Kabaneri of the Iron Fortress – 12 (Fin)

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Now that he’s killed the Daddy who never loved him, and is well on the way to destroying the capital with the sister he turned into a monster, there’s not much for Biba to do but sit on the throne and…wait. Wait to be defeated by Ikoma, that is.

There wasn’t really much doubt of that, as this show has typically stuck to tried-and-true plot developments. That being said, Ikoma and Kurusu storming the city, going to town, and leaving piles of bodies in their wake is a sight to behold, as is the latter’s understanding that he’s to waste no time ending the former should he go Full Kabane. (Never go Full Kabane; the audience can’t connect.)

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While on the outside Mumei is at the core of a grotesque yet also oddly beautiful fused colony, in her mind she’s fighting memories of being weak and stamping them out. It’s as much a prison for her mind as her body.

As for Ayame, she’s able to break some locals out of a prison of fear and rigid lashing-out simply by getting in their face. Not sure that wouldn’t have resulted in someone accidentally pulling a trigger on her, but she’s always had relatively good luck.

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With Kurusu by his side, Ikoma continues to carve his way to Mumei, leading to a minor boss fight with one of Biba’s lieutenants, who tries to run a train into Ikoma but is thwarted when Ikoma’s super-Kabaneri power allows him to blast the train straight off the rails and into mid air. He then kills the guy himself with his arm-gun, justifying the killing by saying the guy kill too many. No arguments here.

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There’s just one last obstacle before he can save Mumei: Biba himself, who takes the stage excited to “hunt” a rare, fearless foe such as Ikoma. In her fever dream prison, Mumei sees Ikoma as the one blue butterfly in a cloud of red ones, because butterflies have never been used in this way in anime before.

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In all seriousness, as we’ve seen, Biba is highly skilled at combat, but when you don’t seem to be fighting for much anymore, but when up against a singularly motivated and nigh unkillable Kabaneri, it was only a matter of time before he took a hard lick that took him down.

Biba doesn’t stay down, however, even after Ikoma downs him and gives Mumei the magical white blood, reviving her and bringing her back to normal. It isn’t Ikoma who delivers the killing blow to Biba; he’s unconscious. It’s Mumei, who repeatedly implored Biba to stop hurting Ikoma, and stabbed him through the heart when he didn’t.

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With Biba dead and Mumei back to normal, she and Kurusu (with Ikoma on his back) race back to the Kotetsujou, which seems like a rather manufactured final hurdle, even though I did like how happy she looked when she saw the whole gang ready to catch her with a big fabric net.

The only real problem is that Ikoma won’t wake up…until he does, on Mumei’s insistence. When he does, she embraces him closely, her shield returned to her by white blood Biba must have injected before being killed, a last act of selflessness and compassion in a life full of violence and hatred.

With Mumei and Ikoma both alive and relatively unhurt (amazingly), the Kotetsujou steams off into the sunset, ending a very dark show on a very bright—if awfully tidy—parting note.

Kabaneri initially grabbed my attention with superior visuals (and audio) and thrilling action. But once the novelty of that quality wore off, the shows shortcomings grew more conspicuous, keeping this show rather far from greatness. Still, it was a hell of a rousing watch…most of the time.

If a second season comes one day, I will definitely give it a look—I’d like to see Mumei’s humanity restored, for one thing—but if it’s all the same to Wit Studio, I’d prefer a second season of Attack on Titan first.

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Kabaneri of the Iron Fortress – 11

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Both Kuromukuro and Kabaneri managed to reignite my passion for watching them in their eleventh episodes. I didn’t really know what to expect after last week cliffhanger would have had us believe Ikoma had been stabbed through the heart and tossed into the sea for dead by a Mumei now lost to him. This week quickly debunks the first assumption and paves the way to debunk the second, even though shit is still hitting the fan, as it were.

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First, Kongokaku: it’s a grand, peaceful, and impressive place when the Kotetsujou arrives at its gate, but we see from the shogun eliminating a messenger with knowledge hat could sow public panic, theirs is clearly an uneasy peace, especially with Kabane lurking right outside those “impregnable” walls.

Biba doesn’t need to besiege his father’s seat, however; he comes in through the front door; a “captive” of Ayame; a role she’s forced to play because he’s holding her people hostage. Of course, going by his script only proves to Biba that’s he’s weak, and it’s become painfully apparent that the weak don’t live long once they meet him.

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To his credit, the shogun immediately knows Biba is up to something; he just doesn’t know what until it’s too late. Biba uses the same fear his father used as an excuse for stabbing him in the dark as a child to destroy his father. The dagger he gave him contains a hidden needle that infects the shogun with the virus, and his own men gun him down in a panic.

Biba need only deal the killing blow with his sword, and just like that Kongokaku is his. The Kabane in his hold are released onto the city to stoke up fear, paranoia, and people killing people, but he simply sits on the throne, not smirking an evil smirk, but remembering a day when he rode a horse with his father. Do I detect a hint of…weakness, AKA love? No matter; there’s no one around to punish Biba for it.

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While all that excitement is going on, Ikoma, having washed up on a shore not in the greatest shape but very much alive, is temporarily incapacitated by the immense weight of the guilt and regret over what went down, including Takumi’s death. He didn’t run, he was tossed out, and he’s right that at the time there was nothing he could do.

Kurusu, who has one of Biba’s scientists captive, finds Ikoma, and is actually patient with him as he goes through various stages of grief. In the end, Kurusu makes Ikoma set aside all the reasons he should simply die, and asks him why he’s still alive in the first place: his chest wound is so precise, Mumei must have intended to miss his heart, meaning she is not totally lost.

Granted, as we cut back to the capital, we see that Mumei is considerably more lost than the time she spared Ikoma. And she’s just as helpless here as Ayame, or as Ikoma was back on the train. Biba controls every aspect of her life, and despite all he’s done she still harbors loyalty to him, because she’d have died long ago (and been “beckoned by the butterflies”) were it not for him.

That combination of coercion-by-obligation, as well as the reality that Biba has kept Mumei weak and unable to oppose him even if she wanted to (and she did try), have led to her simply giving up. She will let the butterflies come, with the small consolation that at least she was able to free Ikoma a similar fate.

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Only thing is, Ikoma hasn’t given up, thanks largely to Kurusu and the captive he has for some reason (I forgot why; sue me). That scientist just happens to have on hand two serums: one is white, and could save Mumei; but to get to her Ikoma knows he needs to be stronger (and apparently, less scruffy) than he is.

So he injects the black serum, an accelerant that indeed causes him to undergo yet another transformation. When we leave him, he seems that much less human, and particularly stable, but fueled by his resolve to stop Biba and save Mumei, odds are he’ll be able to endure. I certainly hope so, because Mumei deserves better than the same fate as Horobi—who also didn’t deserve it.

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(Almost a 9 based solely on the new Aimer ED, “Through My Blood”, which brought it)

Kabaneri of the Iron Fortress – 10

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Thinks are bad for the good guys: Ikoma is in prison, and Biba’s goons are harvesting blood from the Kotetsujou to feed the Kabane, and they’re not exactly being nice about it. Like Mumei, these are people who weren’t taught to think of the weak as people worthy of compassion, but in this case they’re more like livestock. It ain’t pretty.

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When I saw Biba alone in a car with Ayame, my skin crawled, because I knew he wouldn’t be honoring whatever deal he was striking with her. He only needs her until she can arrange an audience between him and his father the Shogun; after that all bets are off; that’s just how villains operate, and Biba is a pretty conventional villain.

He certainly has the look down, as well as the way he creepily wipes blood off Mumei’s cheek, after appeasing her with another promise he won’t keep: that the passengers of the Kotetsujou will not be harmed.

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That’s because a group of passengers are doing the one thing that will make Biba come down on them even harder: planning a revolt. Ikoma is the ringleader, taking note of the comings and goings of the key man. When the moment is right, he breaks out and the group strikes.

Sukari was portrayed early as someone who apparently betrayed his friends because he knew resistance was futile, but I had him pegged as a double agent pretty quickly, and that’s what it turns out he is, having helped slip intel to Ikoma, thus earning a measure of Takumi and Yukina’s forgiveness.

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When Biba gets word of the revolt, of course he makes Mumei choose to either take care of the disturbance—killing Ikoma and her friends in the process—or stop receiving the medication that’s keeping her virus from spreading and turning her into a full Kabane.

At the end of the day, this is Mumei’s most damning weakness: her utter dependence on her brother’s good side, which never really existed in the first place. He even lowered her dosage, anticipating her possible betrayal, so that she doesn’t have the strength to get away when she does bolt.

As for Ikoma, for some reason he thought the key man had all the keys, but he doesn’t; why would Biba make it so easy for Ikoma to get to the most important part of the train? Instead, Ikoma and his men block Ikoma, and when Ikoma refuses to join his fight (an offer most conventional villains usually give the protagonist), his guys open fire. Only Ikoma doesn’t get shot, because Takumi took the bullet.

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So yeah, RIP Takumi, who at least managed to repay Ikoma for his getting show earlier in the run. Naturally, Ikoma isn’t all that pleased his best mate has been murdered in front of him. Unfortunately, that’s not all he has to deal with on this particularly shitty day.

That’s because Biba brings in Mumei, only she’s not really his friend anymore; likely she’s been “re-programmed” with drugs from the mad scientist car. Without hesitation, she drives her dagger into Ikoma’s chest and lets him fall out of the train, off a cliff, and into the sea.

Now, don’t think Ikoma’s dead, and neither do you—he’s the frikkin’ main character, for crying out loud. So the question then becomes, how will he manage to survive, and how will he get back to where Ayame and Mumei are? Talk about a stacked deck…

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