Dimension W – 05

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Part 2 of the Lake Yadogami Mystery was a little better than Part 1, with both fun and moving moments to be had, but to be honest it did not assuage my original concern that the mini-arc was simply too overstuffed and complex, making it hard to get properly invested.

One character I am invested in is Mira, who found a way out of her chain bondage by simply thinking it out and deciding even if she is a robot who can be repaired like nothing ever happened, she doesn’t think she’d be quite the same Mira that she is now, and she doesn’t want that.

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So she overrides the logic of the Numbers-maintained alternate world and frees herself. The show doesn’t miss out on another opportunity to show her nude when Ellie and the maid find her. As for Kyouma, he’s too quick to think she was doing nothing.

I don’t want to belabor this issue, but can’t say I approve of him punching her in the head. It only ended up hurting him, but it’s the principle: Mira is clearly more than just some robot, having just done something another robot wouldn’t have – not settle for being repaired and restarted. Can’t she also say something to the effect of “Please don’t hit me”?

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The show itself seemed to concur that it had too much going on at once, so it systematically started stripping characters and dilemmas out of the episode entirely, never to be bothered with again. Even if she becomes more important in later episodes, I just don’t see what Ellie was doing here. She leaves when her “papa” orders her to, since apparently Albert is there because of her. So if she wasn’t in the episode, Al wouldn’t have had to be either.

As for the trio of mercs who kidnapped the pixie-cut lady, they have so little presence except for that one action scene last week and are dispatched off-camera so easily, I also wonder why the episode bothered including them. I also thought eliminating all the flan-like ghosts attacking the mansion at once with a simple switch of the sprinklers was some weak sauce.

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Those were all instances of the episode doing some overdue pruning, only to replace them with yet more plot and characters. We’re taken back to 21 years ago where this business all began. The flashback introduces us to a cameraman who likes filming Sakai’s sister Enomori, only to try to assault/rape her in a shed not a minute later!

Many more unfortunate events occur, leading to a final act with so much multi-dimensional technobabble being thrown around it made me feel for Kyouma being stuck in the middle of such a convoluted mess, even though he smacks Mira again once they secure the Numbers. The denouement was so hard to follow I could only emotionally connect to it on the most basic level; that of a man relieved his sister didn’t die after all, but in the meantime still killed his alternate self to protect her.

When our two Collectors drove away in the Toyota all I could do was shrug and say “Well…at least they got the coil.” I respect this show’s ambition to tell an sprawling tragic tale that transcends dimensions. I’m not opposed to complexity, but I need more structure and focus and less stuffing in order to find a way in.

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Dimension W – 04

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I was initially intrigued by this week’s change of setting and mansion murder mystery theme, but Kyouma and Mira end up caught up in a frustratingly convoluted web of plot that features a little bit of everything presented with a “more is more” philosophy that turns out muddled and unfocused. It doesn’t help that this episode was mostly setup for a part-two payoff next week.

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You have a mysteriously drowned horror author, a mansion full of random people who would normally be the suspects, you have Albert tagging along on this one, being all buddy-buddy with Kyouma while bringing up their shared Dark Past. There’s even a gothic lolita collector who doesn’t really do much.

Then you have Mira (who Kyouma seems to have nicknamed Ponkotsu, or “piece of junk”) seeing “ghost” that could really be people involve in the past disaster that claimed many lives 21 years ago, being layered onto the real world due to the use of a Number delving into Dimension W.

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While ostensibly a soft sci-fi anime, one can feel the strain of combining so many different genres. Mira’s ability to build the world of the author’s book she can perceive in three dimensions in order to find clues is a neat idea, but somewhat overshadowed by the fact she’s either naked or in a little towel at the time; the camera’s fetishization of her body continues apace, and she ends up in a pretty standard horror movie chase.

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There also seems to be a recurring trend of Kyouma leaving Mira off on her own with mixed results; it worked out when she found the robotic pigeons, but last week she was almost exposed (which would have likely meant Kyouma, Mary, and Koorogi’s deaths), and this week she becomes a chained damsel in distress. At some point you hope Kyouma will keep better tabs on his partner.

As for the trio of suspicious characters from the lobby when Mira and Kyouma first arrive – they are operating under the assumption the present owner of the hotel’s dreams are connecting one world to the other, so they kidnap her, perhaps in hopes of retrieving the Numbered coil for themselves (or their client). So throw heist and a competing collectors themes into the mix! This DimW threw a lot of pasta at the wall, but not a lot of it stuck. Maybe the resolution will be more satisfying than the setup…

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GOD EATER – 07

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In a welcome surprise, Lindow doesn’t simply lead Lenka and Alisa back to Fenrir; they take a detour into a forest—the sight of which amazes the two new-types—within which lies something even more unthinkable: a civilian settlement for those who Fenrir turned away…including the little girl in pink Lenka saved. The show packed a punch when it sent her off, but I’m glad the show didn’t carelessly discard the character for good. She is, among other things, the embodiment of the future Fenrir is fighting for.

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The reason the village is able to survive and even thrive is that the trees of the forest are really Aragami the people have raised as a protective barrier. Even so, large Aragami like Vajra can still force their way through. When a Vajra does just that, Alisa is soaking in a bathtub to try to clam her nerves and steady her hands, and failing at both. She knocks over the tub and crawls into a closet to hide. I like that the show has the guts to keep one of its strongest characters out of commission for the entirety of the crisis, upping the difficulty level for those able to fight.

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Lindow also peaces out for what reason we don’t know (though testing Lenka by risking all the people he worked so hard to protect doesn’t sound like a logical one). He sends Lenka to deal with the Vajra and protect the people by himself. Lenka is not to let anyone die, especially himself, and Lindow urges him to trust in his God Arc, even though we saw how ineffective it was last time Lenka tried to use it.

During this crisis, GOD EATER once again exposes its difficulty with pacing in such situations. As soon as Lenka returns to the village, the Vajra has already done a ton of damage, and you’d think he’d already killed a good number of settlers, but time seems to grind to a very noticeable crawl to halt as Lenka slowly figures out who and what he has to work with and what the plan should be. Honestly, it’s like the show presses “pause” on the Vajra attack.

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Fortunately, despite of Alisa’s emotional incapacitation, the episode is not bereft of proper Girl Power, as the unlikeliest (or most predictable, depending on how you look at it) person volunteers to help grab some ampules from the warehouse for Lenka to draw the Vajra away: the little girl in pink. She puts the lion in civilion (if civilan were spelled that way, of course), acting with uncommon courage and determination, and not only comes through for Lenka, but saves his life in the process.

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Also fortunately, the screeching halt of the action picks up nicely during the entirety of Lenka’s final gambit, squaring off with the Vajra David & Goliath style with his crossbow of ampules. When the Vajra halts its retreat and prepares to skewer him, Lenka finally figures out what Lindow meant by trusting in his God Arc by pumping an ampule into it, brining it back to life so he can use it to push the Vajra into the river. The other civvies finish the job by opening the damn, and good ol’ mass and gravity finish the job.

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It’s a great moral-boosting side-victory for Lenka; a performance that inspires the girl in pink, impressed Lindow, who knew he had it in  him, and worries Alisa, who is not happy that she’s been so useless of late, but has no idea how to fix it. Sure, she could get drugged back up in Fenrir, but the drugs can’t fix her underlying crippling fear of the Aragami, and she can’t be sure the drugs will always be around.

Alisa’s continued struggles continue to make her the one of the more interesting characters, and while I realize that’s not saying much on this show, her retreat from heroism absent courage-endowing drugs nicely mirrors the girl in pink’s progress absent exceptional strength or ability. It’s a dynamic that keeps me emotionally invested, though I’m also hoping Alisa doesn’t remain a defenseless damsel for too long.

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