The aquatope on white sand – 08 – Attack of the xanthid crab

Thanks to tireless work on the phones from Karin, Gama Gama finally gets to go on the road. Specifically, they’re bringing a little bit of the aquarium to Nanjo General Clinic’s pediatric ward. The ward’s kabourophobic director, Dr. Kinjou, has only one non-negotiable condition: no crabs.

So as chance should have it, one of the Gama Gama’s Xanthid crabs stows away in one of the traveling aquarium’s tank, and is discovered by Fuuka, who is left alone to set things up the common room when Kukuru, Karin, and Umi-yam are busy with other matters. Predictably, one of Fuuka’s fingers gets snapped and the crab is free to roam the hospital.

Meanwhile, Kukuru presents Dr. Kinjou with some stuffed sea life for the kids and goes off on a tangent about eels, and the doctor ends up making a comment about how nice it is they’re keeping busy before Gama Gama closes.

Karin later tells Kukuru that due to her job with the Tourism Association, she hears things, like that the new aquarium being built at the civic center will sap Gama Gama of what little tourist traffic it enjoys, spelling its doom. Kukuru doesn’t want to hear it, a skulks away to the roof.

She’s eventually joined by Umi-yan, who primarily came to the clinic to visit his young friend Airi, who was a regular visitor to Gama Gama before her hospitalization. Airi gives Umi-yan and sea life the cold shoulder.

She’s drawn back into the world beneath the waves when the xanthid crab climbs Dr. Kinjou and threatens to snap at her neck! Airi, the only one close enough to help the paralyzed-with-fear Kinjou, reaches out and carefully grabs the crab, marveling at how it’s alive.

Newly charmed by the sea, Airi joins the other kids in the common room, and the crab is safely stowed in a bucket for the return trip. Airi finally gets to interact with the theraputic doctorfish Umi-yan promised, and a huge smile returns to her face. Like the other kids, the aquarium is a welcome distraction from their health issues.

Dr. Kinjou initially seems ready to lodge formal complaints left and right, but lets the crab incident slide out of appreciation for the sparkly eyes and smiles the traveling aquarium gave the kids.

On the elevator ride down to the exit, Karin confesses that it was once her dream to be an aquarium attendant like Kukuru, but had to choose more stable employment due to her family situation.

When she watches Kukuru rush headlong towards her dream, Karin can’t help but feel a little envious. This makes me wonder if there’s a potential future where Karin makes her dream come true at a revitalized Gama Gama. But with news of a shiny new rival aquarium and a new face who has come to train at Gama Gama for that aquarium, Kukuru faces a very uphill climb.

It’s here where I must admit I found this to be the weakest episode of Aquatope yet, even though I still enjoyed it. Some of its strongest moments felt like variations on very similar, stronger moments from past episodes. It wavered between a Karin-centric episode, keeping the pressure on Kukuru, and Umi-yan being the nicest big guy in the world.

Most importantly, it had precious little Kukuru-Fuuka interaction. Whether you see their relationship as sisterly or romantic, it’s the beating heart of this show, and without it the episode felt underweight and hollow—like a crab you caught that’s too small to eat.

Tsukimichi: Moonlit Fantasy – 06 – Gettin’ Tsige With It

Tsukimichi starts out rather dry with some TenSura-style sitting around talking, but last week’s cliffhanger is nicely solved as Rembrandt gravely underestimates Makoto. But even here Tsukimichi pulls off a nice trick, as Rembrandt isnt a haughty blowhard but just a guy who is desperate for the materials to make the Ambrosia that aids his cursed wife and daughters. When his employees hear that Makoto has enough Ruby Eyes for all three, they all rush in to tearfully congratulate him.

Makoto’s productive visit to Rembrandt leads to him officially signing up for the Merchant’s Guild, for which there is both a written and practical exam. Fortunately, the education in this isekai is far below the modern Japanese standard, so Makoto aces the written exam with ease. He also has no problem producing the rare items he’s tasked with procuring in the practical exam, thanks to his high-level wagon fellowship.

Just as Makoto is trying out what looks like a beer but turns out to be…banana, we abruptly cut to Tomoe’s little excursion in errantry, exposing her bandaged bosom as she poses over a massive Gain Crab she slaughtered with as much ease as Makoto slaughtered the Merchant’s Guild tests. It’s good to see that she’s not always thinking about where Makoto is or what he’s doing, but perfectly happy doing her own thing out in the isekai.

Tomoe is vibeing so hard on her historical drama reenactment, she returns to the Demiplane without so much of an “FYI” message to Makoto—who is telepathically linked, after all. Her giant crab feast is interrupted by a summons to the library from Emma, who wants her and Mio to work on translating Makoto’s many memories. In doing so, Mio becomes an anime and tokusatsu otaku, just as Tomoe became a historical drama otaku.

But despite Tomoe and Mio being like oil and water, they both agree on one key thing: the Young Master needs to get laid. Makoto is resolutely disinterested, averting his eyes from the two loosening their robes on the two inn beds and content with sleeping on what looks like Fushi’s chair from To Your Eternity. Perhaps it’s because, as the ED seems to indicate, they remind him so much of his sisters back home.

Kakushigoto – 10 – Prayers, Secrets, and Ghosts

Kakushi gets his team to aim for completion of a new issue in order to score a longer period off, but he only becomes truly motivated when Hime wins an Izu hot springs trip for the period he was aiming for. We get a glimpse at the class division between artists (who can only manage “cheap, close, and short” vacations) and editors (who can go overseas, like Tomaruin to Hawaii). Kakushi ends up working so hard for Hime’s sake, he comes down with a fever, something not at all uncommon among artists who put their work before their health.

When Hime wrote the kanji for “crab” a hundred times and then won a vacation that includes all-you-can-eat crab, Kakushi’s friends decide to draw up some sutras, choosing to believe in the power of prayer. Mind you, Hime wasn’t trying to write a prayer, but punish herself for eating all the chocolate butter biscuits (which, for the record, never last long in my house). But the crab connection was too enticing to ignore particularly for Kakushi’s three suitresses, whose sutras are marriage themed.

Once the Gotou party of three arrives at the Izu onsen (the inn graciously allows pets, so Roku gets to come), the dog starts growling at the adjacent room, which has a suspicious “under renovation” sign and strange aura. Kakushi is also anxious about Hime going to the woman’s side of the baths all alone, and so recruits Rasuna and Ami to accompany her. Only when they’re about to go in, Hime comes out, having already enjoyed a nice bath, and showing that she’s a more responsible girl than her dad gives her credit.

Kakushi observes that inns such as this that once hosted classical Japanese writers and other people of note must have its share of secrets. However, while in the restaurant he watches as everyone starts confessing their secrets one by one, from revealing they’re older or have had work done or that a dog is a mutt and not a Chihuahua. Peer pressure starts building around Kakushi, but he’s saved by a scream from Rasuna, who saw a creepy shadow in the empty room where the famous writer died.

Both the shadow and Roku’s interest turn out to be an ordinary civet peeking in the window. In the morning, Hime learns of the ghost sighting, and while she maintains she’s scared of ghosts, she’s also glad they’re around. She then muses on the reason ghosts are rarely seen and can’t be touched, one of the possible reasons being there are so many ghosts of those who died the world would simply be too crowded for their corporeal forms. It’s Hime’s usual childish whimsy combined with a wisdom and a poetry beyond her years.

Speaking of beyond years…Future Hime remembers all the times her dad came through the veranda trying to put up a brave front, but her being able to sense that he was anxious or depressed about something. Now that she knows of his manga, she assumes that was the job he quit. Then we return to Future Tomaruin and Rasuna. Tomaruin mentions the book that said Kakushi quit because he wasn’t popular, but in reality, he put his pen down willingly.

Why? Simple: his wife was lost at sea in a highly-publicized accident. Rasuna posits that such a horrific tragedy was anathema to a gag manga artist’s mystique, and Kakushi came to believe he couldn’t make anyone laugh anymore due to the tremendous grief in his heart from the incident in his private life. Yet, as we see in the present day, he kept creating gag manga after his wife’s death, hid his grief from his readers (which obviously tracks with both his name and the show’s title).

So did the public reveal of his wife’s loss not come until the period between the present and future timelines? And if he’s not dead in the future, could he be searching for her? With two episodes remaining, some key connecting pieces of this bittersweet puzzle have yet to be revealed.

Dororo – 10 – The Brother Who Didn’t Suffer

This episode is all about Tahoumaru, Hyakkimaru’s younger son, and the one who’s been able to live a normal life of comfort thanks entirely to his father’s sacrifice of his firstborn. Now that Lord Daigo’s good fortune seems to be literally running dry (drought has gripped his lands that threaten to ruin the crops), he pays a visit to the Hall of Hell, where he sees a vision of what has become of that first son.

But again, this is not about Hyakkimaru, but his little brother, who is tired of his father keeping secrets and his mother praying to a headless diety. Daigo gives him no answers, and he runs off to brood in the same place he always has, which is why it’s so easy for his lifelong companions and bodyguards, Mutsu and Hyougou, to find him.

Tahoumaru happens to be the nearest of Daigo’s son to the lake monster, and while other Daigo samurai dismiss the villagers’ pleas for help out of hand, Tahoumaru shows he has a kind heart that inspires loyalty in his people.

He agrees to defeat the beast, which they set out to meet with their boats firmly tied to the shore, and discover to be an enormous crab. They get a few licks in, but when the crab retreats to beneath the surface of the water they have to withdraw.

Tahoumaru is angry they failed in the first go, but is determined to finish the crab off lest it claim more of his people. He rejects the suicidal idea of Mutsu and Hyougou to wear explosives in their clothes so the crab will blow up when it bites them.

Instead, he makes use of the geography of the area, and the extremely fast and efficient engineering and construction skills of the villagers. He manages to have sluice gates built between two lakes. I’m not sure how he managed such a labor-intensive feat (in the middle of a drought no less) but it definitely proves Tahoumaru does not mess around when he sets his mind to something.

They manage to lure the crab monster through one gate, which slams behind it, and then drain the artificially-made lake, trapping it on dry land and evening the odds. Tahoumaru and his friends rush in, further inspiring the people.

The crab proves smarter than it looks when it throws rocks at the gate to re-flood the lakebed. Mutsu very nearly gets eaten up and Tahoumaru’s big (and definitely expensive) plan looks headed for ruin…until Hyakkimaru swoops in to finish off the crab. For the first time, Tahoumaru gets a look at the older brother he never knew—and still doesn’t know—he had, while high up in the hills, Lord Daigo seems to be witnessing the meeting.

While previous episodes had depicted Hyakkimaru as a bit of a spoiled, moody brat, here we see that he’s actually a good lad, if a bit impulsive and liberal with resources both human and natural. He’s also brave and highly skilled with the sword, though he still relies a lot on his two friends while Hyakkimaru has spend most of his life on his own.

The meeting itself is surprisingly anti-climactic, though I wonder if they’ll really part ways so soon without Tahoumaru getting an answer to his question of who the young lad with the prosthetic arms was. Even if Tahoumaru did stick around to chat, Hyakkimaru can barely speak.

One Punch Man – 01 (First Impressions)

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“What kind of half-assed backstory is that?”

Sorry, Hannah and Preston, but I may have the best show of the Fall here. A silly little show about a guy who’s a hero for fun, who just got too gosh-darn strong.

One Punch Man packs an enormous amount of action and comedy into 23 minutes, and in a way that somehow didn’t leave me in the dust. This show is a master of comic timing, sight gags, and wry one-liners, some of which I’ll list throughout this review without context.

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“Look at these claws! I can’t even use a towel to wipe it off!”

Of course, dialogue is only half of the fun. The entire ridiculous premise is a heart-lightening joy to behold, in a world where strange, half-dressed supervillains are always cropping up. In a wondrously bizarre origin story, our hero, just coming off another job interview rejection, moved without thinking in savin a big-chinned brat from a tighty-whitey-wearing crab monster by pulling out all his innards.

“In this age of declining birth rates, I can’t just let you kill a kid!.”

Cutting back to the present, we see OPM inspecting crab claws, which made him reminisce about the past in the first place.

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“I added strawberry flavoring to make it go down easier.”

Shows with simple rules always feel tighter, more confident and engaging, and OPM has one simple rule: One Punch Man Always Wins, and he always wins with one punch.

“Put some pants on.”

It doesn’t matter what the supervillain’s ability is, or how nasty and big and strong they are; all OPM needs is a momentary opening to deliver his one punch and it’s all over…though sometimes there’s a degree of collateral damage involved, reinforced by the fact they don’t even bother naming cities in this world, because they’re so often toppled.

[CITY B DESTROYED]

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“In other words, you could say that I haven’t made any impact.”

But due to that one-punch-takes-all rule, One Punch Man is also One Bored Man, feeling neither anger nor passion. He trained so hard to be the most powerful hero the world has ever seen, but it’s still left him wanting, as we see from his humdrum evening routine of washing his gloves, making a simple meal, and watching TV until falling asleep.

OPM’s blank stares and unwillingness to get worked up about any crisis, no matter how dire, is one of many sources of the show’s comedy, and works very nicely indeed.

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From the supermarket around him being destroyed to being plucked out into the morning before he gets his coffee, the speed and intensity with which OPM ends up in his superhero battles is also a strength of this show, as is its tendency to play tricks on the audience.

When thrust out onto the streets, OPM’s apartment is destroyed and he’s confronted by a number of tough-looking “Subterraneans” who call themselves the true humanity and are committed to eradicating all surface dwellers. Having already wiped out 70% of them (yikes!) they turn on OPM as one more target. And they’re able to make him bleed!

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Despite still being able to defeat one Subterranean after another with—you guessed it—one punch, the fact they’re able to hurt him and come at him in such overwhelming numbers starts to suddenly awaken something in OPM as he does battle in his increasingly tatter jammie-jams. Could he finally be getting back what three years of intense training took away, along with his hair?

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It certainly seems so, as after wave after wave of Subbies turn into piles of bodies before him and the massive Subterranean King finally shows himself and challenges him, OPM is suddenly having the time of his life, his passion and drive fully restored…

But alas, it’s only a dream. The real Subterraneans and their king are even more of a pushover than the other baddies he’s fought this week. After dealing with them all too quickly, he once again laments that he’s become too strong. One could say this show is too strong, too; but I don’t care. I love it.

10_ses