With the crop experiments in the village proceeding well, Maou and Yuusha travel to a convent in Lake Country to share knowledge of potato cultivation. The prioress turns out to be Onna Kishi, a member of the hero’s original band. She tells him another member, Onna Mahoutsukai went looking for him and hasn’t been heard from. Kishi agrees to Maou’s terms and will join them at the village where the first new convent will be built. They return home, and Yuusha sets out to find Mahoutsukai.
Last week got an 8 and we feel it deserved it. It didn’t shy away from the inherent cruelty in this world, or the implacable human compulsion to sort themselves by class. We couldn’t find it in ourselves to give this episode the same rating. This week was a little more clinical; we felt like Maou was constantly giving us lectures. Onna Kishi’s introduction was…underwhelming, and Maou couldn’t help but label any female friend of Yuusha’s as an “old flame.” These new characters make Maou weary, even jealous.
In the end, one of them draws Yuusha away from Maou, at a time when Alliance members are talking about assassins. We get it: if a hero hears that someone is in trouble, he has to save them. But leaving Maou alone just seems dumb; even her tagging along would’ve been safer. And why has nothing. gone on between them in all these months? You’d think he’d have the guts to give the woman he’s promised himself to a goodbye kiss on the lips at the very least…but you’d be wrong. Needlessly slow romances annoy us…and the Chief Maid is with us on this!
Rating: 7 (Very Good)
P.S. Goddamn is that ED theme beautiful.
Maou decides to begin agricultural experiments and education in a small village. Yuusha meets Maou’s longtime Head Maid. One night two serfs – sisters – break into the stables. The Maid is ready to turn them in, but Maou and Yuusha let them spend the night, and the maid eventually offers them jobs as maids. Maou begins enriching the land and educating the village youth, the first small step in her and Yuusha’s crusade.
Whenever characters have such well-defined traits and limitations – be it a queen, hero, maid or serf – there’s the risk of them becoming mere allegories in service of the plot, at the cost of emotional connection to them. Indeed, every character here is a manifestation of an idea/worldview first and foremost. The Maid is cold, logical, and unyielding, but tempered by her master’s authority. While she may sound cruel in making no distinction between serfs, slaves, and insects, she knows no other way to express these concepts. Her role doesn’t require her to distinguish between insects and humans who can’t or won’t determine their own fate.
But there’s something very weird and cool going on here: despite the characters being such strong archetypes, the sense of order that ensues is comforting and reliable. And Maou and Yuusha remain a cute, warm, and surprisingly witty couple; even if Yuusha doesn’t seem to be doing much yet, it’s clear just his being with Maou lends her emotional and moral support. We like how she gets into the nitty-gritty of agriculture and illustrates just how much careful, intricate preparation will be required to achieve their ultimate goal of peace.
On top of all that work, Yuusha isn’t even sure what peace is and where his place will be in that peace, other than by Maou’s side. After all, who needs heroes in a perfectly resolved world with no enemies to defeat or battles to win?
Rating: 8 (Great)