Re:Creators – 05

Episode five is talky, like the previous four, but the quality of the conversations ticks up thanks to a generous helping of light humor and a few significant steps forward with the plot, as the “good” creations add mecha pilot Kanoya Rui to their ranks and forge an official alliance with the Japanese government.

Things are lighthearted at first, as Kanoya proves to be very mild-mannered when not riled up, then things get tense as the JSDF raids the home of Kanoya’s creator. This is where I came to appreciate Meteora as the official spokesperson of the creation/creators. Measured and precise in her words, she’s able to calm the situation and put the soldiers at ease. None of the others in that house could have done it better.

They end up before a board of government bigwigs called the Special Situations Countermeasures Council, and briefed by the council’s General Coordination Officer, Kikuchihara. The proceedings are understandably a bit stiff, but things are lightened considerably when Kikuchihara informs Meteroa of the missing JSDF weaponry she “borrowed”, for which she can only offer a sheepish but sincere apology.

Fortunately, Kikuchihara is a stabilizing force, like the Meteora of the bigwigs, and has an open enough mind to appreciate the creators and creations’ situation, while acknowledging the former’s status as persons, offering them legal status and government protection.

Their shared goal of fixing what the Military Uniform girl broke and returning everyone to whence they came is sure to go easier with the coordination with Kikuchihara and the council.

Despite likely being offered government-funded accomodation, Meteora and Celestia decide to remain at Marine’s house, which is just fine with her, as it’s made her home life more fun, as “every night is girl’s night”, as Meteora puts it.

The four guys (one of whom, Kanoya, is voiced by a girl) aren’t as enthused, as Kanoya’s creator’s house was destroyed, but of far greater concern to Souta is his sudden realization of the origin of the Military Uniform girl: it would seem her creator is Shimazaki, who took her life by jumping in front of an incoming train at the very beginning of the first episode.

It makes sense that Military Uniform girl is trying to overthrow/destroy the world of creators, considering it’s a world that essentially rejected her creator. Hopefully more will be revealed about Souta’s specific connection to Shimazaki. Until then, some nice incremental progress was made, with just the right amount of comical flair to avoid things getting to stodgy, but enough seriousness to maintain credibility.

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Another – 02

Sakakibara continues to converse with Misaki, which perplexes her. It appears he’s the only one who can see her, or wants to. He askes Nurse Mizuno about any schoolgirls dying at the hospital, and she later confirms it, but Sakaki’s phone drops the call abruptly. Following Misaki, Sakaki initially loses her when she turns a corner, but comes across a doll shop, where he finds her in the basement, near a doll that looks vaguely like her. She offers to show Sakaki what’s beneath her eyepatch…

So far, we’re less enamored by the characters than we are with their surroundings and the manner in which their presented. The entire setting is thick with gloom and imminent dread. Quick cuts and sharp, unsettling sounds keeps us on our toes. With a different presentation, this would be a quaint and beautiful town, but every fiber in our being is repelled by it and the secrets it contains. Similarly, Misaki is every bit the broody ghost, popping up in the middle of school amongst the living. Sakaki cannot help but drop everything and be drawn to her. And creepy dolls. My God, are they creepy. 

What is Mei’s story? Why is she still hanging around? What does she want? What’s the deal with Akazawa and her “countermeasures?” We don’t know yet, and suspect concrete answers to such questions may not be immediately forthcoming, but we’re enjoying the buildup so far. An aside: the ending sequence is very calm and airy and accompanied by a soulful, hauntingly beautiful piece of music (“anamnesis” by Annabel); it’s like suddenly coming up for a breath of fresh air from the depths of a dark, tense sea.


Rating: 3.5