Orange – 13 (Fin)

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Naho vows to give Kakeru chocolates on Valentine’s Day and make sure he knows her feelings, but even though her letters state all of the various opportunities, she still manages to blow by almost all of them without success, which is obviously done to heighten the tension. It works!

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But this isn’t like the squandered opportunities of the past. This is it, with just a day before he commits suicide in the original timeline. She has to get those damn chocolates to him, or at least make up with him. A particularly one-dimensionally evil Ueda Rio provides one last obstacle to Naho, but she doesn’t back down, and by the end of the episode’s first act, victory is hers. It’s a satisfying scene that cuts through a lot of the murk that had built up.

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With apologies, hugs, and tears thus shared, Naho and Kakeru are back to normal; no, better than ever, and all the happier for it. Kakeru even blurts out that he loves her, and she doesn’t blush and run off.

But the hour of his past death is still ahead of them, and the circle of friends remains concerned enough to consider either breaking his bike or waiting at the site of his once-and-hopefully-not-future demise.

Again, we see the future friends planning out the logistics and agreeing to send their letters to the past. Again, it seems a little odd to call so much attention to such a mysterious and hard-to-swallow process that is never fully explained anyway (because it’s time magic).

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In any case, because they’ve changed the future so much, the timing of Kakeru’s attempted suicide is altered somewhat, and because Hagita actually sabotages his bike, he’s on foot when a truck nearly hits him.

Kakeru is wandering the night wanting to die, just like last time, because of the power of the unsent text on his mom’s phone he found. But unlike last time, Naho and the others have had an equally powerful cumulative effect on him, to the point it doesn’t matter that they’re too late to stop him, because he stops himself. He doesn’t want to die after all.

From there, everyone runs to him, thinking he’s been hit but relieved to find he isn’t, and when they have to explain why they’re all there, they finally let him in on the future letters, even giving him letters from their once-but-no-longer selves. And there’s a big ol’ group hug, baaaaaaaw.

Those former selves are still chillin’ in the future, content that they did all they could to make Kakeru in an alternate world a better chance to stay alive, for the benefit of their alternate past and future selves. They created a new world, where Kakeru could live and be happily ever after.

 

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Parting thoughts: In its first three to seven weeks, Orange could almost do no wrong by me, so enthusiastic was I by a show that had the potential to be AnoHana or Toradora! quality, with Hanazawa Kana as its able lead.

But the show eventually regressed a bit as the angst was heightened, and my enthusiasm waned just when it was growing for those other shows. Orange could also be a little cheesy at times (I continue to have mixed feelings about the huge smiles of various characters),  and it never maintained the (in hindsight unreasonable) heights I envisioned for it, but it still really wowed and moved me for a solid half of its run.

I liked these earnest kids and their mission to save their friend, I’m glad they succeeded, and I look forward to the anime movie that continues the tale a little further.

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Orange – 12

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This week we finally get glimpses of life from Kakeru’s perspective, both events Naho and the others weren’t present for, and in the re-telling of important moments we’ve already witness from the point of view of others. More importantly, we see the “initial” future that leads to his suicide. Here, Kakeru finally opens up, and it’s a dark, brooding place.

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Kakeru is clinically depressed, and can’t forgive himself for what he thought as sending his mom over the edge into suicide. It’s shocking to see him make an actual attempt, since it’s the realized fear of both us and Naho & co, who at the end of the day can only see a small part o Kakeru’s daily life, and only what he chooses to show them, which isn’t much.

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Even when he finds his mom’s old phone containing a lengthy apology for what she did to him and an explanation for her actions, he’s so stuck in his head on that bike ride he ends up getting killed, even if that wasn’t necessarily his desire at the time.

All the other events unfold as Naho’s letter said they would, bringing us to that sudden end. But the last thing he sees in his head is the face of Naho, whom he thinks would probably be sad if he were to die. But he can’t be sure, and in any case isn’t sure anything actually matters.

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That brings us back to the present of the “second” timeline, in which Naho and the others have worked so hard, unbeknownst to him, to keep him safe and happy. But like last time, the New Year’s fight with Naho is an open wound that’s hard to heal, even though Naho knows she must.

We check in on her alternate future self and the others deciding to send letters out to sea, hoping the black hole in the Bermuda Triangle will swallow them up and send them to the past.

This is…a pretty ridiculous plan; frankly I kinda wish they had kept the means by which they received the letters a mystery rather than try to clunkily lay out the practicalities of actually doing it. It’s enough that they wanted to reach out to their past selves to try to change things; I didn’t need the details.

In any case, Naho feels like she and Kakeru are drifting further and further away. The awkwardness and helplessness are palpable. So she goes for broke and asks that Kakeru wait until Valentine’s Day. She’s decided she’ll make her stand there. Whether it causes Kakeru to hate her or causes her pain is irrelevant. She’s not going to lose him again.

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Orange – 11

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After the sports festival ended with a kiss, the next hurdle in the battle to save Kakeru is Christmas Eve and New Year’s. Specifically, Naho wants to avoid a fight she believes may have led to Kakeru closing his heart and taking his own life not long afterwards. Suwa later comforted her that night, and also confessed to her, leading to the future where they married and had a kid.

It makes sense for Naho to want to avoid getting in a fight with Kakeru on New Year’s, but this time her letter was a lot more vague about what exactly she could do.

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After a relay race win that was a team effort for her and her friends, she’s on her own again, and Suwa is more concerned with keeping himself out of the equation all together: no shrine visit, no comforting, no confession.

Hagita wonders if changing the future to such an extent is really okay and right…but Suwa sees it another, more quantum way: the minute they got their letters from the future, they were no longer in the world that led to that future. They’ve on off on a tangeant that will result in a new future, while that old future will continue on unaffected.

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Temporal technobabble aside, nothing Suwa does or doesn’t do matters in the end. In the end, Kakeru wants to go home to his grandma, and Naho asks if he’d stay a little longer, assuring him his grandma will be just fine. That confident assertion sets Kakeru off. He rejects Naho’s notion one can simply decide things will be okay, because he thought that way about his mom before she took her life.

He still blames himself for her death, which means Naho is only able to do so much; she’s no therapist, and it’s possible no words she could have come up with, up to and including a prompt apology for angering him, would have done any good. Suwa comforts her again, but skips the confession, instead urging her to go after Kakeru.

But when she calls Kakeru, he smashes his phone, clearly fed up with talking. Naho, Suwa & Co.’s best just wasn’t enough to avoid history from repeating itself. Here’s hoping there’s still a way to salvage this mess.

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Charlotte – 10

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After all the shock and intrigue of last week’s masterpiece, this week started off a bit slow and rigid, with Shunsuke telling Yuu and Nao the story of what happened after his time leap.

He returned to a time a couple of years before the three of them are captured, tracks down his trusty friends Kumagami (or “Pooh”), Shichino, Medoki, Maedomori, and helps them expand a syndicate of ability wielders. However, something always ends up going wrong, everyone is captured or killed, and Shun has to time leap and start all over.

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The re-re-re-built syndicate starts to become more wealthy and secure thanks to gambling winnings, but Shun learns that he loses a bit of his vision every time he leaps, and when he goes blind, he won’t be able to leap at all.

So he makes his last leap count, by working to set up a school to educate and protect ability wielders until they lose those abilities, including his brother and sister. To further protect them while working behind the scenes, his friends help him erase all memory of him from Yuu and Ayumi.

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That brings us back to the present, where Shun announces the next mission is to save Ayumi. He may not be able to time leap anymore, but if Yuu uses his true power, “Loot” (or “Plunder”) to steal Shun’s power, than he can time leap and save Ayumi. And that’s exactly what he does.

Being back in a time when his sister is alive—something he took for granted the last time around—is ample motivation to save her this time, and he moves forward with confidence and a solid plan to save her not only from “Collapse”, but from Konishi the knife-wielder as well.

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Yuu also finds an understanding ally in the Nao of the past, who has been through a lot less things with Yuu at this point. Still, she believes his story about time leaping without complaint, and also accepts his thanks for her saving him when Ayumi died before. It doesn’t matter that she won’t actually have to save him from himself in this timeline if he saves Ayumi, because the fact she did in the previous one is the only reason he’s still alive, free, and there, in a position to save her. Yuu understands this, and makes sure Nao knows how grateful he is.

As for the Ayumi-saving caper itself, he steals her Collapse ability without a hitch, while he, Nao, Yusarin and Joujirou all go undercover at Ayumi’s school for a coordinated attack. Yusa and Jou are immediately indisposed and taken out of the equation due to their respective fame and suspiciousness, but then again, they both serve as good diversions for the bulk of the students, giving Yuu and Nao room to work.

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And work the plan does: Konishi stalks Ayumi once more with her click-click-clicky knife, but Yuu is there to stand between the two. He breaks all the windows behind Konishi, and an invisible Nao kicks the knife away and snips away Konishi’s bangs. Konishi retreats, her warning received loud and clear.

With Ayumi safe and by Yuu’s side, he encounters Pooh and Medoki on the streets, who offer to take him to his brother. I was certain there would be some kind of mistake, Steins;Gate-style, that would prevent Yuu from saving Ayumi once more, but everything went off without a hitch.

It was almost too easy and quick a resolution, but it was still a very satisfying episode that covered a lot of ground and still found time for little moments of comedy. Now, with Ayumi apparently safe, there’s still plenty of time for Yuu, Shun, and the resistance to accomplish even more for the cause.

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Charlotte – 09

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Judging from the amount of time he spends figuring out what to wear, Yuu is not only looking forward to his concert date with Nao, but also seems to be developing some feelings for her. When they meet, he encounters a much more pleasant and bubbly and less surly Nao who is genuinely excited to see ZHIEND live (and collect their very practical smartphone case!)

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As the concert progresses, Yuu’s mind-splinter like nagging feeling of deja vu keeps building until it finally explodes when Sala starts singing a song caled “Trigger”, which just happens to be the trigger that sends Yuu…somewhere, somewhen else. Here, he and and a very alive Ayumi are patients/inmates at the very kind of government facility Nao always warned about, where ability users are rounded up and monitored, while those more powerful (and thus dangerous) are restrained, dissected, and/or disposed of.

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Is this a flashback, or an alternate reality? The show doesn’t say for sure, nor does it need to. Suffice it to say this is an awesome new direction for a show featuring characters with all sorts of crazy powers, so the ability to travel through time (Yuu’s “big brother” Shunsuke’s ability) isn’t that far out there.

The episode fully commits to this new, harsh, dystopian setting with abandon, along with the efforts by other users to free Shun with Yuu’s true power, “plunder”, or the ability to steal other abilities. That power makes him uniquely suited when the time comes to race through the corridors of the facility to release Shun. In the process, many of his associates fall to the security forces. The time between 13:55 and 17:30 is a thrilling masterpiece in and of itself.

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Everything seems to be worth it though, as Shun is released, his eyes uncovered, and…well, something happens. Yuu wakes up in the hospital with Nao by his side, as if it was all a dream, but the timing of Shun using his powers suggests it’s because of Shun that Yuu is here, and was here in this world living peacefully with Ayumi.

Nao is confused by Yuu’s thinking out loud, until a dry Kumagami (who was in the facility with Yuu and Ayumi) enters the room, offering to take Yuu and Nao somewhere where they’ll learn everything they’ve missed out on so far, including reuniting with Shunsuke, who Yuu learns was the one who set Nao on her path of finding and protecting users, thus helping the overall cause. Kumagami also says he can help Yuu rescue Ayumi, as if she wasn’t dead (and indeed, we never saw a body.)

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From post-rock concert to dystopian government facility to comfy hospital room, Yuu then finds himself following Kumagami with Nao to another top-secret underground facility, though in this case, it’s the well-funded but time-deficient headquarters and last stronghold of the “resistance” of ability users against the government, an organization led by Shunsuke, who is now blind.

This is little more than a reveal, with Shuu exchanging pleasantries and preparing to tell Yuu and Nao Everything, but this episode had done more than enough already, completely changing the complexion and expanding the scope, stakes, and very reality of the show. This is no longer just about a school club that rescues kids one at a time. This is about saving them all, including Ayumi. I’m always suspicious of un-killing characters, but in this case I’m very intrigued to see how they do it.

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