Divine Gate’s second episode delves further into both Aoto and Akane’s troubled (if very different) pasts, and there’s some okay character work going on as Aoto discovers a way to start moving forward.
But it paints with awfully broad and familiar strokes, and my initial enthusiasm about Divine Gate being an absorbing if imperfect diversion took a big hit when I was introduced to Loki, another very loaded character name.
The idea of a character who’s neither entirely good nor evil is good in theory, but the execution falls short, thanks to his really dumb clown/jester design. I don’t particularly want this joker pulling the strings. Also, a name like Loki has inescapable baggage attached to it. Like King Arthur or Leonardo da Vinci, if you’re going to use a name, you’d better do something interesting with it.
Meanwhile, the refreshingly normally-dressed Akane and Midori visit Aoto again, they see he takes care of alley cats, but not all the time, only “when he feels like it”, something Akane thinks is worst than not feeding them at all. But when the hungry creature in need shifts from cats to a little boy, Akane himself can’t help but help, even if he can’t always be there to do so.
When Loki makes a police robot go berserk and the kid ends up in mortal peril, and the father is too terrified and injured to save him, Aoto has to make a choice; like the one he made on the train last week.
He chooses to help Akane and Midori, who destroy the robot while he extinguishes the fire. While the saved boy initially hesitates going to his inept father, and Akane curses the dad for doing nothing, Aoto can relate to consciously wanting to do something—like move forward—but being hampered by a subconscious that’s not in sync. The father’s fear overpowered his conscious desire to save his boy.
I know all this because a little boy with white hair and red eyes in Aoto’s subconscious tells him and us, which is a bit clunky, truth be told, like the clowny Loki, the very sight of whom irritates me. But he apparently staged the whole crisis to shake Aoto off the shelf, and he succeeded.
Aoto goes back to the night his parents were murdered, and we learn it was his brother, the favorite son, who actually did it. When Aoto takes his hand, he briefly sees the Divine Gate, but his subconscious delivers a shock of pain to his brother, who separates their hands and walks off, never to be seen again.
So Aoto isn’t the parent-killer. Yet I felt that absolving him so easily was an overly safe choice that sapped his character of darkness and complexity. Being messed up because you killed your parents, and being messed up because your brother did, are two different things.
But it’s because his brother is still out there, and he wants to see him again, that Aoto joins the academy. Also, because Akane and Midori were “annoying”.