Higurashi: When They Cry – Gou – 12 – Rotten Tatami

Keiichi proves he can amass a grand army of protest against the CWS’ dithering on Satoko’s case, but he soon learns that numbers aren’t everything. He’s on the right track with regards to Hinamizawa coming together to protect its own, but he can’t just summon a lot of people, he must convince the right ones to lean on CWS.

Mion invites Keiichi to the next village council meeting, presided over by Mayor Kimiyoshi. After some initial pleasantries are exchanged, Keiichi is called outside by Mion and Chie-sensei. Chie asks Keiichi to stop his protests for now and see what happens.

Chie proved her mettle by risking her job to keep teaching at the Hinamizawa school when it wasn’t government certified, but with Keiichi utilizing all the students in his army, the school is threatened. Shion also feels the pressure from her grandmother.

The bottom line is all the old farts in the village aren’t prepared to openly, publically forgive the Hojou family for siding with the dam builders, even though they’re already in agreement Satoko personally has nothing to do with what her family did. They fear doing so could upset the village’s hard-fought delicate balance.

Silence and inaction has spread “like mold in a tatami floor”, which means the only remedy is to rip it up. That task falls to Keiichi, who violates protocol and tradition and forcefully makes his case to the council. The old men chastise him for being a rude little brat, but Keiichi makes clear he has no time for politeness: he’s on a mission to save a friend in trouble.

In a thrilling scene that amounts nothing but a spirited discussion in a stuffy old room, Keiichi gradually appeals to one old fart after another by appealing to their past brave deeds during the dam war, and points out the hypocrisy of letting one of their own suffer just to preserve their presently cozy relationship with the government (which, among other perks, helps fund the Watanagashi Festival).

Keiichi demands nothing less than the resurrection of the spirit of the Onigafuchi Defense Alliance. His combination of respect and impertinence wins over enough of the council, but they admit that they cannot properly lean on the CWS without the approval of the town’s true boss, Mion and Shion’s gran Sonozaki Oryou.

In the “Boss Fight” segment of the episode, Keiichi meets his match, for Grandma Sonozaki is a predictably formidable battleaxe who swears like a yakuza goon and doesn’t give two shits about the “cursed” Hojou child, and sees no reason to give her approval to the council or Keiichi.

Oryou sees each and every one of the people in her presence to be a bunch of imbeciles, which stands to reason: she’s older and more powerful than any of them. But in his increasingly disrespectful negotiations (he threatens to kill the “old hag” more than once to her face!), Keiichi presents something she hasn’t seen in decades, if not longer: actual stern resistance to her position. Someone being as stubborn to her as she normally is to everyone else.

Once again, Keiichi’s audacity and guts pay dividends, as Oryou decides to give the okay after all. Deep down, she always wanted to see the long-standing Hojou situation resolved before she died, even if she was committed to carrying the grudge to her grave—so it would die with her.

Now Keiichi has more than sheer numbers, but the full force of the three head families of Hinamizawa, the village council, and the Onigafuchi Defense Alliance at his command. In other words, never before has Keiichi been better equipped to create a good ending not just for Satoko, but a new beginning for the entire village. Even so, we never saw Satoko this week…I hope he’s not too late.

Rating: 4/5 Stars

Higurashi: When They Cry – Gou – 11 – Tearing Fate Apart

Keiichi can’t snap Satoko out of her panic attack no matter how hard he tries, so Rena steps in, and eventually she stops screaming. But when Chie-sensei returns to the classroom, Satoko literally laughs it off as a practical joke. While it’s probably an animation quirk that the tears and vomit vanish from her face, it’s clear she’d rather pretend her outburst never happened.

Rika again insists Satoko come home with her, but Satoko’s response sounds practiced, even programmed: she lives with her uncle now; there’s nothing she can do about it. That’s not good enough for Keiichi, who wants to do something…anything. Well, not anything, because he draws the line when a furious Shion appears and declares she’s going to simply murder Satoko’s uncle.

Keiichi stands in her way and even takes a chair to the head, telling Shion that’s not how to get back to “the world where everyone is happy”; killing Teppei would destroy that world. Rika’s ears perk up at his phrasing; it’s almost like he’s aware that victory in this route isn’t possible unless they “follow the rules.” She comes between Keiichi and a violent Shion, who finally stands down.

The thing they all settle on is going to Child Welfare Services as a united group to voice their concerns with the process thus far. The employee who receives them does not let their emotions influence the facts: the case is currently being worked on, and she’ll add their concerns to her notes. She also won’t discuss the details of Satoko’s case due to confidentiality.

It’s basically a stonewalling, and Keiichi doesn’t take it well, adopting a defeatist attitude as they walk home at sunset. But Rika won’t someone she believes in—who said earlier he’d “tear fate apart like wet paper”—raise the white flag so easily.

If the five of them weren’t enough to convince CWS of the urgency of Satoko’s case, then they’ll just have to rally more troops to the cause. The next day, Keiichi makes an impassioned speech to the entire class, who are all on board with visiting CWS together. Rika warns Chie-sensei not to stop them, but she won’t. On the contrary, she’ll come with them.

Unfortunately, while a group of sixteen complainants doubtlessly stretches the CWS’ tea and paper cup budget, it does not move the needle tremendously far; at least not proportional to the size of their force. The CWS manager insists that everything is being done with Satoko’s best interests in mind. He also hastens to mention that they have no credible evidence on file that Teppei was ever abusive of Satoko. As far as they’re concerned it was the aunt who allegedly committed the abuse.

That said, Keiichi & Co. won’t take this second defeat lying down. They and the rest of the class commit to asking everyone they know to descend upon CWS at once to insist they do more to protect Satoko. Rika stares semi-maniacally into the middle distance, assured that they are amassing the power to tear through fate and save Satoko.

I appreciated Shion’s infusion of rage into this crisis as a sign that yelling and stabbing is rarely the best way forward; Keiichi is likely 100% right that Satoko would not take her uncle’s death well, especially if a friend killed him, even if he deserves it. That said, Rika’s and Rena’s voices constantly shifting between “cutesy” and “serious” got a bit…silly at times.

Judging from the previous arcs, it’s unlikely the gang will succeed in saving Satoko. Then again, never before has everyone been on the same side working so hard to prevent disaster. “People can’t live without hope,” says Rika…so I’ll hold out hope a bit longer.

Higurashi: When They Cry – Gou – 10 – Leaving No Marks

Keiichi wakes up from a dream of beating Satoko’s Uncle Teppei to death with a metal bat, only to find Satoko is late for school. Keiichi doesn’ have any success asking Rika about her, and instead is approached by Ooishi for the first time in this arc. He asks about Satoko, grabbing Keiichi so hard on the shoulder it hurts despite not leaving a mark.

Dr. Irie rescues Keiichi from Ooishi’s piercing gaze, saying the locals call him “Oyashiro’s familiar” due to his obsession with solving all the crimes attributed to the curse. Irie also tells Keiichi about Satoko’s harsh home life ever since she and her brother Satoshi moved in with their aunt and uncle. Now, of course, it’s just Satoko and her uncle.

Satoko finally arrives, but looks depressed and sleep-deprived, and can barely keep up her peppy formal-speech act. After seeing this clearly-changed Satoko come and go without playing games with them, Keiichi, Mion and Rena finally get Rika to talk about what she knows.

Last night, Satoko didn’t come back from a grocery run until very late, only to tell Rika she had come to collect her things; she was moving back in with her uncle. This time the abuse is likely worse for Satoko, since Satoshi is no longer around to shield her. Mion mentions having called social services last year, but they offered only lip service.

The next day, Satoko is absent from school, and her friends rack their brains for how they can help her from what is clearly a worsening situation. They decide to go to an adult, Chie-sensei, and leave the matter in her hands, but when she visits Satoko’s house the Uncle stonewalls her, not even letting her see Satoko.

The excuse that she was in bed with a fever is repeated by a much more chipper and back-to-normal Satoko the next day, but while horseplaying during lunch Keiichi moves to pat her gently on the head, her hand reflexively slaps his away, and she vomits and has a complete mental breakdown, yelling how sorry she is and how much she “hates it.”

Not knowing exactly what kind of abuse Uncle Teppei is inflicting upon poor Satoko makes it particularly awful, since it forces us to contemplate the extent of it, but even worse is the fact that because Satoko lied about abuse to get her real father removed from the home, social services seems to be skeptical of any subsequent reports.

Satoko’s friends feel crippled by their inability to act, but know that if someone doesn’t do something, Satoko could end up dead. Will the violent events of his dream come to pass, or will he and his friends find another way?