Subete ga F ni Naru: The Perfect Insider – 10

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Last week came as close as Subete ga F ever got to being a 9, but this, its penultimate episode, finally breaks the threshold. It’s a great episode, make no mistake, but it wouldn’t have been possible without all of the careful preparations laid out by the previous nine. In the parlance of Sakurako-san, this episode is the product of “good bones”.

It begins with Saikawa communicating with someone he claims is The Doctor Magata Shiki, who invites him to “meet” her in the sensory deprivation chamber, which seems to be more than that, since it’s “hooked up” to the lab’s system in some way. Moe tags along, but notably, the environment she perceives is very different from Saikawa’s.

Where she sees a standard interrogation room—she wants answers from whoever or whatever this is, and justice; she is her police uncle’s niece to the core—Saikawa sees a idyllic beach cabana, complete with wicker armchairs and fancy cocktails. For him, then, this isn’t the harsh grilling of a suspect, but a casual and stimulating conversation with a very unique individual whose intellect he admires at least as much as Moe admires his.

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Because “the game is over” now, Shiki is willing to answer whatever questions come her way, but would obviously prefer if Saikawa figured them out for himself; again, just as Saikawa prefers not to give Moe the answers. Saikawa finally determines what “Everything Becomes F” pertains to: in the hexadecimal code of Red Magic, “FFFF” is the highest number possible: 15 to the fourth power, minus one. This was the timer Shiki built into the system that allowed her crimes to take place.

And I say her crimes, because Saikawa is fully confident this isn’t Shiki’s daughter, though that’s who became her public face once she was old enough; and the face Moe saw in her interview. Instead, it was Shiki who killed her daughter, de-limbed her, then escaped (made possible when “everything became F”), went to the roof, and killed her uncle and lover, Shindo.

Why did she kill her daughter? She says she wanted to be “free”, as in completely bereft of all worldly or material considerations. The freest free there can possibly be (at least by human perception) is death; the release of whatever it is inside us from its vessel, or our bodies. The plan may have gone the other way, but when Moe asked her “Who are you” it caused her daughter to hesitate.

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“Becoming free” was also something Moe considered in her darkest hour, but she didn’t go through with that, because, for one thing, she had Saikawa with her. Shiki’s daughter had only a choice: be the seed that thrives as the flower that bore her wilts, or die so that the flower can live on.

Saikawa is in awe of her whole plan, along with the place she “takes him” next. After revealing to Moe that the real Shiki is likely communicating with them from some remote terminal, Moe is kicked out of the fantasy, and it’s just Saikawa and Shiki on a sandbar, then in a clear, deep blue sea.

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A part of Saikawa clearly feels kinship to Shiki in her “disinterest in the material world”, and wants to stay in that peaceful void with her forever. Shiki seems flattered, and impressed with how far he’s been able to figure out, but she eventually takes her leave of him, though promises she’ll “come to him” one day.

With that, Saikawa awakens to a worried, then relieved Moe. The autopsy of the body shows no signs of pregnancy, confirming the daughter was murdered.  Saikawa then asks Setsuko to describe the people she saw board the boat off the island. Looking back at episode 9, sure enough, a woman in a purple dress, Miki, was among those embarking. Only Saikawa now knows that Miki wasn’t Miki; “Magata Miki” never existed.

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Returning to the room where he conversed with her in English (as Preston said back then, and I agreed: the content of their talk was wonderful, it was the bad English that really hurt the scene), Saikawa finds a note from “Miki” drawn on the painting with lipstick: “See you soon — Dr. Saikawa.”  As we’d suspected, Miki was really Shiki with a haircut, and the fiction that her isolation had halted her growth and aging was perpetuated by using her daughter as a decoy.

All Saikawa can do is step back and admire Shiki’s genius, as we watch how it all went down: how Miki arrived on the rooftop, how Shindo received her lovingly and knew exactly why she was there; and how they shared one last kiss before she drove the knife into his neck. Then she hopped onto the next boat off the island and disappeared, only to resurface at a time and place of her own choosing. As Saikawa says, nobody ever had a chance against her.

When everything became F, she had the perfect insider.

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Subete ga F ni Naru: The Perfect Insider – 09

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This is Hannah filling in for the Magical Churl, Preston.

This week Magata Labs opens up; not only do the police arrive, but so does Moe’s rival in love, Gidou Setsuko, whom we hadn’t seen since the pilot. Not only does she make fast friends with Shimada (though later denies it as they get drunk together), but she also wastes no time effortlessly pushing Moe’s buttons by describing how Sohei uses her place “like a hotel.” Moe, a brilliant but very emotional young woman, finally purges the thought her man actually did as Gidou claimed.

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With the police there, and unwilling to maintain the fiction that Magata isn’t alive for a week, the time to solve the locked room murder mystery grows short. After looking at the video files and the code that recorded and compressed them, Saikawa has a pretty good idea what happened, and encourages Moe to deduce it for herself rather than telling her.

She comes up with the theory that Magata Shiki entered the room with child, and the child she’d give birth to was the one who murdered her. But he still doesn’t know how that child left the room, when there’s no record of it. That is, until Moe provides a spark to a new line of thinking, as she promises she’ll solve the case “more or less” by 7:00 PM.

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That “more or less” gets Saikawa thinking about how the release of Red Magic and the more recent blackout effected the labs’ clocks. Turns out they were delayed by a minute, so when the system went back on, a minute of footage was overwritten—the very footage of Shiki’s daughter leaving the room.

It was just a minute, but it was all she needed. Saikawa rushes to Shimada to confirm, to find her drinking with Gidou. And you have to hand it to Horie Yui and Hikasa Yoko, they know how to shoot the breeze while downing brewskis.

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One of the final pieces of the puzzle comes when he and Shimada do some hacker stuff (I’m no expert) and find some suspicious code many tens of thousands of hours ago governing Dr. Magata’s door. Saikawa then avails himself of Moe’s talents, asking her to multiply 256 by itself, then calculate how long ago 65,535 hours before 7:00 AM two days ago.

It only takes her a few seconds to determine it was Feb. 10, 4:00 AM, seven years ago: the day and time Red Magic version 4 came online. And that version was always meant to go haywire exactly when it did, orchestrating the events that led to the murder of Magata Shiki and Shindo. This is one of the always-adorable Moe’s finest moments, and she savors all the profuse praise Saikawa sends her way.

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When Moe’s uncle arrives at the lab, it’s past 7:00 PM and time for Saikawa to make his presentation on the locked door murder. Specifically, he intends to tell the killer herself, thereby inducing a confession due to said killer’s pride. That killer would be “Michiru”, the alternate personality of Magata Shiki, who now resides within the lab’s computers.

In effect, Shiki got what she always wanted: she shed her limiting physical body. And now she’s finally “meeting” Professor Saikawa. We’ll see if he’s able to impress her, as Moe impressed him (and me, and everyone else) with his brilliance. And let’s not forget this latest epiphany only came because Moe mentioned how it didn’t really matter whether his watch was off or not with regards to solving the case by or around 7.

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