Jibaku Shounen Hanako-kun – 11 – Artificial Ghost

After fruitlessly prostrating themselves before the bathroom mirrors, Hanako and Kou seek help from Spider-sensei, who directs them to the boundary of the former Second Wonder, Yako, which still exists but is simply no longer under her authority. She leads them to a mirror within her realm (which looks a lot nicer), which leads to the boundary of the Third Wonder.

By the time they arrive, a lot has happened in the Hall of Mirrors. Nene has been put to sleep after trying to stop Tsukasa from forcing Mitsuba to eat the remains of the Third Wonder, which he claims is the only way to keep him from disappearing altogether. Hanako is surprised to see his brother in the boundary, but not as surprised as Kou is to see the friend he thought was gone.

As it turns out, Mitsuba may look, talk, and act very much like the “old” Mitsuba ghost, they’re not the same entity. New Mitsuba is the result of Tsukasa taking the soul, or “reason” he stole from old Mitsuba and placing it in an artificial spirit body constructed from myriad lesser spirits. This new version of Mitsuba becomes the new Third Wonder after eating his predecessor. He also doesn’t seem to remember Kou at all, which is disappointing.

Interestingly, a big battle doesn’t ensue, which surely subverted my expectations. Instead, Mitsuba uses his newfound authority to send Hanako, Nene and Kou back to the living world via mirrors. He may not know Kou, but he knows Nene well enough now to not want harm to befall her, while Tsukasa made a point to be gentle with her earlier. I doubt Hanako can let Mitsuba the Third Wonder stand, but can Kou still find the Mitsuba he knew, or is he truly gone forever?

Jibaku Shounen Hanako-kun – 10 – Through the Very Rude Looking Glass

It looks like it’s back to business as usual in Hanako’s bathroom, as Nene reports disembodied arm lesser spirits infesting the school garden. They quickly learn the way to make them disappear is to fulfill their desires, i.e. play with them. Whether it’s arm wrestling or rock paper scissors, they dispatch the spirits one by one, and have a lot of fun in the process.

Unfortunately, the very last arm remaining, which has emerged from a bathroom mirror, is actually a snare for the living Nene. She’s grabbed and pulled through the mirror into the world behind the mirror; in other words, the boundary of a School Wonder. There, she meets someone she doesn’t remember, but whom we know intimately.

There’s no reason she would necessarily know Mitsuba, as she was barely present in the episode where he was the focus. But wait, back up a bit: Mitsuba is ALIVE?!? Well, not alive, but not in the horrible pathetic monstrous form Tsukasa left him in, which shook Kou to his very core. He’s a cute boy in this mirror, and he’s initially just as much of an asshole to Nene as he was with Kou.

However he’s back in this form, I’m glad to see him again. The thing is, he’s trapped in the boundary just like Nene, and it’s apparently his first, making her his senpai in more ways than one. She knows in order to exit the boundary they’ll have to find the rogue wonder’s yoshihiko, and spots it at the very top of the vast, spiraling Hell of Mirrors, the name of both the Wonder and its realm.

But on their way to the top they encounter a mirror that blocks their path, and the Wonder demonstrates its power to reflect a person’s fears—in Nene’s case, her distinctively stout ankles. While Mitsuba was just ragging on her based on observation and vanity, the Wonder shows her the face of everyone she knows in other mirrors—even the kind Aoi—and has them bully her until she’s virtually swimming in her tears.

Things take a sinister turn when the Wonder reveals his true, crow-like form and unleashes a legion of mannequin-like minions to “hunt the Ugly Daikon down” and replace her in the living world; the Wonder’s ultimate goal and why he didn’t really care about Mitsuba. When Nene is captured and about to be devoured, Mitsuba actually sticks his neck out to distract them.

While he has no real plan after that, he didn’t end up needing one since Tsukasa—not Hanako—appears to free Nene and beat the Wonder to a pulp, leaving both Nene and Mitsuba somewhat confused. I’m not sure yet what Tsukasa is up to, but I wager he’s far more dangerous than the Hell of Mirrors, with whom he kinda mopped the floor. More importantly, I hope Nene can find away to get herself and Mitsuba out of this boundary…but for that we’ll have to wait until Part II.

Koufuku Graffiti – 12 (Fin)

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This is it. The Final Battle. Who lives? Who dies? Who ends up in whose bed? Who is able to exact their revenge, and who ends up burning in hellfire for all eternity?

Ehh, this isn’t that kind of show. Nor did it need to be. When I look back on Koufuku Graffiti, I’ll remember a warm, happy, and taste bud-enticing show; the feel-good show of Winter 2015.

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Don’t worry, all of this is in Kirin’s dad’s head.

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Hey, it’s 2016 in this show. We’ve been watching the future.

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Ryou and Kirin pass their exams, so they’ll be going to the same high school as Shiina next year, along with a couple other classmates who are eager to befriend Kirin, who never had a thing to worry about in the friendsmaking department because she’s kind and sweet and makes a cute pok-pok sound when she walks.

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Then, terror strikes in the form of a depraved house invader. Oh wait, it’s just Akira, trying to surprise Ryou and succeeding, but in the wrong way, getting a bonked nose for her trouble.

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Akira actually has a nice gift for Ryou, who’s thinking a lot about her grandmother, who was there for her opening ceremony, which feels like yesterday. The gift is an apron made from her grandma’s apron, so in a way, whenever she wears it, it will be like cooking with her grandma, or as Kirin maturely puts it, she can look forward to making new memories rather than simply dwelling on past ones.

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Ryou decides to christen the apron by preparing the same meal her grandma made to celebrate her entry into middle school three years back. It’s the same meal she made in the first episode, but it tasted bad to her back then because she was alone and still thinks it’s mising something when she tastes it alone.

That changes when Kirin arrives with all her luggage and samples the meal, and deems it one of Ryou’s best yet. Even Ryou notices an improvement in flavor after Kirin arrives, proving that food really does taste better when it’s shared.

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Everything on the shelf above the sink stayed in the exact same position all those years. That’s some precision right there.

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Ryou is in for one last twist when Kirin explains all her luggage and mentions movers are on the way…because she’s moving in with her, something neither Kirin nor Akira ever told Ryou, though they thought they did.

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Ryou seems to have a problem with this, though it’s more about being left out of the decision while everyone else from Shiina to Akira to Kirin’s parents know about it, yet she doesn’t; for all we know even Yuki downstairs knows! But now that Ryou knows too, she’s happy Kirin is moving in, Kirin cries tears of joy and relief, and everyone helps her move in.

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Looks kind of like Laputa, doesn’t it?

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Ryou started out alone, with her important parents far away, her aunt busy at work, and her grandmother dearly departed. But now her home is full of life and love and energy, and even when everyone leaves, Kirin will still be there. Ryou looks like she couldn’t be happier.

As the credits roll, we get an epic supercut of every foodgasm in the show, putting into perspective just how much delicious food was stuffed into the last twelve episodes, and getting me that much more excited for another cooking show, Shokugeki no Souma this Spring. I’ll also have to track down some yellowtail and daikon!

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