GARO: Honoo no Kokuin – 15

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GARO has never been shy about shuffling off to a totally different story in its world when it feels the urge to. The serial tale of the Makai knights’ struggle against evil has always gone hand and hand with the smaller but still interesting stories of the people they’re protecting. Episodes like this are successful when they find a way to tie the two together. In this case, without meaning to, the common folk’s activities provide another lesson for the Prince Alfie, still young and learning what it means to rule.

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I won’t blame you for not remembering the blacksmith Julio, who had dealings with Herman and Leon and whose dad Sergi (or Jordi, depending on the subs) became a horror and had to be killed. But even if I hadn’t looked back at my older reviews, I’d have recalled him, and I’m glad they brought him back rather than making new characters. We know this kid’s history, and why he’s so determined to build his own Golden Knight; not just so he and his can protect themselves, but be able to help out the real knight.

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I will say, however, that the trial-and-error quality of developing the suit gets a little repetitive, and the sophistication of the technology employed strains credulity quite a bit (the Makai knights’ clearly supernatural armor). I simply don’t buy that elbow grease and some pig iron are capable of building a mobile suit in what is clearly a pre-industrial time period.

It’s also hard not to see this as filler, especially when our main characters get so little time. That being said, the show seems intent to tell us other stories precisely because Leon and Alfie are both kind of in holding patterns. Leon’s one scene with Lara is nice, but it doesn’t provide anything new; these two like each other, but Leon is transient. There’s also something awesome about the prince’s uncle sneaking into the palace through a window just for the hell of it…but it’s hardly substantial stuff.

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In the second half, things pick up when a widow visits the workshop with tales of a monster prowling their farmland. Time to test the anachronistic suit! And despite having, delicate, perishable pig intestines for hydraulic hoses, the suit holds up pretty well…though they’re not actually dealing with a horror, but a big bear made bigger and scarier by the light of the moon.

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Herman and Alfie just happened to be passing by this battle, and Herman is able to step in at the last minute when it seem’s the mecha’s pilot Bruno is about to be blown up with it. The lesson to Alfie is that the people he is sworn to protect are not helpless—indeed, in the ways of the world, they are far stronger—so it’s important not to see them as merely sheep to be tended.

As royalty and a Makai knight, maintaining and protecting the realm is a collaborative effort with his people. They can take care of themselves by and large, but it’s crucial he be there in case whenever they’re in a pinch.

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GARO: Honoo no Kokuin – 14

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90% of last week’s episode was given over to Leon’s rebirth into a simple life of working the land. This week it’s Prince Alfie’s turn to get the lion’s share of the episode, and while his adventures have nowhere close to the emotional impact as Leon’s, it’s still a respectable, if episodic, romp.

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Exhausted by the ample rigors of being the Golden Knight and a prince being groomed for the throne, Alfie gives his portrait artist the slip and hides inside a wagon that just happens to be robbed while on the road, and its young driver is tied up and thrown in the back with him.

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Leon continues to enjoy the company of the fair Lara (voiced by Aiba Madoka, her first role, and a damn good one) and Emma happens to cross paths (it’s probably more like Emma was looking for him.) Emma confirms Leon is okay, tells him Alfie is okay, and they part ways. Short and sweet, but it’s good to know Lara is going to be around more than one episode.

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When the thieves arrive at their abandoned (and haunted) castle hideout, Alfie reveals himself and asks them to surrender, but not only does Herman appear on the balcony, but the Juliet to the tied up guy Mauro’s Romeo; in love with each other, but with feuding families.

Mauro tells tales of Count Juste—the castle’s former lord, whom Alfie always idolized as a great knight—coming home to find his wife Isabelle had become a witch, and killed her. Alfie assumes Uncle Herman came to address a potential horror infestation in the castle. The fact that Herman knows nothing about the curse and merely came to collect white lilies for his new lady friend Himena, the romantic bastard.

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When night falls, Fana springs Mauro from the dungeon, but get cornered by guards, and happen upon a hidden passage that leads to the room where Horror-Juste and Isabelle remain in their deadly embrace.

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Juste takes Fana for his new bride, but Horror-Roland (Juste’s rival for Isabelle’s heart) possesses Fana’s dad, and the two start to fight in Horror Mode. Yes, there’s a lot going on here; not all of it necessary, but the detailed story is surprisingly easy to follow along.

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Since these guys are horrors, that means Herman and Alfie can actually fight them. Lo and behold, they’re both complete pushovers, though when Juste is about to drain poor Fana of all her blood, his face opens up to reveal a gruesome face that wouldn’t be out of place in Parasyte. Herman takes out Roland, Leon takes out Juste, and Mauro reaches out and catches a falling Fana, cushioning her landing.

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In the end, Mauro and Fana, who we don’t really care that much about, end up together (who knew the Garo Knights were yentas?), Alfie has a little adventure away from his palace, along with some exercise, and Herman has to look somewhere else for white flowers for Himena. Nothing super-consequential, but stylish and witty as always, and thus still enjoyable.

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