Last Week, Alice’s lightcube was successfully ejected. This week we find her walking and talking in the real world, in an artificial body. She and new Rath chief Koujirou Rinko hold a press conference to announce her arrival. Kikuoka is publically declared KOA, but remains alive in hopes of keeping Ocean Turtle and the Underworld safe.
As one would expect, most reporters ask tough, pointed questions about Alice. She hilariously agrees to open her skull and show one of them her brain—provided he does it first! She also declares her love for a real-worlder we know to be Kirito. Rinko declares that Artificial Fluctlights are human beings, not a resource that either can or should be mass produced for what would amount to slavery.
Rinko also makes clear that there is only one condition under which the AFs might rise up and destroy their creators: if those creators tried attacked them first. There are monumentally huge questions posed by the mere existence of Alice and the tech that created her, which challenge organic human exceptionalism itself.
The road ahead will not be straight or smooth, but ass with the humans and machines in The Matrix, only way forward is together. Pandora’s Box is open, and without peaceful coexistence there is only mutual destruction.
That unity and coexistence has already been tested and proven by Kirito, Asuna and their friends who fought in the War to protect Alice and the Underworld. Alice abruptly leaves the press conference when she senses that Kirito is about to wake up, and is the first person he sees when he opens his eyes for the first time in a month (in the real world) and far longer in hers.
Both that powerful moment and the quieter, lived-in, love-filled moments between Kirito and Asuna in the hospital brought tears to my eyes, just as Asuna’s reconciliation with her mom did back in SAO II. Turns out Asuna ruled as Queen of the Underworld for all two hundred years, with Kirito either co-ruling as King or serving as her knight and consort.
After waking up and informing Alice her sister Selka is in deep freeze ready to be revived, he quickly urges Kikuoka and Higa to delete those two hundred years of memories. His voice is noticeably lower and more gravelly, which at first I thought was because his real body was so parched. However, in order to return to being the Kirito he was before the rapid acceleration, those memories, and the evolution of his self that resulted, had to go.
The not-dead Kikuoka tells Kirito and Asuna the current situation. Ocean Turtle, Rath, and even Alice are all in danger of being seized by the government and then poked and prodded into oblivion or perverted into military weaponry. Their only weapon is P.R., and Alice and Rinko’s press conference was the first shot fired.
From here, they must bring public opinion to their side that Artificial Fluctlight tech is not a commodoty, but the next stage of human evolution, and as such subject to the same rights. But then we learn that Higa didn’t delete the 200-year-old Kirito after all, but copied him when Kikuoka and Rinko weren’t looking.
After briefly deliberating over whether to open this newest can of worms, he activates the Kirito copy, who being 200 years old naturally predicted “something like this” might happen. Indeed, he and Queen Asuna assumed one of three scenarios involving one or both of them being copied. In the case only Kirito were copied, he vowed to devote all his energies to the protection of the Underworld.
While the satellite linking them to Ocean Turtle and Underworld has been seized by the government, Kirito believes the copy of Heathcliff AKA Kayaba Akihiko still lives. He’s the key to regaining access and beginning the important work that must be done. I for one am glad Higa didn’t delete the old, grizzled Kirito, and looking back at his and Queen Asuna’s two centuries of rule could surely fill another two seasons, if not more.
Meanwhile, Kirigaya Kazuto returns to his home and lies down in his own bed, after a month at Rath and a week of rehab that was, to him, a hell of a lot longer. As soon as his eyes open, he hears the voice of his dear Eugeo as clearly as if he were in the room. Kirito begins to sob, wishing all of his Underworld memories could have been wiped to spare him all this grief.
However, Suguha comes into his room, sits on the bed, and gently pats Kirito’s head, asking him to tell her everything about his time in the Underworld, starting from the beginning. And so he tells her about Eugeo, Rulid Village, and the three-centuries-long quest to chop down a single cedar tree.
Finally, at one of what is surely an interminable string of tedious public events nevertheless vital to Rath and the Underworld’s survival (not to mention her own freedom), Alice gloomily gazes out the window at the cityscape beyond, reaching out to Kirito, telling him she feels like she might “wither away”.
Being the first true artificial human adjusting to the physical world is hard enough…doing it while knowing the man you love is already spoken for…that’s just not fair!