Fruits Basket – 51 (S3 01) – There’s No Night that Doesn’t End

Where we last left off, Kureno had just revealed to Tooru that not only was Akito a woman. No matter how much he loved Arisa, he couldn’t leave Akito’s side, not even after being freed from the curse—or especially because of that. He further explains that Akito was raised a male from birth because it was decreed by her mother Ren, to whom we are finally introduced.

Ren still lives on the grounds, but as Kureno puts it she has “some…troubles, mentally and physically.” Akito freaks out when Ren even tries to touch Hatori, while Ren insists Akito’s belief that her bonds with the Zodiac animals are real love and eternally unchanging is nothing but fantasy.

Her cruel taunting of her daughter—whom she made into a sun by pure will—causes Akito to fly into a rage, but Ren wouldn’t mind being killed, because it would mean reuniting with Akira, Akito’s late father. In a flashback Akira tells Akito she was “born to be loved”, but to Akira that probably doesn’t mean being venerated as a god.

The thing is, Ren may question whether the Zodiac bonds are right or even real, Kureno, Shigure, Hatori, and Ayame all woke up in tears the same morning Akito was conceived. Before appearing in Ren’s belly, Akito came to them in a dream, and the four kids ran to Ren, who didn’t even know she was pregnant.

From that day, Kureno felt the other self that lived inside him, in his blood, and knew he could never betray her. Even if the bond was unnatural, or painful, he simply could never push away a crying Akito, and so can’t see Arisa. Because just as Akito wounds others, she herself is wounded.

Kureno said all of this to properly explain why he can’t leave Akito ever, and that the choice to stay with her is his alone, not guided by any curse. As he leaves her in the courtyard, the DVD falls out of Tooru’s hands and she cannot move for some time, frozen by the weight of this new information.

Her scarf flies away, she falls to her knees. Rin, her ally in ending the curse, watches this from afar. Kureno explains how he went out for fresh air, gets a vicious slap from Akito, and then the two gently embrace. Then, like a gothic fairy, Saki approaches Tooru, flanked by Megumi, and announces she is “here to save the day. Ta-da.”

After informing Yuki that Tooru is in her “custody” and will be her’s “all night” (phrasing!) Saki prepares a “Nightgown Festival” to soothe Tooru’s troubled soul. She tells Tooru that she was able to detect Tooru crying in a voice no one else could hear, but was deafening to her. Tooru explains how she tried to bring Kureno and Arisa together, to make up for all the things people like Arisa did to help her…but she failed, so she’s useless.

As we see Kyou spot Tooru’s scarf lying in the street, Tooru tells Saki how Kureno is someone who puts others’ feelings before his own. I’m glad Saki’s there to essentially say “look in the mirror…that’s you!”. Saki worries if Tooru keeps taking everyone’s feelings on her shoulders, it will crush her, and her smile will disappear. Arisa enters Saki’s room to add that if Tooru’s smile disappears, “it will be the end of the world.” Neither of them will let that happen.

Arisa sits with Tooru and says she’s “trash” for maing her cry. Tooru says she’s not trash, and Arisa in turn says Tooru isn’t useless. What she is is a dummy, just as Kureno is a dummy, and Arisa can’t help but love dummies. But because she loves them, she doesn’t want to cause problems for them, so she gathers Tooru in a hug and assures her she needn’t worry; she’ll be fine. With that, the Nightgown Festival commences in earnest, and Megumi’s heart pounds as he’s surrounded by older women, the little scamp!

Rin continues slinking around the Souma compound, only to be caught by Ren, who asks her if she wants any “help.” No doubt Ren would love to lift the curse, though it’s interesting that she only comes into the picture now.

Fatigued by their emotional exertions, Tooru and Arisa fall asleep early. Megumi asks Saki if she thinks it’s really hopeless for Arisa and Kureno. Who can say? Arisa may have said “that’s it”, but Megumi isn’t so sure. Sometimes it takes a long time for lovers to find each other.

The next morning, Tooru comes home, all cheered up, and becomes even more cheered up when she finds her scarf waiting for her, courtesy of Kyou, who even washed it (though some stains remain, which is apropos!) Tooru bops him with a pom-pom once more, then Yuki and Shigure bid her good morning. As Tooru gets on with her life—no mean feat after what she’s learned—she resolves to gradually think upon the thinks Kureno told her bit by bit.

With this beautiful, magical, heartrending-and-mending opening outing, Fruits Basket continues to prove it is the final word in supernatural romantic comedy/dramas. After two exquisite seasons of painstakingly introducing characters, delivering their backstories and developing and strengthening relationships, this third, The Final, will introduce and execute the endgame.

Some of the darkest and most painful episodes may be yet to come, but I’ll happily endure them with Tooru, Arisa, Saki, Yuki, Kyou, and everyone else to see how things turn out!

Just Because! – 07

Things really come together in the Natsume-Izumi-Komiya love triangle this week, as both girls start to realize the feelings they have, things long left unsaid are finally said, nudging the narrative forward in a satisfying way.

Komiya clutching Izumi’s back was certainly a provocative image to leave use with two weeks ago—particularly in making Natsume bear witness to the display. As it happens, the embrace was instigated by a jubilant Komiya. We get to see what led up to that hug-from-behind, with Izumi saving Komiya from a run-in with a scary dude who thought she was snapping pics of him without his permission.

She blames Izumi for not giving her permission, but more importantly, finally tells him why it’s so important he give it: the photography club is a place where she finally belonged; if it’s gone, she’ll have nowhere.

While that’s not strictly true, I’m sure Izumi can relate to not having a true place to belong after being uprooted from his school and friends years back. And like Komiya, he’s working to preserve such a place, by trying to get into the same university as Natsume.

Izumi tellingly gets no sleep at all; perhaps he recognized Natsume last night when Komiya was on his back; and when it snows the morning of her test, all forms of transportation are snagged and delayed. It’s a common scenario for Natsume, as Izumi sees it: she’s always getting the short end of the stick; one could also call it plain ol’ bad luck.

It enabled her to see Izumi with Komiya at the worst (and most misunderstandable) possible time; it also caused it to snow the day of her big test, and to slip and fall right before the PA warning about the slippery floor.

But Izumi is on it; he does what he’s always done with Natsume; try to make up for her bad luck by being there with her; to help bear some of her burdens. After seeing him with Komiya, Izumi helping her off the cold wet ground was probably the last thing Natsume expected…and yet here he is.

Izumi also shields her on a crowded train, making things as comfortable as possible before her test. When she worries she’s forgotten all she’s studied, he throws history questions at her, which she answers with ease; she’s alright after all. She asks him to keep quizzing her.

Neither mentions what was up with Komiya last night, he’s just there, in the there and now, to offer his support, and it seems to work: Natsume arrives at the test center with a spring in her step and has a defiant, confident look in the testing room.

That train scene is my favorite of the show between the two; there’s so much quiet, gentle mutual affection there; both look so cozy and content. And it almost instantly turns Komiya—whom I was damn near ready to ship with Izumi last week, but who sneaks up on Izumi in a bookstore—into an interloper. Izumi barely has the time of day for her.

At the same time, I feel sorry that the timing of her “queasiness” is coming at about the same time Natsume is starting to realize her feelings for Izumi. After the test, Natsume watches a middle school couple interact on the train, with the boy carrying the larger load for the girl’s sake, albeit somewhat grumpily.

The boy reminds Natsume of Izumi, clearly carrying something too heavy but willing to do it for her. In that flashback, Natsume’s fellow council members skipped out on her, in another instance of her getting the short end of the stick, but Natsume’s quite right that Izumi got an even shorter end when he suddenly had to move away.

But now Izumi is back, and he’s still willing to go the extra mile for Natsume. Indeed, she’s not yet aware he’s aiming to go to the same university as her. I wonder how she’ll take that when she does learn? I guess it depends on whether he tells her or if she finds out.

Komiya does know; she saw the books Izumi was reading at the store. As such, and with her “queasiness” in mind, Komiya wastes no time asking permission again, this time asking Natsume if she can ask Izumi out on a date.

In baseball speak, this question to Natsume could be considered “chin music”, a fastball high and inside, meant to back the batter off the plate. It’s an aggressive move by a girl who has made many an aggressive move to get what she wants, though in a more pragmatic than selfish or hostile way.

Everyone is looking for a place to belong, and in Komiya’s case, that place might just be by Izumi’s side. Natsume may have been super-passive up to this point, but her response to Komiya is a swift and decisive “no, you can’t”, spoken almost under her breath, but from a higher physical point than Komiya, underscoring her precedence.

Those three words indicate so much: No, you can’t swoop in and take what would already be mine, if I’d realized and/or acted sooner. No, you can’t steal a march on me. You may be working through things faster, but that doesn’t mean I have to match your speed. I’m going to sit down, figure things out and talk with Izumi, and then we’ll see what’s what. Until then, REQUEST DENIED.

It’s an admirable first step and line in the sand for Natsume. Here’s hoping she keeps it up and has a good, productive conversation with Izumi very soon.