Mibu’s actions closely…as others seem to be observing him (that doctor’s visit was pretty foreboding).

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Tatsuya’s immersal into all this thick political soup started with his breaking up of the Kendo club brawl without the use of magic, or at least a type of magic generally used. This has been a pretty talky show from the start, but aside from one brief scene of a failed accosting, Tatsuya essentially walks from room to room having discussions the whole episode.

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As a result, the episode on the whole, while attempting to build up intrigue, comes off as a bit of a chore: divulging all this info is necessary for later payoffs, but nothing particularly interesting happened here. During some of these scenes Miyuki demonstrates her fierce loyalty to and affection for her brother, as well as her intense jealousy at the mere mention of him getting friendly with another female, which sets off her “Ice Mode.”

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Mahouka Koukou no Rettousei – 03

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After being swiftly, decisively taken down a couple of pegs by the first-year Course 2 student, all Hattori can do is apologize to Miyuki and walk out quietly, but not before remarking that the tests that determine who’s a bloom and who’s a weed don’t relfect Tatsuya’s skills. In fact, those tests have a tremendous blind spot, where Tatsuya lives and thrives.

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The analysis of the fight between the witnesses assembled got into fairly technical territory, but everyone was impressed enough—and the terms were intuitive enough—to conclude that Tatsuya uses magic like no one else they’ve seen, combining it with Kokonoe’s intensive ninjutsu training. As everyone marvels at the ingenuity and resourcefulness, Miyuki merely smiles with pride; she already knows what he’s capable of. (Later, she can’t help but show herself off to Tatsuya, and his auto-heal gambit is a neat twist on the Jealous-Sis Attack.)

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After this week, the rest of the school will know too, very soon. Watanabe admits she’s grown weary of the rift between blooms and weeds (and the terms themselves), and sees Tatsuya not possessing the ideal skillset and disposition valuable disciplinary officer, but as a living, breathing, ass-kicking symbol of the fallacy of the current status quo. She puts him to work immediately, patrolling the maelstrom that is club recruitment week.

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Tatsuya takes to his new duties like a duck to water, wasting no time swooping in to save Erika from a grabby mob. She inadvertantly rewards him with a peek at her cleavage, but forgives him when he accompanies her to the kendo club. She decries the sport as dull and staged; he posits that they can’t be anything else since true martial arts battles consist of two people killing each other.

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And that right there is Tatsuya in a nutshell. The blooms perform flashy “exhibitions geared for publicity” that dazzle bystanders and earn them top marks, fancy badges, and the superiority kick that comes with them. Meanwhile, Tatsuya quietly, calmly works in the shadows, assessing; not showing anyone his hand until it’s too late for them, as it is for the kendo members who try to impede Tatsuya’s duties.

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Mahouka Koukou no Rettousei – 02

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Vice President Hattori is neither grateful nor impressed with Tatsuya’s neat little bit of diplomacy, but Tatsuya earned the gratitude of two other Blooms, as well as the attention of Disciplinary Committee Chairman Watanabe Mari. By the end of this episode, both the positive and negative ramifications would play in his favor.

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When President Saegusa Mayumi offers Miyuki a spot on the student council, its another opportunity for Miyuki to demonstrate her fierce and unwavering loyalty to her brother by begging them to somehow bring him aboard too. But they can’t, because he’s a Course 2 student. That’s when Mari comes in, offering him a position on the disciplinary committee. When he hears of this, Hattori bristles, believing a lowly weed would be in over his head.

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One thing I’m enjoying about how consistently the characters’ traits are portrayed; whether it’s Tatsuya’s calmness, Miyuki’s loyalty, Saegusa’s amity, Mari’s open-mindedness…or Hattori’s haughty assholishness. He’s the kind of snobbish creep you love to hate, and while he’s outnumbered this week, he still brings the hate strong and fast, spitting on weeds like Course 2 and glibly accusing Miyuki of nepotism.

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Miyuki knows aspects of her bro neither we nor Hattori know, that the established practical tests couldn’t detect (hence his low scores), and which Mari caught a tantalizing glimpse of. So if Miyuki says he’ll win against anyone, she may well be speaking the truth, unclouded by affection. This is confirmed when Hattori is soundly beaten in a simulated battle.

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Hattori may be a powerful magician capable of acing the same practical tests where Tatsuya struggled, but in an actual fight, he put himself at a disadvantage by assuming Tatsuya would simply go down exactly as he envisioned in his head, ignorant to his skills. Now Tatsuya will be the first weed with the power to discipline blooms. The times are changing, but I don’t see Hattori and his ilk blithely falling in line.

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Kill la Kill – 09

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Kiryuin appoints Gamagoori Ira as Ryuuko’s first opponent, due to him having defeated the least cannon fodder out of the Elite Four. Her scissor can’t penetrate the cloth armor protecting the life fiber within, so when he launches his regalia, she and Senketsu bite into his whips with his teeth, and get thrust inside his uniform. Senketsu transforms into “Senjin” mode, becoming covered in blades that tear Gamagoori’s uniform to shreds.

The first of Ryuuko’s battles with the Elite Four committee chairs was immensly fun to watch. It was well-established last week that Gamagoori wasn’t going to be a cakewalk, a notion reinforced by his flashback battle with the adorable Lil’ Kiryuin, in which he managed to snatch the scabbard of her sword to prevent himself from kneeling before her. Last week we saw what he was capable of tactically; this week we find out why he does it: his self-punishes as an example to the student body to correct their own behavior of their own accord. When Ryuuko refuses to do the same, he revokes her independence and threatens to mold her into a model student. Mold literally, like taiyaki, which is hilarious. We also like how the battle was initially delayed, another example of Gamagoori’s devotion to protocol.

But both the intensity of Gamagoori’s resolve and his dogged desire to impress his mistress form another shield: one of arrogance. He’s too busy getting the job done (and punishing himself) to realize Ryuuko and Senketsu have a plan; they adjust their tactics to the mechanics of this particular battle (she also ate Mako’s mom’s bento, ensuring victory!) Senketsu’s new look is even more ridiculous and extreme in keeping with the show’s escalatory nature. No doubt other transformations will reveal themselves as Ryuuko faces the other three. But we’re wondering why Mikisugi won’t tell her anything, doesn’t want her to fight the elite four, and isn’t “happy about it” when she beats Gamagoori. Will the truth implicate him in some way, or otherwise make Ryuuko even more angry and unsatisfied?

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Rating: 8 
(Great)

 

Kill la Kill – 08

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Satsuki holds the first “Naturals Election”, challenging all students to fight one another for their status. During the week of fighting, Ryuuko and Mako take a scooter to Ryuuko’s family home for clues, but find none. On the way home they run out of gas, but Gamagoori Ira offers them lift. The combined Automotive/Airsoft clubs ambushes Gamagoori, and Ryuuko and Mako watch as he employs his goku uniform’s “Shackle” and “Scourge Regalia” to defeat them. Back at school, the runoffs begin, culminating in a king of the hill-style final battle in which each of the elite four will fight Ryuuko, starting with Gamagoori.

As good as last week was, and while it developed Ryuuko and Mako’s friendship, it didn’t really progress Ryuuko’s central quest for answers regarding her father and Senketsu. It’s nice to see the Mankanshoku’s still recalling last week’s trials and being content not to participate in the fray. Ryuuko doesn’t have that luxury, however, as the only way she’ll get the answers she seeks is by beating the shit out of a lot of people. Satsuki used her and Mako to reveal the weaknesses in Honnouji’s power structure, and for that she’s repaying Ryuuko in a way by offering those answers. All Satsuki has to do is get through the Elite Four. Piece of cake, right?

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Well, no. As we found out from the Sanageyama Uzu-centric episode, they are very tough customers indeed, and all of them grew stronger and more confident after meeting with Satsuki, as we see in more flashbacks. Satsuki makes the distinction between letting her powerful connections take care of things for her, or taking hold of that power herself and using it without holding back. And indeed, the former leaders of her junior high school were definitely the former. Depending only on others and not oneself is a weakness Satsuki has overcome.

We like how the bad guys on this show aren’t the bad guys 24/7, as demonstrated by Gamagoori helping out Ryuuko and Mako, and keeping them out of his fight against the Automotive Airsoft Club. It’s his duty to help fellow students in need—even those who openly oppose his beloved Satsuki—and it’s pointless to fight before it actually counts for something anyway. And the runoff election battle will certainly count. Ryuuko’s next four opponents have been lined up, and we know they’re no slouches. We look forward to the impending battles.

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Rating: 8 
(Great)

Stray Observations:

  • We learned quite a bit about Gamagoori this week: 
  • he’s 20, having held himself back to be with Satsuki; 
  • he has excellent taste in cars (that car is reminiscent of a ’59 Cadillac Eldorado Biarritz);
  • his goku uniform has two stages of transformation, meaning any battle with him will have two stages;
  • he’s a masochist who gets off on physical punishment;
  • his parents are neither owners of a company nor high-ranking police officials.
  • She may be the villanous, but Satsuki’s swift takedown of the haughty kids whose parents were in those positions is pretty damn satisfying. And she did that in the sixth grade!
  • We also learn that while Ryuuko came from money, she spent most of her childhood in boarding schools picking fights and becoming a delinquent.