Hanamonogatari – 05 (Fin)

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A revitalized Suruga returns home from her awesome mini-road trip with Araragi to find she has a package: a mummified monkey head, with a note from Kaiki telling her to do with it what she will. Armed thus with the Pièce de résistance of the devil, she returns to the gymnasium to find Rouka there. Both she and I now see her in a different light, now that we know she’s a ghost.

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Even so, Suruga challenges that ghost to another one-on-one match, this time consisting of just one play. If Rouka prevents Suruga from making a basket, she wins, and can have the head. If Suruga makes the basket, Rouka loses, and has to give up being a collector of misfortune and a gatherer of the devil. If Rouka refuses the challenge, Suruga will destroy the head, essentially ending Rouka’s quest anyway.

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Admitting it’s not much of a choice, Rouka accepts, warning she won’t hold back this time, though we know at this point Suruga has a plan to defeat her. Rouka doesn’t quite comprehend what Suruga aims to get out of this, but it’s clear to us: she wants to save her friend from becoming the devil. It’s also apparent to Suruga that Rouka doesn’t know she died and became a misfortune-collecting apparition/oddity. This delves into a common but poignant phenomenon in fiction where the dead don’t know they’re dead and keep living their lives as if they weren’t.

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I loved how the gym was dark and the court markings were backlit as Suruga brought forth the challenge, lending a very “final boss” atmosphere to the setting. When Rouka goes to the locker room for some shoes, the gym enters “Showtime Mode”, with the grandstands extending, the retractable roof opening to reveal the azure sky (Naoetsu is one swanky high school!), and a few inches of water flooding the court – perhaps a reference to Rouka’s “swampy defense” but also a metaphor for cleansing and renewal.

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The thrilling, intricately built-up duel between the two is over almost as soon as it starts. Suruga rushes ahead as usual, but then does something Rouka could never have predicted: she passes the ball to her, quickly stealing it back before she has full possession. In the moment of confusion she created, Suruga elevates and dunks over Rouka’s rushed block attempt. The two end up laughing in a heap on the (now dry) floor, with Suruga now on top of Rouka (the opposite of their last such encounter). Here, Suruga realizes how cute Rouka is, and considers kissing her.

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Rouka, in accepting defeat, voices her surprise, and ultimately, is grateful that Suruga passed to her, considering how rarely anyone on her team passed to her due to her choice to focus on defense, a choice not made due to lack of talent or skill, but to appease those less talented, just as she sought misfortune from those as unfortunate (or more) than her. Rouka also tells Suruga to stop drifting and get back on the active roster as soon as she can. With that, she vanishes into the aether while Suruga is crafting a comeback with her back turned, leaving behind the mummified monkey parts she had collected.

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Before the duel, Rouka and Suruga agreed on one thing: that it’s better to regret the lack of action than to regret what you’ve done. But Suruga tells her it’s better still to do something and not regret it. If there’s an overarching moral to be had from this story, that’s as good as any. Whatever else Kanbaru Suruga has been, she’s been a doer; on the offense. Sometimes, Suruga’s actions are reckless and/or lead to regrets, like wishing to the monkey paw, for instance. But her most recent actions freed Rouka from her torment. In a dream, she and her mother converse more as equals, as Suruga puts forth her own opinions rather than simply absorb those of others.

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Suruga wakes up from that dream to find Araragi in her room. As she sleeps in the nude, she’s taken aback for a moment, but Araragi isn’t there for “that”, but to help her clean her room, something she requested during the road trip. She also has him cut her hair, as she plans to return to basketball. Between the yellow bug, not being turned on by Suruga, and hairdressing, one might wonder if the producers are trying to say something about Araragi, but these are merely cosmetic characteristics that happen to match a certain stereotype, but aren’t meant to be read too much into, so I won’t. One thing’s for sure, though: the dude is good at setting up dominoes!

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As he shears off her flowing purple locks, returning her to the way she looked when we first met her in Bakemonogatari (a rare aesthetic rewind) he offers some closing words of solace to Suruga (It’s also worth mentioning that Suruga’s other idol, Senjougahara, also sports a short hairstyle when last we saw her). He tells her not to worry about what she did and whether it was right or wrong…because it was neither: It was just adolescence.

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Hanamonogatari – 04

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Because Suruga insists, Rouka tells her the full story: how she met Kaiki, who told her about apparitions, and how she acquired her first piece of the devil: her left leg. It once belonged to another girl named Rouka; a high-schooler who her older boyfriend had knocked up, and whose family wanted her to abort it. With this devil’s leg, Rouka-2 almost beat her mother to death, mirroring what happened to Suruga with her arm.

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The day after hugging Rouka-2 and saying she’d take the problem from her, the devil leg had replaced her crippled old one. Rouka has since replaced almost a third of her body with devil parts, and plans to “collect them all” so she can take control of the devil altogether, even though doing so will mean losing all of her body, head to toe. With that heartrendingly bleak goal announced, Rouka says farewell to Suruga, asking her to go out and “do all the human things” she can no longer do.

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That night, Suruga gets a call from Karen who informs her that Rouka committed suicide three years ago, presumably from a combination of her broken leg and her “bad” family situation. Now we’ve reached nadir of Suruga’s arc: she’s been talking with a ghost all this time. Shaken and never more uncertain, Suruga simply goes out and runs. She runs and runs across landscapes until collapsing in an intersection; a crossroads (subtle!). Then a car pulls up and honks at her, and holy shit, it’s Araragi!

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Like Kaiki, Araragi’s appearance couldn’t have been timed better, or be any more awesome. He now has long hair, a resplendent yellow VW New Beetle Suruga can’t help but hilariously gripe about (“What’s with this round car?”), a Shinobu keychain, and a little more life experience behind his belt. But Suruga gradually realizes once they talk that it’s the same old Araragi she’s leaned on, looked up to and missed so dearly. If anyone can help give her the guidance she needs at this point in her story, it’s him. A gorgeous, art-filmy all-night “road-trip” segment ensues.

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Also like Kaiki, Araragi isn’t interested in steering Suruga in a particular direction or in doing her own legwork for her, but he’s much nicer and more caring about it. He helps her realize she’s fee to obey the opinions of Rouka, Kaiki, of her mother if she wants, but she’s just as able to fight those opinions if she’s not convinced. Rather than go along with what those voices have said or done, she decides to strike out on her own path. Araragi asks if she needs any more help, and she says no, which pleases him. Suruga’s back, and she’s going on offense.

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