Fire Force – 06 – Wherein Opposite Paths Converge

As shounen heroes tend to do, Shinra struts into Princess Hibana’s lair and prepares to go a second round, despite having learned nothing about how to defeat her ability that had him flat on the ground. He’s confident that between his talents and determination he’ll figure something out and rescue Iris. Hibana is ready for him, but because she’s a shounen villain, she explains what her ability does, which enables Shinra to resist it.

Of course, heating up her opponents so they become lightheaded ragdolls isn’t Hibana’s only trick. She conjures up scores of flowers to launch at Shinra, and finally releases her featured attack, which bears more than a passing similarity to Captain Kuchiki’s Senbonzakura.

Hibana is convinced that the world is made up of the burned and those who burn, and ever since all the sisters but her burned in the convent, she’s dedicated herself to…herself. Burning whoever and whatever she needs to to get ahead. It’s how she became a successful researcher, and it’s how she became Captain of the 5th.

But here’s the thing: Iris survived too, and Iris is still around and kicking despite not becoming “the devil” to the god Sol everyone prays to. Which means there were obviously more than just the single evil path Hibana took. Iris continued her sister training and became a good and caring person who helps comfort people both during and at the end of their lives.

As we see in the expanded flashback, Hibana was unique among the other sisters in her ability to manipulate flames into beautiful flowers, and change their colors with chemicals. Iris and the others loved her flowers, but the nuns in charge discouraged her, warning that she was, well, playing with fire.

But Iris never forgot their promise: that if she overcame her shyness, Hibana would show her her flame flowers once more. This time, defeated by the flames she believed only served her, and by someone she deemed just more “gravel” to be trod upon, the hard crust that those old flames created around her heart shattered, revealing her heart wasn’t hardened to the core.

Princess Hibana is redeemed, the 5th and 8th cease hostilities, and she even develops a little crush on Shinra, who after all managed to defeat her, making her reconsider whether his prattle about heroes and saving people without getting anything in return was just empty BS.

As for Captain Oubi, after the credits he calls Hinawa, announcing he’s finally ready to join the fray, only to be told that it’s already over, and the dramatic battle music stops abruptly.

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Fire Force – 05 – Captured Princess

Both Iris and Princess Hibana were present for the events of the end credits sequence when someone presumably combusted and burned all of the nuns and the church—except for the two of them. But while Iris’ faith in the Church of Sol seems to have strengthened since that tragedy, Hibana has all but abandoned hers, and has pursued a life of inhumane, heretical research.

The gulf between them is weighing on Iris, who wants answers but won’t tell anyone in her company, including a curious Shinra. That means Iris leaves the safety of Company 8’s station to pay a visit to Hibana at the 5th. The mere sight of Iris’ holy raiment enrages Hibana, and she burns most of it away, mocking all FFS nuns as mere “window dressing.” Shinra, Hinawa, Maki, and Arthur are quick to mount a rescue; hey’d been planning to raid the 5th anyway; Iris simply accelerates their timeline.

Hibana’s eclectic collection of pyro-weirdos don’t really cause that much trouble for the outnumbered 8th; one 5th soldier who blows explosive gum bubbles is outdone by Hinawa’s ability to control the speed and course of bullets from his guns, the “Three 5th’s Angels” are no match for Maki, and Arthur is able to deal with the souped-up captive Infernal when he realizes he was using his wrong hand. He’s an idiot, but a strong one.

All of this allows Shinra to slip behind Hibana’s defenses and reach the front door of her central mansion. Perhaps, when she’s rescued, Iris would be so kind as to fill in those who saved her on why exactly she did something so reckless as entering enemy territory alone, as well as why her smiles look so forced. The 8th is a family, after all; there shouldn’t be secrets.

Fire Force – 04 – Infernal, Know Thyself

Many scenes of this week’s episode (and indeed previous ones) reminded me of the work of Akiyuki Shinbo, whose work in turn reminds me of live action directors Kubrick and Anderson. Sure enough, Fire Force’s director Yase Yuki is a SHAFT vet, having worked on Monogatari, Madoka, Nisekoi, even Koufuku Graffiti. That means there’s a generous amount of artistry to each shot, even if said shots aren’t really doing that much for the narrative.

The three balloon-holding mascots against an azure sky is one example; the scene of Company 5 Captain Princess Hibana and her man-throne is another, the latter evoking religious iconography that is reflected in the brief scene of Iris in a stained glass-filled chapel, looking at the burned photo of what we gather to have been her family. It’s just a really pretty, stylish show, but if you’ve been watching you knew that already.

Despite the flashy visuals, the episode starts out pretty harmlessly, with Maki dispatching Shinra and Arthur to help get a dog—later revealed to be one of the firefighter mascots—out of a tree. He was “hooray”-ed up there by college kids. With a firefighter (distinct from the fire soldiers) named Miyamoto on trial for a string of murders, the profession is not as respected as it once was.

However, just after Miyamoto is declared not guilty (by reason of insanity) he spontaneously combusts and becomes an Infernal, and not just any Infernal, but one that is self-aware and can talk (and also reminds me a of a hollow from Bleach).

Company 8 deploys to deal with the threat (though Maki leaves out the part about her sending the boys to get a mascot out of a tree, so Hinawa thinks they’re on unauthorized leave. Meanwhile, Princess Hibana moblizes her Company 5 in hopes of grabbing a rare specimen for Infernal research.

Thanks to Shinra’s rocket feet, he and Arthur get there first, and make quite an acrobatic entrance, with the force of Shinra’s kick knocking Miyamoto back the exact same distance Arthur flies before arresting his momentum and showing Miyamoto the back of his fist.

Mika and the rest of the 8th arrives, but her Sputter Comet attack is immediately neutralized. Even so, Miyamoto puts up his hands and surrenders—another Infernal first—before making a quick getaway. Only Shinra is fast enough to chase him. Oubi understands the difficulty of sending off a self-aware entity, but Hinawa tells Shinra not to listen to anything it says.

The ensuing fight between Shinra and Miyamoto!Infernal involves the former kicking a Peugeot 405 at him, showing the guy he means business. Again Miyamoto pleads for the mercy of a nun’s prayer before being sent off. Shinra forgets what Hinawa told him and listens to the Infernal, which immediately double-crosses him by trying to attack.

That’s when Princess Hibana and the 5th arrive and start throwing their weight around. Shirna says this is his job, but Hibana outranks him and her company outnumbers the 8th. Shinra manages to resist having to lick the imperious Hibana’s shoes, and uses his rocket feet to free himself from three of her “5th’s Angels”

The standoff continues when the rest of the 8th catches up to Shinra, and Hibana looks down on her fellow captain Oubi for having no pyrokinetic powers—not to mention low breeding. Ultimately, it is Oubi who caves, deciding letting a better-equipped company use Miyamoto in their research to learn more about human combustion is for the best.

Before the two rival companies go their separate ways, Oubi promises Hibana that the flame of the 8th won’t go out so easily. Kinda sounds like a challenge the princess would be all too happy to accept. In the meantime, she’s got a new specimen for her research department to mess with.

Fire Force – 03 – Hero or Devil

Enen no Shouboutai took a week off out of respect for the victims of the Kyoto Animation fire. There was probably never going to be an ideal way to return to regularly scheduled programming, but it felt particularly awkward to frontload the first episode back with repeated accidental gropings of poor hastily-introduced Kotatsu Tamaki, the show’s new resident Revealing Outfit Girl. I could forgive the empty fanservice if the episode had better points to focus on…but sadly, it didn’t.

What this disjointed episode did have was a whole lot of plot and table-setting. The Rookie Fire Soldier Games begin with all the fanfare of a quaint high school sports festival, but the episode abandons the games almost as quickly as it introduces them, by taking a sharp right onto the tired “Evil Clownlike Villain” road, introducing “Joker,” a name I think we can all agree is not the most imaginative.

When Shinra enters the building, Joker is assaulting two fire soldiers. He also threatens to kill Shinra, but also offers him the chance to join him, becoming a “devil” instead of a “hero.” This doesn’t fly too great for Shinra, partly due to his lifelong dream to become a hero (not a devil) and partly because the Joker assaulted two of his comrades. The two duel (Shinra’s no match for Joker), Arthur and Tamaki pitch in a bit (neither are they) and Joker fills the building with highly explosive ash.

Shinra grabs Arthur, Tamaki and the two injured soldiers and flies out of a hole in the roof. Tamaki’s captain praises Shinra, but doesn’t offer any more info on the circumstances of the fire twelve years ago. Joker hoped to lure Shinra to his side by sharing “the truth,” including the claim his brother, just one year old when he died, is actually still alive.

Some lengthy still shots filled with exposition from Captain Oubi later (seriously; the last five minutes are barely animated), we now learn the 8th Company has a mandate to investigate the other seven as part of an effort to uncover the truth of spontaneous human combustion, the explanation for which may already be known. Whatever their mission, Shinra wishes to remain on the hero’s path. We’ll see how hard Joker makes that.

Fire Force – 02 – About All Any of Them Can Do

With the Rookie Fire Soldier Games coming up, Captain Oubi has high hopes for young Shinra. But he’s not the only rookie assigned to Company 8. That’s right, it’s the Rival/Friend His Own Age Who Is More Like Him Than Not, Arthur Boyle, the self-proclaimed “Knight King.”

Maki and Iris are enjoying the nice day on the roof when the two prepare to go at it, but Lt. Hinawa puts an end to both Maki’s idle fire manipulation (technically against regs, but he’s a stickler) and the attempted duel. Instead, he rearranges the fight so Shinra and Arthur have to go up against their senpai Maki.

While both third-gens are unconcerned about taking on a second-gen, Maki’s military training, experience, wonderful muscles, and most important, her ability to manipulate the flames of others means both guys end up taking quick losses.

Maki may be a little self conscious about her “ogre gorilla” alter-persona, but there’s no doubting her toughness despite not being the latest generation of pyrokineticist. If Shinra’s a devil and Arthur a knight, she’s a witch—and a very accomplished one, at that.

Taken down a few pegs, Shinra and Arthur shift their battle to see who can eat the ramen Oubi treated them to faster…which is not the point of eating delish ramen. There’s also a mention of how much gear a non-user like the captain has to wear (and Hinawa has to maintain) for the job, while Arthur’s Excalibur and Shinra’ feet and Type 7 ax are sufficient for them. Speaking of which, the alarm sounds and the now five-person Company 8 answers the call.

The scene is eerily quiet but the Infernal is inside, the father of a girl who already lost her mother to “infernalization,” and dreads being next as a matter of genes (though it could just be a coincidence). When Shinra and Arthur take out their weapons in public, they are scolded by Oubi. The Infernal they’re about to fight was a human, with family. It’s not a glorious battle, but a solemn funeral. If the rookies think otherwise, they can leave the 8.

Oubi is proven right when they enter the house and find the girl’s infernalized father just sitting quietly at the table, the shrine of his wife nearby. Shinra wonders why they should attack an Infernal that isn’t doing anything, but Arthur corrects him: the person sitting there is in tremendous pain, and they must put him out of his misery.

As Iris says the prayer, all it takes is a single quick strike form behind with Arthur’s plasma sword to send the father to rest. A quick and dignified end, but no consolation for his daughter as she never saw it.

Before they went in, a cloud of flames above the house formed into a smirk, and after they defeat the Infernal, the house inexplicably comes tumbling down; fortunately Oubi is tough and isn’t injured, but he and Hinawa immediately suspect a third party that’s messing with their duties. Indeed there is someone outside among the crowd, who leaves smoke letters in the sky reading “Joker.” Huh.

Meanwhile, Oubi completes his duties by doing what he can to comfort the surviving daughter in her time of greatest despair. He posits that because his parents protected her so thoroughly from the flames, she’ll be safe form now on, even if they’re gone. The fire soldiers didn’t fight a battle this week; the Infernals did, for the sake of their daughter, and they won, because she’s still alive.

Neither Shinra nor Arthur can sleep that night (obviously they were assigned the same bunk bed), realizing that the academy could not prepare them for the most terrifying part of being a fire soldier: getting accustomed to what they do. But as much as they snipe and sneer at nip at each other, they’ve perhaps started to realize that they’d rather have one another by their side than not, to help deal with those solemn times.

Fire Force – 01 – (First Impressions) – Exorcising Fire Demons

The premise of Fire Force is as bizarre as it is frightening: in its timeline, the “Solar Era”, spontaneous human combustion is not only a great hazard to Tokyo, but the beings that emerge from the flames, “Infernals,” are demons who must be defeated in order to put the souls of the victims at rest.

That’s the job of Special Fire Force Company 8, of which young newcomer and third-generation pyrokineticist Kusakabe Shinra is its newest member. He just happens to be a witness to the latest emergence of an Infernal, which Company 8 is dispatched to the train station to tackle.

In this way, Shinra gets a first-row view of how the Fire Force gets things done, and it’s as much a battle with a demon as it is a religous ritual; there’s even a sister, Iris, on staff to deliver the proper prayers at the proper time. While Shinra doesn’t participate in the battle, which is another success for Company 8, his quick thinking (and literally flaming feet) manage to rescue Iris from suffering a freak accident at the hands of a falling lamp.

From there, Shinra is taken back to Co.8’s HQ, a somewhat run-down but still very cool-looking cathedral (all of the architecture and mechanical design is very quirky and cool-looking, for that matter). He already met Iris by sweeping her off her feet like a princess, but soon meets Captain Oubi, Lt. Hinawa, and the first-class fire soldier Oze Maki.

Still, while his job is ostensibly to purify fire demons, Shinra clearly has some demons of his own, something he largely gives away every time he gets nervous and his mouth tightens up into a sinister-looking crooked grin. Those demons revolve around some kind of tragedy in his past where he was blamed for his mother and little brother’s death and subsequently ostracized by most other adults in his family and among their friends.

He doesn’t have time to contemplate how he’ll wrestle with those demons for long; the alarm sounds and within minutes he’s prepped and deployed with the rest of the company aboard the armored firetruck “Matchbox” to a factory fire caused by the manager’s wife combusting.

Another firsthand look at a scene of fire and destruction triggers his worst memories of the end of his mom, brother, and home, as he insists within his thoughts that someone else was present who was the primary culprit; it wasn’t a matter of his powers going out of control but someone causing them to.

We’ll see how that pans out, but his Captain and Maki work to keep him in the here and now, focused on the not inconsiderable task before them: the Infernal is one tough cookie.

Ultimately Shinra has to put aside the fact he couldn’t keep his promise to protect his family like a hero, but he decides to make a new promise never to let that happen again, and to protect anyone else affected by the Infernals. He delivers a devastating kick to the core of the Infernal, dispersing it, and Iris says the prayer. Mission Complete.

Outside, Shinra and the rest of the Fire Force gets its due congratulations, thanks, and adulation of the assembled crowd of citizens, not just for stopping the blaze but saving the soul of the manager’s wife. And for the first time since before his mother died, Shinra finally smiles a genuine smile, not the forced smirk with which he is so often cursed at the wrong times.

Fire Force, in a couple words, is pretty damn good. Stylish, fast-paced, and uncomplicated in its presentation of its protagonist, his motivations and goals, and the introduction of his new family and life among Company 8, which is definitely not your typical fire department. It’s a fun and imaginative setting that still feels grounded in reality and modern life.

The vaunted David Production studio provides a feast for the eyes, blending the reds and oranges of the flames with the ever-glowing blue of the fire soldiers as well as the eerie green aurora above Tokyo’s skies. The orchestral score also delivers the appropriate sense of occasion, peril, and excitement, particularly during the boss fight. I’m looking forward to this one.

Banana Fish – 11 – Ashilles Heel

Turns out leading a gang is like riding a bike: you never really forget how to do it. Ash slides right back into his simpler life, and Eiji sees, for the first time, Ash the Leader, and how all his subordinates hang on his every word and breath.

They’re also impressed that Eiji isn’t scared of waking Ash up from a two-hour nap. But once Ash is up, he sends them all off on an intelligence-gathering mission, leaving him and Eiji alone to enjoy a simple meal of takeout together.

It’s there that Eiji sees yet another side of Ash, as for the first time ever in their friendship they can just relax. He also learns that Ash has cucurbitophobia (fear of pumpkins) and teases him for it, eliciting a very boyish pout.

That night we see the contrast between the two young men: Eiji sleeping soundly and Ash waking up from nightmares that will probably never go away. Ash lets himself be vulnerable with Eiji and cries into his lap; it’s how they both end up falling asleep.

Ash gets up at dawn, letting Eiji sleep in, and sets to work on his laptop. Having spent his jade earring buying guns from “The Fly” yesterday, Ash hacks into Golzine’s stocks, using the spyware he implanted on Dino’s computer while Dino was having fun with him.

So not only is Dino’s favorite mansion in ruins, but so are his finances, and those of the mafia organization he’s a part of. He’ll have to answer to the dons now, which means his life is a lot more complicated and fraught with danger. From what we know of Dino, no one deserves it more…though Arthur is trying to make a case for himself.

Ash uses his influx of cash to buy an $8 million condo right next to a building owned by the Corsican organization, showing he’s still a fan of bold moves. He has Max pretend to be his dad to cosign on the purchase. But Max is worried that for all Ash has accomplished since gaining his freedom, he still has one potentially crippling weakness: Eiji.

Happy Sugar Life – 09 – Eliminating All Risks

In exchange for the change to see and be purified by Shio, Taiyo follows through with Satou’s instructions, giving Asahi Shio’s sock and telling a tale about it being found at a station some distance away. A cordial exchange quickly devolves into nastiness when Asahi smells some kind of trickery afoot, and then triggers Taiyo into a rage by calling him a “dirty adult”; pretty much the worst insult you can throw his way.

Still, Asahi regrets how things ended, and decides to take Taiyos advice and travel afar for more clues. The night before he leaves he meets Shouko in the park once more. Shouko thinks everything about Asahi is amazing, and while he’s not manly or her type at all, a part of her is jealous of Shio for having such a gallant prince willing to move forward no matter how much it may hurt or how scared he is. She bids him farewell with an exchange of contact info, and a kiss.

Satou is at the station to make sure Asahi is on his way, then returns home to 1208 to spend the whole day with Shio. It just happens to be the “anniversary” of the day she first kidnapped her. Satou celebrates by buying a bunch of fancy sweets which the two share together, and when Shio brings up the future, and securing said future together with the bonds of marriage, Satou is ready with two rings.

Both she and Shio are happy beyond words; giddy, even. And in a moment of particularly intense giddiness, Shio pounces on Satou as she’s exiting the front door…

…Where Shouko is waiting there with her cameraphone, and snaps a picture of Shio with Satou. It’s a devastating needle scratch but also a welcome glass of cold ice water on Satou’s frankly impossible (and ridiculously amoral) fantasy dream world. Her Happy Sugar Life is a sham; a mere house of cards that falls all too easily once a sliver of reality peeks in.

And yet, as evil as Satou’s actions are, Shouko comes with at least a veneer of non-judgment, acceptance, and love of and for Satou, no matter what she’s become, what she’s done. No matter how far she’s sunk into the muck, Shouko wants to pull her out and back into the light—the real light. But Shouko is doomed the moment Satou saw her on the balcony; before she even snapped that picture.

In a thoroughly unpleasant, sickeningly brutal scene, Satou grabs Shouko from behind as she’s leaving, sticks a knife in her throat, and suffocates her with her hand as she bleeds out. Another risk eliminated. She used soft power on Asahi, but had to go hard with Shouko, who kept persisting and interfering.

But Shouko’s death wasn’t in vain. The photo of Shio with Satou reaches Asahi. Will he be prudent enough to report Shio’s kidnapping to trained authorities and let them deal with Satou, or will he try to go after her alone? How will Satou deal with Shouko’s body, and will her murder spark a purge of more “risks”?

Most importantly, how will Shio respond to this once the initial shock wears off? Perhaps Shio herself could end up dealing the decisive blow to Satou’s delusional,  impossible world of sugar and happiness. The foundations of that world are as rotten as her aunt’s apartment; they’re sinking ever deeper into the earth made soft by spilled blood.

Banana Fish – 10 – Wounded Tiger

The youngest Lee brother sat out last week’s unpleasantness, but returns to Ash to tend to his wounds and also decides to lend him a hand in escaping from Dino’s mansion. Dino is away for the night demonstrating Banana Fish on a woman who is forced to kill her husband, a presidential candidate. Meanwhile Ash’s gang has joined forces with Shorter’s Chinese crew, led by Sing, and after gathering some intel, they hit the mansion the same night Dino is out.

Ash makes use of the key Lee slipped him by doing a bit of gymnastics, then frees Max and Ibe, head to the armory full of military-grade weapons. From there, Ash becomes the “devil himself”, mowing through Dino’s men on one side of the house while his allies burst in and take care of business from the other. Lee leaves Ash with one more gift: injecting Abe Dawson with a paralytic.

That means, after meeting up with his men, Ash tells them to all get the hell out before Dino’s cavalry arrives, then heads down to the lab, where Abe had been busy extracting Shorter’s brain. Dawson begs for his life, but Ash responds by emptying a mag into him, then burns Shorter’s body so he can pass over in peace.

That gesture leads to a misunderstanding with Sing, Shorter’s subordinate, who heard that Ash killed Shorter (but doesn’t know why). He picks the wrong time to demand vengeance against Ash, who makes quick work of Sing, but lets him run away.

Sing ends up running right into Lee, who takes him away in a helicopter and spots Ash in his red Italian sports car heading back into Manhattan. It was an ugly one, and came at a high cost, but it was good to see a win for Ash, even if it just meant getting his freedom back.

Happy Sugar Life – 06 – Losing the Moon

Shouko, who is consistently the most normal of characters in this show full of loons, encounters Asahi, and she isn’t one to just keep walking. At her heart she’s a “good girl”, even as she once made a habit of staying out late at night to fool around with men.

She’s also good enough friends with Satou that she knows when she’s hiding something. She’s just not ready to believe Taiyo’s accusations. Meanwhile, Satou tries to hem in Taiyo from further interference by offering to let him meet Shio, while the masochistic teacher is dedicated to finding proof Satou murdered her aunt.

Satou’s far-too-together demeanor at work continuies to elicit suspicion in Shoko, who walks the same shopping district she and Satou used to hang out looking for guys. Only this time, she goes to the park to find Asahi sleeping under a bench, and gives him more food. She has no ulterior motives, she has no hidden neurosis; she’s just helping someone in need.

She wants to know how Asahi got into this state, and he tells her the story of how his mother and Shio escaped the house where her drunk husband was beating her. Asahi stayed behind so “the devil” wouldn’t go looking for his mom and Chio.

Staying meant enduring beatings and KGB-style fingernail torture, but Asahi it was worth it; he’d take the abuse so Mom and Chio could be safe and free. He had his moments of despair, but ultimately endured until his father drank himself to death.

The unbridled joy of discovering this fact is quickly marred when Asahi goes to his mom’s house to find Chio has been kidnapped. His Mom, who from the look of the place was not coping well with living and caring for her kid on her own (even though the alternative would’ve obviously been worse; at least she’s not being beaten) simply tells Asahi it was “too late.”

Shouko scores a day out with Satou, their first time hanging out as friends in a good long time. They have a lot of fun, but Shouko has a mission in mind: she wants to know the truth. Satou is initially totally unwilling to tell her, since it’s something she doesn’t want a good girl like Shouko getting mixed up in.

Shouko forces the issue by telling Satou that she wants nothing else but to know what she’s involved in, because she loves her friend more than anyone else. These words seem to move Satou, and she invites Shouko to come to her house to learn what secret she’s been hiding with a non-existent boyfriend.

Even so, I’m not convinced Satou is capable of trusting Shouko with all of the dark things she’s done that even she herself has compartmentalized. Then again, I find it hard to believe Satou would do anything to Shouko in the presence of Shio—which calls to mind how exactly Shio’s kidnapping went down. More concerning is the fact the masochistic teacher is tailing Satou. I can’t see any of this ending well.

Youjo Senki – 12 (Fin)

The Gist: Topping all but the second episode, this week’s Tanya outing owns some lengthy, thoughtful and horrifying dialog. Despite what high command may think, the war will not be over and that is strictly because humans are too animalistic — too emotional — to follow the rational path and surrender.

The Republic rises in Africa, joined by survivors from the Kingdom and Alliance. The Kingdom mobilizes at home, and we see weapons of war rolling along the rail tracks in the Russian federation and in America as well. (Even Anson’s daughter has volunteered for service, yellow magic eyes and all!)

It all threatens to swallow Tanya and her fragile battalion. But Tanya is having none of it. In a fiery speech to her recently deployed African troops, she vows that the battlefield is no place for God. That her soldiers will put him out of work and that she will slice him into pieces personally and feed him to the pigs.

Back at home, among the frustration and angst of high command, the leadership has come to believe in her. She IS a monster in the body of a little girl and, no matter what, nothing will stop her from her goals.

Dun dun duuunnnnnn!

The Verdict: I have tremendous respect for this show ending on a largely talky episode, and in a so very Tanya-talky way. From her cold, calm, and horrifying explanation to high command on why they are wrong, to her frothing mad rant to her soldiers, it’s all very off putting and terrifying.

I do wish Serebryakova got a bit more screen time, and I do wish I had a sense of where any of this was going, or that it had gotten to this point 2-3 episodes earlier, but, if a second season will come our way, I think it will deserve your watching.

At it’s lowest, Tanya is a combat procedural with an unusual aesthetic. At it’s height, it transcends nihilism and delves right into an antagonistic relationship with God, and man’s own nature. Good stuff, that.

Youjo Senki – 11

The Gist: In a lovely bit of symmetry, Colonel Anson tears through Tanya’s forces, followed by a suicide self-destruct gambit when Tanya finally over powers him. Fortunately, the ever loyal Serebryakova is there to save the day and Anson is out of God’s game for good.

It’s a genuinely exciting fight, with vibrant colors, and remarkably effective use of space considering much of it is 3D models rendered over clouds. It’s also full of lovely details, like the Kingdom Mages, who ride steampunk brooms, reinforcements arriving ‘in 600 seconds,’ and Anson’s use of outlawed weapons.

On the emotional front, the battle reasserts an ongoing question in Youjo Senki: “Despite her name and actions, is Tanya truly any more evil than anyone else?” Given Anson’s shallow thirst for revenge, his use of illegal weapons, and the Kingdom troops’ indifference to the war, the answer seems to be ‘not much?’ for the time being…

Following the battle, we get a happy ending of sorts. All 11 of Tanya’s troops have survived, the Republic surrenders, and celebration awaits. At least, until Tanya realizes the Empire is walking into a trap that will cost them the war in the longer term…

The Verdict: despite a general familiarity with World War 1, I’m actually unclear on exactly what Tanya has realized (too late). However, the narrative implication that she now sees the Empire as doomed and, therefore, herself as well, are quite clear. Her faith in the one, logical institution she believes in is shaken and only Serebryakova knows it. What this means for next week, I have no idea?

That said, I see no coherent way for Youjo Senki to resolve itself in a single half and hour. Likewise, the first season has been sluggish enough that I don’t think it warrants a second season. Will it get one anyway? I have no idea.

Will I watch it if it does? …Maybe.

Youjo Senki – 10

The Gist: Team Tanya successfully wipes out the Republic’s forward command, which allows the Empire’s plan to unfold without a hitch. A massive explosion is set off under the Republic’s southern position, Empire tanks surge through the scattered survivors, and the Republic’s main force is encircled.

From inside their submarine escape vessel, Team Tanya has every right to pre-celebrate victory. However, little do they know, Colonel Anson and a boat full of Kingdom Mages is about to run into them, putting their lives, and indeed the success of the entire plan in question.

Following the credits, we flash back to Serebryakova being an un-wakeable weirdo sleeper on the submarine for some humor. Will the improved Anson finally match Tanya’s output? Will her team of 10 stand a chance against a full regiment of broom-riding mages? Beyond this battle, what’s Youjo Senki’s end game? Only a few episodes remaining to see…

The Verdict: Like the battles it features, this week’s episode landed a string of successes, with the caveat that things may go off the rails, structurally, by the end. The flow of battle and strategy was easy to understand and visually interesting, and we got a broader emotional range from Tanya and crew while on the submarine.

However, there’s an over arching haphazardness of editing throughout Youjo Senki. On one hand, it tries to cram a lot in per-episode but what it crams in isn’t always relevant or impactful. The Empire’s board meeting between government officials and the military didn’t really add to any tension over the success of the plan for example. Anson’s scene on the Kingdom ship reduced the surprise impact of his arrival at the end of the episode for another. There are plenty of other short moments in hallways and at tables where characters repeat information we already know too.

Combined, these little delays and wheelspin shave time off of other moments, not always for the better. In some ways, the opening attack from Team Tanya didn’t even feel like a scene in it’s own right, since it was so brief and the potential failure was so brief as to add no tension (It would have been far stronger to end on that in the previous episode, and leave us guessing what Tanya will do if her target was wrong to begin with).