Karakai Jouzu no Takagi-san – 11

Since the new school term it seems like our lovebirds have been in a holding pattern, and the blame for that rests entirely on Nishikata, who continues to misinterpret pretty much everything Takagi says and does, and remains stubbornly obsessed with getting one over on her, despite the fact Wile E Coyote had more success chasing Road Runner.

When Takagi approaches a cat so easily, Nishikata is too proud to say he likes cats too, even though Takagi is already keenly aware of that fact, since Nishikata is such an open book. She rarely takes what he says at face value without challenging it in some way. Nishikata often accurately predicts Takagi’s behavior or responses, but where Takagi flaunts her ability to read his mind, he’s always second-guessing what he thinks is in hers…and almost always pays for it.

In art class, we find Nishikata and Takagi drawing portraits of one another, and right from the start I’m wondering: did they choose to draw each other, or were they assigned? Regardless, Nishikata tries to be funny by drawing how he “envisions” Takagi—like a monster—but she draws him exactly as he is, perpetually blushing around her with eyes to the side. The class likely can’t help but feel the chemistry.

The next day Takagi has her fortune told by a classmate handy with Tarot. After losing a game of rock-paper-scissors, meaning she has to help Nishikata clean, she tells him what it was about: she’ll do well with her crush. She even gets Nishikata’s fortune: he’ll do well with his crush too.

There were moments in this segment when I thought for sure Nishikata would let something slip, but instead, he has a revelation: circumstances definitely point towards Takagi liking him; she did lose the game on purpose, after all.

Further, Nishikata correctly analyzes his reactions to this kind of talk with the assertion that he likes Takagi. He quickly dismisses the thought in his head, but the seed has been planted.

The day after that, Nishikata has a very favorable horoscope, essentially invincible for the day, which for him means he’ll finally strike a blow against Takagi. Takagi, naturally, knows he’s both a Cancer and correctly predicted he’s Type O, and so knows he has an invincible aura.

Yet…nothing happens out of the ordinary. Nishikata is teased his usual several dozen times, and laments the 150 push-ups he’ll have to do when he gets home. Yet it’s only after he agrees without a thought to walk home with Takagi that he realizes he still has a chance to deal a “critical hit.”

While walking home, Nishikata and Takagi run into Nishikata’s friends, who invite him to their house to play a video game. We then cut to Nishikata still with Takagi. He refused the invite, and when Takagi asks if he’s okay not going with the boys, he says yes…because “I wanted to walk home with you anyway.”

Those words cause Takagi to gasp and stop dead in her tracks, but Nishikata is too busy straining to think how he can deal a blow to Takagi to realize he just dealt her one. That is, until he considers what he just said to be “super awkward” and runs off in embarrassment, believing he only managed to scored a hit on himself.

But he’s sorely mistaken. His hit on Takagi was indeed critical, and it went straight to her heart, something she says is “terrifying” before getting on her bike and riding the rest of the way home blushing just as brightly as Nishikata usually does, with an bashful smirk on her face.

It’s one of the best moments from one of the best characters I’ve come across this season. Raw, honest, and true to her personality. Can Nishikata get over the embarrassment and continue telling Takagi the things she wants to hear, or does she have to be content with him letting things slip then halfheartedly taking them back? We’ll see what next week’s finale has in store.

Karakai Jouzu no Takagi-san – 04

This week  the happy little world of Nishikata and Takagi is invaded, as the secondary characters begin to notice the two are together an awful lot beyond class. Take the first segment, in which Nishikata has to clean the science room because he’s so loud.

Takagi joins him, not to help clean, or because she feels guilty, or even to tease him more. Rather, she wants to “enjoy their youth”, the way another couple is clearly doing when they spot Nishikata and Takagi on the way to the rooftop. For Takagi, enjoyng her youth means spending as much time as she can with Nishikata.

Clearly Nishikata doesn’t mind hanging out with Takagi that badly, even if she does tease him a lot. Indeed, he seems to savor the challenge of fighting against such a formidable opponent, and never lets the discouragement of virtually never winning against her get to him for very long.

While on the way home, Nishikata challenges Takagi to a high-bar kickover, something he’s only just recently mastered. Takagi agrees to do it, but only if he looks the other way, as she’s wearing a skirt. The first time they both do one, but he doesn’t know whether she cheated, so the next time, he peeks.

When he does, he learns not only that Takagi is doing proper kickovers, but is wearing gym shorts under her skirt. But even if she made him look away despite that, he’s honorable enough to admit defeat because he peeked, even if she calls him a pervert.

Nishikata often shows he’s a good lad, but his desire to best Takagi sometimes leads to unnecessary deceit. When he comes in with an apparent cold, Takagi immediately presumes it’s because he stayed up all night watching 100% Unrequited Love anime.

Nishikata intends to make Takagi blush by telling her she’s “cute”, but ends up too embarrassed to say something meant to embarrass her. He’s so thrown off he claims to not have a cold after all!

While Takagi still believes he has a cold (which he actually does), she seems frustrated she can’t tease him as usual lest she make him cough, so when he later insists he’s fine (after watching how damn cute she is when sitting quietly), she just starts teasing him even harder to make up for lost time!

Finally, Nishikata and Takagi are spotted by the three girls. Yukari assumes they’re a couple and decides to tail them to confirm it. Takagi being a particularly observant person (and the trio not being that stealthy), she and Nishikata take a quick turn around a corner and then hide, throwing the girls off the trail and causing them to give up.

In the process, Nishikata and Takagi have to squeeze together very close—closer than under the umbrella last week—and Nishikata is understandably flustered, but when asked if he would have preferred a different tactic, he drops the matter.

Takagi then immediately sets off on the race to the shrine they proposed. Nishikata cries ‘false start’, but honestly, the only thing he can and should do in such a situation is chase after Takagi…which he does.

 

Shoujo Shuumatsu Ryokou – 12 (Fin)

Aboard the derelict sub, the girls find a clean boat, chocolate…and a kind of patchwork history of everybody and everything that came before them, thanks to the camera auto-syncing with the monitors on the bridge. In addition to all the pictures they took, and those Hanakawa took before them, the camera is a veritable cornucopia of visual (and audiovisual) information.

The content ranges from simple images of life and death, to the reports of a school robotic research club, to news reports of a worsening geopolitical situation that leads to large-scale war and genocide. On the whole, though, Chito and Yuuri feel less lonely, now that they were able to watch how others lived.

Suddenly processing more information than they ever had before proves exhausting for the girls, who fall asleep under the consoles and dream of their escape from their town.

When Chito wakes, she’s too late to do anything about Yuuri getting swallowed up by a giant version of Cut. Chito suspects Cut might’ve been some kind of lure used by the bigger ones, but Cut’s body language suggests that’s not the case.

Chito runs through the submarine, desperate to find her one and only companion, and eventually emerges from the conning tower to find the Big Cut isn’t interested in eating living humans, and spits Yuuri out. It then transforms to reveal it’s a kind of semi-sentient mushroom.

The mushroom has a mix of good and bad news…though I guess it’s mostly bad for humanity. They are systematically ridding the earth of toxins leftover from the human population after it destroyed itself with war. Yuuri and Chito are the last two humans left, by the mushrooms’ reckoning.

All machinery will shut down around them, and after they’ve passed away, the world will enter a period of rest and inactivity, as the mushrooms hibernate. With that all said, mushrooms emerge from the nuclear missile tubes of the sub and they all ascend into the sky, likely to start “cleaning” the higher levels.

There’s not much for Chito and Yuuri to do but continue on their tour, with the goal of reaching the highest level. Even with their companion/pet Cut gone off with its brethren, Chito and Yuuri aren’t lonely, nor do they care if the world ends, because they have one another.

As with so much relating to this show, it’s simultaneously a deeply bittersweet ending, conveying the lesson to not be troubled by things life you can’t control (like the ending of the world) and take comfort in those you can—like who you choose to spend your days with.

Tsurezure Children – 03

First couple: Kana is frustrated that even after a year of dating, her boyfriend Chiaki hasn’t kiss her or even held her hand. Turns out he has no idea they’re dating, and thought her confession a year ago was one of the many comedy bits they do. Now that he knows Kana’s true feelings, Chiaki is willing to step out of the friendzone with her.

Second Couple: Matsuura just got turned down by her crush, and is on her way home to wallow in self-pity, but her senpai, Katori, tracks her down and proceeds to act in a very annoying fashion, but with good reason: by punching and kicking him for being so annoying, he’s letting her forget her troubles and helping her feel a little better.

Third Couple: Yamane, who looks vaguely related to Rock Lee, is asked out by Kurihara, a girl he has a crush on. She wants to take him out to lunch as thanks for saving her from a groper, and she also knows he’s a good guy by watching him give up his seat to the elderly on the bus.

Yamane simply can’t believe someone as cute as Kurihara is bothering with him, a self-professed weirdo, so when she formally asks him out, he chokes and hits the button that brings the waitress rather than give her an answer.

Fouth Couple: Finally, we check back in with the unlikely pair of Takano and Sugawara. He helps her sweep up, but she takes it as a sign she’s doing crappy job of cleaning. Just when he thinks he’s making progress talking with her and asking her out, it eventually dawns on him they’re not talking about the same thing, and “cleaning up” isn’t “looking good”…but just “cleaning up.”

He retreats for the time being, but will hopefully try again soon…with amusing results. With so many different couples at so many different stages and paces of romantic relationships providing comedy, there’s scarcely a dull moment in Tsurezure Children.

Keppeki Danshi! Aoyama-kun – 01 (First Impressions)

Morita-san is taciturn. Tanaka-kun is listless. Sakamoto is…Sakamoto (haven’t you heard?). And Aoyama-kun…is a clean freak. He’s also a elite young soccer talent who was selected for the national team’s under-16 squad.

But unlike Tanaka in particular, there’s not much to Aoyama beyond those dual main qualities. His constant scrubbing, and the adoration of his legions of mostly-female fans, becomes tedious pretty fast.

His soccer senpai (and advantaged rich kid) Zaizen also grows weary of Aoyama’s shtick pretty quickly. We get it; dude’s a germophobe…though even that’s arguable, since he doesn’t wear surgical masks everywhere and doesn’t seem to have much of a problem being outside.

We learn in the cold open, and it is confirmed when the team practices against a rival elite team led by the washboard abs-bearing Takechi (who is trying to poach Aoyama) that Aoyama is indeed a singular, if bizarre, soccer talent; applying his obsessive “cleanliness” with a gameplan completely devoid of physical contact, combined with sharpshooter precision on passes and shots. But look to someone else for checks and headers.

Admiring Aoyama from afar (and possibly content to keep it that way) is the very cute but also clearly fixated Gotou Moka, who would like to think she’s locked in on what Aoyama thinks and does, since they’re soulmates or something.

But ostensible side characters like Zaizen, Takechi, and even Moka herself are all more dimensional characters than Aoyama, simply because they have more to say and we see things from their perspective.

Don’t get me wrong: Studio Hibari has rolled out a very good-looking anime in Keppeki Danshi; many of Aoyama’s moves in slow motion are cinematic in their presentation. The character design is clean and crisp. Overall the production is competent. The comedy is well-timed if unexceptional so far (the abs-bearing guy is particularly lame). Colorful—if still shallow—personalities abound.

But the main problem so far is the titular character. Aoyama is little more than cleanliness and soccer ability, and he’s always observed from a distance. He has to develop as more of an actual human being if the audience is going to be expected to connect with and keep rooting for the guy.

There’s a slight but promising glimmer of that when Aoyama suddenly comes to life with five minutes to go, even getting dirty in service of winning the game because he really hates losing.

But if we don’t see more of stuff like that, and continue in the vein of “OMG look at what clean-freak thing Aoyama’s doing now!” ad nauseum, Aoyama-kun won’t just be a “Cleanliness Boy”…he’ll be a Boy I’m Not Watching.

Akagami no Shirayuki-hime – 14

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Shirayuki knows this visit to Tanbarun is a little suspicious, and so does everyone around her. Like Obi, who splits his time looking for the bishounen Kazuki and observing how Shirayuki is taking her sudden orders.

Naturally, she’s working as hard as she can to learn enough about dancing, etiquette, and comportment in order to not bring shame upon Clarines during her visit. Whatever plot, if any, has been hatched, it’s starting with a gentle whisper, rather than a bang, which if anything, is more unsettling, considering how many times Shirayuki has found herself captured by someone.

But maybe there isn’t a plot…right? (No, there definitely is.) But theoretically, if there weren’t one, Shirayuki wants to take advantage of this opportunity anyway. She’s also heard Raj is a “new man”; and I’m as curious as she is to see if that’s true.

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As for Zen, well, he’s pretty sore about the whole thing, but like Shirayuki, keeps himself busy with palace and state matters, and whenever he’s not, he’s sparring with himself, in order to vent his frustration. I enjoy watching his entourage watch and comment on their master, who is more than just their master.

More and more since he became a permanent member of the posse, Obi seems like he’s cultivating a little bit of a crush on Shirayuki, or otherwise wants to be close to and protect her. That would make his master his rival for her affections.

Even if he suspects he has little chance against what the two lovebirds have, he’ll do what he can, like beat Zen in a match (proving how tough he is even unarmed), and granting his permission to accompany Shirayuki instead of Mitsuhide.

And I like this development. Mitsuhide, bless him, is too stiff for this trip. Shirayuki and Obi’s chemistry, while perhaps not as magnetic as her and Zen, has its own strange-but not-in-bad-way energy; not to mention the show is pushing the suspicion that Obi likes her, not Mitsu.

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If Obi had been peeping in the windows of the palace wing where Shirayuki is boarding, he might’ve seen just how steep a hill he’d have to climb to change Shirayuki’s heart. For the first time in this second season, Shirayuki and Zen get to share some quality time, be calmed and reassured by each others’ presence.

Zen’s last-minute hug-from-behind may not have been steamy, but it was so warm and sweet and lovely, as the atmosphere tends to be when these two are alone. But lest we forget, this is a farewell, for perhaps up to a month, even if all goes smoothly. So the encounter’s sweetness is tinged with the bitter truth that they’ll be apart, something neither of them want but are strong enough to accept.

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Loved the very sudden surprise appearance by Lord Haruka, Eternal Stodgy Sourpuss, only this time he’s fully accepted Shirayuki’s right to be at court. Of course he doesn’t miss out on the chance to remind her not to return in disgrace. Shirayuki very adorably asks for a trinket of Zen’s to keep with her, and he gives her his pocket watch, which she promises to give back upon her return. Even Prince Izana, the apparent mastermind in this dastardly scheme, shows up to see Shirayuki off.

As for Izana’s reasons for doing this, I can think of three: he wants to make sure Prince Zen can still function as a Prince of Clarines when his girlfriend isn’t constantly by his side; he wants Shirayuki to learn more about court life, in preparation for her to one day become Zen’s consort; and finally, to give Shirayuki the opportunity to spend some time outside of Wistal Castle and return to her home; offering her a good look at other potential paths, to ensure she’s on the right one.

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And Shirayuki will definitely see other things and people on her journey, from an Obi who acts a specific way around her (and knows how to clean up and speak pretty when he needs to); and a Prince Raj who upon welcoming her (back) to his kingdom seems to have changed somewhat for the better…only to revert back to his old goofy, wishy-washy self once they’re in the throne room.

I actually thought the transition was too quick; I kinda wanted to see Raj on his best behavior a little longer. Nevertheless, he seems shocked and a little overwhelmed that the girl he tried to forceably marry not long ago is actually there. Maybe he has changed, in that he realizes how badly he acted, and acknowledges he owes her a debt to her from his last stop in Clarines. Time will tell, but for now, all eyes are on Shirayuki–and not just for that dazzling apple-red hair.

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Akagami no Shirayuki-hime – 13

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Akagami no Shirayuki-hime hung around an 8 all last Summer, and it’s back with more of the same. There’s no surprises here, except for a better OP; if you liked the first season’s serene blend of earnest shoujo romance and slice-of-life with a touch of action, you’ll probably like this. Much of the episode is somewhat re-introductory, with no shortage of brief flashbacks to key moments from last season.

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Shirayuki and Zen, who has such a romantic breakthrough a couple episodes ago, don’t even encounter one another until nearly halfway through the episode. Instead, we get some elegant slice-of-life for court herbalists, carrying out their semi-annual cleaning operation, while Obi befriends Lil’ Ryuu, who doesn’t make friends easily.

Zen still makes Shirayuki’s heart pound, whether he’s taking her hand while napping or telling her how glad he is to see her face after a long, stressful day. Of course, the feeling is mutual: Zen is motivated to work harder after seeing how hard Shirayuki works. This definitely isn’t that kind of couple that hurts one another’s productivity. Rather, the two thrive off one another.

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So it’s inevitable that in the midst of all this lovely slice-of-life that life threatens to get a little more difficult and complicated, either when Shirayuki is inevitably kidnapped for the hundredth time, or placed in a situation where kidnapping is a distinct possibility. That threat is introduced by Mihaya, a former kidnapper, notifying her of the existence of a bishounen named Kazuki who may be her future kidnapper.

The same night they meet Mihaya, Prince Izana summons Shirayuki and orders her to Tanbarun to hang out with Prince Raj, who thanks to her motivational words to him, has actually started getting his act together. Izana wants her to work more of her magic to make sure the future king stays on the right track. Zen is upset, but accepts the decision, as long as Mitsuhide can accompany her.

As for Shirayuki, I’m sure she feels like she’s being pulled in multiple directions, while all she wants to do is keep moving forward with Zen. And not get kidnapped! We’ll see how that goes.

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Working!!! 3 – 05

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While I like the fact that while trying to focus on work instead of obsessing over the meaning of Inami’s words last week has Souta cleaning the house so intensely that everything sparkles for the duration of the episode, this episode still felt a bit stretched-out and listless, tackling an issue that we’re no strangers to, but very much want to see more progress on rather than additional deliberation.

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That issue is Inami x Souta. Thirty-one episodes have aired without resolving this romance, and I’ll admit, I’m just about as exhausted by the will-they-won’t-they as Izumi is with activities like standing, talking, and being outside. Worse, nothing really new is added to the equation this week. Izumi simply gets the wrong idea and sets Inami and Souta on a blind date.

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Mind you, the sparkly house, image of Inami in a paper bag and boxing gloves, and then burning up are all fun, but they don’t change the fact that 90% of what they should be verbally expressing to each other remains stubbornly in their respective heads, running around in circles. It dawns on Souta that these events prove that Inami likes him, and Inami herself believes she said enough to give him that impression, but nothing comes of it; he simply gets bashful and scurries off. But hey, at least she didn’t punch him!

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Worse still, an already stretched-out A-story was padded rather clunkily by a seriously lacking B-story in which Yamada runs around with Natto, spills it on her, declares she’s “Done With Natto”, and is then convinced to go back to it after she learns most everyone’s favorite foods are soy-based. We get it; Yamada’s a big ol’ weirdo. Yet the episode insisted on banging a pot behind our heads shouting “OMG ISN’T YAMADA SO WEIRD!” I would have honestly preferred a B-story centered on literally anyone else. This was a rare miss for Working!!.

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