This episode is a bit of a “jumper” – dancing from one POV to another, and from another timeframe to another. But it holds together quite well; despite being a bit bemused and dizzy at times, I was never lost about what was going on. And a lot went on. First, there’s a mole of sorts – from the IMF – is in the Far East Financial District. She’s called Satou, she liked lollipops (and to eat in general), and is investigating Yoga, Mida’s banks newest Entre.
Meanwhile, Yoga visits his aunt, who shows him his father’s lifebox (my term, not the shows – a lifebox is a storytelling device that efficiently helps the audience learn about a person or their past). His diary only contains numbers…and a drawing of the design on a Midas bill. Yup, his dad was an entre too, and it’s the reason he abandoned his wife and Yoga. This sends Yoga into a brief angsting session (even drawing his hood over his face so he can cry angsty tears).
But Mikuni sets him straight: he believes Yoga wishing for a normal, predictable life is the same as Mikuni’s father operated: solely for one’s own sake. Yoga’s dad fought and earned in the District for the sake of his family. He sacrificed his normal life so that Yoga could have one. Mikuni strives to earn for the greater good. When one makes money and spends it, others benefit from the spending. Saving only helps the saver (this is not exactly ironclad economic theory, but whatevs.)
Honestly, with their almost identical eye and hair color, I suspected Mikuni could have been Yoga’s father, but Yoga’s deal opponent at the end could be his father. Whoever Yoga’s father turns out to be, or was, if he’s dead, Yoga has the classic “go in his footsteps” or “step out of his shadow” choice to make. Meanwhile, Satou and the IMF are concerned about the Midas money flowing into reality…but fear stopping that flow carelessly could have dire consequences, financial or otherwise. Rating: 4
This week Yoga is acquainted with his “asset” (Mashu, a cybernymph, of sorts) and has to fight in his first “deal” (duel) with another fellow player of the game. Losing means going bankrupt, which isn’t pleasant, either in the financial or real world. Fortunately, Mashu is an extraordinarily strong asset, and with her guidance he’s able to win. Also fortunately, while she’s scantily clad, she’s not a squeaky-voiced goofball, but actually quite surly, and fanservice is kept to a minimum.
Winning means a payoff. A considerable one, as when he returns to the real world (the whole ordeal was like a dream), he finds more than 33 million yen in his bank account and starts spending a little freer. His friend Hanabi notices his unfrugal-for-him behavior. He’s also able to talk with Mashu just by talking to the funky card he’s been given. He also suddenly sees banknotes that look normal to everyone else as strange, sinister, black notes from the Midas Bank.
One of his potential rivals, Mikuni, is the only other person his asset Q can recall winning his first deal. She also points out that it was while he was trying to save her, just as Yoga was treating Mashu like a human. But while Mikuni’s gained ambition and rises to challenges, Yoga still wants a normal life with normal pay, and no more. It’s pretty clear that aiming that low could get him hurt in the financial world. While not nearly in as dire a situation as Deadman Wonderland’s Ganta, Yoga nevertheless has stepped into something much bigger than himself, and must adjust to survive. Rating: 4
The Winter 2011 season was a welcome respite from Fall 2010, with only four shows we felt we needed to watch, plus three Fall carryovers. All seven of these shows end when the Spring 2011 season begins, so it will be a clean slate (Bakuman 2 will come in a later season). If Fall 2010’s fourteen (or was it fifteen?) shows taught us anything, it’s to be more discriminate; giving a few decent-to-great shows our full attention is far better than spreading it out amongst more than a dozen or more of varying quality.
To that end, seven to eight shows will be our limit this spring, so a couple of the ten Spring series below may be dropped before their runs end. Which ones, we have no idea; we always go in as blind as possible, let the anime speak for itself, and decide after two or three episodes. And we will have no regrets. The eleven we’ve chosen here are based solely on their initial synopses, promo art, and in the case of some, the fact they’re sequels to stuff we’ve already watched (God Only Knows.)
Similarly, we won’t be watching any sequels to franchises we’ve never watched, and there are many this season that fit that bill (Kaiji, Gintana, Maria+Holic, Chaos;Head, etc.) There’s just too much new stuff coming up to get bogged down in shows that have already established themselves (though lately we’ve gotten into Haibane Renmei; retro wrap-up pending). So here’s the list. Looking forward to April: leaves, sunlight, baseball, and…the following:
Hyouge Mono – Beetrain – April 7 NHK BS2
Ao no Exorcist – A-1 – April – MBS
Tiger & Bunny – Sunrise – April – BS11 / MBS
Ano Hi Mita Hana no Namae o Boku-tachi wa Mada Shiranai. – A-1 – April – Fuji TV
C: The Money of Soul and Possibility Control – Tatsunoko Production – April – Fuji TV
Sket Dance – Tatsunoko Production – April – TV Tokyo Kei
Denpa Onna to Seishun Otoko – SHAFT – April – TBS / TBS BS
The World God Only Knows II – manglobe – April
Hana-Saku Iroha – P.A.Works – Spring
Deadman Wonderland – manglobe – Spring