Sidonia no Kishi 2 – 03

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Kobayashi’s coup went off without a hitch, and she immediately changes Sidonia’s course, both literally and figuratively, in a chilling scene that makes it obvious there was no love lost between her and the not-so-Immortals. And yet this doesn’t mark any kind of sea change in the day-to-day operations of the ship, nor do higher-ranking officers like Yutaha have any problem with the new change of leadership. After all, Kobayashi’s bosses never were in the spotlight; it’s hard to mourn their loss. Or maybe Yutaha is simply being pragmatic.

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Either way, big changes in how Sidonia wages war are being implemented, from upgrading the armor of the Type-18 frames, to impregnating Placental Hoshijiro with a human seed, making her Tsugumi’s mommy. I really like the creep-factor this kind of sci-fi body mod/body horror stuff lends to Sidonia’s “world,” one already full of oddities.

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At the same time, this episode doesn’t forget about the sheer majesty of simply floating outside Sidonia. The careful camera placement and motion really sell the idea of how vast space is, and how the terror of that vastness can cause people like Kobayashi to take extreme steps to preserve their tiny civilization.  

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Where Sidonia continues to flail and fail is at comedy, particularly anything involving Nagate seeing naked ladies. All of the careful physics go out the window as they resort to cartoon violence, smashing a heavy metal door into Nagate, who hits the wall hard, and then has the door smash down on him, a sequence that would surely have put him in the hospital.

Like a previous instance in the first season where his face swelled up after getting beaten for a similar transgression, seeing his CG face get bent up here breaks the uncanny valley in a bad way. But most of all, this attempt at lightweight comedy comes off as ham-fisted and obvious, nothing like the expert precision of other areas of the show.

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This is more like it: giving us a glimpse into Yutaha’s spartan quarters gives us a glimpse into her character off-bridge: she dresses down, builds scale models, and tries to keep up with the news. Sure, emergency maneuvers would send most of the contents of her room flying along with her, but those are rare enough.

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While checking the logs of who’s gone to see Tsumugi, Yuhata discovers Nagate and Izana have been occasional visitors. I was expecting some kind of confrontation, but instead Yuhata is merely curious, and the others even invite her to lock hands with them, as they had come to do with Tsugumi (or rather Tsugumi’s balloon “sock puppet” avatar). Tsugumi continues to nicely toe the line between cute and creepy.

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When her sharp eyes spot a 500-core Gauna force heading their way, Kunato requests to intercept it with Tsugumi. Yuhata wants to see how she works in a formation, and so denies the request, but she’s overruled by Kobayashi, who is eager to see the full extent of the chimera’s powers. Perhaps because Kunato wasn’t among those who locked hands (a pilot superstition I’d expect him to shun), things go very wrong when he flies Tsugumi into a Gauna placenta trap. This, after Kunato guaranteed defeating the force would be a cakewalk.

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Two more of Sidonia’s strengths are its thrilling launch sequences and visceral pilot POV shots, both of which contribute to an adrenaline-laced sci-fi spectacle to end the ep. With Tsugumi neutralized, it’s up to the conventional Guardes to avert disaster on the very first leg of Kobayashi’s very possibly ill-conceived new course.

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To that end, all the Guardians that launch—96 in all—lock hands into a ring formation and blast away with authority, which is another Sidonia strength: immensely enticing cliffhangers. The strengths definitely outweighed the weaknesses this week, as they usually do with Sidonia, while building great anticipation for next week’s big battle.

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Sidonia no Kishi 2 – 02

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There’s been some super sketchy stuff going down behind that big KUNATO logo, especially now that Ochiai is in the mix. We see the fruit of his labor in full display this week in the Human-Gauna hybrid “Chimera”, Tsugumi Shiraui.

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The newest enemy Gauna with its “Onion Placenta” is proof the Gauna are not standing still when it comes to developing new weapons with which to attack Sidonia, so it makes sense that the humans should innovate or die. Competing factions among the humans clash over the best way to do this.

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At least here, the ends justify the means, as Tsugumi is able to destroy the enemy Gauna, finishing it off by blasting straight through it. Yuhata and the Guardians are more confused than anything, but it’s Nagate who decides Tsugumi isn’t their enemy, allowing her to do her work unfettered.

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There was probably a better way to sell Tsugumi to the crew than a King Kong-style unveiling, but Kunato has never struck me as being very good at P.R., and the fact he’s now a host for Ochiai made him even worse. Tsugumi is uncommonly courteous and friendly, but when she gets excited upon spotting Nagate in the crowd, her sheer mass shakes the entire assembly hall, scaring the masses and turning them against her.

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Tsugumi is huge and extremely creepy-looking. But in good sci-fi, one can never judge a book by its cover when it comes to aliens who look or act differently from us. Nagate, being the decent sort of chap he is, is willing to keep an open mind, and even visits her at the Kunato lab, convinced she could use some human company, as she is half-human.

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She greets them with a more human-sized but still very alien appendage, and Tsugumi is overcome by glee when Nagate allows her to “touch” him, which she takes as carte blanche to lift both him and Izana up with numerous tentacles and grope them both thoroughly.

But again, it’s not scary, despite the awesome destructive power she’s capable of, because she’s so gosh-darned earnest and adorable. Not sure about the goofy music that announces this is a comedic scene, but whatever.

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As for those factions I mentioned earlier, Kobayashi makes a decisive move against the ruling Immortal Ship Assembly, sending Ochiai’s clone to murder them all, including her would-be replacement, after they vote to impeach her from the captaincy.

While the good old-fashioned acquisition of power is probably a motivating factor, Kobayashi was also diametrically opposed to their defensive posture and refusal to entertain innovations such as Tsugumi. With her and other Chimeras, she’ll be able to take the fight to the Gauna, and presumably start winning the hearts and minds.

Even if she doesn’t manage to achieve the latter (Nagate, for instance doesn’t like how Tsugumi is being forced to fight and kill right out of the proverbial womb) it’s Kobayashi’s ship now, and those who oppose her will do so at their peril.

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Aldnoah.Zero – 21

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Slaine’s preoccupation with the battles on Earth, combined with Lemrina’s relative freedom of movement, means it doesn’t take long for Lemrina to find her sister awake and well, and learn that her fiancee has been lying to her face.

Lemrina had certainly showed signs of increasing obsession with besting her sister, and when she pulls a gun on the real Asseylum, it seems like a natural extension of that attitude. But at least, here, she stays her hand.

Perhaps its the fact that a part of her is genuinely glad to see her sister; that it was easier to consider sororicide when her sister was nothing but an unconscious body floating in a tube.

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Instead of killing Asseylum, she and Lemrina organize a clever little switcheroo on Slaine. This time it’s Asseylum posing as Lemrina, who confronts Slaine and listens to him prattle on about the inevitability of war, proving to her the Slaine she knew and cared for has changed in two years, for the worse.

He’s power-drunk, and there is no longer any reasoning with him. In one of the more badass sequences of this season, “Lemrina” stands up out of her wheelchair, reveals her true identity, and orders Slaine to stand down.

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Down on the surface, the United Earth Forces are faced with three Orbital Knights working together, combining their powers of invisibility, electricity, and duplication to good use. It’s another showcase for Inaho’s inexhaustible resourcefulness, as all three counts’ kataphrakts are taken out one by one by finding and exploiting their weaknesses, just as if they were only dealing with one at a time.

It’s a big victory, in that it proves that even working together, the Orbital Knights are far from invincible. It also shows that Inaho is putting too much pressure on his physical body for the sake of carrying the day for the UEF. I doubt his pain will go away, especially as he takes on more and more complicated operations. He’s running out of time; if he’s to do something about Slaine, he’ll have to act soon, before his own body betrays him.

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And despite the Vers Sisters working together, Slaine isn’t going anywhere. He has the full command and confidence in his subbordinates, and is also pretty sure Asseylum isn’t going to shoot him with a gun. So he disarms her and has both princesses confined to quarters under guard.

In this, the “palace intrigue” side of A/Z would seem to have come to an end, especially when Slaine tells Harklight he doesn’t care anymore whether the sisters ever understand his actions anymore. There’s no more pretending there’s going to be a fairy tale ending for anyone. The sisters are his keys to Aldnoah, and so still have value, but I wouldn’t be surprised if a little further down the road, his plans include doing away with Aldnoah altogether, righting a great wrong Saazbaum was never able to.

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But like Inaho, Slaine is running out of time. None of the Orbital Knights know of all the drama going down with the princesses, and assume everything is being done under Asseylum’s authority. One such Knight, the son of the late Count Cruhteo, Cronkine, is arriving. Like Asseylum, he knows Slaine from way back. I doubt he’ll be pleased with what’s become of him.

I forsee Slaine becoming far less patient and thus far less careful in maintaining all his lies and deceptions. Combined with the fact the Deucalion is being deployed to space for an as-yet-unannounced but surely important (and risky) new mission, it opens up the possibility for an anti-Slaine resistance, involving Inaho, Mazuurek, and possibly Cronkine. But first, Slaine’s source of power taken away, which means the princesses must be freed.

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Uchouten Kazoku – 11

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Benten saves Yasaburou by using him as an umbrella and flying away. She tells him Yodogawa is claiming the tanuki soon, and right after she leaves he spots him, covered cage in hand. Yasaburou follows him to a restaurant, where he orders an egg bowl, but it was all a trap by the Ebisugawa brothers. Poison in the egg bowl makes Yasaburou revert to tanuki form and they cage him. Soun brushes off judgment by his sister-in-law and delivers Yaichiro to the real Yodogawa. Kaisei notices a light in the warehouse and frees Yashirou, but she must stay behind to occupy the guards.

The ladies come up big this week, with Benten saving Yasaburou from capture by Soun. It’s only temporary freedom, though, as Ginkaku and Kinkaku actually get one over on him. Disgusted by her brothers’ behavior, Kaisei decides to sabotage her family’s plans by springing Yashirou. Benten could pass of her heroics as simply needing an umbrella, but Kaisei’s won’t be so easily explained to her father. So two brothers remain free, though one is small, weak, and timid, and the other is a frog in a well who doesn’t think he can change back. Still, better than nothing, right?

As he sits in his cage under the watchful eye of an iron-girded Ginkaku and a creepy Kinkaku who’s giant face is literally popping out of the wall, Yasaburou gets broodily philosophical, as Yajirou is wont to do. Everything that he and his family has endured is all part of being a tanuki, whether it’s tricking humans, annoying tengu, or getting captured and eaten. Their situation can be fully explained by their blood. But as his mother protests, the Soun and his sons aren’t acting like tanukis. Such horrible treachery is more suited to humans or tengu. Which is precisely why they can’t be allowed to lead tanuki society. They’ll be its downfall.

9_superiorRating: 9 (Superior)

Stray Observations:

  • The twins’ elaborate “back in the game” celebration upon capturing Yasaburou was a fantastic piece of stagecraft.
  • When a caged mother tells Soun how pained his brother be if he knew how horrible his brother had become, Soun simply says “he knew I was like this.” Cold bastard.
  • We realize he’s not strictly a villain, but when Yodogawa takes delivery of Yaichiro, the tone of his voice is blood-curdling.
  • Again, mad props to Kaisei, who is just plain badass this week. We only wish she could go with Yashirou to teach her dim-witted brothers a lesson.

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Ohana and Ko all but confess, and he agrees to come to the climactic Bonbori festival. The manager insist that Kissuiso will close for good after the Bonbori festival, despite a glowing review by her daughter which nets the inn gobs of business and the fact that everyone loves the inn and wants to stay. Enishi stages a coup in order to keep the inn open, leaving Ohana split between family and friends.

A little of everything this week, and all of it good. Ohana and Ko finally talk about their feelings, but rather than taking up most of the episode as I expected, it’s just the appetizer. With Sui intending to close the inn, some are starting to look at future employment, but then Satsuki puts Kissuiso on the front cover of her travel magazine, and suddenly it looks like they can make it work. Thus this becomes a battle of wills, between Sui, who doesn’t want anyone else sacrificed for her and her husband’s dreams, and everyone else, who want to keep the inn open and running anyway.

I can feel for Sui, but ultimately I’m on the side of Enishi and everyone else. Sui may be old and wise, but she isn’t infallible, and she isn’t a god. Her pride is blinding her to the arrogance of thinking she can protect the fate of others when in reality, her actions threaten to crush dreams and change fates she has no business changing. Whatever Kissuiso was, it is more than just her and her late husband’s dream. With all this seriousness going on, there were also moments of comedy, like Tohru and Minko disocvering their favorite manga was written by none other than Jiromaru, and Sui’s ridiculously quick and efficient bath.


Rating: 4