Koi wa Ameagari no You ni – 11

When Haruka learns that a runner from another school fully recovered from the same injury Akira suffered to best her personal 100-meter time, and could threaten Akira’s tournament record, she redoubles her efforts to bring Akira back in the fold, even going so far as to follow her to her workplace.

Kondou sees that a girl from Akira’s school is a customer, and that can tell the conversation isn’t a pleasant one. Let’s get one thing straight: Haruka isn’t here to ask Akira what she wants or how she feels. Haruka is there to tell Akira what Haruka wants—and how sad she’ll be if she doesn’t get it.

She marches in there judging Akira’s choice to work an honest job rather than risk re-injuring herself, saying she’ll “always be waiting” for Akira to come around to wanting to run again, as if that’s the only acceptable path for her. Then she storms off without letting Akira so much as respond.

It’s frankly sickening to watch someone who purports to care about Akira only seem to be interested in what would make herself happy—not to mention shore up her track team. If their roles were reversed, I doubt Akira would treat her so awfully.

Thankfully we get a pleasant palate-cleanser in the form of Chihiro paying Kondou a surprise visit with a brand-new siphon coffee maker. Make no mistake: Chihiro isn’t there just for Kondou’s benefit, he came to ground himself with an old friend he still holds in high regard.

Kondou looks at Chihiro’s success in the same way Haruka looks at Akira’s records and talent—from the outside. The book being made into a movie is a “piece of shit” in Chihiro’s mind, and the more successful he gets, the more expectations mount (much as they did for Akira before her injury), and the more “shit” he feels he has to put out.

Rather than voice any disappointment, Chihiro actually lauds Kondou for living an honest life. Unlike Akira giving up running cold turkey, Kondou has always to maintain the obsession to write, even if it’s for nobody but himself, and even if he’s too excited to do the first one-minute novel in a long time.

Chihiro isn’t asking him to quit being a manager and start selling novels…but he urges Kondou not to give up that obsession, even if it’s not as big a part of his life as it was. Granted, Chihiro and Kondou are older and more matured by life experience, but the contrast between their equitable dynamic and Haruka’s totally unfair one-sided oppression of Akira couldn’t be starker.

Chihiro and Haruka, who are still fully in the respective games their friends left, have similar messages. I’ve always seen Akira as not giving up or running away from track, but simply moving on, while Kondou gives his old habit of late-night writing another go after Chihiro’s visit.

That same night, Akira takes out her cleats, suggesting as terribly as she expressed it, Haruka was right that Akira still yearns to run. But the next day when a customer forgets a phone and she can’t get it back to them without running, she doesn’t run this time, as the camera pulls in on her recently repaired Achilles. I can’t blame her, considering what happened the last time she did.

In the restaurant office, Akira sees that Kondou hasn’t filled out her shift schedule yet with her requested increased shifts, and when he asks her if there’s “anything else she wants to do” besides work there all the time, she should do that. This angers Akira, because it’s almost as if everyone’s ganging up on her…even the man she has feelings for.

The fact of the matter is, even if it’s objectively wrong for Akira to not even consider giving running another go, it’s her goddamn RIGHT to be wrong, no one else’s. Yes, she’s young, and her emotions on this matter are all over the place.

She might not be able to easily answer the question “do you want to run?” if asked because she’s so afraid of the possibility she just can’t do it anymore. Or maybe she really truly doesn’t want to run. In either case, it’s her choice to make. Haruka may have enough confidence in her for the both of them, but at the end of the day…it ain’t her Achilles.

Sakura Trick – 05

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We’ve already talked about how Sakura Trick isn’t interested in putting up barriers to its main couple’s happiness for the sake of drama, preferring to focus on all the small yet significant romantic ups and downs they experience daily. The greatest threat had been Mitsuki, but her spying is now motivated just as much by her own unwanted feelings for Haruka than out of any disapproval.

Conflicts between Haruka and Yuu are kept petty, but Yuu is still hurt when Haruka leaves her behind to go to a cafe that in real life would get sued by Starbucks. Again, the show keeps a nice balance between Haruka and Yuu; both have experienced fear of abandonment, even if in all those cases there’s no cause for concern. Yuu admits that she’s being selfish today, but with the belief that she deserves to be now and again. Haruka obviously doesn’t mind her clinginess in the least.

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Looking outside the main couple, Ikeno Kaede is being consistently portrayed as the trickster in Sakura Trick; and this week she exploits Mitsuki’s penchant for snooping on Haruka and Yuu by cornering her after the couple notices her (Kotone later says she’s seen Mitsuki snooping a lot, but had never brought it up). But when Mitsuki is around Haruka, she panics, culminating in her lying down to accept the kiss of the Prince in the Snow White skit practice, unaware it’s a speech-only play.

Haruka would have kissed her, too, had Yuu not performed an emergency headbutt. But while the Mitsuki/Yuu rivalry shows promise, it’s also interesting to note that the pair is growing progrssively bolder, with Yuu dropping her hood over her and Haruka so they can make out…in a room full of classmates. They seem to tacitly grasp the fact the universe seems to be rooting for them, and take full advantage of any and all fortuitous opportunities.


Rating: 6 (Good)