Owari no Seraph 2 – 12 (Fin)

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It’s the end of Seraph of the End, but what actually ended? Not the war between humans and vampires, nor the extinguishing of many lives on both sides for dubious purposes. And it isn’t really the end of the world, either.

No, the things that end are a bit smaller than all that. It’s the end of the pretense that the Moon Demon Company has the best interests of mankind in mind…if it even ever was. It’s apparently the end of Krul Tepes’ rule. It’s also the end of Guren’s place in Yu’s family; a bond that could not overcome the influence of Mahiru.

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And as a result, it’s the end of Yu and the Shinoa Team’s affiliation to the Moon Demon Company. Things…just got too weird. And boy did they ever: Kureto finally unleashes his Seraph of the End on the world, and it uses Shiho’s poor little sister Mirai as its vessel, killing human and vampire indiscriminately and randomly.

With Shiho, Mika, and Yu all skewered at various times during this ordeal, Yu decides he needs more than Ashuramaru to defeat the seraph. So he picks up the mystical “second trumpet” and blows it, summoning the “Salt King” who uses him as a vessel to similarly kill human and vampire indiscriminately, turning them into pillars of salt, along with Abaddon, the demon summoned by the Mirai-Seraph.

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With Kureto’s big experiment seemingly ruined and the end of the world postponed indefinitely, there’s a little more scuffling around; Kureto tries to go after Yu and fails; Yu refuses to kill Guren even in his state (he also spared his family); and Ferid, with Crowley’s help, sucks Krul’s blood until she’s unconscious, then accuses her of high treason in the Seraph of the End affair and names himself the new leader.

As for Yu, Shinoa & Co., thanks to Mika and Narumi they are able to simply get the hell out of there, which is probably the best move. It’s enough for Shiho that his sister is back to her human form, while Yu is in no condition to protest leaving Guren behind, even if he didn’t want to. As for Mitsu and her sister Aoi, well…there’s just nothing more said about that.

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Then, curiously, four months pass. Why four? No idea. But they pass, and Kureto and Aoi and Guren are still up to their old tricks, only they’ve got some nice evil red cloaks now. Ferid seems to have successfully consolidated his power, and is meeting with other nobles to join the apparent fight.

And Shinoa, Mitsu, Shiho, Yoichi, Narumi, Mika, and Yu are in street clothes on a remote beach, now fully healed and preparing to head back into the shit, apparently to save Mirai and Guren. They all gang up on Yu with playful barbs at his intellect; with even Mika joining in.

They’re still a family, for now, and they want to rescue the rest of it. But whether they will, and how, and what will become of Ferid’s new dynasty and Kureto’s continued mystical machinations, are all tales for another time.

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Owari no Seraph 2 – 11

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This episode runs somewhat concurrent with Yuu and Mika’s reunion and re-alliance, focusing on Teams Shinoa, Narumi, and Guren. Shinoa in particular provokes the deadly ire of Rika, who blames her and her team for the death of her comrades. Narumi relieves Rika, only to step in an threaten to kill Shinoa himself, and bristles when Shinya, in charge in Guren’s absense tries to stop him.

At that point this becomes about more than fallen comrades and who is to blame, but how had it Narumi is with the all-knowing, all-powerful Hiiragis ordering humanity around and deciding who lives and dies. He’ll ignore orders to “stand by” (i.e. die) and instead head back to try to rescue Guren.

What Narumi didn’t expect was that Shinya, Hiiragi Shinya, a general and a part of the cabal he hates so much, not only doesn’t try to stop him, but thinks they should all go together. Shinya’s fought and bled with these guys, and we’ve been able to see the gradual change from almost vampire-like nonchalance to a solemn, haunted determination. Screw his orders and his last name; Shinya’s going to fight for his comrades here and now.

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Meanwhile, Guren is still alive, and still managing to be defiant in the face of the vampire nobles who take turns scooping him up. He’s going to give them false intel to lure them into a trap in Shinjuku, but needs the vamps to believe it’s because he’s been beated badly enough to not be able to go on keeping his silence.

Crowley, who saw through the machinations going on and correctly suspected Ferid, is bemused when Ferid admits he gave the Demon Army the locations of the nobles, including his old chum Crow. Ferid even has the audacity to tell Crowley to thank him, since he had a fun fight thanks to him.

Once Guren has been beaten enough, he goes into his Happy Place with his demon companion and dead ex-girlfriend Mahiru, who decides its time to awaken and fight back. I must say she show’s always done a good job portraying Mahiru as imminently mysterious, seductive (moreso even than the other demons) and ethereal, like a dark angel.

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She is also the reason for Guren’s dual personalities: one dedicated to his family, the other thirsty for power. When Krul takes him down and gets in close, out of earshot of the others, Guren/Mahiru discuss the plan Krul had been a party to all along, betraying her people in the process, and how that plan hasn’t changed: she still needs the Seraph of the End.

On the other side, Kureto arrives at the airport (with Mitsu’s stern sister Aoi by his side) to relieve the teams assembled there, saying “they’ll take it from here.” It’s clear Kureto has a new toy he wants to try out; he even admits he’s in a good enough mood he won’t summarily execute Narumi & Co. for questioning his orders.

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But what he does do is open the Big Box he flew in, out of which come hundreds of interconnected swing hangars with blades on the ends, many of which pierce through Kureto’s own soldiers, including Rika, who definitely looks like a goner. The blade go after Narumi when he lunges forward for revenge, but to his shock, he’s saved by Yoichi and Shiho, while Shinoa’s blind spot is covered in the nick of time by Yuu, who has arrived with Mika to help out.

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Mika doesn’t waste any time saying it was a bad idea to come back, as he sees the humans fighting amongst one another. But that fight is tabled when hordes of vampires drop from the skies and it becomes a giant line battle. Amidst all the chaos, Yuu catches sight of Guren, safe and sound, and runs toward him, beaming with joy.

Only Guren isn’t quite himself anymore, drawing his sword and bringing it down, followed by a cut to black. With dual personalities, crazy experiments, and betrayal and intrigue on both sides, what probably won’t be black—or white—is the impending finale, which looks to be a good one.

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Owari no Seraph – 12 (Fin)

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The final Seraph of the End episode until October was quiet, contemplative, and suffused with unease and a kind of restlessness that’s understandable considering what everyone just went through and how still things stand now.

The only battle being fought is Yu’s slow but apparently certain recovery. It’s a battle we don’t see, because most of the episode is from Shinoa’s point of view. She’s an uneasy, impatient, somewhat outraged Shinoa who wants to know what the hell was in the pills Guren gave her to give Yu.

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When she uses her family name to get into a top-secret installation where the army is experimenting on vampires and wants to have words with Guren on the matter of Yu’s little transformation, Guren has no words of comfort for her, except that if she thinks she’s fallen for Yu, all she can do is stay by his side and wait for him to wake up.

Since Yu’s well-being is more important to her than whatever devious mad-scientist shit Guren is up to, she does as Guren recommends, pleading with the comatose Yu to please wake up soon.

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Unfortunately for Shinoa, it’s Yoichi’s turn to sit by Yu’s bed when he finally does wake up, though Yoichi has the good sense to let Shinoa have some time to herself with him before calling the others in. The camera slowly pans from Yu, crying over having seen Mika alive and well, to Shinoa lurking in the doorway, snapping into smartass mode, hiding the worry she wore on her face while he was out and teasing him for crying, even though she’d do the same thing in his case.

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Being a Hiiragi whose sergeant rank is lower than it could be if she played the game, and the fact she got into Guren’s lab, we know Shinoa knows more than any of the others the dark directions their duty could take them, and in the brief flashback as Shiho carries Yu away, there’s a hint of guilt in her face, as if she’s facilitated Yu’s transition into something way bigger and nastier than he’s aware of.

Yet none of that matters when Yu places his hand on Shinoa’s shoulder, voicing concern for her bitten, bandaged neck. She doesn’t want to be in love with her underling, but as she learns more about the person Yu is, that’s increasingly the case, as her blushing betrays.

Even better, Yu makes himself to be someone worthy of being fallen for, as once everyone is assembled in his hospital room, he takes the time to earnestly thank everyone from the bottom of his heart, and express how blessed he feels to have such good friends. Mitsu and Shiho are taken aback by this change in him, but Yoichi and Shinoa less so, as they know him better and have seen hints of this side before.

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Yu isn’t just happy because he’s okay and his friends are okay; he’s also elated that Mika is alive, an attitude I’m frankly glad for. There’s no angst in the way things are. Friend or foe, Mika is alive, and that’s enough for him, for now. It’s the first time in a while that something has been enough for him, and while he yearns to see Mika again (and Mika him), his provisional inner peace is clear to see. He’s realized his live isn’t that bad, and is worth preserving, both for his friends’ sake and Mika’s.

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I was totally on board with the peaceful end to this first rousing cour of Owari, especially all the scenes of people on both sides just kicking back and enjoying their hard-earned break from death and destruction. But judging from the final scene, that peace will be short-lived. Lord Ferid is apparently exchanging research with, and I’m just guessing here, Guren, both motivated perhaps by their mutual disgruntlement with the higher-born higher-ups.

Just as it wasn’t 100% clear it was Guren on that rooftop (we never see him), I’m not sure if Ferid is working against the vamps, Guren is working against the humans, or both of them are just working towards their own goals. But whatever it is, Ferid believes it’s going almost too smoothly, and it definitely stirs up intrigue for the second cour this Fall, in which everyone continues to be sinners, doing sinner shit.

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Owari no Seraph – 11

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Mika has finally reunited with the one surviving member of his family, Yuu, who he’d shoved and insisted he run away while he was bleeding on the floor many years ago. The conditions of their reunion aren’t ideal, what with Yuu’s sword being in Mika’s chest, but once Yuu sees Mika’s face, he’s unable to close the deal and kill him, even though Guren is yelling at him to do so. Yuu may be getting used to his new family, but faced with his original family, he can’t do anything, even if Mika is in a white coat.

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Mika’s plan is as half-baked as the original plan that got the two of them in their predicament to begin with: he wants to run off with Yuu. But where? How? What will they do? How will they live? For all the years he’s had to think about it, it just doesn’t seem like he’s thought about it that much. All Mika knows is Yuu is being used (Yuused?) by the other filthy humans, and he wants to run away with him. Yuu…isn’t so sure. Those filthy humans are his friends and comrades now.

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Mika literally whisks Yuu away in his arms, but Yuu resists, looking back at a troubling sight: all of those friends being restrained by powerful vampires, some of whom proceed to feed off of them. The Extermination Squad has never been in a worse way, and thoughout these intense cuts I was screaming at Yuu to do something, anything to save them. At the same time, I knew in his current state there was no way Yuu would be able to save everyone at once.

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Finally, as if a switch were flipped as a result of his predicament, one of Yuu’s eyes fills with blood, and he recedes into his subconscious, where Ashuramaru tells him even she fears the monster stirring within him and advises him to run off with Mika. But that’s something he simply can’t do; his loyalties between his friends and Mika are split down the middle.

The monster awakens and erupts from him, and he proceeds to go absolutely berserk on vampires and humans alike, something Guren apparently had been expecting, calling Yuu his trump card. Yet Yuu is about to slice Shinoa in two when Mika of all people comes between them, urging him not to kill humans, lest Yuu become like him. Then Shinoa manages to grab hold of Yuu and calm him down, but she’s obviously quite freaked out by the whole situation. No casual banter this week, no siree!

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Then Shinoa’s relative—maybe brother?—shows up with the cavalry, praising Guren’s “low-level” outfit for holding out as long as they did before ordering the live capture of the nobles. And just from the badass look of the guy, that order doesn’t sound all that far-fetched.

While it looks like the humans may be on the verge of winning the day, Yuu has clearly been changed forever, both in now knowing Mika is still (sorta) alive, and having awakened the indiscriminately ferocious beast within him. Looking forward to the aftermath in Owari’s first cour’s final week.

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Owari no Seraph – 10

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A bunch of vampires go up against a bunch of humans this week, and in a show that I’ve felt for a while now has only eight or nine tenths of the budget it should, the seams were more visible than usual this week.

Showing everyone posing and looking menacing is all well and good, but once the action actually starts, much of it is slow and choppy, or simply not animated at all. The pans of still shots with moving scratches on either side is an old trick when you can’t animate everything you want, but they looked cheap.

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Since there’s a flashback to when Mika first proposes “doing something” about his and Yuu’s family escaping (something Yuu thinks is inconceivable, calling Mika a weirdo), we knew the reunion between the two brothers was imminent. However, several events delayed that…and worse, they kind of felt like stalling.

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After Yuu and Shinoa drop the corporal off at the hospital, Yuu hears that a unit of three Demon Moons are in trouble. Assuiming it’s Shiho, Yoichi and Mitsu, he ignores Guren’s standing orders to help them out. Shinoa follows, because like him, she cares about her new family.

Their friends turn out not to even need their help (while Yuu and Shinoa both save Shiho and Mitsu from attacks from behind, they were the ones who distracted them in the first place). But Yuu tells Shiho it’s not that he doesn’t trust them to carry their weight or survive their fights. It’s the fact that they’re family, and if he hears they’re in trouble, his first priority is to them.

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Helping them and ensuring they’re safe has not become as if not more important to him as killing vampires. But you can’t help but think one or more of his new family will lose their lives at some point, and it’s important not to fall into a cycle of love and despair; that’s no kind of life.

The more elite Demon Moons are having a little trouble with Ferid’s similarly elite squad, and Guren has trouble with the incredibly strong (and arrogant) Mikaela. Again, the battle is made more underwhelming thatn it should have been with the same technical problems I mentioned earlier. Guren resigns himself to the fact he’ll need to take two pills; I was left wishing the show had taken two pills.

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And while Mika, Ferid, and a lot of other vamps and humans spent a lot of this episode standing around talking about fighting rather than actually doing so, Mika decides not to give Guren twenty seconds for his pills to kick in, and stabs him in the chest.

Before he can land the killing blow, more humans arrive, and when Mika turns around and sees Yuu’s face, he freezes. Yuu stabs Mika in the heart with full force, but half a beat later, recognizes him. And just like that, childhood friends and adoptive brothers, reunited with blood and steel. Considering the casualties on both sides, I imagine a mutual retreat next week.

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Owari no Seraph – 09

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Owari no Seraph brings the action this week, starting with a gloriously ridiculous cold open in which a squadron of Vampire Apaches are taken out by a line of Demon Army archers, before two higher-ranking Vamps fly a C-130 into Shinjuku’s barrier wall, blasting a huge hole in the humans’ defense.

It looked for all the world like a suicide attack, but not only do the two co-pilots survive without a scratch, but they even carry on a casual, Joss Whedon-style dialogue, like it’s just another day at the office.

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Things are a bit tenser for our young Moon Demon Company members, as the war literally comes to them and doesn’t ask if they’re ready. Thankfully, they are, and we get to see the whole gang flying and slashing through the air in a brilliant sequence that captures the tense chaos. Unlike many action blockbusters, the relatively steady camera makes it pretty easy to see what’s actually going on, which I appreciated.

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As I said last week, the setting of all this fighting couldn’t be more gloomily appropriate: the ruins of Shinjuku are a constantly unsettling reminder of what’s already been lost and how little is left. Particularly striking is the shot of a school—once the site of silly clubs and laughter and columns of teammates chanting “Fight-o”—converted to a field hospital. Even if all the vampires were to drop dead, we’re not even sure humanity’s gene pool is diverse enough for the species to survive. And many humans will die before this new offensive is over.

I also liked the contrast between the urgency of Yuu & Co. with the relative calm of Guren and his immediate subordinates. They’re veterans who have seen it all, or close to it, and they seem a little more comfortable in their skins and confident in their abilities. Even when Guren spots Feris with a scope and Feris stares right back, it doesn’t faze him. He’s also on a first-name basis with the others, like the power-punching Mito.

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Like Guren, Feris is just kind of chilling as the underlings get valuable battle experience; ready to swoop in if there are any problems. Mika is with Feris, but soon goes off on his own. Feris’ insistence he drink someone’s blood takes Mika back to his first days as a baby vamp, during which Krul Tepes was trying to get him to do the same.

Mika refused a human boy’s blood, and knocked a cup of Krul’s own blood out of her hand…but the sound of that blood pouring and splattering on his face has a visceral effect, and in a moment of possible weakness, possible necessity, he finally digs into her arm. She’s very clear: Mika is her dog, and will always be her dog. In the present, he still carries vials of Kurl’s blood—no one else’s—and he has 10 days of it before he needs more, during which time he hopes to find Yuu.

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That makes Krul’s blood a drug that keeps Mika alive and not a reasonless demon. Turns out, it’s also drugs that, in a pinch, give the humans the edge they need to have a chance against higher-ranking vamps. Shinoa whips them out as casually as Bleach’s Kuchiki Rukia introduces the body-swapping Soul Candy to Ichigo.

In both cases, a fundamentally terrifying biological transformation is treated like taking your Flintstones vitamins. But that’s Shinoa for you; always keeping it light and breezy.

Then there’s the fact that she gives everyone, including Yuu, more than the maximum of two the human body can tolerate, almost assuring that when he’s in a tough spot, Yuu might get stupid and take more than two.

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There’s a foreboding to the truck driven by Corporal Nagai taking them to the front line, but that’s replaced when an Apache ambushes them. The team works together to save Nagai and destroy the chopper, but they end up separated when the street collapses and they fall into the subway below. Yuu is with Shinoa and the unconscious Nagai and head for the nearest base, while Mitsuba, Yoichi and Shihou head to the defense line where they’ll ideally meet up later.

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Meanwhile, as Mika is milling around, looking for Yuu, a cloud of dust is kicked up, and a detached vamp limb flies by his face. As the dust clears, we see Guren, ready to exterminate his next target. It’s kind of fitting that Yuu’s brothers, past and present, meet before Mika and Yuu, though I don’t see either defeating the other, nor do I see Yuu being brought up unless Yuu himself enters the fray.

However this goes, the buildup in the end, presented without music—just the falling rain and a cut to silence—was very effective. Guren v. Mika: Who ya got?

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Owari no Seraph – 08

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Ahh, good ol’ Omotesando Station… I remember it well, travelling on the Ginza Metro line between Shibuya and Shimbashi. It was in a far better state of repair when I was there. On Owari, after the fall, it’s been re-purposed as a creepy lair for the team’s next targets: seven vampires. Shinoa says they’d probably do okay fighting individually, but better to work together and defeat them without a scratch. For once, Yuu agrees.

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They enter not to find fello Metro users like myself, but the vampires’ thralls, who give their blood in exchange for protection from the monsters above ground. They glare at the soldiers as they press on to their primary targets; saving them is secondary, and for once, Yuu doesn’t protest. They glare because they wish they had the power to choose a different fate for themselves besides this or death.

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When Mitsuba gives the order to prepare their weapons, Yuu takes it upon himself to cut down an unarmed vamp, their first catch of the day, following the letter but not necessarily the spirit of his orders. This irks Mitsuba, but he catches her hand before she can slap him again, then maneuvers her out of the way of a second vamp’s strike, whom he takes care of without any trouble. Two down, five to go, and Yuu’s first rescue of Mitsuba.

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When they confront the final five, three more pop out from behind Mitsuba, and one of them grabs her by the throat. But in one of the vamps’ sillier choices, he decides not to kill her immediately, but wait until Yuu and the others have engaged his comrades to do it, by which time it’s too late, and Yuu slices him in half.

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With Mitsuba rescued by Yuu once more (who regards her as his family), the team closes ranks and mops up the remaining vamps, armed with second-rate weapons no match for their cursed gear. In all, it’s a good first subterranean fight, packed with peril but ultimately not too difficult to pull off with the lessons they’ve learned.

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The girl who told them about the vamps in the station lowballed the figure to save her own friends/family, something Yuu doesn’t hold against her when they return to base camp, where other former thralls are being tended to by the army. When Mitsuba learns from Shinoa about Yuu’s past, and how it so closely resembles her own, but his denseness annoys her and she storms off without telling him anything. There’s pretty textbook romantic bonding exercise in practice here, but not unearned due to solid fundamentals and decent voicework by Iguchi Yuka.

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The second half opens with Shiho getting a derelict Hummer H2T running again to shorten their trip to Shinjuku. While Yuu grows up a lot in this episode, the comedic scene the show allows as a breath between life-and-death ordeals successfully reminds us he still is a kid, judging from how stoked he is about driving a car for the first time. This is Yuu as a charming, wide-eyed kid, not an annoying angsty or arrogant; and it’s nice.

The shot of Shiho gathering the others, as Yuu drives into the frame and crashes into a lamppost, demonstrates decent comedic timing (plus it looks like Yuu is having a ton of fun, which I can speak to having driven one of those brutes). Shinoa sitting in the drivers seat is a nice sight gag, as is her off-camera revenge over the lads for laughing at her.

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Once everyone’s aboard and they near the Shinjuku barrier wall, they spot a Vampire Noble, the first we’ve seen in action since Yuu ran from Ferid. Everyone bails as they set the Hummer on a collision course with the vamp, but he stops the three-ton SUT with one hand and flings it back at them like a toy. *GULP*. They had a relatively easy time with vamps up till now, but it’s clear this will be a little different.

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The noble is so fast he’s upon Shinoa before she can raise her weapon. Yuu is able to block his blow and disarm him, showing her yet again why he and Shiho are Guren’s favorites. The noble is a little impressed as two more noble vamps descend from the sky, flanking him.

Yuu asks if they should retreat from this. Let me repeat that: Yuu mentions retreat. But it’s too late; Shiona believes they’ll still have a chance if the five of them work as one unit at the very limit of their demon power, but she doesn’t pretend there won’t probably be a casualty or two.

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The lady vamps have come to bring their comrade to the front lines, and he grudgingly goes along with them, sparing Yuu & Co. from a fight but promising he’ll drink their blood when they meet again, casually tapping him on the shoulder before flying off. That easy arrogance really ticks Yuu off, but Shinoa is still visibly terrified from the bullet they just dodged.

Even if Yuu had what it took today to take that noble on one-on-one, his friends would get killed as he fought without teamwork. Shinoa also does what Mitsuba couldn’t: thank him promptly for saving her life, noting that as Guren said, he really does care about his friends. Her gratitude brings the bashful boy out in Yuu.

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Those nobles were pretty damn scary, but they’re gone for the moment, and while the episode ends with the team staring down a Shinjuku under assault, about to enter that inferno themselves, it ends with an upward pan right into the smoke, as upbeat music plays. It will be tough going from here on, but they’re going in together, and whatever they face in there, they’ll get through it with teamwork.

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Owari no Seraph – 07

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“She’s already dead.” That’s the line Shinoa delivers to Yuu as they prepare to strike out into Tokyo’s ruins beyond the walls, referring to her late sister, who had big boobs, thus giving Shinoa hope for the future regarding her own developing bod.

Boobs aside, there was something chilling about how cool and calm and almost enthusiastically she uttered those three words—the same way she always talks around Yuu. To be a fly on the wall when Shinoa first contracted with her Cursed Gear, eh?

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(Kudos to the art team for rendering a brooding, ruined Tokyo full of tragic awe and grandeur, which is unveiled vista by vista as the two soldiers set out).

Thankfully, Shinoa doesn’t end up measuring boobs with the newest member of the five-team squad, Sanguu Mitsuba, voiced with angst by Iguchi Yuka (Index), but they may as well be measuring some part of their body the way they go at with weapons drawn at the first sight of each other. Or rather, it’s Mitsuba who draws first, provoked into anger by Shinoa.

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Sound familiar? That’s becaue Mitsuba is the female version of Yuu on this trip. Cursed by a dark past, she finds having all these amateur newbies to care for a big pain in the ass, and obviously she also resents the guy who’s most like her in Yuu.

But Mitsuba seems capable enough, and as Guren says, squads of less than five don’t typically fare well, so her addition is not only welcome, but vital to the squad’s survival. That is, if Yuu doesn’t screw up and get them all killed.

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Naturally, the moment she orders everyone to stay in formation when the vampires release bait in the form of a human girl, Yuu disobeys and rushes off on his own. A furious Mitsuba understands Yuu’s desire to save the girl; she’s been there, but she also knows what becomes of reckless, selfish actions in the field.

Three vampires descend on Yuu with frightening speed, and all of a sudden shit has gotten real, with Yuu struggling to block and parry one foe’s strikes while keeping track of the other two. There’s a great sense of occasion to this sudden fight, the distinct sense things could go very badly in the blink of an eye, and the reality that Yuu truly is a rookie this far out in the ruins.

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He survives because Mitsuba and the rest of the squad follows him into the trap she knew was set for them, and they simply hope for the best, meaning everyone is lucky to be alive. Shihou’s twin blades, Yoichi’s arrows, and Mitsuba’s—er…Axe? Mace? Hammer?—Mitsuba’s Salad Shooter manage to bail Yuu out, but he needs to knock this shit off, because there are lucky days and unlucky days, and you can guess which is more frequent for the downtrodden humans.

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Mitsuba tries to make this clear to Yuu after slapping him in the face and pointing at him the way pint-sized blondes tend to do; but it’s not until she’s showering with Shinoa that we learn why she hates reckless people like Yuu so much: because she used to be exactly the same, had a bad day, and blames herself for getting a comrade killed.

Here again we see the stark contrast between Yuu and Mitsuba’s mindset (or even Yoichi and Shiho’s, for that matter) and Shinoa’s continuously upbeat, happy-go-lucky attitude. Is it a product of her Hiiragi upbringing? Did the events in her past force her to forget them, at least on the surface, in order to keep living and fighting? I for one hope we learn a bit more about her at some point.

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Owari no Seraph – 06

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Last week was all bickering and buildup, but this week was the payoff, with Yuu, Yoichi and Shihou battling both the demons of the cursed gear and their own demons within. Thankfully, this week was a lot better, even if the show seems determined to drill the same lessons into Yuu & Co.’s heads every week. One hopes it sinks in more now that they’ve been through this initiation.

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That lesson is that it’s not enough to life for revenge. Demons will take your lust and warp it to their own purposes, or just take over your body outright and make you a full-fledged monster. The key to subjugating a demon, or at least coming to an understanding with one, as Yuu kinda does, is balancing lust and love; the desire to protect one’s new family, not avenge the old ones they failed to save.

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And wouldn’t you know it, Yuu’s new blade and partner in vamp-hunting has a name (Ashuramaru) and a loli/elf character design. She also carries a healthy distrust of humans, and warns Yuu they can be worse than either demons or vampires simply because they’re so goshdarn conflicted and unpredictable.

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Yoichi has a different problem. It’s not that he doesn’t trust his friends, but like Yuu, having seen his family die right in front of him infused him with a deep-seated survivor’s guilt. The feeling that he doesn’t deserve to live while his sister died holds him back. She told him not to come out from under that bed no matter what, but he has to if he’s to subjugate his demon and gain his cursed gear.

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Yuu and Shiho come out of their ordeals easily enough, but Yoichi ends up turning into a demon, which Guren orders them to exterminate with their newly-contracted weapons. Already, Yuu’s heart is tested, and neither he nor Shiho can kill their comrade.

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Yuu tries the classic “Snap out of it!” routine, but ultimately, it’s casting his weapon aside and trusts in the Yoichi still inside, against Ashuramaru’s recent warning.Because Yuu can’t kill a comrade, he surmises that Yoichi can’t either. Guren, who’d been holding back to that point, finally pipes up, telling Yoichi to come out from under the bed. The arrow the demon knocked misses to Yuu’s right, causing Yuu to smile.

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As Yoichi’s tearful embrace of Yuu that follows illustrates, Yuu, Yoichi, Shinoa, and Shiho are their new family. Protecting each other takes precedence over avenging their old families. Guren tells Yuu to forget his old family, and while Yuu isn’t going to be doing that, he now has his priorities stright. Maybe. Ashuramaru will surely try to challenge them!

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O hai Mika! Considering how early in the run of the show it was revealed he was still alive and a vampire (by “early” I mean “immediately”, in the OP) I’ve been waiting for him and Yuu to meet face-to-face. It looks like that’s going to happen with the two descending on Shinjuku. Here’s hoping it’s not a tease.

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Owari no Seraph – 05

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This week, on Owari no Seraph:

  • We get a verbatim repeat of the vampire war speech for some reason;
  • Mika wanders around and scares some children;
  • Guren clashes with the higher-ranked Hiiragi family members in an army;
  • Yuu, Shinoa, and Shihou are allowed to interrupt class with their endless bickering;
  • Guren nearly kills said class with his cursed gear, and lets everyone left standing join him in the weapons repository to choose their own gear.

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In other words, not a lot happens. I understand the desire to keep the mood light while at school, but Guren’s childish behavior at the army meeting, and the extended antics in the classroom this week, were both a bridge too far. I get it: Guren’s a “bad boy” like Yuu with a chip on his shoulder, and the bureaucracy is a super hassle and all, but what does acting like a petulant punk get you?

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This episode also underlines Yuu’s refusal to grow the hell up. Even after coming to a kind of understanding, if not forming an official friendship, with Kimizuki, and yet here they are, still resenting one anothers’ existance so much they feel the need to disrupt whatever is going on to engage in name-calling and brawling. It’s wearing thin, as is Shinoa’s constant high-and-mighty attitude and mocking/teasing of Yuu (even though he deserves it).

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Even if you forgive all this immaturity, bickering, and horseplay, all of which takes up much of the episode, it’s still retreading things I already thought were established, such as the fact Yuu, Kimizuki and Yoichi were all valid candidates for cursed gear.

Yuu’s “0” in Japanese spellcraft because he can barely read or write Japanese because he spend his childhood as livestock hardly seems fair, but then the test results end up completely meaningless when Guren busts in and simply unleashes the demon power on everyone.

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Not one other student in the class, besides the main characters we knew would move on, pass the test, rendering them just as pointless as the class itself. It would be nice if one or two new characters we hadn’t met yet would have passed; at least there would have been a reason for the test then.

Everyone also singles out Yoichi, whom they think is too soft to accept a demon. After Yoichi saved his life two episodes ago, Yuu tries to throw him under the bus. Dude, he already decided to come along, and it’s clear he’s tougher than he looks. Why all the discouragement?

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And just when something interesting is about to happen—Yuu draws a cursed blade and prepares to face the demon—the episode ends. Much of this episode felt like half-hearted filler, which aimed to add texture to relationships and politics, but piling on all this over-the-top dysfunction with no real meat only served to make everyone more irritating, not endearing. War is coming, and selfish personal quests for vengeance aren’t going to help humanity.

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