In the first half, a bored Mizuki sees Kurama on TV and decides to travel to Tokyo to get some pointers on acclimation to human culture. When he arrives, he is appalled by the level of pollution, crass rudeness, and monetary system. He ends up being invited to a TV Tokyo party by one of Kurama’s handlers. Trying a drink from a drunken man, he falls ill, and wakes up under the care of a young woman also new to the city and struggling to fit in, but is determined not to give up. Mizuki thanks her for helping him by giving her some of his homemade sake.
In the second half, Nanami takes Tomoe to an amusement park, where he repeatedly refuses to talk about a hairpin he has and who it may belong to. He does eventually have genuine fun on the roller coaster, and fixes her hair in a bun but later on when he denies having known and loved Yukiji, Nanami runs off in distress. She ends up riding the ferris wheel at night alone, but when she accidentally messes up her bun, the hairpin falls out, and Tomoe suddenly joins her in the ferris wheel car, telling her it was a gift for her all along.
Another great two-parter from a series that’s been very consistent in the quality of its storytelling. Mizuki isn’t the least annoying character in the world, but a fish-out-of-water segment works out perfectly for him, as his arrogance is set aside and his confidence put to the test. Simply put, Tokyo eats Mizuki alive in short order, and it’s pretty amusing to watch him fumble his way around town. Fortunately fate smiles upon him, as he meets up with Kurama, then meets a kindred spirit who lends him a helping hand, lifting his spirit in the process. This girl doesn’t even get a name, but she sounded an awful lot like Orihime Inoue (Matsuoka Yuki), and we really liked what we saw of her. This series doesn’t skimp, even on minor characters.
The second part, Nanami is in high spirits over a day of activities Tomoe didn’t even verbally agree to, and then she gets suspicious over that hairpin, which she assumes was Yukiji’s. The thing is, after running away from him, she never presses him on why he said he never knew any such woman, and continues to insist he knows nothing about women, including her. Is he lying, or is there something up with his memories? We were right there with Nanami in his past, so we’ll go with that for now. Regardless of his presumed inexperience with human women, he’s got a live one in Nanami, and it’s clear he cares about her beyond his duties as her familiar. If he just wants to “live [with her] in the here and now”, she’s fine with that.
Rating: 8 (Great)