Arte – 08 – Finding Her Footing

After assuring Angelo and Darcia that she’ll be back, Arte prepares to step into Yuri’s wagon and the next chapter of her life. Before she does, Leo impresses upon her the importance of using that chapter to think more seriously on how she wants to make her way in the world, and whether that aligns with her continued apprenticeship with him.

Arte is certainly excited by her impending adventure, but can’t hide the worry in her face. Was she only ever holding Leo back from his work? Would he prefer if she didn’t return? Matters aren’t helped when Yuri presents her a portable altarpiece Leo told him to give to her, and she can’t help but see it as a parting gift.

One little check back on Leo sitting alone in his workshop makes it clear he’s become accustomed enough to Arte that’s it’s suddenly “too quiet” for him. Once on a boat to Venice, Arte is impressed by everyone else’s ability to not only stand and walk steadily on the heaving deck, but spar on it as well.

Alas, Arte finds herself on unsteady footing both physically and emotionally, as she can’t stop thinking in circles about Leo. That’s when she forgets she’s on a boat, where everyone must be responsible for their personal safety, gets up too fast, gets woozy, and falls overboard.

She wakes up warm and dry, in new clothes Yuri and his servant put on her (though Yuri assures her he has “no interest” of that kind young girls like her), and Yuri reveals he’s known Arte has been worried about having been a burden to Leo, but finds her so fascinating to watch that he let her be.

While that almost resulted in her accidental drowning, Yuri tells Arte that she worries needlessly. Leo didn’t discourage her from returning beacause she’s in his way, but because he might be in her way. As a noblewoman, she’ll have more opportunities (like this one) that he didn’t as a former beggar, and that she shouldn’t overlook them out of deference to him.

When the boat arrives in Venice, Arte is overwhelmed and delighted by all the new sights and sounds, the diversity of people all over the world—and how good Venetians are at balancing on boats! She’s also wowed by Yuri’s impressive collection of Oriental objets d’arte

While there’s a lot of exciting new things for her to see, Arte shows Venice some new things too, like a noblewoman carrying a heavy chest up four flights, or shaking the hand of a handmaiden while politely declining her service. She projects modernity and confidence even a former tutor warns her that Yuri’s niece is “unmanagable.”

When Arte finally meets Yuri’s sister-in-law Sofia, she can’t help but agree with his belief that she’s one of the most beautiful women in the world. Her daughter Katarina is equally striking, like a delicate shy fine doll hiding behind her mother’s skirt. But she’s only shy when Sofia and Yuri are around.

Once it’s just her and Arte, Katarina reveals her true willful nature, haughtily reproaching Arte for her unrefined activities since arriving and expressing much doubt she’ll be any different from the previous tutors. Having heard all she cares to know about Arte, Katarina curls up for a nap, warning Arte not to wake her.

Looks like her usual method of simply being nice and friendly ain’t gonna cut it for Arte. She may now be on (relatively) dry land, but finding her footing with this young lady may prove far tougher than lugging heavy loads up four flights!

Arte – 07 – Opportunity Knocks

Despite the fact she’s surely busy with her apprenticing duties, Arte still finds the time to teach Darcia, a young woman she recently met, how to read and write. It’s an example of how Arte is paying forward the advantages she has as a woman of noble birth.

The other side of that is that noblemen like Yuri Falier from Venice are quick to kiss her on the hand to introduce himself. Yuri has a proposal for her: he wants her to travel back to Venice, become his family’s official portrait artist, and become a tutor for his niece, who is also an independent woman.

After sleeping on it, Arte decides to respectfully refuse Yuri’s offer. She’s simply not sure she’s learned enough to jump right into being a full-time artisan and tutor, and more to the point doesn’t feel right leaving Leo alone (Leo for his part, says it’s Arte’s choice to make).

Arte also meets Ruthanna, the daughter of Leo’s master who is very pregnant, but whose husband recently died, and his family won’t return her dowry, leaving her in serious financial trouble. After a cordial reunion with Leo, she doesn’t tell Leo the truth, but she does tell Arte.

Since legal matters are hardly her forte, Arte comes to Veronica for advice.  Veronica basically tells her that in lieu of her husband, Ruthanna needs someone of sufficient status and authority to serve as a proxy and pursue her interests.

Being a widow, Ruthanna has no leverage with her late husband’s family, who don’t care what happens to her or her child. Fortunately, she has Arte, who recently turned down work from someone with ample status and authority!

Arte revisits Yuri (who was already deep in preparations for an “offensive” to win her over anyway, the rascal), and reverses her decision. She’ll work for him, but only three months (negotiated to six). In exchange, he’ll help Ruthanna with her affairs (and he quickly comes through), and agrees that she’ll be able to return to Leo’s workshop when the period is up (though he won’t rule out an extension).

Similarly, Arte agrees to work not as an independent artisan, but as a representative of Leo’s workshop. After seven weeks in Florence, looks like Arte is headed for the picturesque canals of Venezia, where she’s been given an opportunity few men of her day ever got, as well as the opportunity to educate and possibly befriend a fellow strong-willed young woman in Yuri’s niece. She’s approaching all of this in good faith; here’s hoping Yuri does the same…no funny business!