Macross Delta – 20

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I was wondering how Delta would follow up an episode that was 9/10ths an advertisement for other Macross series (some worse but most better than Delta), and 1/10th nice character work between Mirage and Hayate, which for me saved it from a 6 (not recommended).

Turns out this episode was a lot more like the last 1/10th of last week, only with a lot more action, which pleased me. For once, though, the action doesn’t predominantly serve the plot; the status of the war remains unchanged.

Instead, all the action is character-driven, not a bad way to go for a show whose characters have too often felt like little more than props (or shadows of aforementioned better shows). Forget the war, we’ve got more basic problems: Freyja can’t sing, Hayate can’t fly, and Mikumo is God-knows-where.

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Everyone is full of doubt and uncertainty, even in Windermere, where Heinz is definitely spooked by the fact his song was overpowered by Mikumo’s. His brother Keith (who has had very little to do since losing an eye) seems to want to know more about Heinz’s specific medical problems, all while wondering what the heck is going on with Lloyd, who he thought he used to know well.

Lloyds reassurances to Heinz that his voice is peerless, and to Keith that all will be well, aren’t received with enthusiasm by either Windermere. Cassim is also still walking around looking lost; the only ones who aren’t are content to blindly follow the most powerful authority.

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Things can’t stay this way for the main players on both sides of the war, so it falls to the second tier of the cast to bring about some kind of change. Makino and Reina start prodding the medical frigate’s security for weaknesses, and when Kaname catches them, they convince her to join their cause, even if it’s against the rules, because they love Mikumo.

Hayate and Freyja actually manage to sit at a table together, but only to exchange unilateral life-altering/ruining decisions. Hayate wants to quit flying so Freyja can keep singing; Freyja wants to quit singing so Hayate can keep flying. Their affection for one another precludes doing anything that might hurt one another.

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Enter Mirage, who does a far better job than Lloyd to, well, not so much reassure them as knock some sense into them with harsh words. She considers both their offers unacceptable; Hayate has to fly and Freyja has to sing; that’s what they were frikkin’ born to do.

And she’s not even going to give them the choice to give up on their dreams, because she loves them too much. There; she finally said it, only two both of them and not simply Hayate. Better than nothing, I guess. Mirage (and Seto Asami) do great work here.

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While Mirage puts her heart on her sleeve to help the comrades—the friends—she loves, Kaname, Makino and Reina potentially put their careers, freedom, and lives on the line for their comrade Mikumo. Reina’s hacking isn’t pefect, but Kaname doesn’t give up when the other two are arrested, running through corridors and belting out song until she reaches Mikumo, who despite being in a stasis tank, sings along.

And that’s it for episode 20. With six episodes left, the sing-and-fly formula of earlier episodes has been immensely disrupted, and we’re left wondering what will become of the singers of Walkure, the pilots of Delta, and the overdressed tools of Windermere.

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Macross Delta – 19

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After making me care about the “bad guys” a bit last week, Delta continued to impress by suddenly having Freyja and Mikumo kinda go off the rails, resulting in the destruction of the Protoculture ruins—and thus a pillar of the Starwind Sector—on a large scale, and sending Hayate into superhuman berserk mode, from which he still hasn’t recovered when we check in this week. Mikumo has been secured aboard a medical frigate.

While both waiting outside the door to Hayate’s hospital room, Freyja and Mirage encounter the dude in the keffiyeh who was so dispassionately reporting on the status of the ruins and Protoculture structures back in Windermere. In a time of great doubt and apprehension, he’s arrived to complete an undisclosed business transaction with Chaos.

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But…he goes into an incredibly long-winded and detailed bout of exposition that not only serves as a shout-out to all previous Macross series (of which I’ve only watched Frontier, back when it aired), but connects the events of all of those Macrosses to explain what’s happening with the Wind Singer, Walkure, Freyja, and Mikumo.

Long story short: the Var is a product of fold bacteria left behind by the Vajra, and there are people with immunity to the Var and fold receptors who generate powerful bio-fold waves when they sing while their lives are on the line.

Berger Stone surmises that the Protoculture inserted some code related to music in the he DNA of all humanoids, and that music is more than just culture shock, but a mind-controlling weapon.

He also brings up rumors of the mysterious “Lady M” who finances Chaos to be developing an “ultimate weapon” utilizing music, which sounds a hell of a lot like Mikumo, considering the flashes of her past we’ve seen.

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I’m glad to be caught up on exactly what’s going on, but I can’t help but wonder if there could have been a more organic way to convey all this information. When you think about it, why is Berger Stone telling them all this to begin with? Frankly, the only reason I can think of is that the plot requires that he do so.

Sure, it’s a vehicle for a bunch of lovely nostalgia, but this is where my limited exposure to the Macross universe is exposed, since most of the shout outs failed to resonate simply because I haven’t watched everything. Thus, much of Berger’s story feels more like a quick cram session of everything that led up to the current situation.

It’s more than a little awkward and rushed, not to mention static. With a few excellently-executed exceptions, there’s usually something unsatisfying about watching people stand around and listen to a guy talk while watching what amounts to a fancy PowerPoint presentation behind him…for almost an entire episode.

And while Berger is talking to Walkure and Delta, Lloyd is telling Keith basically the same story. So everyone on the show is simply standing around chilling. That lack of immediacy after so much action and upheaval was a bit deflating. It felt retconny. felt…recappy.

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What earns this episode a 7 as opposed to a 6, then, is the very end, when it’s Mirage, not Freyja, who musters up the courage to go see Hayate. Since there’s every indication he’s out cold, Mirage is able to be honest with herself, if only briefly.

Admitting you don’t understand anything is the first step to rectifying that, and Mirage does so, while also admitting she likes having Hayate around and wants him to wake up and be with her again. Seto Asami does good work in Mirage’s small but significant scene. Naturally, it’s left up to interpretation how long Hayate was conscious and listening to her, but it’s not as if she confessed her love or anything.

That being said, it’s important that Mirage visited him and was there when he woke up, not Freyja, as Freyja’s fear her music is a weapon that can change and potentially hurt Hayate leads her to keep her distance. Mirage is just Hayate’s flying buddy; she has no such misplaced guilt to contend with.

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ReLIFE – 02

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The test scores are in, and a great many things become known. In ten years, Kaizaki forgot between 75% and 96% of everything he learned in high school the first time around. Kariu is mad about losing the class rep job to Hishiro not because she can’t get free lunches, but because she has feelings for Ooga. Finally, Onoya has even worse test scores than Kaizaki…and she’s a real high schooler!

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These two need tutoring, and Ooga is happy to serve the role as tutor, but gets more than he bargained for when Kaizaki and An start digging into his relationship with Kariu, including their matching earrings. I’m liking how quickly yet naturally the circle of friends is coming together.

I also liked Kaizaki’s outsize reaction to An whipping out her cell phone; once a capital crime in his day, now students use them with impunity (outside of class, that is). Or how he takes Hishiro’s reaction to his lending her 1000 yen (that he’s like a grown-up) literally; worried the brainy girl is on to him.

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Hishiro comes to dominate the latter half of the episode as Kaizaki makes it his mission to get her to come out of her shell a little more. The fact her forced smiles are so disconcerting is proof of how genuine and straightforward she is; the only smiles she can make are real ones, all of which were triggered by Kaizaki being nice to her.

At the beginning of the episode, Hishiro has no friends; now she has one, and of her own choosing, boldly asking for Kaizaki’s phone number. Hishiro really shines in this episode, greatly aided by her adorable character design…and Kayano Ai’s adorable voice.

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Ryou, who was skulking around corners the whole episode, observing Kaizaki from a distance, not only suggests he try to quit smoking (the smell lingers, plus no one will sell to someone with his new babyface), but also not to get too attached to anyone. Apparently, when the year-long experiment is over, everyone young Kaizaki interacted with will forget him, because he’ll be back to being 27.

Not like that’s something he’ll be able to explain if they every learned, but this still seems like a downer, especially considering Kaizaki will remember them, and will likely not feel so great as a result. When Hishiro told Kaizaki she had to rush things, that this was her last chance, it reminded him how confident he was that his future would go the way he thought it would.

It didn’t, and ReLIFE is ostensibly the path to getting somewhere closer to his ideal future (or even creating a new one). But having to sever all his new bonds at the end of the year seems like a steep price to pay for that future. As I watch the next eleven episodes (at my own pace), it will be interesting to see if he ever tries to haggle over that price. Hishiro—callsign “Sorry Cat”—is someone worth knowing. Could she also be a bond worth preserving, even if it breaks Ryou’s rules?

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