Sword Art Online: Alicization – 13 – Sage of the Infodump, Part II

Cardinal completes her story, in which Quinella, basically running out of soul disk space, copies her memories to a young girl’s fluctlight, overwriting whatever was there. But Cardinal, now possessing a good deal of Quinella’s powers, decided to try to make her move. She fails, but was able to flee to the Great Library to fight another day.

Their duel is brief but exciting, despite all the awkwardly long English incantations the two must make (“System Call: Generate Luminous Object”, etc.) For 200 years since being banished to the library, Cardinal has been observing the Underworld, waiting for the right person with which to collaborate. She used a little spider named Charlotte to help bring Kirito to her.

Cardinal also suspects the god of the outside world (i.e. Rath) aren’t doing anything about Admin because the happiness of the people of the Underworld isn’t their primary goal. Rather, the whole system is a load test to see how much they can tighten the vise on a civilization before it loses cohesion.

Cardinal also tells Kirito that this isn’t just about defeating Asmin and ending her domination over the Underworld. The Forces of Darkness beyond the Realm of Humanity are planning a massive invasion, and Admin’s Integrity Knights are far too few in number to repel them, and she had all four guardian dragons slewn because she couldn’t control them, further hampering her defense.

Cardinal isn’t going to allow the Forces of Darkness to invade the Realm of Humanity; she’s willing to destroy the Underworld and start over to keep that from happening, and this is why she needs Kirito and Eugeo’s help.

If they successfully defeat Admin and Cardinal regains her authority, she’ll let Kirito save “about ten or so” Fluctlights, which if I’m honest, is close to all of the people in the Underworld who mean a lot to him (Cardinal also asks, and is given, a simple human hug, which she considers more than adequate reward for her efforts).

Of course, that’s not ideal, and Kirito will be searching for a way to have their cake and eat it too (I mean, he wouldn’t be Kirito if he didn’t). As for saving Alice, it turns out to be just a simple matter of ejecting the “piety module” from her head that’s blocking her past self, by reminding her of her most treasured memory—stored in Admin’s chambers.

Kirito and Eugeo’s mission has similarly simple steps, though of course they’re all easier said than done: First grab their newly-improved weapons from the third floor. Then, go to the 100th floor to recover Alice’s stored memories.

I have no doubt the 97 floors in between will prove a challenge, but should they run into Alice herself, Eugeo is given a dagger that will connect her to Cardinal, who will put her to sleep. So that’s the plan…all that’s left is to execute.

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Violet Evergarden – 09

A tool cares nothing for itself. It doesn’t even consider itself a “self”. It only has purpose in the hands of its master. No master, no purpose. Violet was only able to get as far as she did as an Auto Memoir Doll because she thought the Major was out there somewhere, they would one day reunite so she could be issued fresh orders.

Despite Gilbert’s attempts to appeal to her humanity, Violet had been so conditioned for carrying out orders and nothing else that even when she loses one arm to a bullet and another to a grenade, she’s still compelled to try to dress his wounds with her teeth, until he has to all but order her to stop.

But now there are no more orders to look forward to, and Violet is lost in her past. She revisits the ruin of the castle where he fell, perhaps harboring a glimmer of hope everyone was wrong, and Gilbert was there after all. It doesn’t take long for that hope to be crushed, which is just about when Claudia and Benedict arrive to pick her up.

Claudia explains his need to withhold the truth from her when she was admitted to the hospital; she was more concerned with Gilbert than herself, but Gilbert demonstrated to Claudia on the eve of battle that he never saw Violet as a tool or weapon, but an ordinary girl he’d taken it upon himself to care for.

Gilbert had hope of his own: that one day Violet could be an ordinary girl with a purpose and emotions and dreams all her own. And even if he wasn’t around to meet that girl, he entrusted Claudia to care for her in his stead. Claudia perhaps understood more than Gilbert did just how difficult a transition from weapon to person would be.

Still, he doesn’t regret how he’s handled things. Cattleya thinks him heartless to tell Violet she’s “burning in the flames of what she’s done”, but it’s true, and it’s not something unique to Violet. Everyone has lost people, and parts of themselves. There’s nothing for it but to accept those flames, and they’ll gradually subside.

Upon returning to Leiden, everyone is worried about Violet, but also keep their distance out of respect. She sits in her dark room, alone with her flames, her grief and regret. She dreams of returning to the steps where she last saw Gilbert, but he’s not very nice.

Dream Gilbert essentially repeats the words his brother said to Violet at the port—words that appeal to her guilt over being able to write letters that connect people with the same hands that took the lives of so many others. She cries. She makes a mess. She puts those hands around her throat and contemplates joining the major.

Then there’s a knock at her door and she receives a letter; her first. Before reading it, she helps deliver some letters an errant delivery boy abandoned, and seems to enjoy ensuring the thoughts and hearts and souls of those who wrote them find their way to where they belong.

The letter addressed to her was written by Iris and Erica, figuring writing Doll-to-Doll was the best way to maintain that respectful distance while making sure Violet knew they were worried about her and are hoping and waiting for her to return. Additionally, Spencer requested her by name to ghostwrite an apology/thank you letter for his sister Luculia.

In this way, Violet gets back to work, the embers still glowing but the flames perhaps gradually subsiding. Spencer’s hope was to express gratitude for the one who got her back on her feet, all the while unaware that he’s helping Violet to do the same.

On her way back to the office, she spots a newspaper article featuring Princess Charlotte and her new husband meeting with children, as well as an advertisement for Oscar Webster’s newest play about Olivia. It’s a little on the nose, but it’s important that she she be reminded of what she’s done since her military career ended.

That’s because when she rushes to Claudia’s office to ask him if it’s really, truly all right for her to live on, he tells her that while the things she did back then can’t be undone, neither can the things she’s doing and will continue to do as an Auto Memoir Doll. Not only is it all right to live on…it’s essential. Both the show and this episode share her name. They are hers, and so is her life. Time to start living it.

Violet Evergarden – 05

Violet must be making a name for herself with her unique yet compelling ghostwriting style, because her latest request comes from the royal family of Drossel, whose princess Charlotte is arranged to marry a prince of Flugel, a former enemy.

Violet must ghostwrite love letters to Prince Damian, on Charlotte’s behalf, which will be public and meant to “sell” the match to the two nations’ subjects. One could scarcely live two lives as differently as the coddled Charlotte and the tortured Violet, who are both around fourteen.

Still, Violet assures her client that she will accomplish her mission without fail. Her first love letter is well-written and has the desired effect among both the royal families, resulting in a favorable and just as well-written reply (no doubt from another Auto Memories Doll).

As such, the reply only frustrates Princess Charlotte (Nakajima Megumi), who is quick to emotion and tears, and knows the prince she only met once would never have written such a letter. Four years ago, she fled her “birthday” party, which was nothing but an endless parade of suitors.

The only one to go looking for her, and tell her it was okay to cry, was Prince Damian. When Violet hears of this, the genesis of true love between two people acting genuinely to one another without airs, she institutes a bold plan: let Charlotte write letters, by hand, from the heart, which Violet will refine as necessary.

A stirring correspondence between her and the prince ensues, captivating the public even more with their brutal honesty, modesty, and emotion. Violet assists, but the words are purely Charlotte’s, and once she gets into a rhythm, she has no trouble speaking her mind and voicing her concerns.

The replies she receives are similarly, refreshingly self-deprecating, suggesting the two are more alike than different, each finding the mantle of royalty—and even maturity—an ill fit.

Finally, the time comes for the prince and princess to reunite in the same moonlit garden where they met for the first and only other time. Damian, fully convinced by the letters that Charlotte will be a splendid match, offers his hand in marriage.

Through the power of the letters and the memory they shared (or perhaps the memory Violet told Cattleya to bring up on Damian’s behalf) the royal couple’s love became real, making their marriage not merely one of political expediency, but a strong and lasting bond that reflects the potential for the two nations to embrace each other in equal measure.

Charlotte, like every other “guest” character in VE so far, is quickly and wonderfully depicted, starting out as your prototypical spoiled princess but gradually revealing much more humanity, ironically thanks to the still very doll-like Violet. Her close bond to her maid Alberta was particularly poignant.

While Violet had to force a smile upon meeting Charlotte, her face bears a real one, without trying, on the beautiful day of Charlotte’s wedding, which neither she nor Damian’s doll Cattleya attend, as they must return to Leiden to tackle their next missions.

That smile is huge, because it means that through Violet’s interactions and education dealing with people whose emotions she must suss out in written form, is gradually rubbing off on her. She is learning how to be a person with feelings and desires of her own.

So it’s particularly troubling for someone from her past (Gilbert’s brother Dietfried, if I’m not mistaken) to appear, condemn her for the bloodshed she committed when she was nothing but a vicious weapon, and make her relive one of her many past slaughters.

It occurs to me that Violet Evergarden’s stoic, doll-like, emotionless demeanor was not something hastily achieved; it was the result of an entire life of fourteen years bereft of mercy, kindness, and love…until Gilbert. Now he’s gone, and someone who remembers what she once was and what she did, and threatens to tear down all her progress.

Yet this is also her first real test: Violet must not simply take Dietfried’s scorn and abuse lying down. Whatever she did, she had to do, because she was never given any other choice at that point in her life. Now that conditions have allowed her to claim a life all her own, it’s up to her to defend that life from those who’d drag her back into the shadows.