Zombieland Saga: Revenge – 05 – Always Be Twinkling

This week is a Lily episode, as she decides she wants to shine even brighter by entering herself in the Saga regional of the awkwardly-titled national TV talent competition Japan’s Got Performance. If she wins, she’ll move on to the finals in Tokyo. I love how the pint-sized Lily announces this by shaking up Koutarou’s usual dungeon briefings. This is a choice she made—not him—and she’s going to do it.

But upon arriving at the venue for the competition, Lily learns she’ll be facing stiff—and very familiar—competition in the form of Oozora Light, the latest child prodigy star. While his meeting with Lily is friendly, Sakura and Tae later discover that unlike Lily he’s an arrogant, cynical little shit, spoiled by and abusive to his manager and expecting an easy win in the “sticks” of Saga.

While much of the competition before him seems to support that assessment—none more than Koutarou’s own baffling impersonation of a mudskipper—Lily brings some class, charm, and heritage to her multi-faceted rakugo performance, proving she can do whatever she wants on stage and excel.

Both the crowd and celebrity judges are eating out of her hand, laughing at the comedic bits and crying at the dramatic ones. Lily is an expert at working the crowd, but it’s always about shining as bright as she can and entertaining them, not manipulating them. If she isn’t having as much fun as they are, there’s no point.

Light follows it up with…sigh…juggling. It’s here where we see that he’s more concerned with tricking the crowd into siding with him with his on-stage performance, since they’d probably loath his true self. He does this by pretending to mess up, only to yell Never Give Up! and get back on track. As juggling acts go it’s pretty good, but in all honesty he’s riding his celeb status here; Lily’s act was far superior.

Unsurprisingly, the two finalists for the Saga Regional are Lily and Light. Lily stops by his green room to wish him good luck, and predictably Light throws her good wishes back in her face, calling her out for putting on such a syrupy sweet and cute act that they both know isn’t going to last once they’re out of elementary school.

Of course, Light isn’t aware that Lily was once a bigger star than him, and also will never grow up, because she’s a zombie. But even if she wasn’t, Lily is still a veteran of show business, and doesn’t rise to his trash talk, keeping things friendly and cordial. Even so, Sakura, who overheard Light laying into Lily, has her back, reminding her all of Franchouchou are with her.

When Light inadvertently steals “Life”, Lily’s signature song from her past, she once again shows what a multitalented consummate professional she is, re-arranging her music for the band and altering her costume, all in the time it takes for Light to perform his song. It’s also not lost on me that her light blue hair and pink and white ribbons match the transgender flag, a lovely personal touch.

Lily counters with “Life”, but rather than the classic bittersweet version, her vivacious arrangement integrates addictive scat-singing and dancing that get all the kids in the crowd and on TV dancing with her. She also basically turns all the adults into kids as the clap along, swept up in her sparkling, twinkling awesomeness.

As I expected, she still loses to the Next Big Thing, but not only is she perfectly gracious in on-stage defeat, but she tracks down Light to cheer up and encourage him off-stage. While he technically won, he knows full well Lily put on a performance he couldn’t have hoped to match, especially in the compressed time frame she had.

Lily reminds him that show business is about who wins, not always who’s best, but all either of them can do is keep shining as brightly as they can. She manages to thaw his cold, dark heart, and when he points out she’s in the boys bathroom, her response is pitch-perfect: “It’s fine…it’s just me after all.”

A lesser show would have had Lily put Light in his place by beating his ass and moving on to Tokyo (something Koutarou wasn’t going to be happy about—Tokyo isn’t Saga!). Instead, Light is given extra depth and humanity, which is gratifying because being a child star in any era is not easy…just ask Macaulay Culkin!

They part ways on good terms, with Light inviting Lily to Tokyo sometime so they can work on something together. And while Lily didn’t make it to the national final, a kid doing her scat performance of “Life” becomes a viral sensation all over the country, netting Franchouchou thousands of new fans. Let it never be said the shrimp doesn’t pull her weight!

Irina and Crow’s discussion of this episode has dropped. Check it out here!

Cardcaptor Sakura: Clear Card – 18 – Dance of Water and Fire

In the aftermath of the Cake Roll Incident, Sakura (and Tomoyo) have to stay quiet as their friends ponder what the heck happened to all the ingredients for their home ec class, while both Sakura and Akiho try not to blush when remembering when they gave their cake to the people they care about.

Sakura also gives Akiho Rika’s gorgeous pop-up Alice book, which Ahiko only accepts as a gift reluctantly, and which indirectly leads to a Sakura daydream in Clock Land right in front of Akiho. But since Akiho remains conscious the whole time, they don’t get the chance to “meet” one another there; she merely stops Sakura from tripping on a step.

That night (and considering the height of the moon, it’s fairly late at night for dinner, if you ask me!) as Akiho places the book on the “Alice” shelf of her family’s library, Yuna D. Kaito sidles up to her once more, reiterating how pleased he is that Akiho has gotten so close to Sakura, and hopes she gets even closer. Gee, I wonder why?

Meanwhile, Sakura, Tomoyo, and Syaoran are at the Tsukimine Shrine, the site of the very first Clow Card Sakura captured (“Fly”), leading her to reminisce on how talkative and pushy Kero-chan was back then. They’re there because she sensed another card and would rather deal with it at night. Tomoyo provides a fire-themed costume, while Syaoran is there for backup.

It turns out Sakura needs it, because Aqua, her initial gambit against the new card—a vicious firebird—proves ineffective. Syaoran has Sakura launch into the air with Flight and standby while he uses…some power he’d rather not tell Sakura about in order to bind the firebird and enable Sakura to secure it.

WIth that, she’s gained a third elemental card after wind and water (ice, which one would have thought would be more effective against fire, must be covered by water). It’s yet another colorful, gorgeously staged and rendered battle in the best traditions of CCS.

After some post-game play-by-play, the trio prepare to return to their respective homes. Sakura took steps to ensure her absence wouldn’t be noticed, but her brother Touya enters her room to find she’s not there (he’s studying late with Yukito and must have sensed something amiss).

Yue emerges from Yukito to tell Touya that Sakura is safe and on her way back soon, then comments on how Touya’s powers are returning. Touya is coy about how he’ll used them, except to say that he will do everything in his power(s) to protect Sakura and his family, and asks Yue to be patient. Personally I’d love to see these to face off against Yuna D. Kaito.

Barring another season (or a wrapping OVA or movie), Clear Card saga ends in just four episodes. Yue isn’t the only one who has to be patient!

Momokuri – 19 + 20

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Our next episode pair starts off with a nice monologue by Momo explaining where he’s coming from (loving parents he doesn’t see a lot) and how Yuki’s undivided attention is a new and exciting thing. This is the closest the show comes to drama, and while it’s no Orange, it gets the job done.

Since he’s come to like her attentions, Momo takes Rio’s words to heart about the distance Yuki seems to keep, but only confuses Yuki when he tries to rectify it.

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The thing is, there’s nothing that needs rectifying. Rio is observing this relationship from the outside; she can only tell Momo what she sees, how she sees it. Ditto Norika. But Yuki is just fine when it comes to Momo. While 90% of girlfriends would get jealous upon overhearing Momo call Rio cute, she seconds Momo’s opinion; Rio is cute.

Rio worries Yuki is an airhead, but it’s not really obliviousness. It’s a matter of point of view and confidence. Rio doesn’t have it, and Momo is still working on it, but Yuki is already there. She’s over the moon that Momo is on stage dressed up like a wolf, and not only happy all the other girls like him, but would think something was amiss if they didn’t. Momo’s a wonderful person; they should all like him.

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But it never crosses Yuki that Momo might slip out of her hands. What others think or her or Momo or the two of them as a couple is ultimately irrelevant. When Momo sees that as being passive or a pushover, and asks her to be a little jealous once in a while, it’s only more confirmation that he likes her. She’d probably be fine going out of her way to seem jealous for his sake, but not because he asked her to…because she wants to.

I honestly thought Momo already told Yuki he liked her, but perhaps I was taking his agreeing to go out with her as a confession. But the actual official confession happens here, and it only deepens Yuki’s feelings for him, to the point she gathers the courage to tell him the truth about her “collecting.”

The episode ends before Momo has quite grasped what Yuki means, but as I said, this isn’t a drama, so whether he ends up truly understanding the extent of Yuki’s…activities, I’m sure they’ll be fine.

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Sket Dance – 38

Bossun, Himeko and Switch are conscripted by Remi for performance in a live children’s show, and they have to wear odd, bulky, unmaneuverable suits. After rehersal they accidentally lock themselves in an old storeroom adjacent to the storeroom they were meant to rest in. Unable to removed their costumes or handle small objects due to their long, useless arms, Bossun, Himeko, and a silent Switch have to work together and get resourceful to get out before the show starts.

At the end of this episode we are thanked for watching “the last Sket Dance of the year”, which suggests to us there will be more than that perceived final 39th episode next year. In fact, it would seem Sket Dance will be continuing indefinitely, much like Gintama and Fairy Tail. We’ll keep watching for now, as we are well invested in the now very-large cast and know what’s going on, but the structure of the show allows for plenty of variety, so hopefully they don’t run out of ideas.

Getting locked in a storeroom for the duration of an episode is an overused plot device. That said, Bossun’s complicated plan involving matches and magnets was pretty funny, as were the numerous realizations that it wouldn’t all go according to said plan. Momoka and her gang’s improvisational stalling was a nice fit, while the trio emerging with hideously deformed and melted suits was a real side-splitter, however unrealistic it was that they survived such a blast wearing such flammable garments.


Rating: 3