Tari Tari – 11

Konatsu has written a script for the musical drama, and sets the club to work preparing. Wakana is writing the song, Sawa is doing the choreography, Taichi the sets, and Wien the props. However, the principal finally makes an announcement to the teachers, parents, and eventually students: the White Festival is being cancelled and the school is being shut down to make way for luxury condominiums. The club drifts apart as construction vehicles descend on the school, but one afternoon they all meet by chance in the hall. Wakana announces she’s finished her song, and wants everyone to sing it.

In Hanasaku Iroha, the Kissuiso inn was a character in and of itself: old and unappreciated by the winds of change, but beautiful, traditional, and warm. With five lively characters to keep track of, it could be easy to overlook the school they attend, but when we think back, it’s also a gorgeous building, with its gleaming hardwood floors, intricate outside tiling, ample natural light, neat half-moon sliding doors. We’ll bet the students took the beauty of this place for granted, and are only now appreciating it now that news has come down that it will be taken from them. This is something hinted at for some time, but it comes as a complete surprise to all.

The meek pushover principal procrastinates far too long, and culture fair preparations are already in high gear when he belatedly brings the hammer down, and a cruel hammer it is. In a painfully ironic scene, he cites Japan’s declining birthrate as Mrs. Takahashi’s newborn is crying, as if in defiance. For as big and beautiful as the school is, higher-ups have deemed it too big and occupying too valuable a property to allow a dwindling student body to continue using it. They want rich people living there. That baby isn’t the only one protesting: festival or no, Wakana wants her song heard, and the club is willing to sing it with her.


Rating: 8 (Great)