SSSS.Gridman – 05 – Wear Some Damn Clothes!

SSSS.Gridman 05 is a swimsuit episode, but only peripherally. It doesn’t matter how skimpy the outfit or how piercing the male gaze, this was also an excellent episode; the best since the first, because of how it shook up established formula of previous episodes.

It did so with a savvy understanding of the universe it’s built so far and how those who live within it should feel and act. The fanservice, while abundant, never distracted from that.

Shinjou Akane is regarded not just as the idol of the class, but its goddess. So its ironic that we see her resplendently reclining…on a giant pile of bags full garbage she’s too lazy to take out. Her class is going on a rafting field trip, and the only way she sees it not being a complete hassle/waste of time is if she can manage to finally beat her nemesis Gridman.

Just as Akane is looking forward to confirming that Gridman is Yuuta and then mopping the floor with him, Yuuta is looking forward to sharing an activity with Rikka, to whom he has yet to confess his feelings. That hesitation leads to a distance between them; there’s little screen time with just the two of them.

Heck, in the first half of the episode, Akane spends more time with Rikka, even getting her to rub sunblock on her back (and jokingly asking if she’ll do her front too). Shou is embarrassed when  Rikka’s cool friends mock his paunch, but when Akane does it, he turns beet red, only seeing the surface of Akane and not the evil lurking just beneath it.

Akane also ends up spending a good amount of time one-on-one with Yuuta, remarking how they’re alike in “not being used to things like this”, this being the rafting trip and all the physical and social calisthenics involved. But again, Akane is trying to get Yuuta to admit he’s Gridman, and in a way, succeeds when, in the middle of a string of questions, she asks if he’s “transforming” and he answers in the affirmative.

One day, Yuuta, Rikka, or Shou (or heck, maybe even Hass) will confront Akane about who she truly is…but not this week. Akane’s weird question sticks in Yuuta’s head, but he has more pressing issues, like the absolutely humongous Leviathan Akane has Alexis conjure shortly after getting her confirmation.

Akane admits it might not be fair or sporting to scale up her kaiju so dramatically, but considering the losing streak she’s endured I can totally understand her desire to take the proverbial gloves off. Unlike previous conjurings, not only is this one bigger than ever, it’s in a non-urban area, and indeed is created from the lush natural landscape; a mobile mountain with jaws and two beady red eyes. Honestly…it’s kinda cute.

We’re also in uncharted territory with the Gridman Alliance nowhere near the kitbashed computer terminal that enables Yuuta to transform. They can call the shop in hopes Neon Genesis folk are there (and they are; just waiting around), but they left their cell phones in the lockers.

Yuuta and Shou run ahead (leaving Rikka to escape with the others), but while Shou has change when they find a payphone, neither knows the number to the junk store. But Rikka does, and in catching up to provide it, she demonstrates that she won’t easily break the bonds of the alliance by leaving her comrades behind so easily.

The cavalry gets the message, buys the computer from Rikka’s mom, boards the same train as Yuuta and Shou, fall asleep on that train and almost miss their stop, and set up the computer at the station where they plan to rendezvous with Yuuta.

While he takes a tumble down a hill and gets a bit scratched up, he manages to make it, and he and Borr transform into Gridmand and Buster Borr, respectively. At first glance they look comically outmatched against an opponent of such lopsided superiority in mass. The only advantage they seem to have is that the kaiju’s attacks are very slow and inaccurate.

As if they didn’t have enough to deal with, Item shows up, determined as always to fight and defeat Gridman, regardless of what Akane wants or doesn’t want. However his time on the stage as an effective combatant is brief, as Borr has a projectile for every need, from forest fire-extinguishing water missiles to super-adhesive projectiles that immobilize Item’s kaiju.

That gives Gridman and Borr time to combine and unleash a vicious barrage of weaponry at the giant kaiju, culminating in a Double Buster Grid Beam that finishes it off. From closeups to extra wide shots of exploding giant monsters, SSSS.Gridman continues to make a strong case for best-looking, most visually-imaginative anime of the season, if not the year.

Akane, once again defeated, nonchalantly slips onto the last train back home, while Yuuta, Rikka and Shou reunite and celebrate the victory. However, Rikka spots Item, and some strangely floating rocks suggest they may be celebrating prematurely.

Still, it’s good to know that whether they’re in skimpy swimsuits or not, the Gridman Alliance is strong…and that Hass doesn’t have some weird perpetual cold, but only wears her mask for show. I love little details like that (or Borr saying the words I reused in this article’s title when she spots Yuuta in nothing but swim trunks). SSSS.G is full of them.

As for Yuuta getting Rikka to notice him, well…perhaps he should see her repeated instances of catching up to be by his side—be it for practical or emotional support—as a positive sign that she might be receptive to his feelings…if only he managed to successfully tell him what they were…

SSSS.Gridman – 04 – Truly Vexing to Watch

Akane is pretty sure Yuuta is Girdman, but not 100% sure. She wants to investigate further, which includes questioning Rikka when the two take the bus to school on a scorcher of a day. The two also end up joining Rikka’s friends Namiko and Hass on a group date with the Youtube group of college boys called Arcadia, despite the fact neither Rikka nor Akane are really into group dating…or any dating at all.

Yuuta doesn’t really like the idea of Rikka going on any kind of date that doesn’t involve him, and Gridman can sense he’s troubled about it (though Yuuta tells him not to worry about it). Yuuta and Shou decide to basically shadow the group date, as it involves two women they’re both emotionally invested in (in Shou’s case, Akane; in Yuuta’s case Rikka).

Neither really ever had anything to worry about; the only two women remotely  interested in Arcadia are Namiko and Hass. Akane is far more interested in learning why Rikka is spending more time with the guy she suspects to be aligned with her arch-enemy Gridman.

Akane also ditches the other girls at her earliest convenience, and succeeds in killing all but one of them with a kaiju. Rikka later catches on to the fact three of the four members of the group were killed and erased from the collective memory of society (including her friends), so she meets with the last surviving member, Yamato, to warn him of his impending doom.

She’s almost too late, as the fog that serves as the precursor to the latest kaiju attack envelops Yamato. It’s Samurai Calibur who ends up saving them both from the kaiju. Yuuta and Gridman deploy, but they end up having to fight not only the insectoid kaiju that killed the other members of Arcadia, but Item as well, who is singularly interested in defeating Gridman and nothing else.

All four members of Neon Genesis decide to sortie at once, but when combined with Gridman’s deployment, the computer they’re all working through basically freezes, freezing all of them in turn. Rikka scares the shit out of Shou by unplugging the computer, then plugging it back in and rebooting it, but doing so actually solves the problem, as the whole of Neon Genesis simply isn’t able to sortie simultaneously.

Instead, only one of them, the tank from last week, sorties, combining with Gridman into Gridman Max, defeating the insectoid kaiju. Item then reaches his time limit and reverts to his human state. It’s another victory, albeit a close one.

Later, at the shop, Yuuta works up the courage to ask Rikka out to grab something to eat, but she misinterprets it as a suggestion for the whole group to have a meal together. Mind you, Yuuta could mend the misunderstanding with two words: “just us,” but of course he doesn’t, mimicking Wile E. Coyote in the “trying something only once” strategy.

This was an episode in which the large-scale battles between Gridman and kaiju took a backseat to the high school romantic drama unfolding between Yuuta, Rikka, and Akane. Yuuta has proved pretty inept at getting Rikka to notice him in the way he’d prefer, but he should have plenty more opportunities, especially since she doesn’t have the slightest interest in Arcadia’s Yamato.

SSSS.Gridman – 03 – Gridman, I Hate You!

It’s a rainy day in Tokyo when the newest kaiju appears, and this one seems different, because Akane isn’t making a model, but interacting with a small silver-haired boy named Anti who can transform into a kaiju. Why does he eat like he does, and why does hate Gridman so much? We don’t know. For that matter, we don’t know why Akane hates Gridman and wants him dead so badly, aside from having lost to him twice.

In any case, the Gridman Alliance is collected by Calibur, and before Rikka can apologize for not answering Yuuta’s phone call, Yuuta heads into action—and once again has his ass handed to him. Combined with Yuuta’s worry that he may be fighting/killing a human inside his opponent, he doesn’t fight back, even with Calibur by his side, and the two LOSE to Anti, much to Akane’s elation.

Rikka and Shou are stunned. They fear Yuuta and Calibur are dead, and in lieu of knowing what to do next, they wait in the shop and snipe at each other out of frustration. Their quarrel is broken up by the arrival of the “Neo Genesis Junior High Students” a team allied with Calibur and Gridman (and whose name is an homage to Evangelion). They tell Rikka simply to call Yuuta, and to her and Shou’s great relief, he is alive, and Gridman is simply regenerating. Before long he’s back in the fight.

One of the members of Neon Genesis joins the battle in the form of a battle tank, and combines with Gridman to form a new set of extra-chunky arms and fists with which to defeat Anti, who “runs out of time” in kaiju mode and reverts to human form, after which he’s basically disowned by a furious Akane.

Back at Junk, Rikka apologizes to Yuuta, which is something I think is way overblown in the grand scheme of things (I mean, people miss calls; she was trying to help someone she thought was in need), while her mom (who is voiced by the same actor who portrayed Haruka in FLCL) wonders where so many new people suddenly showed up in her shop.

While Gridman’s defeat was a nice change of pace, the fact it was resolved so easily—with Rikka and Shou simply sitting around until the cavalry arrived—kind of gutted the suspense. Everything is in a very bad way, and then moments later everything’s fine and dandy.

As for why Akane is doing what she’s doing, where exactly Anti came from, and other mysteries, lets just say I’m not holding my breath for satisfying explanations. Perhaps it would be best to just sit back and enjoy the action…it would just be nice if it meant more.

SSSS.Gridman – 02 – Keep Doing What You Can Do

When Yuuta, Rikka and Shou return to school, they learn that several of their classmates have disappeared and nobody has any memory that they ever existed, or of the kaiju battle. They decide to seek answers from Gridman on the computer in Rikka’s shop, which was going to be closed so Rikka could hang out with her two best friends. Meanwhile Akane takes an interest in what Yuuta is talking about and joins him on the roof for lunch, but doesn’t get far.

Turns out Shinjou Akane is very different from the perfect student Shou made her out to be. She lives in an apartment packed with trash and clay models of kaiju. Turns out she’s the one who’s made some kind of Faustian bargain with Gridman’s enemy, who turns all of her creations into full-size kaiju which then kill people she doesn’t like. She may be talented, but she’s not a good person, and must be stopped.

The suspicious-looking sleepy-eyed man eventually arrives at the junk shop, introducing himself as Samurai Calibur and failing to enter or exit a door without getting caught by his ridiculously long four katanas. He “optimizes” the computer so Rikka and Shou can hear Gridman and see the giant kaiju they’re not aware their cute classmate is making and deploying. Her latest creation is “brought to life” and starts wreaking havoc in much the same way as the first one.

As Akane watches the carnage unfold from the safety of her apartment, Yuuta, Rikka and Shou are nearly flattened by a stray steel beam, but Samurai Calibur demonstrates his prowess by slicing it in two, saving them. They rush to the computer, and because it’s now optimized, Gridman (who is nothing but energy in this universe and needs a human with which to collaborate) provides Yuuta with a “Primal Acceptor” bracelet that lets him customize Gridman to his specs and colors.

The new-and-improved Gridman is lighter and faster, but his Grid Beam is deflected; Akane makes improvements to each kaiju based on the failures of the former ones. Gridman gets beaten up again, but Samurai Calibur joins the battle in the form of a gleaming golden sword, with which Yuuta/Gridman uses to cleave the kaiju in two, destroying it and pissing Akane off royally.

Back at school, Akane’s intended target is unharmed and like everyone else, has forgotten all about the attack. But unlike when he bumped into Akane, sparking her ire, he apologizes after bumping into Yuuta, suggesting perhaps the experience unconsciously made him more courteous.

In any case, I’m sure Yuuta and Akane will be facing off a lot more with their respective weapons. The question is, will the Gridman Alliance ever find out she’s the kaiju-maker, will she reveal it to them when she’s ready to eliminate them once and for all, or can she be convinced to stop this evil, destructive venture? On I watch…

SSSS.Gridman – 01 (First Impressions) – Old Computers are Terrifying…and Awesome

SSSS Gridman follows a familiar formula of “average kid awakens as mecha pilot and fights monsters” and elevates it with a movie-quality production that doesn’t skimp on naturalistic sights, sounds and pacing to immerse you into its once-but-no-longer-mundane world.

The simple beginning of Hibiki Yuuta waking up in Takarada Rikka’s house, recipient of an act of kindness. He hears a voice from an old, cobbled-together computer in Rikka’s family junk store, but only he can see and hear the robot on the screen introducing himself as Gridman.

Similarly, only he can see the immense kaiju looming in the otherwise ordinary Tokyo dusk. Heck, it looks almost like a cloud cell. At first things are kept at a normal level: perhaps Yuuta just hit his head, has temporary memory loss with some audiovisual hallucinations. It’s why Rikka makes sure he gets home safe and someone picks him up in the morning.

That someone is his friend Utsumi Shou, who recommends they carry on like everything’s normal. Yuuta gets a “special hot dog” from the class idol Shinjou Akane, but Shou thinks it’s more out of pity than kindness.

The school scene is full of naturalistic sounds and leisurely pacing that emulates real life. The voice actors all use a casual conversational style that makes the scenes feel lived in.

He wants to see what Yuuta saw, so the boys return to Rikka’s mom’s store. Neither of Yuuta’s new friends can see or hear Gridman on the screen, but they do hear and feel the tremors in the ground when a kaiju finally shows up and starts wreaking havoc on the city.

And boy, is there a lot of havoc. Vehicles are flung about like toys, energy balls are shot from the kaiju’s mouth that level whatever buildings it doesn’t flatten with its lumbering gait—including Yuuta’s school. In the tradition of Power Rangers, the big boss is slightly unsettling looking…yet also a bit cute.

It isn’t until Yuuta is transported into the computer to have a quick confab with Gridman that Rikka and Shou can see the robot on the monitor. Outside, the full-size Gridman materializes and starts going at it with the kaiju, but just as Shinji’s first go in Unit 01 didn’t go so swimmingly, Yuuta quickly gets put on his ass by his opponent.

Wanting to help in some way, Rikka decides to try typing encouragement to Yuuta on the computer, exhibiting her skill for speed-typing. It gets through to Yuuta, who stands up, dusts himself off, and then goes at the monster with a full head of steam, culminating in ripping its head and neck off and finishing it off with a good old-fashioned Grid Beam.

Once the battle is over Yuuta materializes back in Rikka’s place, victorious, but Gridman warns him this is only the beginning; there will be far more to his mission. Shou can’t believe what he just saw but is really pumped up; Rikka is more reserved and kind of freaking out as her mind tries to process it all. So Yuuta and Shou head home.

The next morning everything is back to normal…too normal, as their school was definitely destroyed last night, but when they arrive, it’s been fully restored with neither a scratch nor a dead kaiju head rotting in the yard. There’s also another “chosen pilot” on the opposite side of the fight being encouraged by a robot different from Gridman.

Don’t get me wrong: I’m not here to tell you SSSS.Gridman is some marvel of original, compelling stroytelling. It basically steals everything it is form other sources, some of them many would rather re-watch than see in bastardized form.

But I will say simply that I was greatly entertained, fully engaged, and came to like the lead characters whose broad strokes were given texture by their seiyus. And if every episode comes close to being as much of a feast for the eyes and ears as this one, then I’m excited to watch more. It’s nothing fancy, fancily executed.

Net-juu no Susume – 11 (Bonus!)

I was surprised to discover this unaired episode included with the BD box set release available so soon after the tenth and last episode aired last week, but here we are. Episode 10 brought everything to a nice close (or at least ellipsis, in which we can imagine Morimori and Sakura-chan getting along for many years to come); this is not necessarily a continuation of the story, just a couple of side stories involving the two.

First, Sakurai has agreed to build a new PC for Morika after her motherboard fries. That means coming to her house to set it up. The opening moments almost seem to tease Sakurai moving in with Moriko, but considering he has like five times the space, that seemed counterproductive. Before he arrives, Moriko does a comprehensive clean of her apartment, also trying and failing not to make her out-in-the-open bed look welcoming.

After meeting up with Sakurai to acquire all the kit he’ll need, he gets to work assembling and installing while Moriko makes tea. Just having Sakurai in her house and at her desk causes her to space out, spilling a little hot tea on herself. In Sakurai’s haste to ensure she’s okay, he trips and the two end up in a very compromising position against her bed.

With all that fun out of the way, Sakurai breaks out his laptop and the two play Fruits together in the same room, which is an entirely new and highly enjoyable experience, considering they can just talk to one another in person rather than use the chat. However, Sakurai gets a little overexcited and ends up asking Moriko if she’s join him on a hot springs trip; he later qualifies it by saying Koiwai will join them as a third wheel.

We don’t get the story of that hot springs trip, however; the second half of this extra episode seems completely independent of the first, as eagle-eyed viewers will notice Moriko’s playing on her old PC. She nods off in the middle of play, and wakes up in the MMO world, as herself, Morika Moriko, in a premise that echos Re:Zero and KonoSuba.

It’s fun, as Moriko is totally unequipped to fight off the giant mouse, let alone have any hope of defeating the “Demon King Koiwai” who is holding “Princess Sakura” hostage. That is, until she’s saved by her own avatar Hayashi and healed by Lily.

The two know Moriko as the “famous hero Morimori”, and join her quest, as does Fujimoto, working in the game’s version of Lawson Market under his avatar Kanbe. The only way to defeat Koiwai is to don some very revealing bikini armor, but Moriko can’t do it (though she does imagine herself in it, so we get the visual).

But because Koiwai didn’t stipulate who had to wear the armor, Sakurai dons it instead (a sight we’re spared), only to find he isn’t able to remove it. That’s when he wakes up in his apartment, having nodded off just like Moriko. A cute little side-story, if ultimately unnecessary.

Sket Dance 25

Switch’s flashback continues. Having recieved a death threat, Sawa enlists the aid of the Usui brothers. But when he’s shot down by Switch for the umpteenth time, Kazuyoshi tells them to go off without him, believing Sawa’s best off with Switch. They head out, and a girl named Yukino arrives at Sawa’s door. She describes a creepy stalker who pulled a knife on someone in middle school, who Kazuyoshi spots behind a pole and pursues. When he catches him, he learns that Yukino is the knife-wielding stalker. She finds Switch and Sawa and pulls a knife on them. Switch protects Sawa, takes the blade in the chest, and dies. Kazuyoshi is devastated, and blames himself for his brother’s death. Sawa moves away, and the three are down to one. To honor his brother’s memory, Kazuyoshi takes on the title and appearance of “Switch”, and studies hard to amass the great amount of information he possesses. Bossun reaches out to him and he joins a new trio in the Sket-dan.

I’m not sure why what was a consistently zany, over-the-top comedy would want to try straight-up serious drama, but Sket Dance really hit it out of the park with this Switch arc, totally changing gears from its usual fare. We’re thrown into a very tragic story, where a brother has a bad day and says some stupid things he shouldn’t, and it gets his little brother killed. When you add it all up: Kazuyoshi not accompaning Switch and Sawa; his curt last words to Switch; and finally egging on the psychopathic Yukino then letting her loose, it’s hard to argue with him. Gone half-mad with guilt and grief, Kazuyoshi makes an incredible decision: to stop being Kazuyoshi.

He hasn’t spoken since the day of that decision, except with the software than combines his voice with Masafumi’s. And the young Switch we saw this week and last was actually someone we never knew; it was the big bro who turned out to be our Switch. Very strange, but it definitely works. This wasn’t a perfect episode – Sawa was kind of a bland airhead most of the time, and the story relies a little too often on convenient coincidence, but as this was one of the best episodes of a series that has been anything but serious to this point, I’m giving it top marks.


Rating: 4

Sket Dance 21

This week’s a field trip, with Himeko and Bossun bumping into each other in the city, then spotting Switch on what initially looks like a date with Yuuki, the plain, pallid, Ring-like occult chick. It turns out he’s coming with her to pick out a computer, but it soon evolves into much more than that.

I really enjoyed their philosophical banter. These two are definitely intellectual rivals who are more alike than different; they’re simply dedicated to opposite ends of the human condition, namely the supernatural and the scientific. When they bump into a former classmate of hers, it’s learned that back before she was so involved with the occult, she confessed to him and got shot down because she was “scary-looking.” Switch’s cosmetic advice to her is similarly amusing.

They’re at a department store, so they avail themselves of the available services, and tarts her up. The transformation is striking, and the fact she still sounds the same and walks with the worst posture in the world is hilarious. I must say I definitely enjoyed virtually a whole episode dedicated to Switch and Yuuki; they really bring out the best in each other. The fresh setting brought back memories of Tokyo’s massive department stores that sell just about everything.


Rating: 3