Sidonia no Kishi 2 – 09

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So, here we are, and it’s apparent that Nagate isn’t going to read into Yure’s bizarre assignment for him at all, both because he’s primarily worried about getting his head blown off, but also because he’s got nothing but dust bunnies floating around inside that uncommonly hard skull. Or, to be more charitable, he simply doesn’t possess the means to express how he feels.

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His obliviousness doesn’t keep Izana from being charmed by the “code” he’s using to take her on a date (especially when he inspects Chekhov’s Bed), and Yuhata and Tsumugi are also convinced that they’re up to no good, and manage to locate a vantage point to spy on them.

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That point turns out to be a gorgeous (and expensive) zero-gravity onsen with an omnidirectional view of the stars outside. When Izana, bless her, takes off her jacket and asks for Nagate to join her in the bath, she’s also asking him to drop the pretense, not knowing there is none; this really is a mission for the dolt.

That’s made clear when Izana gets a peek at his tablet, which has her grandma’s scribbling all over it; this was all a setup orchestrated by her, with no input or even awareness on Nagate’s part. Rather than charmed, she’s pissed, and throws a couple of cybernetic punches at her would-be partner in frustration.

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Where she’s wrong, though, is that Nagate “doesn’t care about her at all,” as no matter how much punishment she dishes out, he sticks close to her, determined to apologize, and make things right. It’s also an opportunity to tell her exactly how he feels about her.

But we don’t get to hear it, or see Izana’s reaction, or any other part of their evening. Like Shirou and Rin in UBW, Nagate and Izana are two kids who really like each other and are always at risk of being killed tomorrow. But while the UBW couple had a tasteful if sedate intimate experience that we at least got to see.

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Instead, Sidonia leaves everything to our imagination, cutting from the onsen to Yuhata and Tsumugi, watching from afar, unable to hear, like us. The next morning is a little more telling of what happened: the two enter the house, and while on the stairs momentarily forgot they sleep in separate rooms, because last night, they slept with each other.

That’s my take on it anyway, and it’s supported later on in how both of them act. Your mileage may vary on what went on, but I think the show’s point is to think what you want to think, at least until more information comes to light.

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All I knew was, after their little vacation, things were almost certainly going to turn perilous again, testing the bond they just took to the next level. The show doesn’t do this in the most subtle way, but in this case, unsubtlety is welcome.  When a disgruntled pilot defects at the sight of the new hayakaze armor, which looks to her like a kamikaze ram for the Gauna, Izana is called up to replace her on the recon mission to the dark side of Lem system’s ninth planet.

The kicker is that Yuhata makes this call to Izana. Yuhata, who stayed up all night worried and likely also upset about what was going on with Nagate and Izana. Is she Yuhata only acting in her official capacity as XO, and Izana truly the best person for the job, or did Yuhata put Izana on this mission as some kind of payback? I certainly hope it’s the former, but the latter can’t be ruled out.

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As for the mission, it’s one of those rare instances when Izana is out there while Nagate is on standby, and Nagate is a nervous, pacing wreck, more than ever if it’s true that they’re now lovers. He’s also concerned because Izana is attached to a device he heard the deserting pilot call a death trap, and we know that Kobayashi plays favorites wouldn’t hesitate sacrificing lesser pilots for a second if it meant furthering her goals.

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So like Nagate, my heart was also in my throat the minute Izana left the (relatively) safe confines of Sidonia…especially with three redshirts. The cloaked Gauna they find in the rings of Planet Nine is a nasty customer, and promptly takes out one redshirt.

Please make it home, Izana—the last and most important moment you have with Nagate can’t have occurred offscreen…unless, of course it is, and we only revisit it in Nagate’s memory or dreams. Then again, if Hiyama is right about Kobayashi putting Sidonia on the wrong course, even if Izana makes it back, everyone’s doomed anyway.

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Arpeggio of Blue Steel: Ars Nova – 01

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The nations of the world have been splintered, isolated, and pushed to the brink by the technologically advanced naval “Fleet of Fog”, who go on to rule the seas. Promising military student Chihaya Gunzou is shown a top secret fog submarine I-401 that activates when he touches it. The next day, an ethereal girl Iona confronts Gunzou, telling him she is the embodiment of the I-401, and her only order is to obey him. For the next two years Iona, Gunzou, and a crew of his classmates battle the Fleet of Fog as an independent ship. The Japanese military hires them to transport a new, potentially game-changing weapon to America for mass production.

It’s always been a custom to refer to the vast majority of boats, ships, and naval vessels as female in gender. We don’t know why for sure, but it feels right for some reason, as there’s something maternal about how they bear their crews and cargo and protect them from the harsh seas. This series takes that tradition to its quasi-logical conclusion: giving vessels actual human avatars. Rather than a mother, Iona comes off as more like a highly dutiful little sister to Chihaya Gunzou. In the flashback when they meet, once he realizes the power at his disposal, he wastes no time agreeing to be her captain. The setup is very efficient, quickly establishing their rapport and then showing the product of two years of collaboration.

We can see the cel-shaded CGI being off-putting to many, like Aku no Hana’s rotoscoping. It almost suits the not-really-human Iona, but the problem is everyone moves in pretty much the same mechanical way, and their gazes are a bit dead-eyed. Their movement aside, the character and costume designs are top-notch; the colorful crew reminded us of Eureka Seven, both in their look and the way they roam the seas (mostly) free of government masters. Gunzou is dedicated to shattering the status quo by taking the fight to Fleet of Fog – a gang of haughty ladies in elaborate garb going after Iona the deserter. There’s nothing particularly groundbreaking here, but it looks like a solid, professional series.

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Rating:7 (Very Good)

Stray Observations:

  • Gunzou’s dad is believed to have defected to the Fog, which made things rough for Gunzou growing up but also seems to be responsible for Iona defecting from the Fog and going to Gunzou. 
  • It’s not even mentioned, but we like how despite the shadow his father cast over him, there were still some who decided to befriend Gunzou. They became his crew.
  • This show takes itself very seriously most of the time, but we liked the lighter moments in which a freshly-awakened Iona answers everyone’s queries quite literally. We also liked how she admitted to being nervous in her first battle; she’s clearly more than just a machine.
  • We liked the lived-in, personalised nature of the various crew members’ kiosks on the bridge.
  • It goes without saying, but the naval battles and ship models were really well done and expensive-looking.