I’ll just come out and say it: three episodes in, and of all the anime we’ve watched this Summer at RABUJOI, Made in Abyss is the best. It effortlessly grounds a fantastical world (primed to become more wondrous still) with deeply human characterization, in particular the bottomless (no pun intended) curiosity and stubbornness of kids.
Riko’s friend of many years Nat is against her going down the Abyss. He stays against it for the entire episode, right up to the moment she actually descends. He doesn’t change his mind. He’s worried she won’t come back. He’s angry she won’t listen to him when he’s trying to keep her safe. And he’s scared of being alone after she leaves.
Nat’s objections aside, Riko still plans to go first thing tomorrow. And after his very first cave-raiding, Reg decides he’ll accompany her, now that he knows the curse doesn’t affect him (at least not as bad as humans). Riko needs to find her mom. Reg wants to find out what he is and why he was made, and what he was meant for.
Against these lures, Nat doesn’t have a chance, even after Siggy unfurls a gorgeous map of the Abyss and describes all of the exotic hazards and trials that await Riko and Reg (while the Abyss’ equally gorgeous xylophone leitmotif plays). Even though Sigy is merely describing the levels while pointing to illustrations on the map, the limitless grandeur and wonder of the Abyss comes through crystal clear.
Nat finally goes to far trying to dissuade Riko by telling her the most likely possibility is that her mother died long ago, and there’s nothing for her down there. It’s a horribly mean thing to say, and Riko runs off, but Nat immediately regrets hurting his friend.
Sigy and Reg get it, and neither of them want Riko and Nat to part ways without making up. So when dawn breaks, Sigy enlists the help of none other than Nat to lead them to the rarely-used entrance to the netherworld in the slums where he grew up collecting rags before he was admitted to the orphanage. He says he’s sorry and Riko immediately forgives him.
The slums become denser, darker, and dingier, until they finally reach a rickety wooden platform extending over the Abyss. Below them is only inky blackness. It might as well be the end of the world. It is, quite simply, terrifying.
But it’s also tremendously exciting, with a momentous, THIS IS IT kind of vibe. After a thoroughly tearful farewell to Nat and Sigy, the 12-year-old Riko, possibly braver than I could ever be, grabs hold of Reg; he lowers them into the void, and they’re gone, just like that.
How long will that darker-than-darkness last? How accurate is that map? What wonders—or horrors—will await them down there? I won’t speculate—I’ll just keep watching.