Citrus – 09

It’s a given that Matsuri would lose the Battle of Yuzu, and that she’d lose for one simple reason: it’s not a battle, or at least it’s not supposed to be. Life isn’t a video game and it isn’t zero-sum.

While that can be unsatisfying and frustrating for someone so seemingly adept at “playing the game”, it reveals that Matsuri’s “game” is actually very limited, specialized, even stunted, and that there’s a lot more for her to learn, much like Mei and Yuzu.

For now, however, Mei simply concedes the first round, with a longer game plan that’s a lot clearer than I thought, but with no guarantee of success. Matsuri tells her to buzz off or she’ll leak the photo of them kissing, and just to twist the knife, orders Mei to go on a date with one of Matsuri’s old creepy “texting buddies.”

Mei knows how much Yuzu is looking forward to the Christmas party—she can hear Yuzu gushing to Mama from the hallway, but Mei tells her she must decline…”extra council work that can’t wait.” When Yuzu tries to persuade her to reconsider, Mei tells Yuzu to be with Matsuri, stating “that girl needs you.”

The next day after school, Mama Harumin almost inadvertently gets Yuzu to discovr Mei isn’t working with the school council when she suggests Yuzu help out with the council if she wants to party with Mei later. Unfortunately, Matsuri intercepts Yuzu on the way to the office, and insists they go on their date together. Heeding Mei’s words last night and goes along.

So, round two goes to Matsuri as well, and that’s a win, right? I mean, she’s on a date with Yuzu and Yuzu alone, while Mei is sleeping with some creep! Well, it’s not that simple. When Matsuri expresses her distaste for the frequency with with Yuzu talks about Mei, she loses her cool and reveals the her plan, trying in vain to convince Yuzu that Mei is a slutty little liar.

In hindsight, Matsuri should probably be ashamed of herself for thinking Yuzu would react by shunning Mei and running into her open arms. Then again, at this point in her emotional development, winning, and beating Mei, and anyone else between her and Yuzu, is more important than how Yuzu feels.

Round Three is ALL MEI. Yuzu may not have seen what Matsuri was doing before, but she’s sure woke to it now, and excoriates Matsuri for trying to hurt Mei, the person who “looked at her the most”, even urging her to pay more attention to Matsuri.

“Relationships aren’t games,” Yuzu yells in the full restaurant, not giving AF who hears. “Don’t sum them up with cheap words like winning and losing!” Dayum Yuzu, coming through in the clutch.

Turns out Mei didn’t have to sleep with anyone; and Yuzu manages to find her at the meeting point. She runs to Mei and hugs her, in tears over what Mei went through, or more precisely, what she let Matsuri put her through.

The three share the train ride back. Matsuri is still thinking in terms of winning and losing, (and let’s be honest, Mei DID win here) but at least tries to correct herself from that kind of talk.

The reason Mei won is that she and Matsuri are so similar, seeking love everywhere while hating those around them, closing their hearts, and refusing to accept anything. It left Mei empty, as empty as Matsuri must have been feeling.

But she didn’t count on a “meddlesome person” like Yuzu entering her life and giving her unconditional love even when she didn’t ask for it, filling a bit of that emptiness.

Matsuri is rightly impressed by Mei’s recklessness, but Mei trusted Yuzu enough to believe that as soon as she got wise to Matsuri’s games, she’d come running to her side, and that’s just what happened. Matsuri leaves the two, but before she does, whispers in Yuzu’s ear that Mei really likes her, before loudly, jokingly suggesting a threesome in the future. Frankly, Matsuri got off pretty easy here.

That night, Mei insists on having a slice of the cake Yuzu worked so hard to make for Christmas. Yuzu calls her stubborn, but Mei replies that’s who I am. Just as Matsuri had to learn that relationships aren’t only about winning and losing, Mei has to learn to be more open and honest to Yuzu.

And the truth is this: Yuzu makes her heart race, just like Mei makes hers. But there’s things inside Mei that will please her, and things that will terrify her. Bottom line, if she’s still adamant about some kind of romance, Mei is game, but Yuzu will have to take and accept all of her, including the warts, and be content that she isn’t going to change, any more than Yuzu should.

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Mikagura Gakuen Kumikyoku – 06

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Last week lagged but gave us some nice character beats. This week was breathless but moved the plot forward…and gave us some more nice character beats. Frankly, I was impressed with how much ground this episode covered, though it features the same uneven and at times downright ugly production values that have plagued this show from the start.

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Hey, looks don’t make an anime, they only help. Mikagura keeps me around because of its fun, optimistic outlook and colorful, likable cast of misfits, led by Eruna, the most misfitty of them all, while occupying that rare, slim space between endearing and annoying. Despite everything she does and says, she manages not to come off as trying too hard. And as we see from the turnout at her surprise pep rally, I’m not alone in liking her.

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As the rookie battles proceed apace, Kuzuryu is kind of in a creative rut, looking for inspiration. All the praise, admiration, and accolades he’s received in the past and is sure to receive in the future don’t matter if he himself isn’t satisfied with his own work. Shigura gives Eruna the story of how he and Kuzuryu once attended Mikagura’s sports-focused sister school, but he was punished for his exceptional talent with ostracization.

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Natch, despite the fact she’s in the middle of a tournament, Eruna comes to Kuzuryu’s aid, requesting that he draw her—nude, if necessary. Her visit is brief, but refreshing to the troubled painter, who betrays a smile after seeing her off to go watch Tonkyun avenge Usamaru, making him promise to watch her when it’s her turn to fight.

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Tonkyun does indeed defeat Azumi without too much of a fuss, discerning that her main (and really only) attack has both a time limit and a re-charging time. Azumi had been winning battles by ending them quickly before that time limit is up and hiding out of reach of her opponent when it is. In the end, Azumi wasn’t anything more complicated than a mustache-twirling villain, but it was still satisfying to see her get her just desserts.

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That’s a little disappointing, but the ep makes up for it by having a bonus battle between Eruna and Tonkyun. Tonky’s observed and analyzed Eruna as he did Azumi, and like Azumi Eruna’s tactics aren’t all that complex, so I really didn’t know who was going to win this one, an uncertainty I enjoyed after Azumi’s certain, somewhat boring defeat.

But Eruna has a trick up her sleeve in the form of a gun and bayonet Tonkyun didn’t take into his calculations, so it’s her win. As with Himi and Meika, Tonkyun is gracious in defeat, not only because Eruna is clearly somebody special, but because they had fun fighting with her.

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Kuzuryu (and Seisa, who doesn’t have much to do this week at all) watches Eruna’s match from a monitor, and it inspires him to paint what he observes. Eruna became his muse, which was probably how she intended to help him after she picked up on his creative block.

Unfortunately, Eruna’s run for the rookie championship ends in the round after Tonkyun, as the broadcast club chick did her homework and beat her easily in another off-camera battle. It’s the end of a run, but hey, she did get to promote her “Surround Ichinomiya Eruna With Cute Girls Club”, and she also got Kuzuyru to paint her picture! About that: it’s abstract art, so it looks more like a satellite photo or Civ III  map than Eruna, which disappoints her somewhat.

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As for the cute girls Eruna wants to surround herself with, we get our first glimpse at one of the school’s cutest, Fujishiro Otone. Eruna first lays eyes on her standing over the soundly beaten tournament favorite, Imizu, twirling her hair.

If there’s one thing Eruna loves more than a cute girl, it’s a tough-as-nails cute girl who will put up a challenge. As she herself was to Kuzuryu this week, girls like Seisa, Himi, Meika, Nyamirin, and soon Otone are her muses. They’re why she gets up in the morning, and strives to become stronger every day.

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P.S. This will probably be my last Mikagura review, at least of this length, due to middling ratings low readership.

Daitoshokan no Hitsujikai – 12 (Fin)

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I’m not shy about my love for shows that are efficient enough to wrap everything up with an entire episode to spare, but this final DnH reminded me that yes, a show can wait until the last episode ever and still finish things in a satisfying manner without feeling rushed or overstuffed.

lot goes on this week, but it’s well-organized and well-paced. Virtually no time is wasted, and what idle time it does have it uses on nice character beats, which are also curtain calls here in the finale.

We start with Minafes(t), which we learn immediately turned out to be a great success with a huge turnout. Meanwhile, as karmic comeuppance for her attempts to poach Minafes patrons for her little symposium, Aoi’s auditorium is effectively deserted. Waah-waah…

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That idle time I mentioned above makes sense, because once Minafes is off and running, our club members are backstage spectators until their own performances. Kana and Senri spend it trying to cozy up to an unwitting, Kyoutarou before shooed off by Tamamo, who does the same exact thing.

It’s cute and true to all three characters, while also underlining that these three were always the more superficial of Kyou’s suitors, below Nagi and Tsugumi. Tsugumi, meanwhile, remains the only one of the club members who knows Kyou has become a Shepherd and will gradually disappear.

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Bitter over losing to Minafes, Aoi succumbs to pure mustache-twirling criminality, loosening the screws on the light assembly fated to fall upon Tsugumi. But she’s caught red-handed by the crack Shepherd team of Kyoutarou and Nagi, the latter of which makes good use of her strong legs and big breasts to subdue the perp.

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But while occupied with Aoi, the lights fall anyway, just as Tsugumi is below them. With just a moment to work with, Kyoutarou does the only thing he thinks he can to save her: use a book to transport himself, Nagi, Aoi, and the lights away. Tsugumi looks up at the now-empty catwalk, confused, but very alive. Success!

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Aoi ends up…somewhere else, and is so upset, she unleashes a vicious, incriminating tirade about how she just wants Kyou to disappear so she can create her perfect academy…and have President Mochizuki all to herself.

The camera stays close to her for the duration of the rant, but due both the lights above her and the reverb in her voice, I already knew she had been teleported onto the stage of her precious symposium!

What’s so deliciously awesome about this is that it not only punishes Aoi for all her misdeeds, but also ensures she won’t take any further action, since she’s now effectively confessed both to Mochizuki and a fair amount of the student body. The jig is up. Crime doesn’t pay, Aoi.

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With Tsugumi’s future saved and Aoi neutralized, it would seem our two young Shepherds are on a roll. But as they confer with their boss atop the school library, it’s clear they erred. Well, it’s clear they erred when they teleported onto a stage with dozens of people watching! They’re supposed to work in the shadows.

Kyou doesn’t care. He did what he felt he had to do to save Tsugumi, he doesn’t regret it, and he’d do it again. For those reasons, the boss laments that he’s not Shepherd material after all, even if Nagi is. The problem is, his book is already gone, so Shepherd or not, he’ll still disappear from everyone’s memories. Bummer.

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Tsugumi, neither as dumb as she looks or as weak as she says, knows what Kyou did for her and why. And even though she’s sad about losing him, she realizes The Show Must Go On. Compartmentalizing her pain, she takes the stage and delivers a hell of a speech about just how far her Happy Project went, thanks to teamwork, camaraderie, and love.

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She then passes the mic to Senri, who sings a beautiful but melancholy song that could serve as a lament for the loss of Kyou…who as it turns out got back in time to hear the speech and praise her for it.

He tells her his situation, but she assures him she won’t forget him, or let him go away, no matter what happened to his stupid book, and he draws her in for a big ‘ol hug. As it happens, his ex-boss re-makes his book for him, owning up to the fact he was wrong about Kyou being Shepherd material.

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Aoi formally apologizes, having been both chastened and moved by Tsugumi’s speech and under the forgiving Mochizuki’s guidance. The Happy Project gets its club room back (buh-bye, random guys!) and things return to normal. When Kyou comes home one day to find movers at Nagi’s old apartment, he looks a little sad, now that the newly-made Shepherd has moved on…

…But as it happens, Nagi is in his apartment, leaning on his bed watching the ‘tube as always. Turns out she was made Shepherd of Shiomi Academy, so she’s not going anywhere! Then Tsugumi and the rest of the club arrive at the door, and Nagi is eager to ‘make another scene’ to give them the wrong idea, and it’s medetashi medetashi.

But ‘Wait’, you might ask: ‘What about consequences?’ To which I’d respond: ‘lighten up!’ ita pleasant, charming rom-com that was always more about the threat of bad things happening and how to avoid them, not bad things actually happening. Besides, not being a Shepherd is a pretty big blow, and the fact Kyou still has to juggle six girls, and I’d say he still has challenges in store.

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