Just Because! – 08

Komiya Ena took Izumi’s photo before getting his permission, but after an extensive yet completely organic charm campaign, she eventually got it…and developed feelings for Izumi along the way. Perseverance and optimism won the day.

Komiya does the right thing by asking Natsume permission to ask Izumi on a date, but Natsume’s stern “no” doesn’t discourage her. Komiya knows intrinsically that she’s responsible for her own happiness and can’t wait around for things to happen on their own.

Natsume may have thought she’d bought a little time with her “no”—itself a huge move for her that confirmed she’s at least not indifferent towards Izumi—but she does nothing with that time. Izumi even asks her what she wanted to talk about, but she gives him the “never mind, it’s nothing.”

Natsume and Izumi’s situation takes a back seat when they join Souma and Inui for lunch at Morikawa’s house, which could and probably should have been just a Souma-and-Morikawa (and her little brothers) lunch.

It’s a cordial meal, but there’s something distancing about the way Natsume speaks of the support she got from everyone when Izumi provided the lion’s share of said support during the snowy exam day. It’s like the warmth of that day has been replaced by the more familiar coolness of earlier episodes.

That said, it’s not all Izumi’s fault; Izumi is the one so stealthily demonstrating his feelings for her by applying to the same school, where they’ll presumably be able to see each other. But if that’s what he wants, what the heck is he waiting for? Like Natsume, he simply lacks the proper amount of gumption to act on his feelings, or even put them in forthright words to the necessary party.

Komiya, meanwhile, has a lot more gumption, which is why she comes so tantalizingly close to asking Izumi out via LINE. She wants to send something, but gets caught up on the structure, formality and perceived tone (another reason to just talk to someone).

She needs a little nudge—or in this case, the paw of her big fat cat—to send it, and when it’s read immediately, I really related to the waiting game she had to endure, as well as her elation upon getting a positive response from Izumi.

Komiya doesn’t know exactly what she’s feeling or what she wants, but she does want to move forward with exploring it, and more importantly, has the wherewithal to follow through in a timely, direct fashion. It would help her out a bit if Izumi wasn’t so dense—asking Siri (or a Siri equivalent)  what “date” means? Really?

Then we have Haruto, who like me, sees the wonderful chemistry Izumi and Komiya share, and see Komiya get so pumped about her date, and I just can’t help root for Komiya.

Naturally, on the morning of the date, Izumi runs into Natsume first, and Natsume is on to him; they’re so in sync, she even asked Siri the exact same question. Natsume’s on her way to cram school; she wasn’t trying to break up a date; but she looks awfully bitter when Komiya shows up, leading to one of the better-delivered exchanges of the episode, if not the whole show:

—”I told you no.”
—”Do I need your permission?”
—”Then, why did you ask?”
—”Well, just because.”

In addition to Komiya finally delivering the TITULAR LINEthis dialogue so nicely encapsulates the differences between Natsume and Komiya. Komiya didn’t ask permission just so she could do it anyway; she didn’t think Natsume would say no, or feel so strongly about Izumi at all.

After all, who’s spend more time with Izumi of late? Komiya. She’s not saying “shit or get off the pot,” but her way of doing things just naturally runs roughshod over Izumi’s more deliberate approach.

Also great? Natsume and Komiya having a moment of solidarity when they both tell Izumi that their cryptic discussion is “none of his business.”

Natsume doesn’t protest any further; she has to go to cram school. So Komiya carries on with her date with Izumi. And it’s such a nice, low-key date! She takes him places where she snaps photos…and he snaps a photo of her, which she then makes his wallpaper!

They look like they’re having so much goddamn fun, even sitting in the dark clubroom looking at photo albums. One of those albums show a first-year Natsume with her older sister Mina…

…Who we then segue to! Mina asks Mio why she wants to attend the same university as her, telling her she should go to the one she wants. Seems a bit late in the game to be telling her this, but it does expose a certain “running on inertia” style to Natsume’s life.

Right now, she defines her purpose, first and foremost, of entering college, which is the same one as her sister, probably just because! What’s wrong with just because?

The sisters don’t happen to spot Izumi walking Komiya home after their adorably awesome date…which is for the best; enough coincidences, already! But that album photo reminded both Izumi and Komiya that there’s another side to their triangle, and it’s a side Izumi is studying hard to stay beside in the future.

With that in mind, Komiya asks Izumi why the heck he doesn’t just confess to her. His answer—”I would if I could”, doesn’t satisfy anyone; particularly himself.

So Komiya does what she’s always done to reasonable good effect: go her own way, proceed, persevere, hope. Now winning a prize at the photo competition isn’t just about keeping the club alive, it will determine whether she confesses her love to Izumi.

And no, Izumi, she’s not making a funny joke, she’s picking a direction and going. If you don’t like it, say something; do something. Otherwise, enjoy the journey.

*****

With all this talk about the triangle, I almost forgot about Souma and Morikawa! It’s…fine, they’re fine; they’re just not quite as compelling. She still owes him an answer. It was good to see Souma continue to get along with the bros, and Morikawa’s little makeover, which Izumi of all people sees first (and does a double take), was a cute and unexpected way to close the episode.

Just Because! – 07

Things really come together in the Natsume-Izumi-Komiya love triangle this week, as both girls start to realize the feelings they have, things long left unsaid are finally said, nudging the narrative forward in a satisfying way.

Komiya clutching Izumi’s back was certainly a provocative image to leave use with two weeks ago—particularly in making Natsume bear witness to the display. As it happens, the embrace was instigated by a jubilant Komiya. We get to see what led up to that hug-from-behind, with Izumi saving Komiya from a run-in with a scary dude who thought she was snapping pics of him without his permission.

She blames Izumi for not giving her permission, but more importantly, finally tells him why it’s so important he give it: the photography club is a place where she finally belonged; if it’s gone, she’ll have nowhere.

While that’s not strictly true, I’m sure Izumi can relate to not having a true place to belong after being uprooted from his school and friends years back. And like Komiya, he’s working to preserve such a place, by trying to get into the same university as Natsume.

Izumi tellingly gets no sleep at all; perhaps he recognized Natsume last night when Komiya was on his back; and when it snows the morning of her test, all forms of transportation are snagged and delayed. It’s a common scenario for Natsume, as Izumi sees it: she’s always getting the short end of the stick; one could also call it plain ol’ bad luck.

It enabled her to see Izumi with Komiya at the worst (and most misunderstandable) possible time; it also caused it to snow the day of her big test, and to slip and fall right before the PA warning about the slippery floor.

But Izumi is on it; he does what he’s always done with Natsume; try to make up for her bad luck by being there with her; to help bear some of her burdens. After seeing him with Komiya, Izumi helping her off the cold wet ground was probably the last thing Natsume expected…and yet here he is.

Izumi also shields her on a crowded train, making things as comfortable as possible before her test. When she worries she’s forgotten all she’s studied, he throws history questions at her, which she answers with ease; she’s alright after all. She asks him to keep quizzing her.

Neither mentions what was up with Komiya last night, he’s just there, in the there and now, to offer his support, and it seems to work: Natsume arrives at the test center with a spring in her step and has a defiant, confident look in the testing room.

That train scene is my favorite of the show between the two; there’s so much quiet, gentle mutual affection there; both look so cozy and content. And it almost instantly turns Komiya—whom I was damn near ready to ship with Izumi last week, but who sneaks up on Izumi in a bookstore—into an interloper. Izumi barely has the time of day for her.

At the same time, I feel sorry that the timing of her “queasiness” is coming at about the same time Natsume is starting to realize her feelings for Izumi. After the test, Natsume watches a middle school couple interact on the train, with the boy carrying the larger load for the girl’s sake, albeit somewhat grumpily.

The boy reminds Natsume of Izumi, clearly carrying something too heavy but willing to do it for her. In that flashback, Natsume’s fellow council members skipped out on her, in another instance of her getting the short end of the stick, but Natsume’s quite right that Izumi got an even shorter end when he suddenly had to move away.

But now Izumi is back, and he’s still willing to go the extra mile for Natsume. Indeed, she’s not yet aware he’s aiming to go to the same university as her. I wonder how she’ll take that when she does learn? I guess it depends on whether he tells her or if she finds out.

Komiya does know; she saw the books Izumi was reading at the store. As such, and with her “queasiness” in mind, Komiya wastes no time asking permission again, this time asking Natsume if she can ask Izumi out on a date.

In baseball speak, this question to Natsume could be considered “chin music”, a fastball high and inside, meant to back the batter off the plate. It’s an aggressive move by a girl who has made many an aggressive move to get what she wants, though in a more pragmatic than selfish or hostile way.

Everyone is looking for a place to belong, and in Komiya’s case, that place might just be by Izumi’s side. Natsume may have been super-passive up to this point, but her response to Komiya is a swift and decisive “no, you can’t”, spoken almost under her breath, but from a higher physical point than Komiya, underscoring her precedence.

Those three words indicate so much: No, you can’t swoop in and take what would already be mine, if I’d realized and/or acted sooner. No, you can’t steal a march on me. You may be working through things faster, but that doesn’t mean I have to match your speed. I’m going to sit down, figure things out and talk with Izumi, and then we’ll see what’s what. Until then, REQUEST DENIED.

It’s an admirable first step and line in the sand for Natsume. Here’s hoping she keeps it up and has a good, productive conversation with Izumi very soon.