Myoue first meets Lady Koto, the human form of a black rabbit his master once painted which came to life. The three lived in seclusion as the seasons passed. Lady Koto stands on an unknown world with the earth in full view, holding an infant that looks like Koto, promising her they’ll meet again someday.
This was probably the most cryptic of the five Kyousogiga segments – one in which the majority goes without spoken dialogue, only a song sung in English. The different seasons are beautifully rendered in the frame of the temple, and we liked the concept of the entire strange city we’ve seen thus far being a painting by Myoue’s master, painted piece by piece and pasted to the wall.
There are probably a lot of ways to interpret everything that went on in this last few minutes (carrying lady Koto with a trail of blood behind her, followed by the appearance of a young Myoue…was she pregnant?) but it drove home the point that the whole series, brief as it was, was a nice, trippy, ephemeral look at another world and the colorful lives that inhabit it – and didn’t get bogged down in excessive explanation.
Rating: 7 (Very Good)