Samurai Flamenco – 22 (Fin)

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First of all, we liked the choice of expanding on Goto’s grief and showing us how he came to message himself. Goto’s “long distance relationship” started out as something of a comedic element, but the more we’ve learned about the truth, the more tragic and compelling it became, especially when Sawada used it against him in what has to be the most emotionally charged deletion of a text message we can recall.

As Sawada predicted, erasing the last message Goto’s real girlfriend ever sent is like flipping a crazy switch. By the time Masayoshi arrives, all Goto wants to do is be free so he can kill Sawada. It’s all part of Sawada’s plan to sacrifice himself so Samurai Flamenco will have a traumatic past that will never leave him, turning him into a “dark hero” (a la Batman).

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Running in with nothing resembling a plan for victory, Masayoshi decides to fight crazy with crazy: refusing to put on the costume and stripping all his clothes off. This bizarre throws Sawada for such a loop he ends up dropping both the cuffs key and gun in Goto’s vicinity. With Sawada disarmed and thoroughly freaked out, now the still-naked Masayoshi has to convince Goto not to kill Sawada.

His method isn’t what we’d call elegant—he whips himself into a tantrum screaming “BAKA” over and over and oddly proposes to Goto—but the sheer ludicrousness of the situation snaps Goto out of his murderous rage. The idea that Masayoshi is so ignorant to the concept of love is a little silly, but in the end, his desperate improvisation wins the day. We’re glad no one was killed, but we still enjoyed Flamenco Diamond showing up to give Sawada a well-deserved beatdown for poisoning her friends.

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With Kaname recovered from his injuries, he opens up a new superhero museum which everyone attends, and we get some nice farewell moments with the Flamengers, Kanno and Ishihara (who have an awesome final exchange), and lastly, Goto and Masayoshi, who’s late for the opening. Goto receives a fresh text from his girlfriend (maybe she IS out there somewhere!), and Masayoshi runs after a litterbug.

7_very_goodRating: 7 (Very Good)
Average Rating: 8 (episodes 1-13), 7.111 (episodes 14-22), 7.636 (total)
MyAnimeList Score: 6.97

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Samurai Flamenco – 21

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As it turns out, Sawada Haiji is indeed a real person, but Masayoshi is no closer to finding him or predicting his next move, let alone defeating him. His first targets this week are Moe and Mizuki, who collapse on stage after drinking drugged coffee before their LIVE PEACE concert begins. In Mari’s defense, there wasn’t much she could do with Masayoshi’s warning. But the point is as clear as it was last week: none of his friends are safe.

The Flamengers aren’t that worse for wear (Sakura’s new hairstyle is excellent, as is the sniping between her and Joji’s wife) and Joji is conscious and on the mend, telling Masayoshi he saw the boy described and hear him mention Samumenco. Joji is not the most reliable witness, but later it’s confirmed when Haiji kidnaps Goto. Joji also tells him the ultimate weapon they have against evil is love. Only problem is, Masayoshi doesn’t know what that is.

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While the fact that Haiji is a real person coordinating all these attacks without leaving any witnesses or evidence strains credulity, but compared with some of the other outrageous things that have happened in previous arcs, it’s plausible enough, especially when we learn more about his story and realize just how hard he’s been working to become the ultimate villain.

Back to love, and what we thought was the best part of an episode full of meaty character moments: while he thinks about Joji’s words in the cab with Sumi, he remembers turning down a girl in school who liked him. When Sumi asks him what’s up, he does the exact same thing, totally oblivious to the fact Sumi could help him. Fortunately, Sumi takes him by the scruff and spells it out for him, as she must…in the nick of time, too, as Masayoshi had been considering taking his own life to end Haiji’s rampage.

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The show’s been very subtly ratcheting up the chemistry and romantic tension between Sumi and Masayoshi, and we love how she is the one to explain love in all its forms to him, as a very likable character who has been somewhat underutilized due to the show’s deep bench. We also like how she knew about him being Samumenco all along, but let it continue. But most of all, we like how she casually confesses her “technical” love for him. We still hold out hope this will go somewhere.

Really, the show has been about different kinds of love all along, starting with the love a hero must have for the people and ideals he protects, the brotherly love between Masayoshi and Goto, the unrequited love Mari has for Goto (or Moe for Mari), Sumi’s love for Masayoshi, the love that drives Goto to text his dead girlfriend, the love between a married mentor and his protege, and lots more. Then there’s the love that shook Haiji out of his apathetic existence, but twisted him into the final boss in the Samurai Flamenco saga.

9_superiorRating: 9 (Superior)

Samurai Flamenco – 20

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A lot of weird stuff has been happening to Masayoshi of late, particularly in the mental/metaphysical departments. So while his latest enemy appears to be a real flesh-and-blood guy, and someone he briefly met once before and has a whole story, that doesn’t mean he’s…real. Nothing this week suggests he really is, which is why no one really believes him.

“Real” or not, Sawada Haiji is a refreshing change of pace from the usual loud, boisterous, theatrical foes Flamenco has fought and defeated in the past. He’s incredibly stealthy and precise; impossibly so, as there are never any witnesses or evidence of his involvement in anything that happens to Masayoshi or his friends. And we say “that happens” instead of “Sawada does”, because the truth is, it could all be a coincidental sequence of simultaneous mishaps.

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Only Masayoshi is connecting the dots, egged on by the first in-person appearance and subsequent phone calls. Sawada is more than just an obsessed stalker or enemy, he’s the enemy; a classic nemesis, with the exact opposite goals of Masayoshi, and will hit him anywhere and everywhere where it hurts, even playing around with the idea of killing Goto. It’s telling then that when Masayoshi visits Goto, both to ensure he’s alright and to seek advice, this time bad things happen it has nothing to do with Sawada.

When Goto doesn’t believe him, Masayoshi throws Goto’s dead girlfriend in his face…which is a bad move, and Goto throws him out of his house. Masayoshi ends up by a riverbank to try to make sense of what’s going on, but ends up swimming wildly after a mirage of Sawada, a pretty creepy experience that awakens him to the possibility that no one else can see this newest evil because it resides within him, and only he can defeat it.

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Rating: 8 
(Great)