Inuyashiki – 07

No Ichirou at all this week, giving the episode ample time to continue developing Hiro. The high of offing over 50 2channelers to avenge his mother has largely worn off, and he spends most of the time in bed. He remembers perhaps the first time he saw someone die—a track jumper—and how he felt a light going out when the life was extinguished.

A very patient and caring Shion still wants to believe Hiro is not the killer, but Hiro can’t go on that way, and tells her the truth, as well as shows her that he’s a machine now. When she refuses to accept it, he takes her for a harrowing ride and almost drops her.

Shion doesn’t explicitly beg for her life, she merely begs Hiro not to leave her and her grandmother. The indication being, no matter what he’s done, he has a home with them. Hiro looked very ready to drop Shion to her death, then proceed with the extermination of Japan’s whole population.

He does this because killing people makes him feel alive, and perhaps makes him forget that he’s not a person in the same sense anymore. But up there in the sky, Shion changes his course. She believes even if he doesn’t turn himself in, he can try to make things right by saving as many or more people than he’s killed. The flight is a baptism of sorts into the Church of Goodness.

Cut to the life of a salarywoman with terminal cancer being consoled by her co-worker/boss, considering jumping in front of a train like the guy Hiro once witnessed, but she doesn’t. She wants to live, so desperately that she heeds a tweet directing her to Hiro, who eradicates her cancer in moments. She’s back at the office, good as new.

Hiro doesn’t stop there, and Shion accompanies him as he heals one infirm or chronically-ill person after another, gaining their eternal gratitude. His twitter presence starts to expand, and before lone, he’s achieved the goal of saving more people than he killed.

Shion wants to keep it going. She and Hiro go on a celebratory flight, and when Hiro asks if this has gotten boring and Shion answers in the negative, don’t think I didn’t wonder whether he’d turn evil again and drop the poor young woman to her death.

Instead, Hiro seems to have filled the void left by his deceased mother with Shion, committing himself to her “forever.” Shion doubted she’d live a long life, but being with Hiro will likely change that, both from a medical and emotional standpoint. She’s no longer alone, and no longer has to worry about her cancer-prone genes.

All she has to worry about is the SWAT team stealthily arriving at her apartment in the middle of the night, likely ready to strike without regard to collateral casualties. Either Hiro can take them out without Shion or her granny getting harmed, or they do get harmed and he’s able to save their lives.

Either way, staying in that apartment is no longer an option. No matter how much good he’s done, it hasn’t erased the bad in the eyes of the law, which will never stop hunting him.

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Inuyashiki – 06

Hiro manages to escape the cops without killing anybody, but the damage is done: his mother has seen him treated the way a terrorist would be treated, and that’s going to be hard to explain, especially when his face and deeds are all over TV, the internet, and word-of-mouth.

Hiro lands nowhere in particular, but it isn’t long before he comes across Watanabe Shion, who is willing to harbor him in the cramped apartment where she and her grandmother live. Shion, the poor lass, doesn’t believe the news…except the part about his “complicated” family situation.

This served to endear him even more to her; she’s an orphan. Both her parents died of cancer, and she believes she won’t live long either. Her classmates may ultimately conclude Hiro was a bad egg despite being cute and nice, but Shion can’t do that. And you really feel for her and yes, worry about something on the TV or internet setting Hiro off on another rampage.

After a quiet, polite dinner, and in a scene reminiscent of Leon, Hiro gets up and points his finger at the heads of Shion and her grandmother…but in a genius bit of cutting that leaves you hanging for just a moment…we see he didn’t go through with it, as he’s having a nice breakfast with them the next morning.

This is an 80-90% Hiro episode, but the bit with Ichirou and Andou serves as a nice, lightweight intermission from the tense and emotional goings-on with Hiro. Very lightweight, as it happens. Andou, being very scientific in helping Ichirou maximize his powers, has Ichirou interface with is phone so that he can communicate hands-free at any time, like an iPhone in his brain.

Ichirou’s bewilderment and panicky reactions are always a great source of laughs, and this is no exception, as Andou recommends Ichirou test the range of their comms, which he does by launching himself into orbit. An spacewalking astronaut spots him; whether this will be trouble later depends on whether there was any kind of video feed.

Back to Hiro, who doesn’t have much to do besides “watch” TV and surf the internet, specifically chat rooms like “2chan”. He gets sucked in and is unable to “turn off”. The online dialogue is naturally quite vicious, and in his absence, it turns against his mother, who is so upset and ashamed she commits suicide.

Hiro learns this on a breaking news graphic during a comedy show he was actually managing to laugh at. Turns out there’s no escape from his torment, even when he launches himself high into the sky to scream. As I said last week, losing his mother would mean losing the one thing keeping him tethered to a degree of humanity—though we’ll see if Shion steps in to fill that role.

My only nit to pick this week: Why didn’t Hiro locate and rush to his mother the moment the news dropped she’d committed suicide? You’d think he would have at least tried to resurrect her. Then again, if she was totally dead at that point, perhaps even Ichirou and Hiro’s healing powers can only go so far.

Hiro intends to take revenge on those who caused and celebrated the death of his mother. He slaughters a media circus outside his father’s house, sparing his father, despite his role in abandoning his mother for another woman. I guess he still has some boundaries.

However, there are certainly some boundaries that he can easily break through—like the boundary between the legion of trolls and real-life, real-time consequences for their words and attitudes.

Targeting a particularly nasty chatroom, a member of which gave the media his address and name, he first hacks in and tells them that he’ll kill them all. Then he kills the one who ratted him out (even though he insists he was only trolling), then systematically kills each and every member of the room.

The nature of their real-life isolation from each other made it impossible for anyone to credibly warn anyone else, and the speed with which Hiro works makes it impossible for anyone to even process what the hell is happening, let alone defend themselves.

While these trolls were undeniably assholes, they didn’t really deserve to be executed, and Hiro certainly wasn’t the one to pass judgment on them, considering the extent of his own crimes. The grand irony of it all is that if only he hadn’t been caught, Hiro might’ve actually stopped killing; and redirected his life to protecting and providing for the mother who bore him.

Inuyashiki – 05

Ando may have ended his friendship with Hiro, but in the eyes of the school, the two of them killed the guys who were bullying them, despite the absence of any physical evidence. The rumors take Hiro and Ando’s motives, the fact that just the right people died, and connect the dots. Of course, they’re only half-right. Ando had nothing to do with the killings, and he certainly didn’t ask Hiro to go so far to protect him.

After some aimless searching on the internet, Ando finds an uptick in “medical miracles” nearby, and remembers Hiro can heal people. At first he wonders if Hiro is the one both killing and saving people, but then considers that maybe there’s someone else out there with his abilities, only doing good instead of evil.

Remembering Hiro mention his superhuman hearing, Ando cries out for help…and a shirtless Ichirou is at his door in moments. It clearly relieves Ando to no end that Ichirou can do what he does. It means that perhaps they have a fighting chance of stopping Hiro – something both agree must happen.

Perhaps sensing that viewers needed a bit of a break from the hard stuff, this Inuyashiki doesn’t have any home invasion, grisly murders, or sexual assaults. Instead, much of the episode focuses back on Hiro, who seems to be taking a break from the home invasions as it’s all over the news.

His classmate Shion confesses to him, even after he calls her “pube-head”, and he thanks her and walks away. But I imagine Shion isn’t going anywhere.

We also get a closer look at his family life. Specifically, the fact his father and mother are divorced, and his father has a big fancy house and a whole other family. He attends his stepbrother’s birthday, then goes back to the tiny, drab apartment he and his mom share.

ne night, Hiro wakes from a dream that he gets a papercut, indicating he’s human again—something he dearly wants—his mom tells him she has terminal cancer and a month to live, so suddenly it’s a good thing he’s not human.

Ichirou insists to Ando that he’s no true hero; he does the heroic things he does like saving people because he’s afraid that his ability to do that is secondary to the overarching reality: that he is a machine built for killing and destruction.

Ando doesn’t agree with that assessment. He’s certain—as we are—that Ichirou is a true hero (the humbler the better), and they fly to a dump where Ando has Ichirou practice using his physical abilities, which certainly require fine-tuning after he makes a giant crater. (I loved the little chat the two were having on the way; with Ando complimenting Ichirou’s daughter.) Later, Ando accompanies him to a hospital and witnesses him saving a boy’s life firsthand, further galvanizing his opinion that he’s a hero.

While consoling his mom with a hug, Hiro succeeds in totally curing her cancer, and decides he’ll use his abilities to support her from now on. He lies about having invested his part-time job pay and made 3 million yen, and uses that cash to get them a new, fancy apartment with a view. His mom is grateful…but also a little scared. She should be.

After all, I can’t forgive Hiro for the crimes he’s already committed any more than Ando or Ichirou can. They are quite literally unforgivable, which means Hiro tries to skip ahead to redemption way too early.

When he hears his mother condemn the monster being reported on the news, he tries to come clean, only to find his mother incapable of understanding what he’s talking about. But it does fill him with guilt, to the point he resolves to stop killing.

That’s great to hear, but it doesn’t change the fact he’s already killed…a lot, and horribly. He must answer for that, which is why I was happy the cops showed up in force to arrest him. With his mother standing right there watching, there’s no way he could unleash his abilities on them. If he did, he would likely lose her (even if she isn’t killed in the fracas) the last person tethering him to his humanity.

As for who the “material witness” is, it’s strongly implied to be Ando, again doing what he can to help Ichirou stop him, but I wouldn’t rule out Shion, the girl he scorned, either. Whoever it was, Hiro is in deep shit…all of his own making.

Inuyashiki – 01 (First Impressions)

Inuyashiki Ichirou has, at least to me, a pretty impressive name, but his life is depicted as…less impressive. Like Japan, he’s old. It’s worse: even though he’s just 58, he looks more like he’s in his 70s or 80s. His kids are in high school, and they’ve never been that impressed by him.

He finally makes enough money to buy his family a new house, and they’re underwhelmed by its size and the fact it’s next to (and in the shadow of) a much bigger house owned by their neighbor Oda, a successful manga artist.

Ichirou’s family abandons him and has dinner at a family restaurant (ironic) while he’s stuck with all the boxes.

Speaking of boxes, Inuyashiki Ichirou would seem to have checked off a lot of the ones he was expected to: got an education, a salaried job, a wife and two healthy kids. He finds a tossed-away dog and names her Hanaka, but the family just sees her as a nuisance and a burden.

He’s alone. So alone, when he’s cavalierly diagnosed with terminal stomach cancer and given three months to live by a doctor with one of the worst bedside manners I’ve ever seen, not one member of his family answers his phone calls.

He doubts they’d even cry if he told them; they’d probably just curse him for being so weak and frail and ineffectual. His daughter tells her friends he’s her grandfather, for Christ’s sake. This is a sad man on every level; thank god he has Hanaka to hug.

But while out walking her, he and another younger man with dark hair we only catch a glimpse of are apparently flattened by a crashed alien ship. Willing to take responsibility despite their tight schedule, Iyunashiki is painstakingly reconstructed with non-organic material.

He looks exactly the same, but Ichirou doesn’t feel right. He’s very thirsty; he no longer needs glasses; oh, and his arms, back, and head all retract to reveal various types of bizarre machinery, scaring the heck out of Hanaka.

I couldn’t help but think of the changes the MC of Parasyte went through, only rather than being infected with an alien parasite, Ichirou is only alive because the aliens were nice enough to rebuild his body, and mind, in perfect detail…only better.

One could say he’s been given great power, and with that comes great responsibility. When he encounters a gang of youths attacking a homeless man (who they call a “cockroach” with fireworks and with metal bats at the ready, Ichirou steps in to stop them.

First of all, I sorely hope roving gangs of kids beating up the homeless isn’t, like, a thing in Japan. That’s doubly distressing considering how much respect elders are supposed to be shown by youth in Japan, and how large a proportion of the population the elderly are becoming.

Ichirou is quickly beaten into the ground by the kids, who believe they’ve killed him and figure they might as well kill the homeless guy too. Honestly, this is the scum of the earth.

But in a hilariously, thoroughly satisfying, absolutely righteous climax to this sad tale of an old, weak, ineffectual man, his body acts on its own; targeting all the bad eggs Terminator-style, plotting firing solutions, and launching a non-lethal barrage of “fireworks” that spook the kids into scattering before they do any more harm.

Even better, his body’s OS uses its scan data to discover the identities of the young assailants and broadcasts a posted video of their activities on every screen in the city. They’re eventually found out and likely to be caught by the police and punished for their crimes. It’s probably better than they deserve; I was fully prepared for Ichirou to kill them.

But he’s not a killer. What he has become is a hero. More importantly, by risking his life to save another and becoming emotionally overcome by the weight of that sequence of events, Ichirou cries tears of joy. He may still look like a spent old man, but he’s never felt more alive, and I sincerely doubt this will be the last of his heroic acts.

Inuyashiki paints a pretty bleak picture of Japanese society, to the point it was pretty damn unpleasant to watch how Ichirou was treated by everyone in his life. The show is clearly on his side, and, well, so am I, even if I agree with his kids that the house he chose is a little depressing. It’s refreshing to see an anime for once not focusing a bunch of teenagers, instead starring a family man desperate to catch a break.

Due to the extreme nature of his transformation, he’ll likely be keeping this a secret from his family and everyone else, which means he’ll still have to play the role of the man he used to be. Hey, every hero has to have an alter-ego, right? They also have to have an arch-nemesis; my money’s on that younger man at the sight of the alien crash serving that role.

Ao Haru Ride – 11

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Not sure what this exchange was all about, but I warn you, show: I’m in no mood for new characters!

Most of the first half of this episode expounds upon the daily grief, emptiness, and hesitation to care that Kou has felt every waking day since losing his mother. The manner in which he lost her: very slowly; while he was mostly alone with her; while working so hard to get good grades and a good job that he didn’t spend as much time with her while she was healthy; that he didn’t even catch signs that she might not be well, even though he was doing everything for her; that his brother told him to look after mom, and he failed.

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These are the reasons Kou is the way he is, and the reasons he changed so much from the boy Futaba fell for in middle school. And for once, the show comes up with a metaphor for us: it isn’t so much how Futaba puts it: that the door to his heart is closed and double-locked, it’s that the door doesn’t have a doorknob or keyhole. He’s not just keeping people like Futaba and his new friends out; he’s trapped inside, and doesn’t know the way out of there.

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Doorknob, lock, or no, Futaba is determined to break through that door no matter what, not just to let herself in, but to bust him out of the emotional prison he inadvertently built. Futaba is more determined than she’s ever been, to the point that Yuuri doesn’t really seem to have that much of a chance. She may know about Kou’s grief, but when push comes to shove she didn’t have the guts to do what Futaba does, descend upon him like a storm that will blow the door to his heart open.

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As clouds gather in the sky, it takes grabbing Kou, falling upon him, and embracing him tightly, as well as finding the right words to convince him, but Futaba seems to finally make some progress, giving Kou the “permission” he’d always been seeking to feel for someone or something again. That no hole in his heart can’t be filled, even if it takes more than one, or dozens, or hundreds of smaller things to fill it. It isn’t going to be easy, but Futaba is there to stand with and support him in the gradual but necessary process of forgiving himself and moving forward.

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