Fruits Basket – 17 – Paying It Forward

Uotani Arisa was a broken and rudderless teen, subsumed by dirt and blood from pointless beatings; lost in the darkness. Things were briefly made worse when her idol Kyouko turned out to be the “lame” doting mom of the even lamer and impossibly sweet Tooru.

And yet, when Arisa is alone and on the run from more beating than she can take in a day, who does she barrel into once more but that sweet and polite Tooru, who immediately senses her friend is in danger, grabs her by the arm, and runs.

At Tooru’s apartment, Arisa finds herself back in an atmosphere of warmth, tranquility and love that is so foreign to her it’s uncomfortable. She figures her dirty delinquent self wouldn’t change even if she had such an atmosphere at her home, with her dad. Nevertheless, she’s jealous of it, and she wants it.

Tooru Kyouko are more than willing to share it with her, and to soothe her crushing loneliness that has been the core of her struggles in life so far. Back in the present, we see that Arisa is no longer lonely, and loves Tooru and Saki very much. That’s when the three young delinquent wannabes finally confront Arisa, but she ignores them as if they were mere gnats.

While her story about how she became besties with Tooru is complete, there remains the rest of her story: how she became the strong, beautiful, wonderful person she is. It’s a story she doesn’t tell the Souma boys, but is generous enough to share with us.

Hanging out with Tooru and Kyouko is a positive force for change in Arisa, but that change doesn’t come as quickly or easily as removing the stems peas. She may have returned to school and studies with Tooru, but her teachers assume she’s bullying her, while her gang takes none to kindly to her efforts to go straight.

Other students are weirded out by Tooru hanging out with Arisa all the time, and rumors spread about Tooru actually being a delinquent beneath a goody-goody facade. To Arisa’s relief and joy, Tooru pays such rumblings absolutely no mind. She’s going to make an extra muffin for her dear friend Uo-chan, no matter what anyone says.

But while the bond of friendship between Tooru and Arisa can’t be easily broken, the same doesn’t go for Arisa’s bones. While in the present she credits Kyouko and Tooru with saving her, it’s not like Arisa did nothing to help her own cause, and while she might not have known it at the time, going back to her gang to tell them she’s out and facing the consequences was actually the first step towards saving herself.

Thanks to her older gangmate Akimoto, Kyouko learns of the horrible beating Arisa’s doomed to receive if no one intervenes, so the Crimson Butterfly dons her duster for one last rodeo, intervening in the fight, extracting the battered Arisa, and carrying her back to her place on piggyback.

As Arisa demeans and insults her idiotic self for not realizing sooner she was on the wrong path, Kyouko offers some sage life advice, having experience quite a bit of that life herself. She tells Arisa that sometimes you need to hit rock bottom to realize you want to change; and that neither the light nor purity of life she seeks would be possible without the presence of darkness and dirt from which she emerged.

Arisa didn’t understand the feelings she bore until she got hurt exploring them, but now that she’s come out the other side, she knows with the clarity of a mountain lake what she wants to do: to become a strong, beautiful, wonderful best friend in whom Tooru can take pride.

So Arisa abandons her delinquent past to become just that, and eventually she and Tooru befriend Saki as well. And while she is utterly devastated when Kyouko suddenly dies, she’s also eternally grateful for the things Kyouko gave her and the things she left behind, with which she can not only continue to be a better person with a kinder soul, but pay the love and kindness and wisdom she received to others.

That means not simply socking the redheaded delinquent punk (Ishi-chan) who keeps bothering her, but offering her words of advice she wished she’d received earlier: Stop acting out while you still can, before something serious happens. If you need someone to scold you, I’ll do it anytime.

Ishi is immediately smitten by Arisa’s blend of warmth and coolness, and her two friends fall in line, becoming fans of Uotani Arisa on the spot. After the credits, Ishi not only cosplays as Arisa, but wears the exact same outfit Arisa wore the day they met! Needless to say, this is exceedingly cute and heartwarming.

Just like Arisa idolizing someone like Kyouko instead of a less savory gang member, it’s almost as if the universe is looking out for these three still very young kids who have a lot of life yet to live before giving up.

Because they chose the right woman to idolize, just as she did. And perhaps, one day, when they’re better people, they’ll pay Arisa’s wisdom and kindness forward, and help others become better too. Along with Tooru—essentially a demigoddess of love and kindness—this is the enduring gift Kyouko left behind, and why she’ll never really be gone.

Fruits Basket – 16 – Her Kind of Place

This week’s cold open is perhaps the darkest scene since the show dove into Hatori’s dark past. It’s not just shot dark, it’s frikkin’ dark, full stop. A younger, short-haired, long white coat-donning Uotani Arisa comes home to a dad wreathed in TV light and surrounded by bottles who doesn’t notice she’s there. She goes to the room and sits in the dark, wondering, perhaps, why she’s even fucking alive; what the point of all this is.

The next we see Arisa, in the present, luxuriating in the pool during P.E., is as bright and upbeat as the cold open wasn’t. Despite their reputation for delinquency, both she and Saki love the pool and would never skip out on an opportunity to swim in it. But the sight of Tooru in the same school swimsuit she wore in middle school reminds Arisa of elderly people buying dinner at the konbini she works at: somehow just really sad and wrong.

So she does something about it, asking—nay, telling—the Souma boys that it’s about goddamn time they get up off their asses and show some gratitude for Tooru constantly cooking and cleaning for them, by coming along to help her and Saki buy Tooru a big girl swimsuit. After some brief Shigure lecherness, the kids hit the mall.

Yuki and Kyou are beyond embarrassed to even be in a store that sells skimpy bikinis, let alone to see one placed in front of Tooru, but Arisa demands they at least lend their opinion as to what color Tooru would look best in.

Naturally, the boys pick opposite colors: Yuki blue, Kyou orange. Saki corrects them: Tooru looks best in pink. Her mom was the Crimson Butterfly while her straightforward dad’s color was white; combine those, and you get pink. When Yuki remarks that Arisa and Saki seem to love Tooru very much, Arisa quickly confirms that assessment. After all, Tooru saved her.

That’s when three yankees spot Arisa and plan to jump her, but are totally distracted by the gorgeous Souma boys she’s with.

Tooru is very predictably reticent about accepting the swimsuit, claiming she doesn’t deserve such a gift or any gift for that matter, because she’s nuts—but Arisa and Saki insist, so a swimsuit it is. Yuki and Kyou will just have to wait until next time they’re at a pool or beach with Tooru to see what it looks like.

Yuki remarks about how much Arisa and Saki love Tooru (and vice versa), and asks if the three go back to grade school. Arisa says no, only since middle school, when she was still active in a women’s gang she joined in fifth grade. She beat the shit out of people and had the shit beat out of her, and absolutely idolized the Crimson Butterfly, AKA Honda Kyouko.

When her gangmates tell her the Butterfly’s daughter attends her middles school, Arisa keeps her eyes open for “Crimson Butterfly II,” a carrot-topped delinquent in the mold of her mom. Instead, she’s bumped into by Kyouko’s actual daughter: klutz, space cadet, and deeply kind and decent girl, Honda Tooru. Arisa can’t believe it.

When she finally gets to meet the total badass bike empress she placed on such a high pedestal, she was bound to be disappointed, but could never in a million years have thought she’d be a carefree doting parent. When Kyouko and Tooru invite her to dinner, Arisa suddenly feels very uncomfortable and out of place.

Arisa gets up to leave, and when they insist she stay, she lets Kyouko have it: she’s disappointed and embarrassed to see what has become of the Crimson Butterfly. Kyouko’s response is perfect: she “just relaxed a bit”, is all. But it’s just too hard a pill to swallow.

In her rush to leave, she left her trademark black face mask, and Tooru chases after her to give it to her, calling her “Uo-chan.” But Arisa rejects the nickname and rejects Tooru’s open hand of friendship. She can’t look at Tooru without being reminded of how low the Crimson Butterfly fell. So she goes back to beating the shit out of people and getting the shit beat out of her, because what else is she going to do?

That brings us back to the cold open when she comes home, shuts herself in her room, and can’t get the image of Kyouko and her warm, bright, happy life with her “strange” daughter out of her head. Lame as it might seem to her, it may nevertheless be something Arisa wants, but long ago thought she could never have.

After last week’s disappointing Ayame-stuffed lakeside excursion, Fruits Basket roars back into relevance with a much-anticipated look into the past of one of Tooru’s BFFs and one of the most lovable characters on the show, and it didn’t rush things, leaving its resolution for next week.

It reminded me of another excellent backstory episode of another blonde delinquent-turned respectable civilian (Onizuka Hime from SKET Dance) as well as a wonderful exploration of how much a person can change in a short time—and how much Tooru can change them just by being Tooru. More of this, please!

Oh, and as an added bonus, the three delinquents who have a beef with Arisa have a hilarious post-credits sequence where they’re enthusiastically practicing their threatening techniques under a bridge, only for their first “victim” to be none other than Souma Momiji, who inadvertently scares them off with a his terrifying German friendliness. Very good stuff.

Senryuu Shoujo – 01 (First Impressions) – Five by Five, With Seven in Between

Senryuu Shoujo is a tonic for a long, stressful day. Its heroine Yukishiro Nanako is also the antithesis of the non-studying Ao-chan, the first episode of which was most notable for its catchy OP. Rather than assume the worst of anyone, Nanako embraces her classmate Busujima Eiji, a nice book with a rough cover, as a fellow devotee of senryuu, a kind of haiku.

Unlike Eiji, Nanako doesn’t talk. We hear Hanazawa Kana’s voice, but it’s only in Nanako’s head. She communicates with senryuu, gestures, and body language…and gets by pretty well! The idea of someone developing senryuu as a means of organizing one’s thoughts and expressing them with a manageable, reliable structure, is an enticing one.

But more than that, Nanako is just adorable as all get out, and her unlikely friendship with a former delinquent—who got his scary face bandage from his cute little sister—is most endearing. And at an economical twelve minutes, we may have a lightweight slice-of-life keeper here.

Aho Girl – 03

It’s a jam-packed Aho Girl with another not one or two or three but four separate stories, starting with a different opening in which the Disciplinary Committee President (DCP) slowly pans into the shot from the right leering at A-kun, until Yoshiko slowly pans in from the left.

From there, Yoshiko’s mom meets Sayaka, and is immediately suspicious she’ll steal A-kun from her daughter (and by extension, her). Thus she uses two pairs of handcuffs (she normally uses on her husband) and tries to get Sayaka to show them her panties, which will determine what kind of girl she is.

When A-kun threatens violence on Yoshiko and her mom, Sayaka surrenders, and when she finally reveals her panties to the women, they’re so white and pure Mom tells A-kun he’s free to be friends with her: she’s no threat.

Part Deux is another “kids in the playground” segment, with Yoshiko wanting to play and the kids preferring if she just studies, since she needs to get a job at some point. I will never tire of their mature, pragmatic banter.

Then a big white dog shows up—a huge white dog—and Yoshiko protects the little ‘uns…by attempting to ride him. There’s a poetry to her being dragged across the dirt telling the jaded kids to “hold fast to their dreams” as she holds fast to the dog, eventually ending up holding him in the air with her legs.

It’s a stray dog, so naturally Yoshiko intends to keep him, so she can keep riding him, and to the kids’ surprise, she seems to have trained him. The girl even calls Yoshiko “kinda amazing”, which immediately concerns her friends.

Following the dog rodeo, Yoshiko suddenly sounds a lot more bright and sophisticated when talking about her one true love of bananas. Her interest piqued by a bold upstart domestic banana farmer, Satou-san, and the taste is so good she bowls’ over backwards, revealing her panties once more.

The sophistocation quickly fades away when she proposes to run to Satou’s farm to meet him, and Sayaka must tag along…to the tune of 100km. Stopping to buy a drink, Sayaka very unwisely sends Yoshiko into a store that sells far more than just drinks, and the phrase “a fool and her money are soon parted” is elegantly yet devastatingly illustrated. The ugly, dull, expensive, yet not not adorable town mascots of “Middle of Nowhere” were a nice touch.

They finally reach the farm, and Yoshiko draws Satou into a perhaps not appropriate hug for an old man who is a complete stranger. Still, Yoshiko seems convinced she knows the man’s soul intimately after tasting his exquisite banana (that sounds wrong but it’s factually accurate). Then it’s up to Sayaka to get on all fours and beg for train fare home. I can’t blame her for not wanting to sprint another 100km home.

In Numero Quatro things get a little frisky and a little dark, as Yoshiko, seeing A-kun is down from not scoring a full 100 on any of his tests (say what you will about her, she’s good at nice round zeros), and decides to cheer him up…the same way her mom cheers her dad up some nights. Oh dear…

Yoshiko is truly an idiot, but she pays attention when she wants to, and was clearly taking very precise visual notes, judging from the attention to detail in which she handcuffs A-kun, talks to him like he’s a baby with an insufferably cutesy tone while stripping. A-kun is not, for a single moment, turned on by the display, and indeed, looks like he’d rather be anywhere else in the world. I’m sure Yoshiko’s mom would be sad to see him that way!

His sister, on the other hand, manages to walk in just after he’d gotten on his feet and delivered a tremendous knock-out drop kick to Yoshiko, and in the very moment he’s lifting her skirt with his teeth to fetch the key from her panties. Poor Ruri! On the one hand, she shouldn’t have to see that. On the other, well…Yoshiko really shouldn’t have to ever see her parents’ foreplay.

Aho Girl – 02

This week Aho Girl continued to deliver strong comedy bang for the buck, relying on a single, central premise (Yoshiko is an idiot) but applying that idiocy in a diverse array of unexpected ways.

First Yoshiko wanders off and plays with children, who think she’s cool until A-kun arrives to burst their bubble. It’s an act where Yoshiko exhibits her rare glimmers of brilliance (both in building a boss sand castle and lamenting that the kids’ hopes were already “lost and broken by modern society”, her failed swing attack makes deft use of both slapstick and observational comedy.

In another little dig at modern society, Yoshiko gradually convinces a rough-looking delinquent to stop pawing Sayaka and play with her, a “fellow idiot” instead, believing she sees him for what he really is: a sensitive, misunderstood young man just trying to make it in the world.

Turns out A-kun’s sister Ruri is also capable of scoring zeros on tests, but not for lack of studying, for which his high-scoring brother can’t hide his shame, and leads Ruri to tell him she hates him and latch onto Sayaka instead, who worries about the girl’s future.

Finally, A-kun has an admirer, and it’s the disciplinary committee president, who despite her button-down, strict manner, is concealing all manner of lewd and lascivious thoughts, especially when A-kun invites her (quite innocently) to search him (for contraband), which she takes to mean violate her regulations. She ends up banging her head on a locker trying to jump him, but promises “it isn’t over”.

Shokugeki no Souma 2 – 02

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Erina waited for Alice post-match to tell her how the “limits of her strengths were apparent” against Souma. When Alice fails to deliver a worthy comeback and storms off, Erina privately expresses her envy that Alice can cry and fume so freely without anyone giving it a second thought. Heavy is the crown on the head that contains God’s Tongue.

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While last week was a battle where heart warmth beat out dazzling science (and dazzling science cried but accepted the loss), this week gives us another battle between two chefs from harbor towns who have completely different philosophies about cooking. Those opposing views inform Megumi and Ryo’s equally polarized approaches to seafood broth in their first round ramen challenge.

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For this match, Souma and Alice join the others in the stands, and the latter’s presence proves useful in providing everyone else with her own personal insight regarding Ryo. She first met him while on her world travels ten years ago, and even then he was a head chef an a force to be reckoned with.

But Megumi isn’t the shrinking violet she was at the start of this show. She’s put faith in her friends, her family, the bounty of her home, and her ability to bring out its full potential. Once he puts on the bandanna Ryo transforms into a wild child, but Megumi doesn’t let herself be intimidated, as a fire of equal ferocity burns within her, fueled not by coarse ambition, but by love and kindness.

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There’s a reason Megumi’s the dark horse: no one looked at her and saw a serious contender. But Megumi doesn’t simply rely on low expectations, nor will that get her past these judges. She’s got skills, as the judges see when her broth turns out shining and crystal clear, goading them into drawing nearer as one does at a ramen cart, watching your meal be prepared up close.

They don’t get near Ryo’s side; he’s like the shellfish whose carcasses he pounds into powder: people keep their distance out of fear, lest they get the claws. Alice knew well to stay the hell out of his kitchen ten years ago, when he brought three brawny harbor cooks to heel with ease, all while satisfying a packed restaurant.

When Ryo sees Megumi has the judges’ and crowd’s attention, he snatches it back with a loud and dramatic noodle drain. He also finishes first, just as Alice did.

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Like his personality and hyper-competitive spirit in the kitchen, his bold, multi-latered “soup de possion” ramen beats its tasters into an elated submission, and Ryo is visualized as a delinquent gang ringleader.

I thought Ryo’s Yang would be countered by Megumi’s Yin, but while her soup, like her, looks like it wouldn’t stand a chance against Ryo’s zero-sum, all-conquering flavor, but actually can, and surprises everyone but her and her friends when it does.

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Yes despite looking clear and pure and light, Megumi’s ramen packs just as much of an umami punch. Not only that, she carefully prepared this dish knowing she’d be facing a rich soup from Ryo (since he immediately and very publically chose thick noodles), and made sure to include the flavors of her home, adapting a regional specialty as her secret weapon.

She also included a delicious paste because it would be “fun” to switch up the flavor later in the bowl. Ryo would never do that. He wants to beat the judges down; nothing fun about that!

Ryo and Megumi’s different routes brought them to the same place: two powerful, assertive seafood ramens bursting with complex umami. Rather than fight fire with water, Megumi brought the same weapons to bear as Ryo. It’s an all-out brawl, and by the end, unlike last week, there is no clear winner.

I have no idea who will win, but I predict it will be Ryo. I love Megumi, but the idea of her beating Ryo right after Souma beat Alice seems too one-sided in favor of the Polar Star crew. Then again, Ryo has definitely exposed some weaknesses which Megumi is uniquely poised to exploit. Not to mention I certainly wouldn’t mind Megumi moving on to the next round!

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Tanaka-kun wa Itsumo Kedaruge – 08

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Ohta is injured, so Tanaka must fend for himself! In theory, of course. In reality, Tanaka can’t quit his dependance on help cold turkey, and asks (kinda demands?) Echizen help him instead.

Because Echizen is a kind and decent person, she agrees to direct Tanaka to her neighbor Ohta’s house, and while she carries her usual unpleasant demeanor, it doesn’t change the fact that she helps him nonetheless.

She’s clearly also helped out a bunch of other people, as evidenced by the numerous times she’s stopped on the way home by people thanking her for helping them.

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Even when Echizen successfully gets Tanaka to Ohta’s, she sees how happy Ohta is that Tanaka made it there “himself” that she hides so Tanaka can take the credit. This begs the question, for Tanaka as well as me: Why exactly is Echizen a delinquent? Does she, in fact, only dress like one? It sure seems like it, but that contradiction makes her only more endearing.

The next day Ohta returns to school, but is limited due to an injured foot. Tanaka tries to abandon his listlessness that he might be Ohta’s “conveyance” the way Ohta is his most of the time, but to no avail. He has the will; he just doesn’t have the way.

That being said, Tanaka does let Ohta put some of his weight on him on the walks to classes, where Ohta imagines how great it would be if the floors, stairs, and doors were all automatic. With his injury, Ohta is being given a taste of the difficulties moving Tanaka deals with everyday, so it’s only logical that he’d start thinking of ways to make life easier.

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Tanaka seems to do Ohta a solid by purchasing his usual sweet pan for lunch, but he gets tired on the way back, remembers that sugar can help with energy, and eat’s Ohta’s pan, leaving Ohta with Tanaka’s savory sandwich. Tanaka’s “various reasons” rationale (complete with face covered in crumbs) is hilarious. And who’s there to bail both out but but Echizen, adding to the mystery of why she’s a delinquent.

The day is more energy-draining than usual, making it hard for Tanaka to stay awake during unsupervised self-study, during which he must complete an English worksheet. He half-assedly puts down answers in Romaji letters (not English), then wonders why, if only about 80 countries speak English, they couldn’t “reform” them and make Japanese a global language.

Note there’s no megalomaniacal ambitions or malice here; Tanaka is just thinking of the most complicated way possible of eliminating English classwork so he can sleep more. The cut to the various people he could potentially ask for help was a wonderful sequence of unique personalities, none of them useful to his immediate needs.

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The day ends with a fire drill that demonstrates how Tanaka’s dependence on Ohta could be hazardous to his health, as two classmates help Ohta out but Tanaka gets lost in the school during the evacuation, so used to being carried by Ohta that he is. It’s a similar problem as taking the bus or taxi or Uber someplace all the time, but never driving or walking there yourself – writ small.

When the day ends (with scenes of the town at sunset as gorgeous and tranquil as any show airing today), Tanaka thanks Ohta for everything, even going so far as to name a day after him, which, combined with his “Tanaka Antoinette” line, suggests he considers listlessness a kind of oblesse noblige or higher calling.

The next morning, he gives Ohta an Ohta’s Day gift: a booklet of coupons enabling Tanaka to walk by himself between classes. Tanaka’s attempts to be magnanimous again goes awry because his ability can’t quite match up to his good intentions, and Ohta must swoop Tanaka up and dash to class before the bell rings.

Clearly, Ohta needs to find a more useful way of reciprocating Ohta’s kindness, but at the end of the day, Ohta is simply happy that Tanaka is trying. It’s the thought that counts…but hey, some light physical training wouldn’t hurt, right?

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Bakuon!! – 04

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For summer break, the girls decide to tour Hokkaido. Why Hokkaido? Well… Rin was there a long time ago with her dad and had quite an experience. They wrecked while trying to avoid foxes on the road, her dad got parasites from the foxes and she was sent home alone on a train.

For some reason this realization doesn’t dissuade Bakuon’s girls and so they set in for a long ride and a string of misadventures. By the end, their relationships are a bit closer. Also, Hane finds Jesus.

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This week’s theme is fathers. Sorta. Rin’s father obviously features heavily and his hilariously terrible parenting is repeatedly on display. In addition to their terrible Hokkaido trip of old, we later learn that he jack-knifed Rin into the air and she landed on the hood of a car… only to be BRANDED with a Sazuki logo on her butt.

Speaking of butts, Hijiri’s butler is like a father too. He gives her sage (and wacky) advice about Ducati bikes having souls, which apparently makes them terrible self-destructive things. They also share a tender moment where he fears his days are coming to an end — that they will end when his bike next breaks down — only for it to immediately break down. Continuing to smile, they wait for the family’s ever present helicopter to fly in a replacement and act as if nothing has happened.

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And father of all fathers, a Jesus of sorts makes an appearance. While Onsa and Rin leave Hane behind, and her gas tank is nearly empty, there he is by the road. She shares what little gas she has and they creep to a gas station and he tells her about Bikes in the old testament.

Then he teleports her ahead of the other girls. A ferry ride to Hokkaido finally ensues and the adventure ends with a glorious dip in hot springs. Roll credits!

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This was, by far, the funniest episode so far. The details were great: Rin’s uniquely terrible life shames, the fact the Suzuki logo was put on the car backwards, Lime wearing a helmet in the bath, the weird ‘masks’ the various NPCs wear for no reason, the X-Ray to reveal a bike under an old painting, and the reveal of the fox parasites!

More than funny though, the episode had heart. The various relationships, be it rivalry or love, all grew and they all had fun in the process.

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Tanaka-kun wa Itsumo Kedaruge – 03

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Tanaka may be always listless, but I’ll tellya what else he’s becoming: popular. After a very filling meal makes him more listless than usual, the person who left a letter of challenge in his shoe cubby confronts him.

This week marks the introduction of Echizen, a blonde Yankee sporting a super-long skirt, slipped-on school shoes, and multiple piercings. She wants to fight Tanaka, to find out what kind of person he is.

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Fortunately, Echizan is far more than a delinquent, and the show quickly molds her into a three-dimensional character I truly wish to root for, even if she’s hassling Tanaka…nay, because she is. She’s also Ohta’s childhood friend, so he knows her from before she became…this way. She also doesn’t overdo it, and her manner of speaking is actually quite refreshing.

When Tanaka discourages her from starting a physical fight she’d easily win, she challenges him to Othello (AKA Reversi) instead.  She wins handily, but hold on: Tanaka was playing by different rules, and because he spelled out the character for “white” on the board with his white pieces, it stands to reason he won a game in which the winner had to do just that.

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An attempt to beat him at cards also fails, as he’s so intent on showing off his mad shuffling skillz, the wind on the rooftop blows all the cards away and they’re left one card short of a deck. It’s as if nature itself is allied with Tanaka against engaging in a serious challenge with Echizen.

But then the person on whose behalf Echizen is fighting appears: Miyano, or “Myaano” as “Ecchan” calls her. We learn both from her reluctantance to eat Osha’s bunny-shaped bread to her friendship with the tiny, cute Miyano that Echizen loves cute things.

The Skirt swap bumper was hilarious.

Exhizen’s love of cute things, and inability to eat them, gets her in trouble in the next segment, which results in a row with Miyano. She can’t eat the cute bunny cookie Miyano baked for her, so it gets old and grows white fluffy mold.

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Miyano is PISSED (in an adorably similar way to Popura in Working!!)—as is Ohta, who shares Miyano’s love of sweets and belief that wasting them is sacrilege.

Interestingly, Echizen enlists Tanaka of all people to help her, first acting as a shield (which fails when Miyano goes cold when peaking out from behind him) then writing a letter to express her feelings (which Miyano misinterprets as a challenge).

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Throughout Echizen’s crisis (which is really just an honest misunderstanding), she forms a nice rapport Tanaka, depending on his open ear and honest responses as she bounces ideas off him. He comes up with things she’s too wound up to consider, and comforts her when she suspects Miyano never wanted to be friends.

Tanaka, rightly, believes it’s a waste of time to let things fester with a friend (he considers himself and Ohta to be as steady as an old married couple…which they are!), while Miyano is listening in while they talk (it’s a school, there’s only so much privacy).

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Miyano is still angry about her cookie going to waste, but she doesn’t want to make it any bigger than it is; it’s certainly not as important a matter as the fact that she is deeply in love with Echizen (She has good taste!). Yes, Echizen is the one Miyano wanted to train with Tanaka to become more listless and mature.

The thing is, Echizen likes her the way she is, as Tanaka said, and upon hearing such wonderful news, the two make up nicely. The next time Miyano makes sweets for Echizen (as well as for Tanaka and Ohta), the makes them “not cute at all”, resulting in chocolate bodybuilders. Ecchan has no problem wolfing them down, but now the boys are the ones with a thing about eating things that look like certain things.

As they converse, now a genial quartet, Shiraishi, the cutest girl in class, walks by. I presume she’ll be the next likable, rootable, well-rounded character to make it a cool quintet. I look forward to whatever distinct quirkiness she’ll bring to the show.

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Bakuon!! – 03

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Now that she has a license, Hane needs a bike—and she knows what she wants: A Honda Su-Four. Despite Onsa warning her that owning a Honda is like being with one man for life (which Hane doesn’t see a problem with), it’s the bike she learned on, and it’s what she wants. And since it’s her yen, and the dealership has a nice pink one, a Honda Su-Four is what she gets!

The twist is that the dealership Hane visits first happens to be run by Onsa’s father. It’s not exactly above-board, what with drowned bikes and reset odometers, but Onsa is determined not to let her dad shove a lemon on her friend, so she does the servicing herself under Lime’s watchful eye.

The beautiful moment Hane mounts her lovely pink steed, the world goes all black-and-white and she is compelled to hit that tasty looking road. Unfortunately, there’s almost no gas in that steed and she ends up stranded. But still, that first ride looked really fun.

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Now that Hane has her license and bike, she starts going on rides with the rest of the bike club, which for now is just her, Onsa, Lime and Hijiri (and her chauffeur). They make it easier to communicate with headsets Hijiri installs in their helmets. But Rin snatches her helmet away before Hijiri can finish, so she can only send, not receive.

This results in a hilarious scene where Rin, understandably thinking no one is listening because she’s riding alone, starts singing a girly Katana song, and when she spots Onsa, launches missiles at her (i.e. flashes her headlight).

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Surrounding this episode is Rin’s reluctance to join the bike club, even though, let’s be honest, she really wants to. Her and Onsa have some complex moments, first with Onsa in tears of shame at the state of her father’s place of business (while conceding it’s put food in her and her brothers’ mouths), and here with her headset leverage over Rin.

But while they go at each other consistently, there’s still an underlying warmth, and obviously their shared passion for riding that links them, which is why Rin agrees to pose in a group photo—as long as her Katana is center stage.

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The final third deals with the fact the faculty of the school has found out about an unofficial, illegal bike club (though girls riding bikes, or helicopters in Hijiri’s case) aren’t prohibited. This leads to a stunning reveal when the principal meets with Lime and calls her senpai—clearly Lime is not a high schooler and hasn’t been for some time.

We flash back to when the Bike Club was official and the principal was one of the mechanics working on Lime’s bike in a race. One of her friends forgot a screw, so Lime’s bike blew up before the finish line, teaching the future principal a valuable lesson: don’t employ high school girls as motorcycle race mechanics. That being said, when Lime wordlessly (natch) promises to keep the girls safe, she gives her approval for the bike club to be reborn.

I was preparing to pull the plug on watching and reviewing this show after three eps, since it’s pretty one-note, and I’m probably going to stick to that position, despite this being a pretty strong episode. It all comes down to not having to many shows and casts to keep track of and making my mind a muddle. It’s got its charms, and the bike angle is unique, but the fact is it’s the weakest of the Spring shows I’m watching, so it gets the hook.

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Bakuon!! – 02

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Week two of Bakuon!!starts by delving into the past of Suzunoki Rin, whose father instilled in her a passion for motorcycles and in particular Suzukis. One Suzuki he always coveted was a Yoshimura-tuned 1135R Katana, but after he breaks many bones in an accident, the dream seems distant…until Rin writes the necessary essay extolling her passion for the bike and ended up getting it for her dad.

Meanwhile, in the present, Rin has her license and is about to take her dad’s old 400cc Katana for her first official ride, and her dad has the temerity to poo-poo the very bike he once rode, even as he’s riding a bike he wouldn’t have without his daughter. What a jerk! But hey, at least he didn’t die in that accident. That would have been a bit too dark… :/

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Speaking of dark, the dark, frizzy-haired Onsa just can’t seem to get alone with Rin, and Suzukis are at the core of their conflict. Rin is already satisfied that Onsa is an “anti-Suzuki Fascist”, and while Onsa wants to at least cultivate the fiction that she likes Suzukis (so Rin will join the club), far too often her big mouth gets her in trouble when she reveals her true feelings within earshot of Rin.

Of course, we can’t just have Onsa and Rin going at it every episode as Hane referees and Lime…just stands around not talking. Enter Minowa Hijiri, a rich girl who is obsessed with experiencing what it is to be bad; and what better way than to join a bike club?

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Hijiri makes an immediate impact on said club, suggesting that rather than bicker in the club room or thumb wrestle, they determine who is the most courageous, and thus forge bonds of shared danger, by playing chicken with their motorcycles, a la Rebel Without a Cause.

Of course, being a rich girl, she doesn’t actually pilot said bike (she’s unlicensed, besides); that task falls to her butler, Hayakawa, who sees these girls, particularly Lime, mean business and gives the challenge his all. Onsa and Rin break at the same time very early, showing how alike they are despite their different make preferences.

As for Hayakawa, he simply doesn’t break at all, plunging his Ducati 750SS Imola Replica and Hijiri-occupying sidecar into the river. But it’s all good, becaue Hijiri feels like a true delinquent.

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In “part three” of the episode, Hane completes her training and testing phase, despite the fact the school switched out older Hondas like Baita for newer model that won’t talk to her. Baita also reveals she used to be a man, but was “neutered” and thus became a woman when prepared for lower-performance school duty.

Hane’s four friends watch wearily as Hane seems destined to fail her exam, forgetting everything Baita taught her and being over-distracted by the silence of her new ride, but Hijiri devises the plan to cheer for Hane from a high vantage point, forcing her to keep her head up. It works, and Hane manages to pass, meaning next week she gets to ride. But what (Honda) will she choose?

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Charlotte – 04

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I don’t dislike baseball, and while I probably wouldn’t watch an anime exclusively devoted to it, I do enjoy the occasional baseball episode (it was one of my favorite DS9 episodes, simply because it’s so fun and feel-good).

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This week’s Charlotte was one of those, and it turned out a lot like “Take Me Out to the Holosuite”, which featured a ragtag team of Sisko’s crew (many of whom never played baseball) against a superior team—or in the case of Charlotte, a team with an ace who uses telekinesis to pitch perfect games.

They’re not just playing for pride, either: Nao gets the pitcher to agree never to use his power again if they lose; warning him that to do so would invite unwanted attention and ultimately capture by evil scientists. She also points out that he’ll lose the power, and thus any change of getting to the Bigs, once he grows up, but he seems undeterred.

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The game that unfolds is a bit of a circus, what with new Hoshinoumi transfer student Yusarin transforming into Mika, who has above-average athleticism baseball “game sense”, but is limited by Yusa’s weaker, slower body. Joujirou is predictably an asset in getting to first in record speed, but Nao has to record his at-bat with a high-speed camera to prove to the ump via instant replay that he was indeed safe. And, of course, Yuu switches bodies with an opposing batter while manning first base, with his repeated fainting confusing the ump to no end.

Finally, Nao calls upon Yuu in the most important at-bat; one in which a base hit will give them the win. Unlike his usual M.O. of sneaking around and swapping bodies, Yuu must face something head-on. He goes down 0-2 quickly, but realizing the gravity of his position, he valiantly fouls off pitches until the pitcher tries a new angle that results in a passed ball, scoring the two runs they need to win the game and the bet.

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This week’s challenge for the Student Council turns out to be a little more interesting than the one-dimensional producer targeting Yusarin, because the pitcher wasn’t cheating for personal gain; he wanted to take his team as far as he could because he wanted his friend, the catcher, who has excellent natural ability without the use of powers, to be noticed by scouts. Nao respects the guy’s selfless motives, but tells him there are other ways to do that; ways that won’t get him locked up and experimented on.

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Perhaps Yuu also learned the benefits of facing problems head on, which would serve him well in the unending battle to get his sister to stop putting pizza sauce in his meals. This is getting pretty ridiculous: I know he doesn’t want to hurt her feelings, but if he really doesn’t want pizza sauce in everything, he needs to confront her directly and tell her to please stop. I’m sure he could figure out a way to do it tactfully. Or better yet, have Yusa tell her for him! But not Mika. She’d probably spit in the food. ;)

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Charlotte – 03

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After another incident of Joujirou injuring himself while procuring lunch (the show already spent that nickel last week!), the StuCo gets a new lead: someone who can not only channel the dead, but also has the power of pyrokinesis. It turns out to be the idol we saw Ayumi watching, whom Jou is also enamored of: Nishimori Yusa (voiced by Uchida Maaya). With some more Yuu and Takajou teamwork (in which Nao gets cold-cocked and Yuu takes the brunt of Jou’s attack) they manage to find one of Yusa’s protectors, who take them to her.

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When Yusa goes into channeling mode she’s unaware of what’s happening, and the girl she channels is her late older sister, Misa, who was once an delinquent with Yusa’s present bodyguards. It’s Misa, not Yusa, who is able to control flame. But Yusa is in trouble: she accidentally ended up with an incriminating smartphone, and a producer is looking to wipe her off the map to protect its secrets.

Nao devises a plan whereby Misa takes over Yusa and acts tough like she’s killing all of the producer’s henchmen left and right, but all she does is lightly singe her two buddies in flame-resistant suits, while Jou, Yuu, and an invisible Nao make it seem like she also has The Force. The producer is scared off, almost too easily, but at the same time, after that demonstration, I’d be pretty freaked out too!

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After that, Nao insists Yusa transfer to Hoshinoumi; it’s only a matter of time before her powers manifest in public and she’s taken away by scientists and used up like just another human “battery.” Misa agrees it’s what’s best for her little sister, even if it means one day she’ll no longer be able to possess her. One of her buddies also takes the time to confess his feelings for her; feelings he wasn’t able to confess when she was alive. And of course, back home, Ayumi is over the moon that her brother is now classmates with “Yusarin.”

This was an alright introduction of the fifth member of the main cast as displayed on the official promo art, and Uchida Maaya does a good job differentiating between the cutesy Yusa and the tough-as-nails Misa. But to be honest, there wasn’t much in the way of danger this week; everything just kinda worked out perfectly. for all involved Also, after just finishing the lovely Yamada/7 Witches, yet another instance of two people in one body feels a bit passe.

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